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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #88C540 it is the complementary color #773ABF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #88C540. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #88C540 shade: #8DC53B, #9ED74E, #AFE961, #C0FB74 and #D1FF87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #88C540. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #88C540 shade: #88C540, #77B32D, #66A11A, #558F07 and #447D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #88C540 shade: #87C43F, #ABC43F, #C4B93F, #C4953F and #C4723F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #88C540 shade: #87C43F, #63C43F, #40C43F, #3FC463 and #3FC486

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #88C540 shade matches the following richer shades: #87C43F, #89D82B and #8AEC17

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #88C540 shade: #87C43F, #85B054, #849B68, #82877C and #807390

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #88C540 shade: #C4B93F, #ABC43F, #88C43F, #65C43F and #42C43F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #88C540 shade: #5C8729, #72A733, #87C43F, #9BCD5F and #AED77E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #88C540 shade: #88C540, #3FC495 and #C43FBD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #88C540 shade: #88C540, #3F88C4 and #C43F88

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #88C540 shade: #88C540, #3FC495, #7B3FC4 and #C43F6E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #88C540 shade: #88C540, #3FC4BD, #7B3FC4 and #C43F46

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 68 / 23

HEX #88C540

RGB 136 197 64

HSL 87.52, 0.53%, 0.51%

LAB 73.24, -40.33, 57.97

 

Complementary color

CMYK 38 / 70 / 0 / 25

HEX #773ABF

RGB 119 58 191

HSL 267.52, 0.53%, 0.49%

LAB 39.09, 52.45, -59.71

 

CMYK 28 / 0 / 70 / 23

HEX #8DC53B

RGB 141 197 59

HSL 84.35, 0.54%, 0.5%

LAB 73.49, -38.83, 60.23

 

CMYK 27 / 0 / 64 / 16

HEX #9ED74E

RGB 158 215 78

HSL 84.96, 0.63%, 0.57%

LAB 79.85, -39.16, 59.72

 

CMYK 25 / 0 / 58 / 9

HEX #AFE961

RGB 175 233 97

HSL 85.59, 0.76%, 0.65%

LAB 86.13, -39.38, 58.91

 

CMYK 24 / 0 / 54 / 2

HEX #C0FB74

RGB 192 251 116

HSL 86.22, 0.94%, 0.72%

LAB 92.34, -39.51, 57.94

 

CMYK 18 / 0 / 47 / 0

HEX #D1FF87

RGB 209 255 135

HSL 83, 1%, 0.76%

LAB 94.66, -33.28, 52.27

 

CMYK 31 / 0 / 68 / 23

HEX #88C540

RGB 136 197 64

HSL 87.52, 0.53%, 0.51%

LAB 73.24, -40.33, 57.97

 

CMYK 34 / 0 / 75 / 30

HEX #77B32D

RGB 119 179 45

HSL 86.87, 0.6%, 0.44%

LAB 66.79, -39.93, 58.2

 

CMYK 37 / 0 / 84 / 37

HEX #66A11A

RGB 102 161 26

HSL 86.22, 0.72%, 0.37%

LAB 60.24, -39.32, 57.57

 

CMYK 41 / 0 / 95 / 44

HEX #558F07

RGB 85 143 7

HSL 85.59, 0.91%, 0.29%

LAB 53.59, -38.4, 55.49

 

CMYK 46 / 0 / 100 / 51

HEX #447D00

RGB 68 125 0

HSL 87.36, 1%, 0.25%

LAB 46.84, -37.05, 51.07

 

CMYK 31 / 0 / 68 / 23

HEX #87C43F

RGB 135 196 63

HSL 87.52, 0.53%, 0.51%

LAB 72.89, -40.33, 57.97

 

CMYK 13 / 0 / 68 / 23

HEX #ABC43F

RGB 171 196 63

HSL 71.28, 0.53%, 0.51%

LAB 75.14, -26.34, 61

 

