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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #886CCD it is the complementary color #779332. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #886CCD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #886CCD shade: #8D6CC8, #9E7EDB, #AF90EE, #C0A2FF and #D1B4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #886CCD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #886CCD shade: #886CCD, #775ABA, #6648A7, #553694 and #442481

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #886CCD shade: #866ACC, #A16ACC, #BB6ACC, #CC6AC2 and #CC6AA8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #886CCD shade: #866ACC, #6C6ACC and #6A6ACC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #886CCD shade matches the following richer shades: #866ACC, #805ADC, #794AEC and #723AFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #886CCD shade: #866ACC, #8D7ABC, #948BAC, #9B9B9C and #A2AB8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #886CCD shade: #6A83CC, #6C6ACC, #866ACC, #A06ACC and #BA6ACC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #886CCD shade: #5A3AAA, #6E4CC1, #866ACC, #9F89D6 and #B8A8E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #886CCD shade: #886CCD, #CC6A9D and #76CC6A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #886CCD shade: #886CCD, #CC866A and #6ACC86

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #886CCD shade: #886CCD, #CC6A9D, #B0CC6A and #6ACC99

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #886CCD shade: #886CCD, #CC6A7F, #B0CC6A and #6ACCB7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 47 / 0 / 20

HEX #886CCD

RGB 136 108 205

HSL 257.32, 0.49%, 0.61%

LAB 52.25, 32.61, -46.56

 

Complementary color

CMYK 19 / 0 / 66 / 42

HEX #779332

RGB 119 147 50

HSL 77.32, 0.49%, 0.39%

LAB 57.09, -24.69, 46.42

 

CMYK 30 / 46 / 0 / 22

HEX #8D6CC8

RGB 141 108 200

HSL 261.52, 0.46%, 0.6%

LAB 52.46, 32.66, -43.34

 

CMYK 28 / 42 / 0 / 14

HEX #9E7EDB

RGB 158 126 219

HSL 260.65, 0.56%, 0.68%

LAB 59.26, 31.76, -43.25

 

CMYK 26 / 39 / 0 / 7

HEX #AF90EE

RGB 175 144 238

HSL 259.79, 0.73%, 0.75%

LAB 65.93, 30.94, -43.2

 

CMYK 25 / 36 / 0 / 0

HEX #C0A2FF

RGB 192 162 255

HSL 259.35, 1%, 0.82%

LAB 72.41, 29.72, -42.22

 

CMYK 18 / 29 / 0 / 0

HEX #D1B4FF

RGB 209 180 255

HSL 263.2, 1%, 0.85%

LAB 78.12, 24.8, -33.24

 

CMYK 34 / 47 / 0 / 20

HEX #886CCD

RGB 136 108 205

HSL 257.32, 0.49%, 0.61%

LAB 52.25, 32.61, -46.56

 

CMYK 36 / 52 / 0 / 27

HEX #775ABA

RGB 119 90 186

HSL 258.13, 0.41%, 0.54%

LAB 45.33, 33.67, -46.73

 

CMYK 39 / 57 / 0 / 35

HEX #6648A7

RGB 102 72 167

HSL 258.95, 0.4%, 0.47%

LAB 38.29, 34.83, -46.92

 

CMYK 43 / 64 / 0 / 42

HEX #553694

RGB 85 54 148

HSL 259.79, 0.47%, 0.4%

LAB 31.13, 36.08, -47.07

 

CMYK 47 / 72 / 0 / 49

HEX #442481

RGB 68 36 129

HSL 260.65, 0.56%, 0.32%

LAB 23.92, 37.29, -47.07

 

CMYK 34 / 48 / 0 / 20

HEX #866ACC

RGB 134 106 204

HSL 257.14, 0.49%, 0.61%

LAB 51.54, 32.98, -47.13

 

CMYK 21 / 48 / 0 / 20

HEX #A16ACC

RGB 161 106 204

HSL 273.67, 0.49%, 0.61%

LAB 54.29, 40.29, -42.6

 

