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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #88A540 it is the complementary color #775ABF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #88A540. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #88A540 shade: #8DA53B, #9EB74E, #AFC961, #C0DB74 and #D1ED87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #88A540. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #88A540 shade: #88A540, #77932D, #66811A, #556F07 and #445D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #88A540 shade: #88A540, #A3A540, #A58B40, #A57040 and #A55540

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #88A540 shade: #88A540, #6DA540, #51A540, #40A549 and #40A565

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #88A540 shade matches the following richer shades: #88A540, #90B72D, #98CA1B and #9FDC08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #88A540 shade: #88A540, #809252, #788065, #706D77 and #685A8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #88A540 shade: #A58B40, #A3A540, #88A540, #6DA540 and #52A540

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #88A540 shade: #576929, #6F8734, #88A540, #9DBC52 and #AEC770

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #88A540 shade: #88A540, #40A571 and #9940A5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #88A540 shade: #88A540, #4088A5 and #A54088

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #88A540 shade: #88A540, #40A571, #5C40A5 and #A54074

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #88A540 shade: #88A540, #40A58F, #5C40A5 and #A54056

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 61 / 35

HEX #88A540

RGB 136 165 64

HSL 77.23, 0.44%, 0.45%

LAB 63.77, -25.46, 47.8

 

Complementary color

CMYK 38 / 53 / 0 / 25

HEX #775ABF

RGB 119 90 191

HSL 257.23, 0.44%, 0.55%

LAB 45.63, 35.03, -49.16

 

CMYK 15 / 0 / 64 / 35

HEX #8DA53B

RGB 141 165 59

HSL 73.58, 0.47%, 0.44%

LAB 64.07, -23.8, 50.43

 

CMYK 14 / 0 / 57 / 28

HEX #9EB74E

RGB 158 183 78

HSL 74.29, 0.42%, 0.51%

LAB 70.65, -24.2, 49.56

 

CMYK 13 / 0 / 52 / 21

HEX #AFC961

RGB 175 201 97

HSL 75, 0.49%, 0.58%

LAB 77.13, -24.49, 48.51

 

CMYK 12 / 0 / 47 / 14

HEX #C0DB74

RGB 192 219 116

HSL 75.73, 0.59%, 0.66%

LAB 83.51, -24.7, 47.39

 

CMYK 12 / 0 / 43 / 7

HEX #D1ED87

RGB 209 237 135

HSL 76.47, 0.74%, 0.73%

LAB 89.8, -24.86, 46.26

 

CMYK 18 / 0 / 61 / 35

HEX #88A540

RGB 136 165 64

HSL 77.23, 0.44%, 0.45%

LAB 63.77, -25.46, 47.8

 

CMYK 19 / 0 / 69 / 42

HEX #77932D

RGB 119 147 45

HSL 76.47, 0.53%, 0.38%

LAB 57.05, -25.05, 48.49

 

CMYK 21 / 0 / 80 / 49

HEX #66811A

RGB 102 129 26

HSL 75.73, 0.66%, 0.3%

LAB 50.22, -24.43, 48.49

 

CMYK 23 / 0 / 94 / 56

HEX #556F07

RGB 85 111 7

HSL 75, 0.88%, 0.23%

LAB 43.23, -23.53, 47.07

 

CMYK 27 / 0 / 100 / 64

HEX #445D00

RGB 68 93 0

HSL 76.13, 1%, 0.18%

LAB 36.1, -22.22, 42.78

 

CMYK 18 / 0 / 61 / 35

HEX #88A540

RGB 136 165 64

HSL 77.23, 0.44%, 0.45%

LAB 63.77, -25.46, 47.8

 

CMYK 1 / 0 / 61 / 35

HEX #A3A540

RGB 163 165 64

HSL 61.19, 0.44%, 0.45%

LAB 65.8, -14.12, 50.61

 

CMYK 0 / 16 / 61 / 35

HEX #A58B40

RGB 165 139 64

HSL 44.55, 0.44%, 0.45%

LAB 58.82, 0.71, 42.94

 