CMYK 0 / 6 / 68 / 23

HEX #C4B93F

RGB 196 185 63

HSL 55.04, 0.53%, 0.51%

LAB 74.06, -10.35, 60.53

 

CMYK 0 / 24 / 68 / 23

HEX #C4953F

RGB 196 149 63

HSL 38.8, 0.53%, 0.51%

LAB 64.64, 8.79, 50.72

 

CMYK 0 / 42 / 68 / 23

HEX #C4723F

RGB 196 114 63

HSL 23.01, 0.53%, 0.51%

LAB 56.22, 27.94, 41.46

 

CMYK 31 / 0 / 68 / 23

HEX #87C43F

RGB 135 196 63

HSL 87.52, 0.53%, 0.51%

LAB 72.89, -40.33, 57.97

 

CMYK 49 / 0 / 68 / 23

HEX #63C43F

RGB 99 196 63

HSL 103.76, 0.53%, 0.51%

LAB 71.21, -52.23, 55.7

 

CMYK 67 / 0 / 68 / 23

HEX #40C43F

RGB 64 196 63

HSL 119.55, 0.53%, 0.51%

LAB 70.13, -60.78, 54.22

 

CMYK 68 / 0 / 49 / 23

HEX #3FC463

RGB 63 196 99

HSL 136.24, 0.53%, 0.51%

LAB 70.48, -56.55, 38.26

 

CMYK 68 / 0 / 32 / 23

HEX #3FC486

RGB 63 196 134

HSL 152.03, 0.53%, 0.51%

LAB 71.05, -50.25, 20.91

 

CMYK 31 / 0 / 68 / 23

HEX #87C43F

RGB 135 196 63

HSL 87.52, 0.53%, 0.51%

LAB 72.89, -40.33, 57.97

 

CMYK 37 / 0 / 80 / 15

HEX #89D82B

RGB 137 216 43

HSL 87.4, 0.69%, 0.51%

LAB 78.81, -49.24, 70.42

 

CMYK 42 / 0 / 90 / 7

HEX #8AEC17

RGB 138 236 23

HSL 87.61, 0.85%, 0.51%

LAB 84.72, -57.47, 79.66

 

CMYK 31 / 0 / 68 / 23

HEX #87C43F

RGB 135 196 63

HSL 87.52, 0.53%, 0.51%

LAB 72.89, -40.33, 57.97

 

CMYK 24 / 0 / 52 / 31

HEX #85B054

RGB 133 176 84

HSL 88.04, 0.37%, 0.51%

LAB 67.03, -30.04, 42.09

 

CMYK 15 / 0 / 33 / 39

HEX #849B68

RGB 132 155 104

HSL 87.06, 0.2%, 0.51%

LAB 61.09, -17.41, 24.15

 

CMYK 4 / 0 / 8 / 47

HEX #82877C

RGB 130 135 124

HSL 87.27, 0.04%, 0.51%

LAB 55.61, -3.99, 5.27

 

CMYK 11 / 20 / 0 / 44

HEX #807390

RGB 128 115 144

HSL 266.9, 0.12%, 0.51%

LAB 50.53, 10.97, -13.93

 

CMYK 0 / 6 / 68 / 23

HEX #C4B93F

RGB 196 185 63

HSL 55.04, 0.53%, 0.51%

LAB 74.06, -10.35, 60.53

 

CMYK 13 / 0 / 68 / 23

HEX #ABC43F

RGB 171 196 63

HSL 71.28, 0.53%, 0.51%

LAB 75.14, -26.34, 61

 

CMYK 31 / 0 / 68 / 23

HEX #88C43F

RGB 136 196 63

HSL 87.07, 0.53%, 0.51%

LAB 72.94, -39.97, 58.05

 

CMYK 48 / 0 / 68 / 23

HEX #65C43F

RGB 101 196 63

HSL 102.86, 0.53%, 0.51%

LAB 71.29, -51.64, 55.8

 

CMYK 66 / 0 / 68 / 23

HEX #42C43F

RGB 66 196 63

HSL 118.65, 0.53%, 0.51%

LAB 70.17, -60.39, 54.28

 

