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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #88A9D7 it is the complementary color #775628. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #88A9D7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #88A9D7 shade: #8DA9D2, #9EBBE5, #AFCDF8, #C0DFFF and #D1F1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #88A9D7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #88A9D7 shade: #88A9D7, #7797C4, #6685B1, #55739E and #44618B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #88A9D7 shade: #88A9D7, #8894D7, #9288D7, #A788D7 and #BC88D7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #88A9D7 shade: #88A9D7, #8894D7 and #8888D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #88A9D7 shade matches the following richer shades: #88A9D7, #7BA7E4, #6EA5F1 and #62A3FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #88A9D7 shade: #88A9D7, #95ABCA, #A2ADBD, #AEAFB1 and #BBB1A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #88A9D7 shade: #88D4D7, #88BFD7, #88AAD7, #8895D7 and #9088D7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #88A9D7 shade: #4A7CC2, #6993CD, #88A9D7, #A7BFE1 and #C6D6EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #88A9D7 shade: #88A9D7, #C588D7 and #CAD788

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #88A9D7 shade: #88A9D7, #D788AA and #AAD788

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #88A9D7 shade: #88A9D7, #C588D7, #D7B588 and #9AD788

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #88A9D7 shade: #88A9D7, #D788D2, #D7B588 and #88D78D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 21 / 0 / 16

HEX #88A9D7

RGB 136 169 215

HSL 214.94, 0.5%, 0.69%

LAB 68.4, -0.01, -26.93

 

Complementary color

CMYK 0 / 28 / 66 / 53

HEX #775628

RGB 119 86 40

HSL 34.94, 0.5%, 0.31%

LAB 39.12, 8.39, 31.56

 

CMYK 33 / 20 / 0 / 18

HEX #8DA9D2

RGB 141 169 210

HSL 215.65, 0.43%, 0.69%

LAB 68.53, 0.1, -23.95

 

CMYK 31 / 18 / 0 / 10

HEX #9EBBE5

RGB 158 187 229

HSL 215.49, 0.58%, 0.76%

LAB 75.12, -0.15, -24.16

 

CMYK 29 / 17 / 0 / 3

HEX #AFCDF8

RGB 175 205 248

HSL 215.34, 0.84%, 0.83%

LAB 81.6, -0.37, -24.39

 

CMYK 25 / 13 / 0 / 0

HEX #C0DFFF

RGB 192 223 255

HSL 210.48, 1%, 0.88%

LAB 87.58, -3.32, -18.92

 

CMYK 18 / 5 / 0 / 0

HEX #D1F1FF

RGB 209 241 255

HSL 198.26, 1%, 0.91%

LAB 93.31, -7.51, -10.22

 

CMYK 37 / 21 / 0 / 16

HEX #88A9D7

RGB 136 169 215

HSL 214.94, 0.5%, 0.69%

LAB 68.4, -0.01, -26.93

 

CMYK 39 / 23 / 0 / 23

HEX #7797C4

RGB 119 151 196

HSL 215.06, 0.39%, 0.62%

LAB 61.69, 0.33, -26.78

 

CMYK 42 / 25 / 0 / 31

HEX #6685B1

RGB 102 133 177

HSL 215.2, 0.32%, 0.55%

LAB 54.84, 0.73, -26.66

 

CMYK 46 / 27 / 0 / 38

HEX #55739E

RGB 85 115 158

HSL 215.34, 0.3%, 0.48%

LAB 47.83, 1.22, -26.58

 

CMYK 51 / 30 / 0 / 45

HEX #44618B

RGB 68 97 139

HSL 215.49, 0.34%, 0.41%

LAB 40.64, 1.85, -26.54

 

CMYK 37 / 21 / 0 / 16

HEX #88A9D7

RGB 136 169 215

HSL 214.94, 0.5%, 0.69%

LAB 68.4, -0.01, -26.93

 

CMYK 37 / 31 / 0 / 16

HEX #8894D7

RGB 136 148 215

HSL 230.89, 0.5%, 0.69%

LAB 62.78, 11.9, -35.63

 

