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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #88983E it is the complementary color #7767C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #88983E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #88983E shade: #8D9839, #9EAA4C, #AFBC5F, #C0CE72 and #D1E085

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #88983E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #88983E shade: #88983E, #77862B, #667418, #556205 and #445000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #88983E shade: #88983E, #988F3E, #98773E, #985F3E and #98473E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #88983E shade: #88983E, #6F983E, #57983E, #3F983E and #3E9855

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #88983E shade matches the following richer shades: #88983E, #93A92C, #9EBA1B and #A9CC0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #88983E shade: #88983E, #7C864F, #717560, #666472 and #5B5283

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #88983E shade: #98773E, #988F3E, #89983E, #71983E and #59983E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #88983E shade: #535D26, #6D7A32, #88983E, #A2B54A and #B1C167

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #88983E shade: #88983E, #3E985F and #833E98

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #88983E shade: #88983E, #3E8998 and #983E89

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #88983E shade: #88983E, #3E985F, #4D3E98 and #983E77

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #88983E shade: #88983E, #3E987A, #4D3E98 and #983E5C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 59 / 40

HEX #88983E

RGB 136 152 62

HSL 70.67, 0.42%, 0.42%

LAB 59.92, -19.1, 44.44

 

Complementary color

CMYK 38 / 47 / 0 / 24

HEX #7767C1

RGB 119 103 193

HSL 250.67, 0.42%, 0.58%

LAB 48.85, 27.86, -45.18

 

CMYK 7 / 0 / 63 / 40

HEX #8D9839

RGB 141 152 57

HSL 66.95, 0.45%, 0.41%

LAB 60.26, -17.36, 47.21

 

CMYK 7 / 0 / 55 / 33

HEX #9EAA4C

RGB 158 170 76

HSL 67.66, 0.38%, 0.48%

LAB 66.93, -17.86, 46.25

 

CMYK 7 / 0 / 49 / 26

HEX #AFBC5F

RGB 175 188 95

HSL 68.39, 0.41%, 0.55%

LAB 73.48, -18.25, 45.13

 

CMYK 7 / 0 / 45 / 19

HEX #C0CE72

RGB 192 206 114

HSL 69.13, 0.48%, 0.63%

LAB 79.93, -18.55, 43.97

 

CMYK 7 / 0 / 41 / 12

HEX #D1E085

RGB 209 224 133

HSL 69.89, 0.59%, 0.7%

LAB 86.29, -18.79, 42.82

 

CMYK 11 / 0 / 59 / 40

HEX #88983E

RGB 136 152 62

HSL 70.67, 0.42%, 0.42%

LAB 59.92, -19.1, 44.44

 

CMYK 11 / 0 / 68 / 47

HEX #77862B

RGB 119 134 43

HSL 69.89, 0.51%, 0.35%

LAB 53.11, -18.57, 45.25

 

CMYK 12 / 0 / 79 / 55

HEX #667418

RGB 102 116 24

HSL 69.13, 0.66%, 0.27%

LAB 46.15, -17.84, 45.4

 

CMYK 13 / 0 / 95 / 62

HEX #556205

RGB 85 98 5

HSL 68.39, 0.9%, 0.2%

LAB 39.03, -16.8, 44.17

 

CMYK 15 / 0 / 100 / 69

HEX #445000

RGB 68 80 0

HSL 69, 1%, 0.16%

LAB 31.73, -15.28, 39.48

 

CMYK 11 / 0 / 59 / 40

HEX #88983E

RGB 136 152 62

HSL 70.67, 0.42%, 0.42%

LAB 59.92, -19.1, 44.44

 

CMYK 0 / 6 / 59 / 40

HEX #988F3E

RGB 152 143 62

HSL 54, 0.42%, 0.42%

LAB 58.67, -7.39, 43.4

 

CMYK 0 / 22 / 59 / 40

HEX #98773E

RGB 152 119 62

HSL 38, 0.42%, 0.42%

LAB 52.08, 5.98, 35.82

 

