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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #88B497 it is the complementary color #774B68. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #88B497. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #88B497 shade: #8DB492, #9EC6A5, #AFD8B8, #C0EACB and #D1FCDE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #88B497. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #88B497 shade: #88B497, #77A284, #669071, #557E5E and #446C4B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #88B497 shade: #87B497, #87B48A, #90B487, #9CB487 and #A8B487

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #88B497 shade: #87B497, #87B4A3, #87B4AF, #87ADB4 and #87A1B4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #88B497 shade matches the following richer shades: #87B497, #78C492, #68D38D, #58E388 and #49F383

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #88B497 shade: #87B497, #97A49B, #A795A0, #B685A5 and #C675AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #88B497 shade: #90B487, #87B48A, #87B496, #87B4A2 and #87B4AE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #88B497 shade: #598F6C, #6EA480, #87B497, #A1C4AD and #BAD4C3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #88B497 shade: #88B497, #879CB4 and #B4878A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #88B497 shade: #88B497, #9687B4 and #B49687

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #88B497 shade: #88B497, #879CB4, #B487A5 and #B49F87

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #88B497 shade: #88B497, #878FB4, #B487A5 and #B4AC87

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 16 / 29

HEX #88B497

RGB 136 180 151

HSL 140.45, 0.23%, 0.62%

LAB 69.55, -20.69, 10.06

 

Complementary color

CMYK 0 / 37 / 13 / 53

HEX #774B68

RGB 119 75 104

HSL 320.45, 0.23%, 0.38%

LAB 37.76, 23.38, -9.1

 

CMYK 22 / 0 / 19 / 29

HEX #8DB492

RGB 141 180 146

HSL 127.69, 0.21%, 0.63%

LAB 69.74, -19.95, 13.11

 

CMYK 20 / 0 / 17 / 22

HEX #9EC6A5

RGB 158 198 165

HSL 130.5, 0.26%, 0.7%

LAB 76.3, -19.78, 12.22

 

CMYK 19 / 0 / 15 / 15

HEX #AFD8B8

RGB 175 216 184

HSL 133.17, 0.34%, 0.77%

LAB 82.75, -19.63, 11.39

 

CMYK 18 / 0 / 13 / 8

HEX #C0EACB

RGB 192 234 203

HSL 135.71, 0.5%, 0.84%

LAB 89.09, -19.5, 10.59

 

CMYK 17 / 0 / 12 / 1

HEX #D1FCDE

RGB 209 252 222

HSL 138.14, 0.88%, 0.9%

LAB 95.35, -19.38, 9.83

 

CMYK 24 / 0 / 16 / 29

HEX #88B497

RGB 136 180 151

HSL 140.45, 0.23%, 0.62%

LAB 69.55, -20.69, 10.06

 

CMYK 27 / 0 / 19 / 36

HEX #77A284

RGB 119 162 132

HSL 138.14, 0.19%, 0.55%

LAB 62.87, -20.9, 10.96

 

CMYK 29 / 0 / 22 / 44

HEX #669071

RGB 102 144 113

HSL 135.71, 0.17%, 0.48%

LAB 56.05, -21.15, 11.92

 

CMYK 33 / 0 / 25 / 51

HEX #557E5E

RGB 85 126 94

HSL 133.17, 0.19%, 0.41%

LAB 49.08, -21.42, 12.97

 

CMYK 37 / 0 / 31 / 58

HEX #446C4B

RGB 68 108 75

HSL 130.5, 0.23%, 0.35%

LAB 41.94, -21.71, 14.13

 

CMYK 25 / 0 / 16 / 29

HEX #87B497

RGB 135 180 151

HSL 141.33, 0.23%, 0.62%

LAB 69.49, -21.02, 9.97

 

CMYK 25 / 0 / 23 / 29

HEX #87B48A

RGB 135 180 138

HSL 124, 0.23%, 0.62%

LAB 69.2, -23.45, 16.67

 

CMYK 20 / 0 / 25 / 29

HEX #90B487

RGB 144 180 135

HSL 108, 0.23%, 0.62%

LAB 69.7, -20.84, 19.06

 

