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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #887976 it is the complementary color #778689. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #887976. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #887976 shade: #8D7971, #9E8B84, #AF9D97, #C0AFAA and #D1C1BD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #887976. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #887976 shade: #887976, #776763, #665550, #55433D and #44312A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #887976 shade: #887976 and #887676

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #887976 shade: #887976, #887E76, #888376, #888776 and #848876

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #887976 shade matches the following richer shades: #887976, #9D6B61, #B15E4D, #C65038 and #DA4224

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #887976 shade: #887976, #73878B, #5F959F, #4AA2B4 and #35B0C9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #887976 shade: #88767D, #887678, #887976, #887E76 and #888376

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #887976 shade: #5C5250, #726563, #887976, #9B8F8C and #AEA4A2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #887976 shade: #887976, #818876 and #767A88

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #887976 shade: #887976, #768879 and #797688

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #887976 shade: #887976, #818876, #768588 and #7D7688

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #887976 shade: #887976, #7C8876, #768588 and #827688

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 13 / 47

HEX #887976

RGB 136 121 118

HSL 10, 0.07%, 0.5%

LAB 52.08, 5.23, 3.74

 

Complementary color

CMYK 13 / 2 / 0 / 46

HEX #778689

RGB 119 134 137

HSL 190, 0.07%, 0.5%

LAB 54.84, -4.78, -3.47

 

CMYK 0 / 14 / 20 / 45

HEX #8D7971

RGB 141 121 113

HSL 17.14, 0.11%, 0.5%

LAB 52.43, 6.36, 7.23

 

CMYK 0 / 12 / 16 / 38

HEX #9E8B84

RGB 158 139 132

HSL 16.15, 0.12%, 0.57%

LAB 59.34, 5.94, 6.35

 

CMYK 0 / 10 / 14 / 31

HEX #AF9D97

RGB 175 157 151

HSL 15, 0.13%, 0.64%

LAB 66.11, 5.57, 5.53

 

CMYK 0 / 9 / 11 / 25

HEX #C0AFAA

RGB 192 175 170

HSL 13.64, 0.15%, 0.71%

LAB 72.74, 5.24, 4.76

 

CMYK 0 / 8 / 10 / 18

HEX #D1C1BD

RGB 209 193 189

HSL 12, 0.18%, 0.78%

LAB 79.25, 4.94, 4.03

 

CMYK 0 / 11 / 13 / 47

HEX #887976

RGB 136 121 118

HSL 10, 0.07%, 0.5%

LAB 52.08, 5.23, 3.74

 

CMYK 0 / 13 / 17 / 53

HEX #776763

RGB 119 103 99

HSL 12, 0.09%, 0.43%

LAB 44.97, 5.63, 4.59

 

CMYK 0 / 17 / 22 / 60

HEX #665550

RGB 102 85 80

HSL 13.64, 0.12%, 0.36%

LAB 37.66, 6.11, 5.52

 

CMYK 0 / 21 / 28 / 67

HEX #55433D

RGB 85 67 61

HSL 15, 0.16%, 0.29%

LAB 30.11, 6.7, 6.58

 

CMYK 0 / 28 / 38 / 73

HEX #44312A

RGB 68 49 42

HSL 16.15, 0.24%, 0.22%

LAB 22.28, 7.47, 7.83

 

CMYK 0 / 11 / 13 / 47

HEX #887976

RGB 136 121 118

HSL 10, 0.07%, 0.5%

LAB 52.08, 5.23, 3.74

 

CMYK 0 / 13 / 13 / 47

HEX #887676

RGB 136 118 118

HSL 0, 0.07%, 0.5%

LAB 51.27, 6.97, 2.56

 

CMYK 0 / 11 / 13 / 47

HEX #887976

RGB 136 121 118

HSL 10, 0.07%, 0.5%

LAB 52.08, 5.23, 3.74

 

CMYK 0 / 7 / 13 / 47

HEX #887E76

RGB 136 126 118

HSL 26.67, 0.07%, 0.5%

LAB 53.45, 2.35, 5.71

 

CMYK 0 / 4 / 13 / 47

HEX #888376

RGB 136 131 118

HSL 43.33, 0.07%, 0.5%

LAB 54.84, -0.5, 7.69

 

CMYK 0 / 1 / 13 / 47

HEX #888776

RGB 136 135 118

HSL 56.67, 0.07%, 0.5%

LAB 55.96, -2.76, 9.28

 

CMYK 3 / 0 / 13 / 47

HEX #848876

RGB 132 136 118

HSL 73.33, 0.07%, 0.5%

LAB 55.91, -4.88, 9.17

 

CMYK 0 / 11 / 13 / 47

HEX #887976

RGB 136 121 118

HSL 10, 0.07%, 0.5%

LAB 52.08, 5.23, 3.74

 

CMYK 0 / 32 / 38 / 38

HEX #9D6B61

RGB 157 107 97

HSL 10, 0.24%, 0.5%

LAB 50.15, 18.66, 13.68

 

CMYK 0 / 47 / 56 / 31

HEX #B15E4D

RGB 177 94 77

HSL 10.2, 0.39%, 0.5%

LAB 49.36, 31.98, 24.81

 

CMYK 0 / 60 / 72 / 22

HEX #C65038

RGB 198 80 56

HSL 10.14, 0.56%, 0.5%

LAB 49.53, 45.7, 37.71

 

CMYK 0 / 70 / 83 / 15

HEX #DA4224

RGB 218 66 36

HSL 9.89, 0.72%, 0.5%

LAB 50.6, 57.75, 50.18

 