CMYK 32 / 0 / 70 / 47

HEX #5C8729

RGB 92 135 41

HSL 87.45, 0.53%, 0.35%

LAB 51.57, -30.51, 43.93

 

CMYK 32 / 0 / 69 / 35

HEX #72A733

RGB 114 167 51

HSL 87.41, 0.53%, 0.43%

LAB 62.89, -36.07, 51.98

 

CMYK 31 / 0 / 68 / 23

HEX #87C43F

RGB 135 196 63

HSL 87.52, 0.53%, 0.51%

LAB 72.89, -40.33, 57.97

 

CMYK 24 / 0 / 54 / 20

HEX #9BCD5F

RGB 155 205 95

HSL 87.27, 0.52%, 0.59%

LAB 76.96, -34.23, 48.93

 

CMYK 19 / 0 / 41 / 16

HEX #AED77E

RGB 174 215 126

HSL 87.64, 0.53%, 0.67%

LAB 81.35, -28.41, 39.54

 

CMYK 31 / 0 / 68 / 23

HEX #88C540

RGB 136 197 64

HSL 87.52, 0.53%, 0.51%

LAB 73.24, -40.33, 57.97

 

CMYK 68 / 0 / 24 / 23

HEX #3FC495

RGB 63 196 149

HSL 158.8, 0.53%, 0.51%

LAB 71.36, -46.98, 13.29

 

CMYK 0 / 68 / 4 / 23

HEX #C43FBD

RGB 196 63 189

HSL 303.16, 0.53%, 0.51%

LAB 50.65, 66.72, -39.42

 

CMYK 31 / 0 / 68 / 23

HEX #88C540

RGB 136 197 64

HSL 87.52, 0.53%, 0.51%

LAB 73.24, -40.33, 57.97

 

CMYK 68 / 31 / 0 / 23

HEX #3F88C4

RGB 63 136 196

HSL 207.07, 0.53%, 0.51%

LAB 54.71, -3.39, -37.85

 

CMYK 0 / 68 / 31 / 23

HEX #C43F88

RGB 196 63 136

HSL 327.07, 0.53%, 0.51%

LAB 48.35, 59.2, -11.62

 

CMYK 31 / 0 / 68 / 23

HEX #88C540

RGB 136 197 64

HSL 87.52, 0.53%, 0.51%

LAB 73.24, -40.33, 57.97

 

CMYK 68 / 0 / 24 / 23

HEX #3FC495

RGB 63 196 149

HSL 158.8, 0.53%, 0.51%

LAB 71.36, -46.98, 13.29

 

CMYK 37 / 68 / 0 / 23

HEX #7B3FC4

RGB 123 63 196

HSL 267.07, 0.53%, 0.51%

LAB 40.82, 52.04, -59.8

 

CMYK 0 / 68 / 44 / 23

HEX #C43F6E

RGB 196 63 110

HSL 338.8, 0.53%, 0.51%

LAB 47.52, 56.35, 2.93

 

CMYK 31 / 0 / 68 / 23

HEX #88C540

RGB 136 197 64

HSL 87.52, 0.53%, 0.51%

LAB 73.24, -40.33, 57.97

 

CMYK 68 / 0 / 4 / 23

HEX #3FC4BD

RGB 63 196 189

HSL 176.84, 0.53%, 0.51%

LAB 72.37, -36.82, -6.96

 

CMYK 37 / 68 / 0 / 23

HEX #7B3FC4

RGB 123 63 196

HSL 267.07, 0.53%, 0.51%

LAB 40.82, 52.04, -59.8

 

CMYK 0 / 68 / 64 / 23

HEX #C43F46

RGB 196 63 70

HSL 356.84, 0.53%, 0.51%

LAB 46.62, 53.18, 26.06

 

Description

Color code: HEX #88C540 | qconv.com Color code: HEX #88C540 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 197 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 197 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 68 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 68% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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