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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8884C0 it is the complementary color #777B3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8884C0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8884C0 shade: #8D84BB, #9E96CE, #AFA8E1, #C0BAF4 and #D1CCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8884C0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8884C0 shade: #8884C0, #7772AD, #66609A, #554E87 and #443C74

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8884C0 shade: #8985C0, #9985C0, #A985C0, #B985C0 and #C085B8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8884C0 shade: #8985C0 and #8585C0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8884C0 shade matches the following richer shades: #8985C0, #7C76CF, #6F68DE, #6359ED and #564AFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8884C0 shade: #8985C0, #9694B1, #A3A3A2, #B0B294 and #BDC185

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8884C0 shade: #85A1C0, #8591C0, #8985C0, #9985C0 and #A985C0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8884C0 shade: #5852A0, #6F6AB2, #8985C0, #A4A1CE and #BEBCDC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8884C0 shade: #8884C0, #C085B0 and #99C085

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8884C0 shade: #8884C0, #C08985 and #85C089

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8884C0 shade: #8884C0, #C085B0, #BCC085 and #85C095

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8884C0 shade: #8884C0, #C0859F, #BCC085 and #85C0A7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 31 / 0 / 25

HEX #8884C0

RGB 136 132 192

HSL 244, 0.32%, 0.64%

LAB 57.6, 15.13, -30.75

 

Complementary color

CMYK 3 / 0 / 49 / 52

HEX #777B3F

RGB 119 123 63

HSL 64, 0.32%, 0.36%

LAB 50.03, -10.94, 32.08

 

CMYK 25 / 29 / 0 / 27

HEX #8D84BB

RGB 141 132 187

HSL 249.82, 0.29%, 0.63%

LAB 57.8, 15.39, -27.57

 

CMYK 23 / 27 / 0 / 19

HEX #9E96CE

RGB 158 150 206

HSL 248.57, 0.36%, 0.7%

LAB 64.59, 14.87, -27.67

 

CMYK 22 / 25 / 0 / 12

HEX #AFA8E1

RGB 175 168 225

HSL 247.37, 0.49%, 0.77%

LAB 71.25, 14.4, -27.8

 

CMYK 21 / 24 / 0 / 4

HEX #C0BAF4

RGB 192 186 244

HSL 246.21, 0.73%, 0.84%

LAB 77.79, 13.97, -27.96

 

CMYK 18 / 20 / 0 / 0

HEX #D1CCFF

RGB 209 204 255

HSL 245.88, 1%, 0.9%

LAB 83.95, 11.82, -24.31

 

CMYK 29 / 31 / 0 / 25

HEX #8884C0

RGB 136 132 192

HSL 244, 0.32%, 0.64%

LAB 57.6, 15.13, -30.75

 

CMYK 31 / 34 / 0 / 32

HEX #7772AD

RGB 119 114 173

HSL 245.08, 0.26%, 0.56%

LAB 50.66, 15.76, -30.76

 

CMYK 34 / 38 / 0 / 40

HEX #66609A

RGB 102 96 154

HSL 246.21, 0.23%, 0.49%

LAB 43.54, 16.5, -30.82

 

CMYK 37 / 42 / 0 / 47

HEX #554E87

RGB 85 78 135

HSL 247.37, 0.27%, 0.42%

LAB 36.23, 17.37, -30.95

 

CMYK 41 / 48 / 0 / 55

HEX #443C74

RGB 68 60 116

HSL 248.57, 0.32%, 0.35%

LAB 28.7, 18.42, -31.15

 

CMYK 29 / 31 / 0 / 25

HEX #8985C0

RGB 137 133 192

HSL 244.07, 0.32%, 0.64%

LAB 57.94, 14.84, -30.22

 

CMYK 20 / 31 / 0 / 25

HEX #9985C0

RGB 153 133 192

HSL 260.34, 0.32%, 0.64%

LAB 59.3, 19.75, -28.01

 

