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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #88C747 it is the complementary color #7738B8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #88C747. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #88C747 shade: #8DC742, #9ED955, #AFEB68, #C0FD7B and #D1FF8E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #88C747. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #88C747 shade: #88C747, #77B534, #66A321, #55910E and #447F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #88C747 shade: #88C647, #AAC647, #C6C047, #C69E47 and #C67C47

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #88C747 shade: #88C647, #65C647, #47C64B, #47C66D and #47C690

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #88C747 shade matches the following richer shades: #88C647, #88DA34 and #88ED20

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #88C747 shade: #88C647, #87B35B, #879F6E, #878C81 and #867995

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #88C747 shade: #C6C047, #ABC647, #89C647, #67C647 and #47C649

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #88C747 shade: #5E8F2C, #73AF35, #88C647, #9CD067 and #B1DA86

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #88C747 shade: #88C747, #47C69E and #C647BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #88C747 shade: #88C747, #4789C6 and #C64789

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #88C747 shade: #88C747, #47C69E, #8547C6 and #C6476F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #88C747 shade: #88C747, #47C6C4, #8547C6 and #C64749

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 64 / 22

HEX #88C747

RGB 136 199 71

HSL 89.53, 0.53%, 0.53%

LAB 73.89, -40.67, 55.82

 

Complementary color

CMYK 35 / 70 / 0 / 28

HEX #7738B8

RGB 119 56 184

HSL 269.53, 0.53%, 0.47%

LAB 38.22, 51.69, -57.01

 

CMYK 29 / 0 / 67 / 22

HEX #8DC742

RGB 141 199 66

HSL 86.17, 0.54%, 0.52%

LAB 74.13, -39.23, 58.19

 

CMYK 27 / 0 / 61 / 15

HEX #9ED955

RGB 158 217 85

HSL 86.82, 0.63%, 0.59%

LAB 80.49, -39.48, 57.48

 

CMYK 26 / 0 / 56 / 8

HEX #AFEB68

RGB 175 235 104

HSL 87.48, 0.77%, 0.66%

LAB 86.77, -39.64, 56.56

 

CMYK 24 / 0 / 51 / 1

HEX #C0FD7B

RGB 192 253 123

HSL 88.15, 0.97%, 0.74%

LAB 92.96, -39.72, 55.52

 

CMYK 18 / 0 / 44 / 0

HEX #D1FF8E

RGB 209 255 142

HSL 84.42, 1%, 0.78%

LAB 94.75, -32.52, 49.08

 

CMYK 32 / 0 / 64 / 22

HEX #88C747

RGB 136 199 71

HSL 89.53, 0.53%, 0.53%

LAB 73.89, -40.67, 55.82

 

CMYK 34 / 0 / 71 / 29

HEX #77B534

RGB 119 181 52

HSL 88.84, 0.55%, 0.46%

LAB 67.44, -40.36, 56.33

 

CMYK 37 / 0 / 80 / 36

HEX #66A321

RGB 102 163 33

HSL 88.15, 0.66%, 0.38%

LAB 60.9, -39.86, 56.19

 

CMYK 41 / 0 / 90 / 43

HEX #55910E

RGB 85 145 14

HSL 87.48, 0.82%, 0.31%

LAB 54.25, -39.07, 54.82

 

CMYK 46 / 0 / 100 / 50

HEX #447F00

RGB 68 127 0

HSL 87.87, 1%, 0.25%

LAB 47.5, -37.9, 51.59

 

CMYK 31 / 0 / 64 / 22

HEX #88C647

RGB 136 198 71

HSL 89.29, 0.53%, 0.53%

LAB 73.6, -40.23, 55.5

 

CMYK 14 / 0 / 64 / 22

HEX #AAC647

RGB 170 198 71

HSL 73.23, 0.53%, 0.53%

LAB 75.69, -27.18, 58.37

 

