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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #888D24 it is the complementary color #7772DB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #888D24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #888D24 shade: #8D8D1F, #9E9F32, #AFB145, #C0C358 and #D1D56B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #888D24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #888D24 shade: #888D24, #777B11, #666900, #555700 and #444500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #888D24 shade: #888D24, #8D7624, #8D5A24, #8D3D24 and #8D2424

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #888D24 shade: #888D24, #6C8D24, #508D24, #338D24 and #248D31

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #888D24 shade matches the following richer shades: #888D24, #959C16 and #A3AA07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #888D24 shade: #888D24, #7B7F33, #6E7141, #61624F and #54545E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #888D24 shade: #8D5924, #8D7524, #8A8D24, #6E8D24 and #528D24

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #888D24 shade: #494C13, #696D1C, #888D24, #A8AE2D and #C4CB39

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #888D24 shade: #888D24, #248D3D and #67248D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #888D24 shade: #888D24, #248A8D and #8D248A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #888D24 shade: #888D24, #248D3D, #28248D and #8D2475

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #888D24 shade: #888D24, #248D5C, #28248D and #8D2455

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 74 / 45

HEX #888D24

RGB 136 141 36

HSL 62.86, 0.59%, 0.35%

LAB 56.5, -15.11, 51.85

 

Complementary color

CMYK 46 / 48 / 0 / 14

HEX #7772DB

RGB 119 114 219

HSL 242.86, 0.59%, 0.65%

LAB 53.03, 28.75, -53.35

 

CMYK 0 / 0 / 78 / 45

HEX #8D8D1F

RGB 141 141 31

HSL 60, 0.64%, 0.34%

LAB 56.89, -13.09, 54.1

 

CMYK 1 / 0 / 69 / 38

HEX #9E9F32

RGB 158 159 50

HSL 60.55, 0.52%, 0.41%

LAB 63.59, -14.06, 54.07

 

CMYK 1 / 0 / 61 / 31

HEX #AFB145

RGB 175 177 69

HSL 61.11, 0.44%, 0.48%

LAB 70.17, -14.83, 53.41

 

CMYK 2 / 0 / 55 / 24

HEX #C0C358

RGB 192 195 88

HSL 61.68, 0.47%, 0.55%

LAB 76.64, -15.44, 52.46

 

CMYK 2 / 0 / 50 / 16

HEX #D1D56B

RGB 209 213 107

HSL 62.26, 0.56%, 0.63%

LAB 83.02, -15.94, 51.38

 

CMYK 4 / 0 / 74 / 45

HEX #888D24

RGB 136 141 36

HSL 62.86, 0.59%, 0.35%

LAB 56.5, -15.11, 51.85

 

CMYK 3 / 0 / 86 / 52

HEX #777B11

RGB 119 123 17

HSL 62.26, 0.76%, 0.27%

LAB 49.65, -14.03, 51.15

 

CMYK 3 / 0 / 100 / 59

HEX #666900

RGB 102 105 0

HSL 61.71, 1%, 0.21%

LAB 42.65, -12.67, 48.89

 

CMYK 2 / 0 / 100 / 66

HEX #555700

RGB 85 87 0

HSL 61.38, 1%, 0.17%

LAB 35.49, -10.84, 42.94

 

CMYK 1 / 0 / 100 / 73

HEX #444500

RGB 68 69 0

HSL 60.87, 1%, 0.14%

LAB 28.07, -8.93, 36.66

 

CMYK 4 / 0 / 74 / 45

HEX #888D24

RGB 136 141 36

HSL 62.86, 0.59%, 0.35%

LAB 56.5, -15.11, 51.85

 

CMYK 0 / 16 / 74 / 45

HEX #8D7624

RGB 141 118 36

HSL 46.86, 0.59%, 0.35%

LAB 50.39, -0.2, 46.09

 

CMYK 0 / 36 / 74 / 45

HEX #8D5A24

RGB 141 90 36

HSL 30.86, 0.59%, 0.35%

LAB 42.92, 16, 38.54

 

