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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #885AB3 it is the complementary color #77A54C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #885AB3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #885AB3 shade: #8D5AAE, #9E6CC1, #AF7ED4, #C090E7 and #D1A2FA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #885AB3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #885AB3 shade: #885AB3, #7748A0, #66368D, #55247A and #441267

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #885AB3 shade: #885AB3, #A05AB3, #B35AAE, #B35A96 and #B35A7E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #885AB3 shade: #885AB3, #705AB3 and #5A5AB3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #885AB3 shade matches the following richer shades: #885AB3, #8947C6, #8934DA and #8A20ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #885AB3 shade: #885AB3, #876EA0, #87818C, #869479 and #86A865

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #885AB3 shade: #5A5CB3, #705AB3, #885AB3, #A05AB3 and #B35AAF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #885AB3 shade: #5F3B80, #73489C, #885AB3, #9D77C0 and #B193CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #885AB3 shade: #885AB3, #B35A73 and #5AB365

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #885AB3 shade: #885AB3, #B3885A and #5AB388

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #885AB3 shade: #885AB3, #B35A73, #85B35A and #5AB39A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #885AB3 shade: #885AB3, #B35C5A, #85B35A and #5AB2B3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 50 / 0 / 30

HEX #885AB3

RGB 136 90 179

HSL 271.01, 0.37%, 0.53%

LAB 46.71, 36.43, -40.34

 

Complementary color

CMYK 28 / 0 / 54 / 35

HEX #77A54C

RGB 119 165 76

HSL 91.01, 0.37%, 0.47%

LAB 62.81, -30.98, 40.76

 

CMYK 19 / 48 / 0 / 32

HEX #8D5AAE

RGB 141 90 174

HSL 276.43, 0.34%, 0.52%

LAB 47.02, 36.68, -36.9

 

CMYK 18 / 44 / 0 / 24

HEX #9E6CC1

RGB 158 108 193

HSL 275.29, 0.41%, 0.59%

LAB 53.86, 35.82, -37.01

 

CMYK 17 / 41 / 0 / 17

HEX #AF7ED4

RGB 175 126 212

HSL 274.19, 0.5%, 0.66%

LAB 60.6, 35.01, -37.11

 

CMYK 17 / 38 / 0 / 9

HEX #C090E7

RGB 192 144 231

HSL 273.1, 0.64%, 0.74%

LAB 67.22, 34.25, -37.21

 

CMYK 16 / 35 / 0 / 2

HEX #D1A2FA

RGB 209 162 250

HSL 272.05, 0.9%, 0.81%

LAB 73.74, 33.53, -37.32

 

CMYK 24 / 50 / 0 / 30

HEX #885AB3

RGB 136 90 179

HSL 271.01, 0.37%, 0.53%

LAB 46.71, 36.43, -40.34

 

CMYK 26 / 55 / 0 / 37

HEX #7748A0

RGB 119 72 160

HSL 272.05, 0.38%, 0.45%

LAB 39.74, 37.37, -40.3

 

CMYK 28 / 62 / 0 / 45

HEX #66368D

RGB 102 54 141

HSL 273.1, 0.45%, 0.38%

LAB 32.67, 38.27, -40.19

 

CMYK 30 / 70 / 0 / 52

HEX #55247A

RGB 85 36 122

HSL 274.19, 0.54%, 0.31%

LAB 25.56, 38.99, -39.88

 

CMYK 34 / 83 / 0 / 60

HEX #441267

RGB 68 18 103

HSL 275.29, 0.7%, 0.24%

LAB 18.54, 39.05, -39.11

 

CMYK 24 / 50 / 0 / 30

HEX #885AB3

RGB 136 90 179

HSL 271.01, 0.37%, 0.53%

LAB 46.71, 36.43, -40.34

 

CMYK 11 / 50 / 0 / 30

HEX #A05AB3

RGB 160 90 179

HSL 287.19, 0.37%, 0.53%

LAB 49.55, 43.25, -35.68

 