CMYK 12 / 31 / 0 / 25

HEX #A985C0

RGB 169 133 192

HSL 276.61, 0.32%, 0.64%

LAB 60.8, 24.84, -25.57

 

CMYK 4 / 31 / 0 / 25

HEX #B985C0

RGB 185 133 192

HSL 292.88, 0.32%, 0.64%

LAB 62.42, 30.04, -22.94

 

CMYK 0 / 31 / 4 / 25

HEX #C085B8

RGB 192 133 184

HSL 308.14, 0.32%, 0.64%

LAB 62.88, 30.84, -17.65

 

CMYK 29 / 31 / 0 / 25

HEX #8985C0

RGB 137 133 192

HSL 244.07, 0.32%, 0.64%

LAB 57.94, 14.84, -30.22

 

CMYK 31 / 31 / 0 / 25

HEX #8585C0

RGB 133 133 192

HSL 240, 0.32%, 0.64%

LAB 57.62, 13.65, -30.73

 

CMYK 29 / 31 / 0 / 25

HEX #8985C0

RGB 137 133 192

HSL 244.07, 0.32%, 0.64%

LAB 57.94, 14.84, -30.22

 

CMYK 40 / 43 / 0 / 19

HEX #7C76CF

RGB 124 118 207

HSL 244.04, 0.48%, 0.64%

LAB 53.76, 24.12, -45.37

 

CMYK 50 / 53 / 0 / 13

HEX #6F68DE

RGB 111 104 222

HSL 243.56, 0.64%, 0.64%

LAB 50.16, 33.85, -59.68

 

CMYK 58 / 62 / 0 / 7

HEX #6359ED

RGB 99 89 237

HSL 244.05, 0.8%, 0.64%

LAB 46.86, 45.1, -73.53

 

CMYK 66 / 71 / 0 / 2

HEX #564AFB

RGB 86 74 251

HSL 244.07, 0.96%, 0.64%

LAB 44, 56.07, -86.09

 

CMYK 29 / 31 / 0 / 25

HEX #8985C0

RGB 137 133 192

HSL 244.07, 0.32%, 0.64%

LAB 57.94, 14.84, -30.22

 

CMYK 15 / 16 / 0 / 31

HEX #9694B1

RGB 150 148 177

HSL 244.14, 0.16%, 0.64%

LAB 62.37, 6.75, -14.85

 

CMYK 0 / 0 / 1 / 36

HEX #A3A3A2

RGB 163 163 162

HSL 60, 0.01%, 0.64%

LAB 66.97, -0.19, 0.51

 

CMYK 1 / 0 / 17 / 30

HEX #B0B294

RGB 176 178 148

HSL 64, 0.16%, 0.64%

LAB 71.7, -5.92, 15.13

 

CMYK 2 / 0 / 31 / 24

HEX #BDC185

RGB 189 193 133

HSL 64, 0.33%, 0.64%

LAB 76.47, -10.93, 29.82

 

CMYK 31 / 16 / 0 / 25

HEX #85A1C0

RGB 133 161 192

HSL 211.53, 0.32%, 0.64%

LAB 65.19, -2.35, -19.12

 

CMYK 31 / 24 / 0 / 25

HEX #8591C0

RGB 133 145 192

HSL 227.8, 0.32%, 0.64%

LAB 60.82, 6.69, -25.79

 

CMYK 29 / 31 / 0 / 25

HEX #8985C0

RGB 137 133 192

HSL 244.07, 0.32%, 0.64%

LAB 57.94, 14.84, -30.22

 

CMYK 20 / 31 / 0 / 25

HEX #9985C0

RGB 153 133 192

HSL 260.34, 0.32%, 0.64%

LAB 59.3, 19.75, -28.01

 

CMYK 12 / 31 / 0 / 25

HEX #A985C0

RGB 169 133 192

HSL 276.61, 0.32%, 0.64%

LAB 60.8, 24.84, -25.57

 