CMYK 0 / 32 / 61 / 35

HEX #A57040

RGB 165 112 64

HSL 28.51, 0.44%, 0.45%

LAB 51.79, 15.9, 34.78

 

CMYK 0 / 48 / 61 / 35

HEX #A55540

RGB 165 85 64

HSL 12.48, 0.44%, 0.45%

LAB 45.45, 30.98, 27.06

 

CMYK 18 / 0 / 61 / 35

HEX #88A540

RGB 136 165 64

HSL 77.23, 0.44%, 0.45%

LAB 63.77, -25.46, 47.8

 

CMYK 34 / 0 / 61 / 35

HEX #6DA540

RGB 109 165 64

HSL 93.27, 0.44%, 0.45%

LAB 62.11, -35.92, 45.49

 

CMYK 51 / 0 / 61 / 35

HEX #51A540

RGB 81 165 64

HSL 109.9, 0.44%, 0.45%

LAB 60.81, -45.14, 43.67

 

CMYK 61 / 0 / 56 / 35

HEX #40A549

RGB 64 165 73

HSL 125.35, 0.44%, 0.45%

LAB 60.32, -48.52, 38.68

 

CMYK 61 / 0 / 39 / 35

HEX #40A565

RGB 64 165 101

HSL 141.98, 0.44%, 0.45%

LAB 60.73, -44.03, 24.69

 

CMYK 18 / 0 / 61 / 35

HEX #88A540

RGB 136 165 64

HSL 77.23, 0.44%, 0.45%

LAB 63.77, -25.46, 47.8

 

CMYK 21 / 0 / 75 / 28

HEX #90B72D

RGB 144 183 45

HSL 76.96, 0.61%, 0.45%

LAB 69.46, -32.11, 61.28

 

CMYK 25 / 0 / 87 / 21

HEX #98CA1B

RGB 152 202 27

HSL 77.14, 0.76%, 0.45%

LAB 75.45, -38.31, 71.57

 

CMYK 28 / 0 / 96 / 14

HEX #9FDC08

RGB 159 220 8

HSL 77.26, 0.93%, 0.45%

LAB 81.06, -43.86, 78.85

 

CMYK 18 / 0 / 61 / 35

HEX #88A540

RGB 136 165 64

HSL 77.23, 0.44%, 0.45%

LAB 63.77, -25.46, 47.8

 

CMYK 12 / 0 / 44 / 43

HEX #809252

RGB 128 146 82

HSL 76.88, 0.28%, 0.45%

LAB 57.8, -17.28, 31.73

 

CMYK 6 / 0 / 21 / 50

HEX #788065

RGB 120 128 101

HSL 77.78, 0.12%, 0.45%

LAB 52.25, -8.06, 13.69

 

CMYK 6 / 8 / 0 / 53

HEX #706D77

RGB 112 109 119

HSL 258, 0.04%, 0.45%

LAB 46.6, 3.24, -5.13

 

CMYK 25 / 35 / 0 / 46

HEX #685A8A

RGB 104 90 138

HSL 257.5, 0.21%, 0.45%

LAB 41.36, 16.52, -24.61

 

CMYK 0 / 16 / 61 / 35

HEX #A58B40

RGB 165 139 64

HSL 44.55, 0.44%, 0.45%

LAB 58.82, 0.71, 42.94

 

CMYK 1 / 0 / 61 / 35

HEX #A3A540

RGB 163 165 64

HSL 61.19, 0.44%, 0.45%

LAB 65.8, -14.12, 50.61

 

CMYK 18 / 0 / 61 / 35

HEX #88A540

RGB 136 165 64

HSL 77.23, 0.44%, 0.45%

LAB 63.77, -25.46, 47.8

 

CMYK 34 / 0 / 61 / 35

HEX #6DA540

RGB 109 165 64

HSL 93.27, 0.44%, 0.45%

LAB 62.11, -35.92, 45.49

 