CMYK 0 / 11 / 13 / 47

HEX #887976

RGB 136 121 118

HSL 10, 0.07%, 0.5%

LAB 52.08, 5.23, 3.74

 

CMYK 17 / 3 / 0 / 45

HEX #73878B

RGB 115 135 139

HSL 190, 0.09%, 0.5%

LAB 54.9, -6.28, -4.57

 

CMYK 40 / 6 / 0 / 38

HEX #5F959F

RGB 95 149 159

HSL 189.38, 0.25%, 0.5%

LAB 58.44, -15.17, -10.91

 

CMYK 59 / 10 / 0 / 29

HEX #4AA2B4

RGB 74 162 180

HSL 190.19, 0.42%, 0.5%

LAB 62.16, -20.95, -17.26

 

CMYK 74 / 12 / 0 / 21

HEX #35B0C9

RGB 53 176 201

HSL 190.14, 0.58%, 0.5%

LAB 66.54, -24.93, -22.35

 

CMYK 0 / 13 / 8 / 47

HEX #88767D

RGB 136 118 125

HSL 336.67, 0.07%, 0.5%

LAB 51.46, 8.25, -1.27

 

CMYK 0 / 13 / 12 / 47

HEX #887678

RGB 136 118 120

HSL 353.33, 0.07%, 0.5%

LAB 51.32, 7.33, 1.47

 

CMYK 0 / 11 / 13 / 47

HEX #887976

RGB 136 121 118

HSL 10, 0.07%, 0.5%

LAB 52.08, 5.23, 3.74

 

CMYK 0 / 7 / 13 / 47

HEX #887E76

RGB 136 126 118

HSL 26.67, 0.07%, 0.5%

LAB 53.45, 2.35, 5.71

 

CMYK 0 / 4 / 13 / 47

HEX #888376

RGB 136 131 118

HSL 43.33, 0.07%, 0.5%

LAB 54.84, -0.5, 7.69

 

CMYK 0 / 11 / 13 / 64

HEX #5C5250

RGB 92 82 80

HSL 10, 0.07%, 0.34%

LAB 35.77, 3.72, 2.67

 

CMYK 0 / 11 / 13 / 55

HEX #726563

RGB 114 101 99

HSL 8, 0.07%, 0.42%

LAB 43.92, 4.79, 3.01

 

CMYK 0 / 11 / 13 / 47

HEX #887976

RGB 136 121 118

HSL 10, 0.07%, 0.5%

LAB 52.08, 5.23, 3.74

 

CMYK 0 / 8 / 10 / 39

HEX #9B8F8C

RGB 155 143 140

HSL 12, 0.07%, 0.58%

LAB 60.34, 3.92, 3.19

 

CMYK 0 / 6 / 7 / 32

HEX #AEA4A2

RGB 174 164 162

HSL 10, 0.07%, 0.66%

LAB 68.14, 3.25, 2.32

 

CMYK 0 / 11 / 13 / 47

HEX #887976

RGB 136 121 118

HSL 10, 0.07%, 0.5%

LAB 52.08, 5.23, 3.74

 

CMYK 5 / 0 / 13 / 47

HEX #818876

RGB 129 136 118

HSL 83.33, 0.07%, 0.5%

LAB 55.67, -6.03, 8.79

 

CMYK 13 / 10 / 0 / 47

HEX #767A88

RGB 118 122 136

HSL 226.67, 0.07%, 0.5%

LAB 51.32, 1.53, -8.12

 

CMYK 0 / 11 / 13 / 47

HEX #887976

RGB 136 121 118

HSL 10, 0.07%, 0.5%

LAB 52.08, 5.23, 3.74

 

CMYK 13 / 0 / 11 / 47

HEX #768879

RGB 118 136 121

HSL 130, 0.07%, 0.5%

LAB 54.91, -9.6, 5.87

 

CMYK 11 / 13 / 0 / 47

HEX #797688

RGB 121 118 136

HSL 250, 0.07%, 0.5%

LAB 50.45, 4.93, -9.4

 

CMYK 0 / 11 / 13 / 47

HEX #887976

RGB 136 121 118

HSL 10, 0.07%, 0.5%

LAB 52.08, 5.23, 3.74

 

CMYK 5 / 0 / 13 / 47

HEX #818876

RGB 129 136 118

HSL 83.33, 0.07%, 0.5%

LAB 55.67, -6.03, 8.79

 

CMYK 13 / 2 / 0 / 47

HEX #768588

RGB 118 133 136

HSL 190, 0.07%, 0.5%

LAB 54.45, -4.79, -3.47

 

CMYK 8 / 13 / 0 / 47

HEX #7D7688

RGB 125 118 136

HSL 263.33, 0.07%, 0.5%

LAB 50.8, 6.37, -8.84

 

CMYK 0 / 11 / 13 / 47

HEX #887976

RGB 136 121 118

HSL 10, 0.07%, 0.5%

LAB 52.08, 5.23, 3.74

 

CMYK 9 / 0 / 13 / 47

HEX #7C8876

RGB 124 136 118

HSL 100, 0.07%, 0.5%

LAB 55.28, -7.94, 8.19

 

CMYK 13 / 2 / 0 / 47

HEX #768588

RGB 118 133 136

HSL 190, 0.07%, 0.5%

LAB 54.45, -4.79, -3.47

 

CMYK 4 / 13 / 0 / 47

HEX #827688

RGB 130 118 136

HSL 280, 0.07%, 0.5%

LAB 51.24, 8.18, -8.13

 

Description

Color code: HEX #887976 | qconv.com Color code: HEX #887976 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 121 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 121 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 13 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 13% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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