CMYK 45 / 49 / 0 / 37

HEX #5852A0

RGB 88 82 160

HSL 244.62, 0.32%, 0.47%

LAB 38.98, 23.16, -41.7

 

CMYK 38 / 40 / 0 / 30

HEX #6F6AB2

RGB 111 106 178

HSL 244.17, 0.32%, 0.56%

LAB 48.14, 19.68, -37.66

 

CMYK 29 / 31 / 0 / 25

HEX #8985C0

RGB 137 133 192

HSL 244.07, 0.32%, 0.64%

LAB 57.94, 14.84, -30.22

 

CMYK 20 / 22 / 0 / 19

HEX #A4A1CE

RGB 164 161 206

HSL 244, 0.31%, 0.72%

LAB 67.9, 10.52, -22.55

 

CMYK 14 / 15 / 0 / 14

HEX #BEBCDC

RGB 190 188 220

HSL 243.75, 0.31%, 0.8%

LAB 77.33, 7.02, -15.73

 

CMYK 29 / 31 / 0 / 25

HEX #8884C0

RGB 136 132 192

HSL 244, 0.32%, 0.64%

LAB 57.6, 15.13, -30.75

 

CMYK 0 / 31 / 8 / 25

HEX #C085B0

RGB 192 133 176

HSL 316.27, 0.32%, 0.64%

LAB 62.61, 29.4, -13.54

 

CMYK 20 / 0 / 31 / 25

HEX #99C085

RGB 153 192 133

HSL 99.66, 0.32%, 0.64%

LAB 73.65, -23.93, 25.61

 

CMYK 29 / 31 / 0 / 25

HEX #8884C0

RGB 136 132 192

HSL 244, 0.32%, 0.64%

LAB 57.6, 15.13, -30.75

 

CMYK 0 / 29 / 31 / 25

HEX #C08985

RGB 192 137 133

HSL 4.07, 0.32%, 0.64%

LAB 62.33, 20.47, 10.51

 

CMYK 31 / 0 / 29 / 25

HEX #85C089

RGB 133 192 137

HSL 124.07, 0.32%, 0.64%

LAB 72.56, -30.15, 21.8

 

CMYK 29 / 31 / 0 / 25

HEX #8884C0

RGB 136 132 192

HSL 244, 0.32%, 0.64%

LAB 57.6, 15.13, -30.75

 

CMYK 0 / 31 / 8 / 25

HEX #C085B0

RGB 192 133 176

HSL 316.27, 0.32%, 0.64%

LAB 62.61, 29.4, -13.54

 

CMYK 2 / 0 / 31 / 25

HEX #BCC085

RGB 188 192 133

HSL 64.07, 0.32%, 0.64%

LAB 76.12, -10.8, 29.34

 

CMYK 31 / 0 / 22 / 25

HEX #85C095

RGB 133 192 149

HSL 136.27, 0.32%, 0.64%

LAB 72.8, -27.99, 15.7

 

CMYK 29 / 31 / 0 / 25

HEX #8884C0

RGB 136 132 192

HSL 244, 0.32%, 0.64%

LAB 57.6, 15.13, -30.75

 

CMYK 0 / 31 / 17 / 25

HEX #C0859F

RGB 192 133 159

HSL 333.56, 0.32%, 0.64%

LAB 62.07, 26.53, -4.67

 

CMYK 2 / 0 / 31 / 25

HEX #BCC085

RGB 188 192 133

HSL 64.07, 0.32%, 0.64%

LAB 76.12, -10.8, 29.34

 

CMYK 31 / 0 / 13 / 25

HEX #85C0A7

RGB 133 192 167

HSL 154.58, 0.32%, 0.64%

LAB 73.2, -24.43, 6.54

 

Description

Color code: HEX #8884C0 | qconv.com Color code: HEX #8884C0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 132 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 132 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 31 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 31% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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