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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #887A28 it is the complementary color #7785D7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #887A28. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #887A28 shade: #8D7A23, #9E8C36, #AF9E49, #C0B05C and #D1C26F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #887A28. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #887A28 shade: #887A28, #776815, #665602, #554400 and #443200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #887A28 shade: #8A7C28, #8A6128, #8A4728, #8A2C28 and #8A2828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #887A28 shade: #8A7C28, #7E8A28, #638A28, #498A28 and #2E8A28

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #887A28 shade matches the following richer shades: #8A7C28, #988619 and #A7900B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #887A28 shade: #8A7C28, #7B7136, #6D6745, #5F5D53 and #505361

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #887A28 shade: #8A4728, #8A6128, #8A7B28, #7E8A28 and #648A28

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #887A28 shade: #4A4215, #6A5F1E, #8A7C28, #AA9831 and #C6B33E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #887A28 shade: #887A28, #288A2D and #54288A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #887A28 shade: #887A28, #288A7B and #7B288A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #887A28 shade: #887A28, #288A2D, #28368A and #8A2885

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #887A28 shade: #887A28, #288A4A, #28368A and #8A2867

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 71 / 47

HEX #887A28

RGB 136 122 40

HSL 51.25, 0.55%, 0.35%

LAB 51.04, -4.56, 44.88

 

Complementary color

CMYK 45 / 38 / 0 / 16

HEX #7785D7

RGB 119 133 215

HSL 231.25, 0.55%, 0.65%

LAB 57.66, 16.23, -43.74

 

CMYK 0 / 13 / 75 / 45

HEX #8D7A23

RGB 141 122 35

HSL 49.25, 0.6%, 0.35%

LAB 51.5, -2.51, 47.58

 

CMYK 0 / 11 / 66 / 38

HEX #9E8C36

RGB 158 140 54

HSL 49.62, 0.49%, 0.42%

LAB 58.31, -3.65, 46.91

 

CMYK 0 / 10 / 58 / 31

HEX #AF9E49

RGB 175 158 73

HSL 50, 0.41%, 0.49%

LAB 65, -4.57, 45.85

 

CMYK 0 / 8 / 52 / 25

HEX #C0B05C

RGB 192 176 92

HSL 50.4, 0.44%, 0.56%

LAB 71.58, -5.31, 44.66

 

CMYK 0 / 7 / 47 / 18

HEX #D1C26F

RGB 209 194 111

HSL 50.82, 0.52%, 0.63%

LAB 78.04, -5.93, 43.43

 

CMYK 0 / 10 / 71 / 47

HEX #887A28

RGB 136 122 40

HSL 51.25, 0.55%, 0.35%

LAB 51.04, -4.56, 44.88

 

CMYK 0 / 13 / 82 / 53

HEX #776815

RGB 119 104 21

HSL 50.82, 0.7%, 0.27%

LAB 44.06, -3.29, 45.09

 

CMYK 0 / 16 / 98 / 60

HEX #665602

RGB 102 86 2

HSL 50.4, 0.96%, 0.2%

LAB 36.9, -1.67, 44.09

 

CMYK 0 / 20 / 100 / 67

HEX #554400

RGB 85 68 0

HSL 48, 1%, 0.17%

LAB 29.58, 0.55, 38.63

 

CMYK 0 / 26 / 100 / 73

HEX #443200

RGB 68 50 0

HSL 44.12, 1%, 0.13%

LAB 21.98, 3.02, 30.86

 

CMYK 0 / 10 / 71 / 46

HEX #8A7C28

RGB 138 124 40

HSL 51.43, 0.55%, 0.35%

LAB 51.81, -4.75, 45.72

 

CMYK 0 / 30 / 71 / 46

HEX #8A6128

RGB 138 97 40

HSL 34.9, 0.55%, 0.35%

LAB 44.38, 10.76, 38

 