CMYK 8 / 48 / 0 / 20

HEX #BB6ACC

RGB 187 106 204

HSL 289.59, 0.49%, 0.61%

LAB 57.3, 47.63, -37.65

 

CMYK 0 / 48 / 5 / 20

HEX #CC6AC2

RGB 204 106 194

HSL 306.12, 0.49%, 0.61%

LAB 59.01, 50.72, -29.14

 

CMYK 0 / 48 / 18 / 20

HEX #CC6AA8

RGB 204 106 168

HSL 322.04, 0.49%, 0.61%

LAB 58.01, 46.48, -15.76

 

CMYK 34 / 48 / 0 / 20

HEX #866ACC

RGB 134 106 204

HSL 257.14, 0.49%, 0.61%

LAB 51.54, 32.98, -47.13

 

CMYK 47 / 48 / 0 / 20

HEX #6C6ACC

RGB 108 106 204

HSL 241.22, 0.49%, 0.61%

LAB 49.32, 26.54, -50.8

 

CMYK 48 / 48 / 0 / 20

HEX #6A6ACC

RGB 106 106 204

HSL 240, 0.49%, 0.61%

LAB 49.17, 26.08, -51.05

 

CMYK 34 / 48 / 0 / 20

HEX #866ACC

RGB 134 106 204

HSL 257.14, 0.49%, 0.61%

LAB 51.54, 32.98, -47.13

 

CMYK 42 / 59 / 0 / 14

HEX #805ADC

RGB 128 90 220

HSL 257.54, 0.65%, 0.61%

LAB 48.35, 45.03, -61.39

 

CMYK 49 / 69 / 0 / 7

HEX #794AEC

RGB 121 74 236

HSL 257.41, 0.81%, 0.61%

LAB 45.66, 56.6, -74.84

 

CMYK 55 / 77 / 0 / 1

HEX #723AFC

RGB 114 58 252

HSL 257.32, 0.97%, 0.61%

LAB 43.7, 67.34, -87.07

 

CMYK 34 / 48 / 0 / 20

HEX #866ACC

RGB 134 106 204

HSL 257.14, 0.49%, 0.61%

LAB 51.54, 32.98, -47.13

 

CMYK 25 / 35 / 0 / 26

HEX #8D7ABC

RGB 141 122 188

HSL 257.27, 0.33%, 0.61%

LAB 55.29, 21.48, -32.03

 

CMYK 14 / 19 / 0 / 33

HEX #948BAC

RGB 148 139 172

HSL 256.36, 0.17%, 0.61%

LAB 59.65, 10.1, -16.14

 

CMYK 1 / 1 / 0 / 39

HEX #9B9B9C

RGB 155 155 156

HSL 240, 0.01%, 0.61%

LAB 64.01, 0.2, -0.53

 

CMYK 5 / 0 / 19 / 33

HEX #A2AB8B

RGB 162 171 139

HSL 76.88, 0.16%, 0.61%

LAB 68.51, -8.91, 15.44

 

CMYK 48 / 36 / 0 / 20

HEX #6A83CC

RGB 106 131 204

HSL 224.69, 0.49%, 0.61%

LAB 55.74, 10.95, -40.62

 

CMYK 47 / 48 / 0 / 20

HEX #6C6ACC

RGB 108 106 204

HSL 241.22, 0.49%, 0.61%

LAB 49.32, 26.54, -50.8

 

CMYK 34 / 48 / 0 / 20

HEX #866ACC

RGB 134 106 204

HSL 257.14, 0.49%, 0.61%

LAB 51.54, 32.98, -47.13

 

CMYK 22 / 48 / 0 / 20

HEX #A06ACC

RGB 160 106 204

HSL 273.06, 0.49%, 0.61%

LAB 54.18, 40.02, -42.78

 

CMYK 9 / 48 / 0 / 20

HEX #BA6ACC

RGB 186 106 204

HSL 288.98, 0.49%, 0.61%

LAB 57.18, 47.35, -37.85

 