CMYK 13 / 0 / 25 / 29

HEX #9CB487

RGB 156 180 135

HSL 92, 0.23%, 0.62%

LAB 70.5, -16.49, 20.29

 

CMYK 7 / 0 / 25 / 29

HEX #A8B487

RGB 168 180 135

HSL 76, 0.23%, 0.62%

LAB 71.36, -12, 21.61

 

CMYK 25 / 0 / 16 / 29

HEX #87B497

RGB 135 180 151

HSL 141.33, 0.23%, 0.62%

LAB 69.49, -21.02, 9.97

 

CMYK 25 / 0 / 9 / 29

HEX #87B4A3

RGB 135 180 163

HSL 157.33, 0.23%, 0.62%

LAB 69.78, -18.59, 3.8

 

CMYK 25 / 0 / 3 / 29

HEX #87B4AF

RGB 135 180 175

HSL 173.33, 0.23%, 0.62%

LAB 70.1, -16, -2.34

 

CMYK 25 / 4 / 0 / 29

HEX #87ADB4

RGB 135 173 180

HSL 189.33, 0.23%, 0.62%

LAB 68.27, -11.18, -7.8

 

CMYK 25 / 11 / 0 / 29

HEX #87A1B4

RGB 135 161 180

HSL 205.33, 0.23%, 0.62%

LAB 64.91, -4.68, -12.82

 

CMYK 25 / 0 / 16 / 29

HEX #87B497

RGB 135 180 151

HSL 141.33, 0.23%, 0.62%

LAB 69.49, -21.02, 9.97

 

CMYK 39 / 0 / 26 / 23

HEX #78C492

RGB 120 196 146

HSL 140.53, 0.39%, 0.62%

LAB 73.25, -34.44, 17.85

 

CMYK 51 / 0 / 33 / 17

HEX #68D38D

RGB 104 211 141

HSL 140.75, 0.55%, 0.62%

LAB 76.95, -46.39, 25.45

 

CMYK 61 / 0 / 40 / 11

HEX #58E388

RGB 88 227 136

HSL 140.72, 0.71%, 0.62%

LAB 81.18, -57.31, 33.55

 

CMYK 70 / 0 / 46 / 5

HEX #49F383

RGB 73 243 131

HSL 140.47, 0.88%, 0.62%

LAB 85.58, -66.65, 41.64

 

CMYK 25 / 0 / 16 / 29

HEX #87B497

RGB 135 180 151

HSL 141.33, 0.23%, 0.62%

LAB 69.49, -21.02, 9.97

 

CMYK 8 / 0 / 5 / 36

HEX #97A49B

RGB 151 164 155

HSL 138.46, 0.07%, 0.62%

LAB 66.13, -6.35, 3.09

 

CMYK 0 / 11 / 4 / 35

HEX #A795A0

RGB 167 149 160

HSL 323.33, 0.09%, 0.62%

LAB 63.55, 8.65, -3.34

 

CMYK 0 / 27 / 9 / 29

HEX #B685A5

RGB 182 133 165

HSL 320.82, 0.25%, 0.62%

LAB 61.17, 23.96, -9.55

 

CMYK 0 / 41 / 14 / 22

HEX #C675AA

RGB 198 117 170

HSL 320.74, 0.42%, 0.62%

LAB 59.55, 39.11, -14.65

 

CMYK 20 / 0 / 25 / 29

HEX #90B487

RGB 144 180 135

HSL 108, 0.23%, 0.62%

LAB 69.7, -20.84, 19.06

 

CMYK 25 / 0 / 23 / 29

HEX #87B48A

RGB 135 180 138

HSL 124, 0.23%, 0.62%

LAB 69.2, -23.45, 16.67

 

CMYK 25 / 0 / 17 / 29

HEX #87B496

RGB 135 180 150

HSL 140, 0.23%, 0.62%

LAB 69.47, -21.21, 10.49

 

CMYK 25 / 0 / 10 / 29

HEX #87B4A2

RGB 135 180 162

HSL 156, 0.23%, 0.62%

LAB 69.75, -18.8, 4.32

 