CMYK 0 / 50 / 3 / 30

HEX #B35AAE

RGB 179 90 174

HSL 303.37, 0.37%, 0.53%

LAB 51.78, 47.83, -29.09

 

CMYK 0 / 50 / 16 / 30

HEX #B35A96

RGB 179 90 150

HSL 319.55, 0.37%, 0.53%

LAB 50.8, 43.77, -16.51

 

CMYK 0 / 50 / 30 / 30

HEX #B35A7E

RGB 179 90 126

HSL 335.73, 0.37%, 0.53%

LAB 49.98, 40.23, -3.46

 

CMYK 24 / 50 / 0 / 30

HEX #885AB3

RGB 136 90 179

HSL 271.01, 0.37%, 0.53%

LAB 46.71, 36.43, -40.34

 

CMYK 37 / 50 / 0 / 30

HEX #705AB3

RGB 112 90 179

HSL 254.83, 0.37%, 0.53%

LAB 44.25, 29.94, -44.41

 

CMYK 50 / 50 / 0 / 30

HEX #5A5AB3

RGB 90 90 179

HSL 240, 0.37%, 0.53%

LAB 42.37, 24.54, -47.52

 

CMYK 24 / 50 / 0 / 30

HEX #885AB3

RGB 136 90 179

HSL 271.01, 0.37%, 0.53%

LAB 46.71, 36.43, -40.34

 

CMYK 31 / 64 / 0 / 22

HEX #8947C6

RGB 137 71 198

HSL 271.18, 0.53%, 0.53%

LAB 44.09, 51.49, -55.59

 

CMYK 37 / 76 / 0 / 15

HEX #8934DA

RGB 137 52 218

HSL 270.72, 0.69%, 0.53%

LAB 42.52, 64.68, -69.67

 

CMYK 42 / 86 / 0 / 7

HEX #8A20ED

RGB 138 32 237

HSL 271.02, 0.85%, 0.53%

LAB 42.08, 75.41, -81.2

 

CMYK 24 / 50 / 0 / 30

HEX #885AB3

RGB 136 90 179

HSL 271.01, 0.37%, 0.53%

LAB 46.71, 36.43, -40.34

 

CMYK 16 / 31 / 0 / 37

HEX #876EA0

RGB 135 110 160

HSL 270, 0.21%, 0.53%

LAB 50.5, 19.95, -23.31

 

CMYK 4 / 8 / 0 / 45

HEX #87818C

RGB 135 129 140

HSL 272.73, 0.05%, 0.53%

LAB 54.81, 4.44, -5.12

 

CMYK 9 / 0 / 18 / 42

HEX #869479

RGB 134 148 121

HSL 91.11, 0.11%, 0.53%

LAB 59.55, -10.18, 12.61

 

CMYK 20 / 0 / 40 / 34

HEX #86A865

RGB 134 168 101

HSL 90.45, 0.28%, 0.53%

LAB 64.97, -23.69, 30.87

 

CMYK 50 / 49 / 0 / 30

HEX #5A5CB3

RGB 90 92 179

HSL 238.65, 0.37%, 0.53%

LAB 42.89, 23.28, -46.69

 

CMYK 37 / 50 / 0 / 30

HEX #705AB3

RGB 112 90 179

HSL 254.83, 0.37%, 0.53%

LAB 44.25, 29.94, -44.41

 

CMYK 24 / 50 / 0 / 30

HEX #885AB3

RGB 136 90 179

HSL 271.01, 0.37%, 0.53%

LAB 46.71, 36.43, -40.34

 

CMYK 11 / 50 / 0 / 30

HEX #A05AB3

RGB 160 90 179

HSL 287.19, 0.37%, 0.53%

LAB 49.55, 43.25, -35.68

 

CMYK 0 / 50 / 2 / 30

HEX #B35AAF

RGB 179 90 175

HSL 302.7, 0.37%, 0.53%

LAB 51.83, 48.01, -29.6

 