CMYK 32 / 37 / 0 / 16

HEX #9288D7

RGB 146 136 215

HSL 247.59, 0.5%, 0.69%

LAB 60.45, 21.63, -39.21

 

CMYK 22 / 37 / 0 / 16

HEX #A788D7

RGB 167 136 215

HSL 263.54, 0.5%, 0.69%

LAB 62.28, 27.69, -36.22

 

CMYK 13 / 37 / 0 / 16

HEX #BC88D7

RGB 188 136 215

HSL 279.49, 0.5%, 0.69%

LAB 64.33, 34.02, -32.87

 

CMYK 37 / 21 / 0 / 16

HEX #88A9D7

RGB 136 169 215

HSL 214.94, 0.5%, 0.69%

LAB 68.4, -0.01, -26.93

 

CMYK 37 / 31 / 0 / 16

HEX #8894D7

RGB 136 148 215

HSL 230.89, 0.5%, 0.69%

LAB 62.78, 11.9, -35.63

 

CMYK 37 / 37 / 0 / 16

HEX #8888D7

RGB 136 136 215

HSL 240, 0.5%, 0.69%

LAB 59.66, 18.87, -40.5

 

CMYK 37 / 21 / 0 / 16

HEX #88A9D7

RGB 136 169 215

HSL 214.94, 0.5%, 0.69%

LAB 68.4, -0.01, -26.93

 

CMYK 46 / 27 / 0 / 11

HEX #7BA7E4

RGB 123 167 228

HSL 214.86, 0.66%, 0.69%

LAB 67.61, 1.33, -35.35

 

CMYK 54 / 32 / 0 / 5

HEX #6EA5F1

RGB 110 165 241

HSL 214.81, 0.82%, 0.69%

LAB 66.96, 3.39, -43.54

 

CMYK 61 / 36 / 0 / 1

HEX #62A3FD

RGB 98 163 253

HSL 214.84, 0.97%, 0.69%

LAB 66.43, 6, -50.96

 

CMYK 37 / 21 / 0 / 16

HEX #88A9D7

RGB 136 169 215

HSL 214.94, 0.5%, 0.69%

LAB 68.4, -0.01, -26.93

 

CMYK 26 / 15 / 0 / 21

HEX #95ABCA

RGB 149 171 202

HSL 215.09, 0.33%, 0.69%

LAB 69.31, -0.62, -18.3

 

CMYK 14 / 8 / 0 / 26

HEX #A2ADBD

RGB 162 173 189

HSL 215.56, 0.17%, 0.69%

LAB 70.35, -0.54, -9.48

 

CMYK 2 / 1 / 0 / 31

HEX #AEAFB1

RGB 174 175 177

HSL 220, 0.02%, 0.69%

LAB 71.44, 0.03, -1.15

 

CMYK 0 / 5 / 12 / 27

HEX #BBB1A4

RGB 187 177 164

HSL 33.91, 0.14%, 0.69%

LAB 72.69, 1.32, 7.92

 

CMYK 37 / 1 / 0 / 16

HEX #88D4D7

RGB 136 212 215

HSL 182.28, 0.5%, 0.69%

LAB 80.31, -22.66, -8.93

 

CMYK 37 / 11 / 0 / 16

HEX #88BFD7

RGB 136 191 215

HSL 198.23, 0.5%, 0.69%

LAB 74.45, -11.91, -17.71

 

CMYK 37 / 21 / 0 / 16

HEX #88AAD7

RGB 136 170 215

HSL 214.18, 0.5%, 0.69%

LAB 68.67, -0.56, -26.51

 

CMYK 37 / 31 / 0 / 16

HEX #8895D7

RGB 136 149 215

HSL 230.13, 0.5%, 0.69%

LAB 63.04, 11.32, -35.22

 

CMYK 33 / 37 / 0 / 16

HEX #9088D7

RGB 144 136 215

HSL 246.08, 0.5%, 0.69%

LAB 60.29, 21.07, -39.48

 