CMYK 0 / 3 / 64 / 22

HEX #C6C047

RGB 198 192 71

HSL 57.17, 0.53%, 0.53%

LAB 76.17, -12.62, 59.52

 

CMYK 0 / 20 / 64 / 22

HEX #C69E47

RGB 198 158 71

HSL 41.1, 0.53%, 0.53%

LAB 67.21, 5.26, 49.89

 

CMYK 0 / 37 / 64 / 22

HEX #C67C47

RGB 198 124 71

HSL 25.04, 0.53%, 0.53%

LAB 58.86, 23.83, 40.42

 

CMYK 31 / 0 / 64 / 22

HEX #88C647

RGB 136 198 71

HSL 89.29, 0.53%, 0.53%

LAB 73.6, -40.23, 55.5

 

CMYK 49 / 0 / 64 / 22

HEX #65C647

RGB 101 198 71

HSL 105.83, 0.53%, 0.53%

LAB 71.97, -51.71, 53.26

 

CMYK 64 / 0 / 62 / 22

HEX #47C64B

RGB 71 198 75

HSL 121.89, 0.53%, 0.53%

LAB 71.03, -58.84, 50.23

 

CMYK 64 / 0 / 45 / 22

HEX #47C66D

RGB 71 198 109

HSL 137.95, 0.53%, 0.53%

LAB 71.44, -54.2, 34.5

 

CMYK 64 / 0 / 27 / 22

HEX #47C690

RGB 71 198 144

HSL 154.49, 0.53%, 0.53%

LAB 72.06, -47.54, 16.99

 

CMYK 31 / 0 / 64 / 22

HEX #88C647

RGB 136 198 71

HSL 89.29, 0.53%, 0.53%

LAB 73.6, -40.23, 55.5

 

CMYK 38 / 0 / 76 / 15

HEX #88DA34

RGB 136 218 52

HSL 89.64, 0.69%, 0.53%

LAB 79.4, -49.96, 68.34

 

CMYK 43 / 0 / 86 / 7

HEX #88ED20

RGB 136 237 32

HSL 89.56, 0.85%, 0.53%

LAB 84.95, -58.26, 78.31

 

CMYK 31 / 0 / 64 / 22

HEX #88C647

RGB 136 198 71

HSL 89.29, 0.53%, 0.53%

LAB 73.6, -40.23, 55.5

 

CMYK 25 / 0 / 49 / 30

HEX #87B35B

RGB 135 179 91

HSL 90, 0.37%, 0.53%

LAB 68.13, -29.93, 39.98

 

CMYK 15 / 0 / 31 / 38

HEX #879F6E

RGB 135 159 110

HSL 89.39, 0.2%, 0.53%

LAB 62.57, -17.43, 22.88

 

CMYK 4 / 0 / 8 / 45

HEX #878C81

RGB 135 140 129

HSL 87.27, 0.05%, 0.53%

LAB 57.55, -3.96, 5.23

 

CMYK 10 / 19 / 0 / 42

HEX #867995

RGB 134 121 149

HSL 267.86, 0.12%, 0.53%

LAB 52.85, 10.65, -13.29

 

CMYK 0 / 3 / 64 / 22

HEX #C6C047

RGB 198 192 71

HSL 57.17, 0.53%, 0.53%

LAB 76.17, -12.62, 59.52

 

CMYK 14 / 0 / 64 / 22

HEX #ABC647

RGB 171 198 71

HSL 72.76, 0.53%, 0.53%

LAB 75.76, -26.78, 58.47

 

CMYK 31 / 0 / 64 / 22

HEX #89C647

RGB 137 198 71

HSL 88.82, 0.53%, 0.53%

LAB 73.65, -39.87, 55.58

 

CMYK 48 / 0 / 64 / 22

HEX #67C647

RGB 103 198 71

HSL 104.88, 0.53%, 0.53%

LAB 72.05, -51.13, 53.37

 

CMYK 64 / 0 / 63 / 22

HEX #47C649

RGB 71 198 73

HSL 120.94, 0.53%, 0.53%

LAB 71.01, -59.05, 51.08

 