CMYK 0 / 38 / 59 / 40

HEX #985F3E

RGB 152 95 62

HSL 22, 0.42%, 0.42%

LAB 45.92, 19.77, 28.39

 

CMYK 0 / 53 / 59 / 40

HEX #98473E

RGB 152 71 62

HSL 6, 0.42%, 0.42%

LAB 40.46, 33.13, 21.51

 

CMYK 11 / 0 / 59 / 40

HEX #88983E

RGB 136 152 62

HSL 70.67, 0.42%, 0.42%

LAB 59.92, -19.1, 44.44

 

CMYK 27 / 0 / 59 / 40

HEX #6F983E

RGB 111 152 62

HSL 87.33, 0.42%, 0.42%

LAB 58.21, -29.31, 42.05

 

CMYK 43 / 0 / 59 / 40

HEX #57983E

RGB 87 152 62

HSL 103.33, 0.42%, 0.42%

LAB 56.91, -38.03, 40.21

 

CMYK 59 / 0 / 59 / 40

HEX #3F983E

RGB 63 152 62

HSL 119.33, 0.42%, 0.42%

LAB 55.95, -45.14, 38.85

 

CMYK 59 / 0 / 44 / 40

HEX #3E9855

RGB 62 152 85

HSL 135.33, 0.42%, 0.42%

LAB 56.22, -41.99, 27.4

 

CMYK 11 / 0 / 59 / 40

HEX #88983E

RGB 136 152 62

HSL 70.67, 0.42%, 0.42%

LAB 59.92, -19.1, 44.44

 

CMYK 13 / 0 / 74 / 34

HEX #93A92C

RGB 147 169 44

HSL 70.56, 0.59%, 0.42%

LAB 65.56, -24.2, 57.97

 

CMYK 15 / 0 / 85 / 27

HEX #9EBA1B

RGB 158 186 27

HSL 70.57, 0.75%, 0.42%

LAB 71.19, -28.51, 68.15

 

CMYK 17 / 0 / 95 / 20

HEX #A9CC0A

RGB 169 204 10

HSL 70.82, 0.91%, 0.42%

LAB 77.07, -32.78, 75.82

 

CMYK 11 / 0 / 59 / 40

HEX #88983E

RGB 136 152 62

HSL 70.67, 0.42%, 0.42%

LAB 59.92, -19.1, 44.44

 

CMYK 7 / 0 / 41 / 47

HEX #7C864F

RGB 124 134 79

HSL 70.91, 0.26%, 0.42%

LAB 53.92, -12.93, 28.37

 

CMYK 3 / 0 / 18 / 54

HEX #717560

RGB 113 117 96

HSL 71.43, 0.1%, 0.42%

LAB 48.36, -5.52, 11.09

 

CMYK 11 / 12 / 0 / 55

HEX #666472

RGB 102 100 114

HSL 248.57, 0.07%, 0.42%

LAB 42.99, 3.82, -7.58

 

CMYK 31 / 37 / 0 / 49

HEX #5B5283

RGB 91 82 131

HSL 251.02, 0.23%, 0.42%

LAB 37.66, 15.5, -26.22

 

CMYK 0 / 22 / 59 / 40

HEX #98773E

RGB 152 119 62

HSL 38, 0.42%, 0.42%

LAB 52.08, 5.98, 35.82

 

CMYK 0 / 6 / 59 / 40

HEX #988F3E

RGB 152 143 62

HSL 54, 0.42%, 0.42%

LAB 58.67, -7.39, 43.4

 

CMYK 10 / 0 / 59 / 40

HEX #89983E

RGB 137 152 62

HSL 70, 0.42%, 0.42%

LAB 60, -18.67, 44.55

 

CMYK 26 / 0 / 59 / 40

HEX #71983E

RGB 113 152 62

HSL 86, 0.42%, 0.42%

LAB 58.33, -28.53, 42.22

 

