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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #88A4CD it is the complementary color #775B32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #88A4CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #88A4CD shade: #8DA4C8, #9EB6DB, #AFC8EE, #C0DAFF and #D1ECFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #88A4CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #88A4CD shade: #88A4CD, #7792BA, #6680A7, #556E94 and #445C81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #88A4CD shade: #88A4CD, #8891CD, #9188CD, #A488CD and #B688CD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #88A4CD shade: #88A4CD, #8891CD and #8888CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #88A4CD shade matches the following richer shades: #88A4CD, #7AA1DA, #6D9FE8 and #5F9CF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #88A4CD shade: #88A4CD, #95A6BF, #A3A9B2, #B1ACA4 and #BEAE96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #88A4CD shade: #88C9CD, #88B7CD, #88A5CD, #8892CD and #9088CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #88A4CD shade: #4E77B5, #6B8EC1, #88A4CD, #A5BAD9 and #C2D0E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #88A4CD shade: #88A4CD, #BE88CD and #C0CD88

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #88A4CD shade: #88A4CD, #CD88A5 and #A5CD88

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #88A4CD shade: #88A4CD, #BE88CD, #CDB088 and #97CD88

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #88A4CD shade: #88A4CD, #CD88C7, #CDB088 and #88CD8E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 20 / 0 / 20

HEX #88A4CD

RGB 136 164 205

HSL 215.65, 0.41%, 0.67%

LAB 66.67, 0.17, -24.06

 

Complementary color

CMYK 0 / 24 / 58 / 53

HEX #775B32

RGB 119 91 50

HSL 35.65, 0.41%, 0.33%

LAB 40.63, 6.22, 27.8

 

CMYK 30 / 18 / 0 / 22

HEX #8DA4C8

RGB 141 164 200

HSL 216.61, 0.35%, 0.67%

LAB 66.81, 0.36, -21.04

 

CMYK 28 / 17 / 0 / 14

HEX #9EB6DB

RGB 158 182 219

HSL 216.39, 0.46%, 0.74%

LAB 73.44, 0.13, -21.29

 

CMYK 26 / 16 / 0 / 7

HEX #AFC8EE

RGB 175 200 238

HSL 216.19, 0.65%, 0.81%

LAB 79.95, -0.07, -21.55

 

CMYK 25 / 15 / 0 / 0

HEX #C0DAFF

RGB 192 218 255

HSL 215.24, 1%, 0.88%

LAB 86.29, -0.71, -20.87

 

CMYK 18 / 7 / 0 / 0

HEX #D1ECFF

RGB 209 236 255

HSL 204.78, 1%, 0.91%

LAB 92.03, -4.96, -12.14

 

CMYK 34 / 20 / 0 / 20

HEX #88A4CD

RGB 136 164 205

HSL 215.65, 0.41%, 0.67%

LAB 66.67, 0.17, -24.06

 

CMYK 36 / 22 / 0 / 27

HEX #7792BA

RGB 119 146 186

HSL 215.82, 0.33%, 0.6%

LAB 59.91, 0.46, -23.88

 

CMYK 39 / 23 / 0 / 35

HEX #6680A7

RGB 102 128 167

HSL 216, 0.27%, 0.53%

LAB 53.01, 0.81, -23.73

 

CMYK 43 / 26 / 0 / 42

HEX #556E94

RGB 85 110 148

HSL 216.19, 0.27%, 0.46%

LAB 45.94, 1.23, -23.62

 

CMYK 47 / 29 / 0 / 49

HEX #445C81

RGB 68 92 129

HSL 216.39, 0.31%, 0.39%

LAB 38.67, 1.75, -23.55

 

CMYK 34 / 20 / 0 / 20

HEX #88A4CD

RGB 136 164 205

HSL 215.65, 0.41%, 0.67%

LAB 66.67, 0.17, -24.06

 

CMYK 34 / 29 / 0 / 20

HEX #8891CD

RGB 136 145 205

HSL 232.17, 0.41%, 0.67%

LAB 61.56, 10.96, -31.93

 