CMYK 0 / 57 / 74 / 45

HEX #8D3D24

RGB 141 61 36

HSL 14.29, 0.59%, 0.35%

LAB 36.23, 32.3, 31.39

 

CMYK 0 / 74 / 74 / 45

HEX #8D2424

RGB 141 36 36

HSL 0, 0.59%, 0.35%

LAB 31.92, 43.8, 26.54

 

CMYK 4 / 0 / 74 / 45

HEX #888D24

RGB 136 141 36

HSL 62.86, 0.59%, 0.35%

LAB 56.5, -15.11, 51.85

 

CMYK 23 / 0 / 74 / 45

HEX #6C8D24

RGB 108 141 36

HSL 78.86, 0.59%, 0.35%

LAB 54.41, -27.27, 49.11

 

CMYK 43 / 0 / 74 / 45

HEX #508D24

RGB 80 141 36

HSL 94.86, 0.59%, 0.35%

LAB 52.82, -38.03, 47

 

CMYK 64 / 0 / 74 / 45

HEX #338D24

RGB 51 141 36

HSL 111.43, 0.59%, 0.35%

LAB 51.7, -46.63, 45.51

 

CMYK 74 / 0 / 65 / 45

HEX #248D31

RGB 36 141 49

HSL 127.43, 0.59%, 0.35%

LAB 51.44, -48.44, 39.62

 

CMYK 4 / 0 / 74 / 45

HEX #888D24

RGB 136 141 36

HSL 62.86, 0.59%, 0.35%

LAB 56.5, -15.11, 51.85

 

CMYK 4 / 0 / 86 / 39

HEX #959C16

RGB 149 156 22

HSL 63.13, 0.75%, 0.35%

LAB 61.85, -17.65, 61.17

 

CMYK 4 / 0 / 96 / 33

HEX #A3AA07

RGB 163 170 7

HSL 62.58, 0.92%, 0.35%

LAB 66.94, -18.9, 68.18

 

CMYK 4 / 0 / 74 / 45

HEX #888D24

RGB 136 141 36

HSL 62.86, 0.59%, 0.35%

LAB 56.5, -15.11, 51.85

 

CMYK 3 / 0 / 60 / 50

HEX #7B7F33

RGB 123 127 51

HSL 63.16, 0.43%, 0.35%

LAB 51.41, -12.48, 39.88

 

CMYK 3 / 0 / 42 / 56

HEX #6E7141

RGB 110 113 65

HSL 63.75, 0.27%, 0.35%

LAB 46.32, -9.11, 26.22

 

CMYK 1 / 0 / 19 / 62

HEX #61624F

RGB 97 98 79

HSL 63.16, 0.11%, 0.35%

LAB 40.96, -4.04, 10.71

 

CMYK 11 / 11 / 0 / 63

HEX #54545E

RGB 84 84 94

HSL 240, 0.06%, 0.35%

LAB 36.05, 2.25, -5.79

 

CMYK 0 / 37 / 74 / 45

HEX #8D5924

RGB 141 89 36

HSL 30.29, 0.59%, 0.35%

LAB 42.66, 16.58, 38.28

 

CMYK 0 / 17 / 74 / 45

HEX #8D7524

RGB 141 117 36

HSL 46.29, 0.59%, 0.35%

LAB 50.11, 0.37, 45.82

 

CMYK 2 / 0 / 74 / 45

HEX #8A8D24

RGB 138 141 36

HSL 61.71, 0.59%, 0.35%

LAB 56.66, -14.21, 52.06

 

CMYK 22 / 0 / 74 / 45

HEX #6E8D24

RGB 110 141 36

HSL 77.71, 0.59%, 0.35%

LAB 54.55, -26.43, 49.29

 

CMYK 42 / 0 / 74 / 45

HEX #528D24

RGB 82 141 36

HSL 93.71, 0.59%, 0.35%

LAB 52.92, -37.33, 47.13

 

