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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #88C965 it is the complementary color #77369A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #88C965. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #88C965 shade: #8DC960, #9EDB73, #AFED86, #C0FF99 and #D1FFAC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #88C965. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #88C965 shade: #88C965, #77B752, #66A53F, #55932C and #448119

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #88C965 shade: #87C864, #A2C864, #BDC864, #C8B864 and #C89D64

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #88C965 shade: #87C864, #6CC864, #64C877, #64C892 and #64C8AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #88C965 shade matches the following richer shades: #87C864, #82D953, #7DEA42 and #78FB31

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #88C965 shade: #87C864, #8CB775, #91A686, #969597 and #9B84A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #88C965 shade: #BCC864, #A2C864, #87C864, #6CC864 and #64C876

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #88C965 shade: #5DA138, #6FBD45, #87C864, #9ED382 and #B6DEA1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #88C965 shade: #88C965, #64C8B9 and #C864AF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #88C965 shade: #88C965, #6487C8 and #C86487

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #88C965 shade: #88C965, #64C8B9, #A564C8 and #C86473

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #88C965 shade: #88C965, #64B9C8, #A564C8 and #C87364

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 50 / 21

HEX #88C965

RGB 136 201 101

HSL 99, 0.48%, 0.59%

LAB 74.79, -38.55, 43.21

 

Complementary color

CMYK 23 / 65 / 0 / 40

HEX #77369A

RGB 119 54 154

HSL 279, 0.48%, 0.41%

LAB 35.78, 45.57, -43.02

 

CMYK 30 / 0 / 52 / 21

HEX #8DC960

RGB 141 201 96

HSL 94.29, 0.49%, 0.58%

LAB 75, -37.37, 45.94

 

CMYK 28 / 0 / 47 / 14

HEX #9EDB73

RGB 158 219 115

HSL 95.19, 0.59%, 0.65%

LAB 81.38, -37.34, 44.79

 

CMYK 26 / 0 / 43 / 7

HEX #AFED86

RGB 175 237 134

HSL 96.12, 0.74%, 0.73%

LAB 87.68, -37.26, 43.63

 

CMYK 25 / 0 / 40 / 0

HEX #C0FF99

RGB 192 255 153

HSL 97.06, 1%, 0.8%

LAB 93.89, -37.16, 42.49

 

CMYK 18 / 0 / 33 / 0

HEX #D1FFAC

RGB 209 255 172

HSL 93.25, 1%, 0.84%

LAB 95.18, -28.78, 35

 

CMYK 32 / 0 / 50 / 21

HEX #88C965

RGB 136 201 101

HSL 99, 0.48%, 0.59%

LAB 74.79, -38.55, 43.21

 

CMYK 35 / 0 / 55 / 28

HEX #77B752

RGB 119 183 82

HSL 98.02, 0.41%, 0.52%

LAB 68.31, -38.58, 44.37

 

CMYK 38 / 0 / 62 / 35

HEX #66A53F

RGB 102 165 63

HSL 97.06, 0.45%, 0.45%

LAB 61.74, -38.51, 45.43

 

CMYK 42 / 0 / 70 / 42

HEX #55932C

RGB 85 147 44

HSL 96.12, 0.54%, 0.37%

LAB 55.05, -38.27, 46.2

 

CMYK 47 / 0 / 81 / 49

HEX #448119

RGB 68 129 25

HSL 95.19, 0.68%, 0.3%

LAB 48.26, -37.76, 46.29

 

CMYK 33 / 0 / 50 / 22

HEX #87C864

RGB 135 200 100

HSL 99, 0.48%, 0.59%

LAB 74.43, -38.56, 43.25

 

CMYK 19 / 0 / 50 / 22

HEX #A2C864

RGB 162 200 100

HSL 82.8, 0.48%, 0.59%

LAB 76.01, -28.74, 45.54

 

CMYK 5 / 0 / 50 / 22

HEX #BDC864

RGB 189 200 100

HSL 66.6, 0.48%, 0.59%

LAB 77.9, -18.14, 48.25

 