CMYK 29 / 34 / 0 / 20

HEX #9188CD

RGB 145 136 205

HSL 247.83, 0.41%, 0.67%

LAB 59.92, 18.77, -34.43

 

CMYK 20 / 34 / 0 / 20

HEX #A488CD

RGB 164 136 205

HSL 264.35, 0.41%, 0.67%

LAB 61.58, 24.46, -31.73

 

CMYK 11 / 34 / 0 / 20

HEX #B688CD

RGB 182 136 205

HSL 280, 0.41%, 0.67%

LAB 63.31, 30.05, -28.91

 

CMYK 34 / 20 / 0 / 20

HEX #88A4CD

RGB 136 164 205

HSL 215.65, 0.41%, 0.67%

LAB 66.67, 0.17, -24.06

 

CMYK 34 / 29 / 0 / 20

HEX #8891CD

RGB 136 145 205

HSL 232.17, 0.41%, 0.67%

LAB 61.56, 10.96, -31.93

 

CMYK 34 / 34 / 0 / 20

HEX #8888CD

RGB 136 136 205

HSL 240, 0.41%, 0.67%

LAB 59.21, 16.18, -35.6

 

CMYK 34 / 20 / 0 / 20

HEX #88A4CD

RGB 136 164 205

HSL 215.65, 0.41%, 0.67%

LAB 66.67, 0.17, -24.06

 

CMYK 44 / 26 / 0 / 15

HEX #7AA1DA

RGB 122 161 218

HSL 215.63, 0.56%, 0.67%

LAB 65.51, 1.61, -33.12

 

CMYK 53 / 31 / 0 / 9

HEX #6D9FE8

RGB 109 159 232

HSL 215.61, 0.73%, 0.67%

LAB 64.86, 3.83, -41.9

 

CMYK 61 / 37 / 0 / 4

HEX #5F9CF6

RGB 95 156 246

HSL 215.76, 0.89%, 0.67%

LAB 64.05, 7.24, -50.91

 

CMYK 34 / 20 / 0 / 20

HEX #88A4CD

RGB 136 164 205

HSL 215.65, 0.41%, 0.67%

LAB 66.67, 0.17, -24.06

 

CMYK 22 / 13 / 0 / 25

HEX #95A6BF

RGB 149 166 191

HSL 215.71, 0.25%, 0.67%

LAB 67.59, -0.46, -14.81

 

CMYK 8 / 5 / 0 / 30

HEX #A3A9B2

RGB 163 169 178

HSL 216, 0.09%, 0.67%

LAB 69.02, -0.32, -5.36

 

CMYK 0 / 3 / 7 / 31

HEX #B1ACA4

RGB 177 172 164

HSL 36.92, 0.08%, 0.67%

LAB 70.55, 0.34, 4.73

 

CMYK 0 / 8 / 21 / 25

HEX #BEAE96

RGB 190 174 150

HSL 36, 0.24%, 0.67%

LAB 71.84, 1.84, 14.41

 

CMYK 34 / 2 / 0 / 20

HEX #88C9CD

RGB 136 201 205

HSL 183.48, 0.41%, 0.67%

LAB 76.93, -19.54, -8.58

 

CMYK 34 / 11 / 0 / 20

HEX #88B7CD

RGB 136 183 205

HSL 199.13, 0.41%, 0.67%

LAB 71.9, -10.19, -16.11

 

CMYK 34 / 20 / 0 / 20

HEX #88A5CD

RGB 136 165 205

HSL 214.78, 0.41%, 0.67%

LAB 66.94, -0.39, -23.65

 

CMYK 34 / 29 / 0 / 20

HEX #8892CD

RGB 136 146 205

HSL 231.3, 0.41%, 0.67%

LAB 61.83, 10.38, -31.52

 

CMYK 30 / 34 / 0 / 20

HEX #9088CD

RGB 144 136 205

HSL 246.96, 0.41%, 0.67%

LAB 59.84, 18.48, -34.57

 