CMYK 4 / 0 / 75 / 70

HEX #494C13

RGB 73 76 19

HSL 63.16, 0.6%, 0.19%

LAB 30.95, -9.59, 31.88

 

CMYK 4 / 0 / 74 / 57

HEX #696D1C

RGB 105 109 28

HSL 62.96, 0.59%, 0.27%

LAB 44.27, -12.45, 42.19

 

CMYK 4 / 0 / 74 / 45

HEX #888D24

RGB 136 141 36

HSL 62.86, 0.59%, 0.35%

LAB 56.5, -15.11, 51.85

 

CMYK 3 / 0 / 74 / 32

HEX #A8AE2D

RGB 168 174 45

HSL 62.79, 0.59%, 0.43%

LAB 68.6, -17.68, 61.07

 

CMYK 3 / 0 / 72 / 20

HEX #C4CB39

RGB 196 203 57

HSL 62.88, 0.58%, 0.51%

LAB 78.89, -19.73, 67.53

 

CMYK 4 / 0 / 74 / 45

HEX #888D24

RGB 136 141 36

HSL 62.86, 0.59%, 0.35%

LAB 56.5, -15.11, 51.85

 

CMYK 74 / 0 / 57 / 45

HEX #248D3D

RGB 36 141 61

HSL 134.29, 0.59%, 0.35%

LAB 51.57, -46.88, 33.99

 

CMYK 27 / 74 / 0 / 45

HEX #67248D

RGB 103 36 141

HSL 278.29, 0.59%, 0.35%

LAB 29.58, 47.41, -45.15

 

CMYK 4 / 0 / 74 / 45

HEX #888D24

RGB 136 141 36

HSL 62.86, 0.59%, 0.35%

LAB 56.5, -15.11, 51.85

 

CMYK 74 / 2 / 0 / 45

HEX #248A8D

RGB 36 138 141

HSL 181.71, 0.59%, 0.35%

LAB 52.37, -26.78, -9.88

 

CMYK 0 / 74 / 2 / 45

HEX #8D248A

RGB 141 36 138

HSL 301.71, 0.59%, 0.35%

LAB 35.52, 55.18, -33.45

 

CMYK 4 / 0 / 74 / 45

HEX #888D24

RGB 136 141 36

HSL 62.86, 0.59%, 0.35%

LAB 56.5, -15.11, 51.85

 

CMYK 74 / 0 / 57 / 45

HEX #248D3D

RGB 36 141 61

HSL 134.29, 0.59%, 0.35%

LAB 51.57, -46.88, 33.99

 

CMYK 72 / 74 / 0 / 45

HEX #28248D

RGB 40 36 141

HSL 242.29, 0.59%, 0.35%

LAB 22.43, 36.85, -57.13

 

CMYK 0 / 74 / 17 / 45

HEX #8D2475

RGB 141 36 117

HSL 313.71, 0.59%, 0.35%

LAB 34.41, 51.85, -22.09

 

CMYK 4 / 0 / 74 / 45

HEX #888D24

RGB 136 141 36

HSL 62.86, 0.59%, 0.35%

LAB 56.5, -15.11, 51.85

 

CMYK 74 / 0 / 35 / 45

HEX #248D5C

RGB 36 141 92

HSL 152, 0.59%, 0.35%

LAB 52.06, -41.25, 17.91

 

CMYK 72 / 74 / 0 / 45

HEX #28248D

RGB 40 36 141

HSL 242.29, 0.59%, 0.35%

LAB 22.43, 36.85, -57.13

 

CMYK 0 / 74 / 40 / 45

HEX #8D2455

RGB 141 36 85

HSL 332, 0.59%, 0.35%

LAB 33.09, 47.68, -3.62

 

Description

Color code: HEX #888D24 | qconv.com Color code: HEX #888D24 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 141 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 141 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 74 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 74% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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