CMYK 0 / 49 / 71 / 46

HEX #8A4728

RGB 138 71 40

HSL 18.98, 0.55%, 0.35%

LAB 37.96, 25.82, 30.93

 

CMYK 0 / 68 / 71 / 46

HEX #8A2C28

RGB 138 44 40

HSL 2.45, 0.55%, 0.35%

LAB 32.61, 39.67, 24.72

 

CMYK 0 / 71 / 71 / 46

HEX #8A2828

RGB 138 40 40

HSL 0, 0.55%, 0.35%

LAB 31.97, 41.39, 23.96

 

CMYK 0 / 10 / 71 / 46

HEX #8A7C28

RGB 138 124 40

HSL 51.43, 0.55%, 0.35%

LAB 51.81, -4.75, 45.72

 

CMYK 9 / 0 / 71 / 46

HEX #7E8A28

RGB 126 138 40

HSL 67.35, 0.55%, 0.35%

LAB 54.83, -17.77, 48.42

 

CMYK 28 / 0 / 71 / 46

HEX #638A28

RGB 99 138 40

HSL 83.88, 0.55%, 0.35%

LAB 52.93, -29.23, 45.88

 

CMYK 47 / 0 / 71 / 46

HEX #498A28

RGB 73 138 40

HSL 99.8, 0.55%, 0.35%

LAB 51.55, -38.81, 44.02

 

CMYK 67 / 0 / 71 / 46

HEX #2E8A28

RGB 46 138 40

HSL 116.33, 0.55%, 0.35%

LAB 50.58, -46.34, 42.71

 

CMYK 0 / 10 / 71 / 46

HEX #8A7C28

RGB 138 124 40

HSL 51.43, 0.55%, 0.35%

LAB 51.81, -4.75, 45.72

 

CMYK 0 / 12 / 84 / 40

HEX #988619

RGB 152 134 25

HSL 51.5, 0.72%, 0.35%

LAB 55.88, -4.48, 55.45

 

CMYK 0 / 14 / 93 / 35

HEX #A7900B

RGB 167 144 11

HSL 51.15, 0.88%, 0.35%

LAB 60.06, -3.38, 62.56

 

CMYK 0 / 10 / 71 / 46

HEX #8A7C28

RGB 138 124 40

HSL 51.43, 0.55%, 0.35%

LAB 51.81, -4.75, 45.72

 

CMYK 0 / 8 / 56 / 52

HEX #7B7136

RGB 123 113 54

HSL 51.3, 0.39%, 0.35%

LAB 47.35, -4.43, 33.73

 

CMYK 0 / 6 / 37 / 57

HEX #6D6745

RGB 109 103 69

HSL 51, 0.22%, 0.35%

LAB 43.33, -3.31, 20.06

 

CMYK 0 / 2 / 13 / 63

HEX #5F5D53

RGB 95 93 83

HSL 50, 0.07%, 0.35%

LAB 39.39, -1.17, 6.03

 

CMYK 18 / 14 / 0 / 62

HEX #505361

RGB 80 83 97

HSL 229.41, 0.1%, 0.35%

LAB 35.51, 2.09, -8.52

 

CMYK 0 / 49 / 71 / 46

HEX #8A4728

RGB 138 71 40

HSL 18.98, 0.55%, 0.35%

LAB 37.96, 25.82, 30.93

 

CMYK 0 / 30 / 71 / 46

HEX #8A6128

RGB 138 97 40

HSL 34.9, 0.55%, 0.35%

LAB 44.38, 10.76, 38

 

CMYK 0 / 11 / 71 / 46

HEX #8A7B28

RGB 138 123 40

HSL 50.82, 0.55%, 0.35%

LAB 51.52, -4.19, 45.43

 

CMYK 9 / 0 / 71 / 46

HEX #7E8A28

RGB 126 138 40

HSL 67.35, 0.55%, 0.35%

LAB 54.83, -17.77, 48.42

 

CMYK 28 / 0 / 71 / 46

HEX #648A28

RGB 100 138 40

HSL 83.27, 0.55%, 0.35%

LAB 52.99, -28.83, 45.96

 