CMYK 57 / 34 / 0 / 29

HEX #4E77B5

RGB 78 119 181

HSL 216.12, 0.41%, 0.51%

LAB 49.68, 4.46, -37.12

 

CMYK 45 / 26 / 0 / 24

HEX #6B8EC1

RGB 107 142 193

HSL 215.58, 0.41%, 0.59%

LAB 58.34, 1.46, -30.33

 

CMYK 34 / 20 / 0 / 20

HEX #88A4CD

RGB 136 164 205

HSL 215.65, 0.41%, 0.67%

LAB 66.67, 0.17, -24.06

 

CMYK 24 / 14 / 0 / 15

HEX #A5BAD9

RGB 165 186 217

HSL 215.77, 0.41%, 0.75%

LAB 74.9, -0.41, -17.94

 

CMYK 15 / 9 / 0 / 10

HEX #C2D0E5

RGB 194 208 229

HSL 216, 0.4%, 0.83%

LAB 83.04, -0.5, -11.97

 

CMYK 34 / 20 / 0 / 20

HEX #88A4CD

RGB 136 164 205

HSL 215.65, 0.41%, 0.67%

LAB 66.67, 0.17, -24.06

 

CMYK 7 / 34 / 0 / 20

HEX #BE88CD

RGB 190 136 205

HSL 286.96, 0.41%, 0.67%

LAB 64.13, 32.58, -27.57

 

CMYK 6 / 0 / 34 / 20

HEX #C0CD88

RGB 192 205 136

HSL 71.3, 0.41%, 0.67%

LAB 79.98, -15.5, 32.93

 

CMYK 34 / 20 / 0 / 20

HEX #88A4CD

RGB 136 164 205

HSL 215.65, 0.41%, 0.67%

LAB 66.67, 0.17, -24.06

 

CMYK 0 / 34 / 20 / 20

HEX #CD88A5

RGB 205 136 165

HSL 334.78, 0.41%, 0.67%

LAB 64.41, 30.51, -4.46

 

CMYK 20 / 0 / 34 / 20

HEX #A5CD88

RGB 165 205 136

HSL 94.78, 0.41%, 0.67%

LAB 78.13, -25.54, 30.16

 

CMYK 34 / 20 / 0 / 20

HEX #88A4CD

RGB 136 164 205

HSL 215.65, 0.41%, 0.67%

LAB 66.67, 0.17, -24.06

 

CMYK 7 / 34 / 0 / 20

HEX #BE88CD

RGB 190 136 205

HSL 286.96, 0.41%, 0.67%

LAB 64.13, 32.58, -27.57

 

CMYK 0 / 14 / 34 / 20

HEX #CDB088

RGB 205 176 136

HSL 34.78, 0.41%, 0.67%

LAB 73.42, 4.69, 24.39

 

CMYK 26 / 0 / 34 / 20

HEX #97CD88

RGB 151 205 136

HSL 106.96, 0.41%, 0.67%

LAB 77.29, -30.46, 28.89

 

CMYK 34 / 20 / 0 / 20

HEX #88A4CD

RGB 136 164 205

HSL 215.65, 0.41%, 0.67%

LAB 66.67, 0.17, -24.06

 

CMYK 0 / 34 / 3 / 20

HEX #CD88C7

RGB 205 136 199

HSL 305.22, 0.41%, 0.67%

LAB 65.52, 36.24, -21.94

 

CMYK 0 / 14 / 34 / 20

HEX #CDB088

RGB 205 176 136

HSL 34.78, 0.41%, 0.67%

LAB 73.42, 4.69, 24.39

 

CMYK 34 / 0 / 31 / 20

HEX #88CD8E

RGB 136 205 142

HSL 125.22, 0.41%, 0.67%

LAB 76.59, -34.44, 24.67

 

Description

Color code: HEX #88A4CD | qconv.com Color code: HEX #88A4CD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 164 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 164 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 20 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 20% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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