CMYK 62 / 36 / 0 / 24

HEX #4A7CC2

RGB 74 124 194

HSL 215, 0.5%, 0.53%

LAB 51.57, 4.99, -41.62

 

CMYK 49 / 28 / 0 / 20

HEX #6993CD

RGB 105 147 205

HSL 214.8, 0.5%, 0.61%

LAB 60.14, 1.62, -34.3

 

CMYK 37 / 21 / 0 / 16

HEX #88A9D7

RGB 136 169 215

HSL 214.94, 0.5%, 0.69%

LAB 68.4, -0.01, -26.93

 

CMYK 26 / 15 / 0 / 12

HEX #A7BFE1

RGB 167 191 225

HSL 215.17, 0.49%, 0.77%

LAB 76.63, -0.64, -19.65

 

CMYK 16 / 9 / 0 / 7

HEX #C6D6EC

RGB 198 214 236

HSL 214.74, 0.5%, 0.85%

LAB 85.08, -0.93, -12.61

 

CMYK 37 / 21 / 0 / 16

HEX #88A9D7

RGB 136 169 215

HSL 214.94, 0.5%, 0.69%

LAB 68.4, -0.01, -26.93

 

CMYK 8 / 37 / 0 / 16

HEX #C588D7

RGB 197 136 215

HSL 286.33, 0.5%, 0.69%

LAB 65.27, 36.78, -31.34

 

CMYK 6 / 0 / 37 / 16

HEX #CAD788

RGB 202 215 136

HSL 69.87, 0.5%, 0.69%

LAB 83.41, -16.68, 37.54

 

CMYK 37 / 21 / 0 / 16

HEX #88A9D7

RGB 136 169 215

HSL 214.94, 0.5%, 0.69%

LAB 68.4, -0.01, -26.93

 

CMYK 0 / 37 / 21 / 16

HEX #D788AA

RGB 215 136 170

HSL 334.18, 0.5%, 0.69%

LAB 65.72, 34.81, -5.22

 

CMYK 21 / 0 / 37 / 16

HEX #AAD788

RGB 170 215 136

HSL 94.18, 0.5%, 0.69%

LAB 81.25, -28.56, 34.32

 

CMYK 37 / 21 / 0 / 16

HEX #88A9D7

RGB 136 169 215

HSL 214.94, 0.5%, 0.69%

LAB 68.4, -0.01, -26.93

 

CMYK 8 / 37 / 0 / 16

HEX #C588D7

RGB 197 136 215

HSL 286.33, 0.5%, 0.69%

LAB 65.27, 36.78, -31.34

 

CMYK 0 / 16 / 37 / 16

HEX #D7B588

RGB 215 181 136

HSL 34.18, 0.5%, 0.69%

LAB 75.62, 5.98, 27.51

 

CMYK 28 / 0 / 37 / 16

HEX #9AD788

RGB 154 215 136

HSL 106.33, 0.5%, 0.69%

LAB 80.32, -34.12, 32.92

 

CMYK 37 / 21 / 0 / 16

HEX #88A9D7

RGB 136 169 215

HSL 214.94, 0.5%, 0.69%

LAB 68.4, -0.01, -26.93

 

CMYK 0 / 37 / 2 / 16

HEX #D788D2

RGB 215 136 210

HSL 303.8, 0.5%, 0.69%

LAB 67.06, 41.44, -25.63

 

CMYK 0 / 16 / 37 / 16

HEX #D7B588

RGB 215 181 136

HSL 34.18, 0.5%, 0.69%

LAB 75.62, 5.98, 27.51

 

CMYK 37 / 0 / 34 / 16

HEX #88D78D

RGB 136 215 141

HSL 123.8, 0.5%, 0.69%

LAB 79.48, -39.16, 29.07

 

Description

Color code: HEX #88A9D7 | qconv.com Color code: HEX #88A9D7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 169 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 169 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 21 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 21% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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