CMYK 0 / 8 / 50 / 22

HEX #C8B864

RGB 200 184 100

HSL 50.4, 0.48%, 0.59%

LAB 74.5, -5.46, 44.38

 

CMYK 0 / 22 / 50 / 22

HEX #C89D64

RGB 200 157 100

HSL 34.2, 0.48%, 0.59%

LAB 67.51, 8.95, 35.77

 

CMYK 33 / 0 / 50 / 22

HEX #87C864

RGB 135 200 100

HSL 99, 0.48%, 0.59%

LAB 74.43, -38.56, 43.25

 

CMYK 46 / 0 / 50 / 22

HEX #6CC864

RGB 108 200 100

HSL 115.2, 0.48%, 0.59%

LAB 73.17, -47.19, 41.41

 

CMYK 50 / 0 / 41 / 22

HEX #64C877

RGB 100 200 119

HSL 131.4, 0.48%, 0.59%

LAB 73.12, -46.61, 31.74

 

CMYK 50 / 0 / 27 / 22

HEX #64C892

RGB 100 200 146

HSL 147.6, 0.48%, 0.59%

LAB 73.61, -41.7, 18.21

 

CMYK 50 / 0 / 14 / 22

HEX #64C8AD

RGB 100 200 173

HSL 163.8, 0.48%, 0.59%

LAB 74.21, -35.82, 4.55

 

CMYK 33 / 0 / 50 / 22

HEX #87C864

RGB 135 200 100

HSL 99, 0.48%, 0.59%

LAB 74.43, -38.56, 43.25

 

CMYK 40 / 0 / 62 / 15

HEX #82D953

RGB 130 217 83

HSL 98.96, 0.64%, 0.59%

LAB 79.04, -49.3, 56.33

 

CMYK 47 / 0 / 72 / 8

HEX #7DEA42

RGB 125 234 66

HSL 98.93, 0.8%, 0.59%

LAB 83.76, -58.87, 67.83

 

CMYK 52 / 0 / 80 / 2

HEX #78FB31

RGB 120 251 49

HSL 98.91, 0.96%, 0.59%

LAB 88.55, -67.4, 77.47

 

CMYK 33 / 0 / 50 / 22

HEX #87C864

RGB 135 200 100

HSL 99, 0.48%, 0.59%

LAB 74.43, -38.56, 43.25

 

CMYK 23 / 0 / 36 / 28

HEX #8CB775

RGB 140 183 117

HSL 99.09, 0.31%, 0.59%

LAB 69.98, -26.6, 29.04

 

CMYK 13 / 0 / 19 / 35

HEX #91A686

RGB 145 166 134

HSL 99.38, 0.15%, 0.59%

LAB 65.76, -13.43, 14.16

 

CMYK 1 / 1 / 0 / 41

HEX #969597

RGB 150 149 151

HSL 270, 0.01%, 0.59%

LAB 61.84, 0.75, -0.93

 

CMYK 7 / 21 / 0 / 35

HEX #9B84A7

RGB 155 132 167

HSL 279.43, 0.17%, 0.59%

LAB 58.28, 15.42, -15.3

 

CMYK 6 / 0 / 50 / 22

HEX #BCC864

RGB 188 200 100

HSL 67.2, 0.48%, 0.59%

LAB 77.83, -18.54, 48.14

 

CMYK 19 / 0 / 50 / 22

HEX #A2C864

RGB 162 200 100

HSL 82.8, 0.48%, 0.59%

LAB 76.01, -28.74, 45.54

 

CMYK 33 / 0 / 50 / 22

HEX #87C864

RGB 135 200 100

HSL 99, 0.48%, 0.59%

LAB 74.43, -38.56, 43.25

 

CMYK 46 / 0 / 50 / 22

HEX #6CC864

RGB 108 200 100

HSL 115.2, 0.48%, 0.59%

LAB 73.17, -47.19, 41.41

 