CMYK 50 / 0 / 61 / 35

HEX #52A540

RGB 82 165 64

HSL 109.31, 0.44%, 0.45%

LAB 60.85, -44.85, 43.72

 

CMYK 17 / 0 / 61 / 59

HEX #576929

RGB 87 105 41

HSL 76.88, 0.44%, 0.29%

LAB 41.67, -17.51, 33.09

 

CMYK 18 / 0 / 61 / 47

HEX #6F8734

RGB 111 135 52

HSL 77.35, 0.44%, 0.37%

LAB 52.9, -21.84, 40.79

 

CMYK 18 / 0 / 61 / 35

HEX #88A540

RGB 136 165 64

HSL 77.23, 0.44%, 0.45%

LAB 63.77, -25.46, 47.8

 

CMYK 16 / 0 / 56 / 26

HEX #9DBC52

RGB 157 188 82

HSL 77.55, 0.44%, 0.53%

LAB 72.06, -26.68, 49.3

 

CMYK 13 / 0 / 44 / 22

HEX #AEC770

RGB 174 199 112

HSL 77.24, 0.44%, 0.61%

LAB 76.69, -22.33, 40.65

 

CMYK 18 / 0 / 61 / 35

HEX #88A540

RGB 136 165 64

HSL 77.23, 0.44%, 0.45%

LAB 63.77, -25.46, 47.8

 

CMYK 61 / 0 / 32 / 35

HEX #40A571

RGB 64 165 113

HSL 149.11, 0.44%, 0.45%

LAB 60.95, -41.66, 18.46

 

CMYK 7 / 61 / 0 / 35

HEX #9940A5

RGB 153 64 165

HSL 292.87, 0.44%, 0.45%

LAB 43, 51.59, -37.83

 

CMYK 18 / 0 / 61 / 35

HEX #88A540

RGB 136 165 64

HSL 77.23, 0.44%, 0.45%

LAB 63.77, -25.46, 47.8

 

CMYK 61 / 18 / 0 / 35

HEX #4088A5

RGB 64 136 165

HSL 197.23, 0.44%, 0.45%

LAB 53.4, -13.56, -22.13

 

CMYK 0 / 61 / 18 / 35

HEX #A54088

RGB 165 64 136

HSL 317.23, 0.44%, 0.45%

LAB 43.42, 49.9, -19.58

 

CMYK 18 / 0 / 61 / 35

HEX #88A540

RGB 136 165 64

HSL 77.23, 0.44%, 0.45%

LAB 63.77, -25.46, 47.8

 

CMYK 61 / 0 / 32 / 35

HEX #40A571

RGB 64 165 113

HSL 149.11, 0.44%, 0.45%

LAB 60.95, -41.66, 18.46

 

CMYK 44 / 61 / 0 / 35

HEX #5C40A5

RGB 92 64 165

HSL 256.63, 0.44%, 0.45%

LAB 35.32, 36.67, -50.56

 

CMYK 0 / 61 / 30 / 35

HEX #A54074

RGB 165 64 116

HSL 329.11, 0.44%, 0.45%

LAB 42.65, 47.05, -8.51

 

CMYK 18 / 0 / 61 / 35

HEX #88A540

RGB 136 165 64

HSL 77.23, 0.44%, 0.45%

LAB 63.77, -25.46, 47.8

 

CMYK 61 / 0 / 13 / 35

HEX #40A58F

RGB 64 165 143

HSL 166.93, 0.44%, 0.45%

LAB 61.64, -34.67, 2.73

 

CMYK 44 / 61 / 0 / 35

HEX #5C40A5

RGB 92 64 165

HSL 256.63, 0.44%, 0.45%

LAB 35.32, 36.67, -50.56

 

CMYK 0 / 61 / 48 / 35

HEX #A54056

RGB 165 64 86

HSL 346.93, 0.44%, 0.45%

LAB 41.75, 43.59, 8.78

 

Description

Color code: HEX #88A540 | qconv.com Color code: HEX #88A540 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 165 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 165 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 61 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 61% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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