CMYK 41 / 0 / 59 / 40

HEX #59983E

RGB 89 152 62

HSL 102, 0.42%, 0.42%

LAB 57.01, -37.36, 40.35

 

CMYK 11 / 0 / 59 / 64

HEX #535D26

RGB 83 93 38

HSL 70.91, 0.42%, 0.26%

LAB 37.49, -13.01, 29.79

 

CMYK 11 / 0 / 59 / 52

HEX #6D7A32

RGB 109 122 50

HSL 70.83, 0.42%, 0.34%

LAB 48.76, -16.08, 37.07

 

CMYK 11 / 0 / 59 / 40

HEX #88983E

RGB 136 152 62

HSL 70.67, 0.42%, 0.42%

LAB 59.92, -19.1, 44.44

 

CMYK 10 / 0 / 59 / 29

HEX #A2B54A

RGB 162 181 74

HSL 70.65, 0.42%, 0.5%

LAB 70.33, -21.91, 51.09

 

CMYK 8 / 0 / 47 / 24

HEX #B1C167

RGB 177 193 103

HSL 70.67, 0.42%, 0.58%

LAB 75.12, -19.15, 43.23

 

CMYK 11 / 0 / 59 / 40

HEX #88983E

RGB 136 152 62

HSL 70.67, 0.42%, 0.42%

LAB 59.92, -19.1, 44.44

 

CMYK 59 / 0 / 38 / 40

HEX #3E985F

RGB 62 152 95

HSL 142, 0.42%, 0.42%

LAB 56.39, -40.17, 22.19

 

CMYK 14 / 59 / 0 / 40

HEX #833E98

RGB 131 62 152

HSL 286, 0.42%, 0.42%

LAB 38.79, 44.16, -36.9

 

CMYK 11 / 0 / 59 / 40

HEX #88983E

RGB 136 152 62

HSL 70.67, 0.42%, 0.42%

LAB 59.92, -19.1, 44.44

 

CMYK 59 / 10 / 0 / 40

HEX #3E8998

RGB 62 137 152

HSL 190, 0.42%, 0.42%

LAB 53.15, -18.57, -15.01

 

CMYK 0 / 59 / 10 / 40

HEX #983E89

RGB 152 62 137

HSL 310, 0.42%, 0.42%

LAB 41.1, 47.19, -23.95

 

CMYK 11 / 0 / 59 / 40

HEX #88983E

RGB 136 152 62

HSL 70.67, 0.42%, 0.42%

LAB 59.92, -19.1, 44.44

 

CMYK 59 / 0 / 38 / 40

HEX #3E985F

RGB 62 152 95

HSL 142, 0.42%, 0.42%

LAB 56.39, -40.17, 22.19

 

CMYK 49 / 59 / 0 / 40

HEX #4D3E98

RGB 77 62 152

HSL 250, 0.42%, 0.42%

LAB 32.46, 30.66, -47.4

 

CMYK 0 / 59 / 22 / 40

HEX #983E77

RGB 152 62 119

HSL 322, 0.42%, 0.42%

LAB 40.33, 44.33, -14.07

 

CMYK 11 / 0 / 59 / 40

HEX #88983E

RGB 136 152 62

HSL 70.67, 0.42%, 0.42%

LAB 59.92, -19.1, 44.44

 

CMYK 59 / 0 / 20 / 40

HEX #3E987A

RGB 62 152 122

HSL 160, 0.42%, 0.42%

LAB 56.96, -34.3, 7.85

 

CMYK 49 / 59 / 0 / 40

HEX #4D3E98

RGB 77 62 152

HSL 250, 0.42%, 0.42%

LAB 32.46, 30.66, -47.4

 

CMYK 0 / 59 / 39 / 40

HEX #983E5C

RGB 152 62 92

HSL 340, 0.42%, 0.42%

LAB 39.4, 40.71, 1.38

 

Description

Color code: HEX #88983E | qconv.com Color code: HEX #88983E | qconv.com - big



The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 152 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 152 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 59 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 59% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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