CMYK 50 / 0 / 41 / 22

HEX #64C876

RGB 100 200 118

HSL 130.8, 0.48%, 0.59%

LAB 73.11, -46.78, 32.23

 

CMYK 42 / 0 / 65 / 37

HEX #5DA138

RGB 93 161 56

HSL 98.86, 0.48%, 0.43%

LAB 59.98, -40.52, 46.48

 

CMYK 41 / 0 / 63 / 26

HEX #6FBD45

RGB 111 189 69

HSL 99, 0.48%, 0.51%

LAB 69.61, -45.17, 51.64

 

CMYK 33 / 0 / 50 / 22

HEX #87C864

RGB 135 200 100

HSL 99, 0.48%, 0.59%

LAB 74.43, -38.56, 43.25

 

CMYK 25 / 0 / 38 / 17

HEX #9ED382

RGB 158 211 130

HSL 99.26, 0.48%, 0.67%

LAB 79.31, -31.73, 34.71

 

CMYK 18 / 0 / 27 / 13

HEX #B6DEA1

RGB 182 222 161

HSL 99.34, 0.48%, 0.75%

LAB 84.36, -24.05, 25.75

 

CMYK 32 / 0 / 50 / 21

HEX #88C965

RGB 136 201 101

HSL 99, 0.48%, 0.59%

LAB 74.79, -38.55, 43.21

 

CMYK 50 / 0 / 8 / 22

HEX #64C8B9

RGB 100 200 185

HSL 171, 0.48%, 0.59%

LAB 74.52, -32.94, -1.5

 

CMYK 0 / 50 / 13 / 22

HEX #C864AF

RGB 200 100 175

HSL 315, 0.48%, 0.59%

LAB 56.57, 49.33, -22.04

 

CMYK 32 / 0 / 50 / 21

HEX #88C965

RGB 136 201 101

HSL 99, 0.48%, 0.59%

LAB 74.79, -38.55, 43.21

 

CMYK 50 / 33 / 0 / 22

HEX #6487C8

RGB 100 135 200

HSL 219, 0.48%, 0.59%

LAB 56.29, 5.92, -37.51

 

CMYK 0 / 50 / 33 / 22

HEX #C86487

RGB 200 100 135

HSL 339, 0.48%, 0.59%

LAB 55.22, 43.55, -0.75

 

CMYK 32 / 0 / 50 / 21

HEX #88C965

RGB 136 201 101

HSL 99, 0.48%, 0.59%

LAB 74.79, -38.55, 43.21

 

CMYK 50 / 0 / 8 / 22

HEX #64C8B9

RGB 100 200 185

HSL 171, 0.48%, 0.59%

LAB 74.52, -32.94, -1.5

 

CMYK 18 / 50 / 0 / 22

HEX #A564C8

RGB 165 100 200

HSL 279, 0.48%, 0.59%

LAB 53.26, 43.78, -41.91

 

CMYK 0 / 50 / 43 / 22

HEX #C86473

RGB 200 100 115

HSL 351, 0.48%, 0.59%

LAB 54.69, 41.21, 10.26

 

CMYK 32 / 0 / 50 / 21

HEX #88C965

RGB 136 201 101

HSL 99, 0.48%, 0.59%

LAB 74.79, -38.55, 43.21

 

CMYK 50 / 8 / 0 / 22

HEX #64B9C8

RGB 100 185 200

HSL 189, 0.48%, 0.59%

LAB 70.58, -21.66, -15.54

 

CMYK 18 / 50 / 0 / 22

HEX #A564C8

RGB 165 100 200

HSL 279, 0.48%, 0.59%

LAB 53.26, 43.78, -41.91

 

CMYK 0 / 43 / 50 / 22

HEX #C87364

RGB 200 115 100

HSL 9, 0.48%, 0.59%

LAB 57.52, 31.84, 22.85

 

Description

Color code: HEX #88C965 | qconv.com Color code: HEX #88C965 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 201 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 201 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 50 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 50% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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