CMYK 25 / 0 / 3 / 29

HEX #87B4AE

RGB 135 180 174

HSL 172, 0.23%, 0.62%

LAB 70.07, -16.22, -1.83

 

CMYK 38 / 0 / 24 / 44

HEX #598F6C

RGB 89 143 108

HSL 141.11, 0.23%, 0.45%

LAB 54.92, -25.92, 13.08

 

CMYK 33 / 0 / 22 / 36

HEX #6EA480

RGB 110 164 128

HSL 140, 0.23%, 0.54%

LAB 62.86, -25.66, 13.11

 

CMYK 25 / 0 / 16 / 29

HEX #87B497

RGB 135 180 151

HSL 141.33, 0.23%, 0.62%

LAB 69.49, -21.02, 9.97

 

CMYK 18 / 0 / 12 / 23

HEX #A1C4AD

RGB 161 196 173

HSL 140.57, 0.23%, 0.7%

LAB 76.11, -16.27, 7.68

 

CMYK 12 / 0 / 8 / 17

HEX #BAD4C3

RGB 186 212 195

HSL 140.77, 0.23%, 0.78%

LAB 82.63, -11.92, 5.48

 

CMYK 24 / 0 / 16 / 29

HEX #88B497

RGB 136 180 151

HSL 140.45, 0.23%, 0.62%

LAB 69.55, -20.69, 10.06

 

CMYK 25 / 13 / 0 / 29

HEX #879CB4

RGB 135 156 180

HSL 212, 0.23%, 0.62%

LAB 63.53, -1.91, -14.9

 

CMYK 0 / 25 / 23 / 29

HEX #B4878A

RGB 180 135 138

HSL 356, 0.23%, 0.62%

LAB 60.66, 17.66, 5.11

 

CMYK 24 / 0 / 16 / 29

HEX #88B497

RGB 136 180 151

HSL 140.45, 0.23%, 0.62%

LAB 69.55, -20.69, 10.06

 

CMYK 17 / 25 / 0 / 29

HEX #9687B4

RGB 150 135 180

HSL 260, 0.23%, 0.62%

LAB 59.07, 14.86, -21.56

 

CMYK 0 / 17 / 25 / 29

HEX #B49687

RGB 180 150 135

HSL 20, 0.23%, 0.62%

LAB 64.38, 8.85, 12.09

 

CMYK 24 / 0 / 16 / 29

HEX #88B497

RGB 136 180 151

HSL 140.45, 0.23%, 0.62%

LAB 69.55, -20.69, 10.06

 

CMYK 25 / 13 / 0 / 29

HEX #879CB4

RGB 135 156 180

HSL 212, 0.23%, 0.62%

LAB 63.53, -1.91, -14.9

 

CMYK 0 / 25 / 8 / 29

HEX #B487A5

RGB 180 135 165

HSL 320, 0.23%, 0.62%

LAB 61.44, 22.12, -9.17

 

CMYK 0 / 12 / 25 / 29

HEX #B49F87

RGB 180 159 135

HSL 32, 0.23%, 0.62%

LAB 66.71, 3.89, 15.36

 

CMYK 24 / 0 / 16 / 29

HEX #88B497

RGB 136 180 151

HSL 140.45, 0.23%, 0.62%

LAB 69.55, -20.69, 10.06

 

CMYK 25 / 21 / 0 / 29

HEX #878FB4

RGB 135 143 180

HSL 229.33, 0.23%, 0.62%

LAB 59.97, 5.44, -20.3

 

CMYK 0 / 25 / 8 / 29

HEX #B487A5

RGB 180 135 165

HSL 320, 0.23%, 0.62%

LAB 61.44, 22.12, -9.17

 

CMYK 0 / 4 / 25 / 29

HEX #B4AC87

RGB 180 172 135

HSL 49.33, 0.23%, 0.62%

LAB 70.15, -3.15, 20.1

 

Description

Color code: HEX #88B497 | qconv.com Color code: HEX #88B497 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 180 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 180 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 16 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 16% 29% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

45% - Surfschule Norderney...
Link: http://www.surfschule-norderney.de

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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