CMYK 47 / 66 / 0 / 33

HEX #5A3AAA

RGB 90 58 170

HSL 257.14, 0.49%, 0.45%

LAB 34.19, 41.16, -55.38

 

CMYK 43 / 61 / 0 / 24

HEX #6E4CC1

RGB 110 76 193

HSL 257.44, 0.49%, 0.53%

LAB 41.74, 41.61, -56.62

 

CMYK 34 / 48 / 0 / 20

HEX #866ACC

RGB 134 106 204

HSL 257.14, 0.49%, 0.61%

LAB 51.54, 32.98, -47.13

 

CMYK 26 / 36 / 0 / 16

HEX #9F89D6

RGB 159 137 214

HSL 257.14, 0.48%, 0.69%

LAB 61.76, 24.53, -36.53

 

CMYK 18 / 25 / 0 / 12

HEX #B8A8E1

RGB 184 168 225

HSL 256.84, 0.49%, 0.77%

LAB 71.98, 17.16, -26.62

 

CMYK 34 / 47 / 0 / 20

HEX #886CCD

RGB 136 108 205

HSL 257.32, 0.49%, 0.61%

LAB 52.25, 32.61, -46.56

 

CMYK 0 / 48 / 23 / 20

HEX #CC6A9D

RGB 204 106 157

HSL 328.78, 0.49%, 0.61%

LAB 57.64, 44.84, -9.95

 

CMYK 42 / 0 / 48 / 20

HEX #76CC6A

RGB 118 204 106

HSL 112.65, 0.49%, 0.61%

LAB 74.87, -45.08, 40.68

 

CMYK 34 / 47 / 0 / 20

HEX #886CCD

RGB 136 108 205

HSL 257.32, 0.49%, 0.61%

LAB 52.25, 32.61, -46.56

 

CMYK 0 / 34 / 48 / 20

HEX #CC866A

RGB 204 134 106

HSL 17.14, 0.49%, 0.61%

LAB 62.45, 23.73, 26.09

 

CMYK 48 / 0 / 34 / 20

HEX #6ACC86

RGB 106 204 134

HSL 137.14, 0.49%, 0.61%

LAB 74.81, -44.15, 26.23

 

CMYK 34 / 47 / 0 / 20

HEX #886CCD

RGB 136 108 205

HSL 257.32, 0.49%, 0.61%

LAB 52.25, 32.61, -46.56

 

CMYK 0 / 48 / 23 / 20

HEX #CC6A9D

RGB 204 106 157

HSL 328.78, 0.49%, 0.61%

LAB 57.64, 44.84, -9.95

 

CMYK 14 / 0 / 48 / 20

HEX #B0CC6A

RGB 176 204 106

HSL 77.14, 0.49%, 0.61%

LAB 78.14, -24.66, 45.43

 

CMYK 48 / 0 / 25 / 20

HEX #6ACC99

RGB 106 204 153

HSL 148.78, 0.49%, 0.61%

LAB 75.17, -40.54, 16.68

 

CMYK 34 / 47 / 0 / 20

HEX #886CCD

RGB 136 108 205

HSL 257.32, 0.49%, 0.61%

LAB 52.25, 32.61, -46.56

 

CMYK 0 / 48 / 38 / 20

HEX #CC6A7F

RGB 204 106 127

HSL 347.14, 0.49%, 0.61%

LAB 56.76, 40.92, 6.24

 

CMYK 14 / 0 / 48 / 20

HEX #B0CC6A

RGB 176 204 106

HSL 77.14, 0.49%, 0.61%

LAB 78.14, -24.66, 45.43

 

CMYK 48 / 0 / 10 / 20

HEX #6ACCB7

RGB 106 204 183

HSL 167.14, 0.49%, 0.61%

LAB 75.87, -33.93, 1.57

 

Description

Color code: HEX #886CCD | qconv.com Color code: HEX #886CCD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 108 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 108 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 47 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 47% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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