CMYK 0 / 11 / 72 / 71

HEX #4A4215

RGB 74 66 21

HSL 50.94, 0.56%, 0.19%

LAB 27.86, -2.88, 27.74

 

CMYK 0 / 10 / 72 / 58

HEX #6A5F1E

RGB 106 95 30

HSL 51.32, 0.56%, 0.27%

LAB 40.15, -3.88, 37.25

 

CMYK 0 / 10 / 71 / 46

HEX #8A7C28

RGB 138 124 40

HSL 51.43, 0.55%, 0.35%

LAB 51.81, -4.75, 45.72

 

CMYK 0 / 11 / 71 / 33

HEX #AA9831

RGB 170 152 49

HSL 51.07, 0.55%, 0.43%

LAB 62.7, -5.1, 53.93

 

CMYK 0 / 10 / 69 / 22

HEX #C6B33E

RGB 198 179 62

HSL 51.62, 0.54%, 0.51%

LAB 72.62, -6.44, 59.53

 

CMYK 0 / 10 / 71 / 47

HEX #887A28

RGB 136 122 40

HSL 51.25, 0.55%, 0.35%

LAB 51.04, -4.56, 44.88

 

CMYK 71 / 0 / 67 / 46

HEX #288A2D

RGB 40 138 45

HSL 123.06, 0.55%, 0.35%

LAB 50.47, -47.09, 40.39

 

CMYK 39 / 71 / 0 / 46

HEX #54288A

RGB 84 40 138

HSL 266.94, 0.55%, 0.35%

LAB 27.4, 40.85, -46.95

 

CMYK 0 / 10 / 71 / 47

HEX #887A28

RGB 136 122 40

HSL 51.25, 0.55%, 0.35%

LAB 51.04, -4.56, 44.88

 

CMYK 71 / 0 / 11 / 46

HEX #288A7B

RGB 40 138 123

HSL 170.82, 0.55%, 0.35%

LAB 51.9, -31.56, -0.1

 

CMYK 11 / 71 / 0 / 46

HEX #7B288A

RGB 123 40 138

HSL 290.82, 0.55%, 0.35%

LAB 33.06, 49.52, -37.55

 

CMYK 0 / 10 / 71 / 47

HEX #887A28

RGB 136 122 40

HSL 51.25, 0.55%, 0.35%

LAB 51.04, -4.56, 44.88

 

CMYK 71 / 0 / 67 / 46

HEX #288A2D

RGB 40 138 45

HSL 123.06, 0.55%, 0.35%

LAB 50.47, -47.09, 40.39

 

CMYK 71 / 61 / 0 / 46

HEX #28368A

RGB 40 54 138

HSL 231.43, 0.55%, 0.35%

LAB 26.52, 24.11, -48.57

 

CMYK 0 / 71 / 4 / 46

HEX #8A2885

RGB 138 40 133

HSL 303.06, 0.55%, 0.35%

LAB 35.23, 52.19, -30.85

 

CMYK 0 / 10 / 71 / 47

HEX #887A28

RGB 136 122 40

HSL 51.25, 0.55%, 0.35%

LAB 51.04, -4.56, 44.88

 

CMYK 71 / 0 / 46 / 46

HEX #288A4A

RGB 40 138 74

HSL 140.82, 0.55%, 0.35%

LAB 50.83, -42.93, 26.27

 

CMYK 71 / 61 / 0 / 46

HEX #28368A

RGB 40 54 138

HSL 231.43, 0.55%, 0.35%

LAB 26.52, 24.11, -48.57

 

CMYK 0 / 71 / 25 / 46

HEX #8A2867

RGB 138 40 103

HSL 321.43, 0.55%, 0.35%

LAB 33.77, 47.54, -14.24

 

Description

Color code: HEX #887A28 | qconv.com Color code: HEX #887A28 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 122 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 122 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 71 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 71% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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