CMYK 34 / 0 / 69 / 44

HEX #5E8F2C

RGB 94 143 44

HSL 89.7, 0.53%, 0.37%

LAB 54.25, -33.22, 45.5

 

CMYK 34 / 0 / 70 / 31

HEX #73AF35

RGB 115 175 53

HSL 89.51, 0.54%, 0.45%

LAB 65.41, -39.12, 53.8

 

CMYK 31 / 0 / 64 / 22

HEX #88C647

RGB 136 198 71

HSL 89.29, 0.53%, 0.53%

LAB 73.6, -40.23, 55.5

 

CMYK 25 / 0 / 50 / 18

HEX #9CD067

RGB 156 208 103

HSL 89.71, 0.53%, 0.61%

LAB 77.97, -34.4, 46.37

 

CMYK 19 / 0 / 39 / 15

HEX #B1DA86

RGB 177 218 134

HSL 89.29, 0.53%, 0.69%

LAB 82.49, -27.73, 37.03

 

CMYK 32 / 0 / 64 / 22

HEX #88C747

RGB 136 199 71

HSL 89.53, 0.53%, 0.53%

LAB 73.89, -40.67, 55.82

 

CMYK 64 / 0 / 20 / 22

HEX #47C69E

RGB 71 198 158

HSL 161.1, 0.53%, 0.53%

LAB 72.36, -44.39, 9.88

 

CMYK 0 / 64 / 5 / 22

HEX #C647BC

RGB 198 71 188

HSL 304.72, 0.53%, 0.53%

LAB 52, 63.98, -36.69

 

CMYK 32 / 0 / 64 / 22

HEX #88C747

RGB 136 199 71

HSL 89.53, 0.53%, 0.53%

LAB 73.89, -40.67, 55.82

 

CMYK 64 / 31 / 0 / 22

HEX #4789C6

RGB 71 137 198

HSL 208.82, 0.53%, 0.53%

LAB 55.39, -1.94, -37.9

 

CMYK 0 / 64 / 31 / 22

HEX #C64789

RGB 198 71 137

HSL 328.82, 0.53%, 0.53%

LAB 49.88, 56.68, -9.88

 

CMYK 32 / 0 / 64 / 22

HEX #88C747

RGB 136 199 71

HSL 89.53, 0.53%, 0.53%

LAB 73.89, -40.67, 55.82

 

CMYK 64 / 0 / 20 / 22

HEX #47C69E

RGB 71 198 158

HSL 161.1, 0.53%, 0.53%

LAB 72.36, -44.39, 9.88

 

CMYK 33 / 64 / 0 / 22

HEX #8547C6

RGB 133 71 198

HSL 269.29, 0.53%, 0.53%

LAB 43.61, 50.61, -56.39

 

CMYK 0 / 64 / 44 / 22

HEX #C6476F

RGB 198 71 111

HSL 341.1, 0.53%, 0.53%

LAB 49.08, 53.79, 4.62

 

CMYK 32 / 0 / 64 / 22

HEX #88C747

RGB 136 199 71

HSL 89.53, 0.53%, 0.53%

LAB 73.89, -40.67, 55.82

 

CMYK 64 / 0 / 1 / 22

HEX #47C6C4

RGB 71 198 196

HSL 179.06, 0.53%, 0.53%

LAB 73.36, -34.61, -9.28

 

CMYK 33 / 64 / 0 / 22

HEX #8547C6

RGB 133 71 198

HSL 269.29, 0.53%, 0.53%

LAB 43.61, 50.61, -56.39

 

CMYK 0 / 64 / 63 / 22

HEX #C64749

RGB 198 71 73

HSL 359.06, 0.53%, 0.53%

LAB 48.25, 50.7, 26.41

 

Description

Color code: HEX #88C747 | qconv.com Color code: HEX #88C747 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 199 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 199 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 64 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 64% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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