CMYK 26 / 54 / 0 / 50

HEX #5F3B80

RGB 95 59 128

HSL 271.3, 0.37%, 0.37%

LAB 32.08, 30.22, -33.14

 

CMYK 26 / 54 / 0 / 39

HEX #73489C

RGB 115 72 156

HSL 270.71, 0.37%, 0.45%

LAB 39.04, 35.29, -39.05

 

CMYK 24 / 50 / 0 / 30

HEX #885AB3

RGB 136 90 179

HSL 271.01, 0.37%, 0.53%

LAB 46.71, 36.43, -40.34

 

CMYK 18 / 38 / 0 / 25

HEX #9D77C0

RGB 157 119 192

HSL 271.23, 0.37%, 0.61%

LAB 56.26, 29.05, -32.7

 

CMYK 14 / 28 / 0 / 20

HEX #B193CD

RGB 177 147 205

HSL 271.03, 0.37%, 0.69%

LAB 65.45, 22.3, -25.65

 

CMYK 24 / 50 / 0 / 30

HEX #885AB3

RGB 136 90 179

HSL 271.01, 0.37%, 0.53%

LAB 46.71, 36.43, -40.34

 

CMYK 0 / 50 / 36 / 30

HEX #B35A73

RGB 179 90 115

HSL 343.15, 0.37%, 0.53%

LAB 49.66, 38.8, 2.66

 

CMYK 50 / 0 / 44 / 30

HEX #5AB365

RGB 90 179 101

HSL 127.42, 0.37%, 0.53%

LAB 66.02, -43.4, 31.77

 

CMYK 24 / 50 / 0 / 30

HEX #885AB3

RGB 136 90 179

HSL 271.01, 0.37%, 0.53%

LAB 46.71, 36.43, -40.34

 

CMYK 0 / 24 / 50 / 30

HEX #B3885A

RGB 179 136 90

HSL 31.01, 0.37%, 0.53%

LAB 59.83, 10.7, 30.95

 

CMYK 50 / 0 / 24 / 30

HEX #5AB388

RGB 90 179 136

HSL 151.01, 0.37%, 0.53%

LAB 66.67, -36.9, 13.89

 

CMYK 24 / 50 / 0 / 30

HEX #885AB3

RGB 136 90 179

HSL 271.01, 0.37%, 0.53%

LAB 46.71, 36.43, -40.34

 

CMYK 0 / 50 / 36 / 30

HEX #B35A73

RGB 179 90 115

HSL 343.15, 0.37%, 0.53%

LAB 49.66, 38.8, 2.66

 

CMYK 26 / 0 / 50 / 30

HEX #85B35A

RGB 133 179 90

HSL 91.01, 0.37%, 0.53%

LAB 67.99, -30.79, 40.29

 

CMYK 50 / 0 / 14 / 30

HEX #5AB39A

RGB 90 179 154

HSL 163.15, 0.37%, 0.53%

LAB 67.09, -32.85, 4.59

 

CMYK 24 / 50 / 0 / 30

HEX #885AB3

RGB 136 90 179

HSL 271.01, 0.37%, 0.53%

LAB 46.71, 36.43, -40.34

 

CMYK 0 / 49 / 50 / 30

HEX #B35C5A

RGB 179 92 90

HSL 1.35, 0.37%, 0.53%

LAB 49.47, 34.99, 17.35

 

CMYK 26 / 0 / 50 / 30

HEX #85B35A

RGB 133 179 90

HSL 91.01, 0.37%, 0.53%

LAB 67.99, -30.79, 40.29

 

CMYK 50 / 1 / 0 / 30

HEX #5AB2B3

RGB 90 178 179

HSL 180.67, 0.37%, 0.53%

LAB 67.48, -26.05, -8.66

 

Description

Color code: HEX #885AB3 | qconv.com Color code: HEX #885AB3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 90 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 90 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 50 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 50% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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