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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #88C138 it is the complementary color #773EC7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #88C138. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #88C138 shade: #8DC133, #9ED346, #AFE559, #C0F76C and #D1FF7F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #88C138. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #88C138 shade: #88C138, #77AF25, #669D12, #558B00 and #447900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #88C138 shade: #88C138, #ADC138, #C1B038, #C18B38 and #C16638

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #88C138 shade: #88C138, #63C138, #3EC138, #38C157 and #38C17C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #88C138 shade matches the following richer shades: #88C138, #8BD524 and #8FEA0F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #88C138 shade: #88C138, #85AD4C, #819960, #7E8574 and #7A7089

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #88C138 shade: #C1AF38, #AFC138, #8AC138, #66C138 and #41C138

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #88C138 shade: #5B8125, #71A12E, #88C138, #9BCD55 and #AED775

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #88C138 shade: #88C138, #38C18A and #C138C1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #88C138 shade: #88C138, #388AC1 and #C1388A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #88C138 shade: #88C138, #38C18A, #6F38C1 and #C1386F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #88C138 shade: #88C138, #38C1B3, #6F38C1 and #C13845

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 71 / 24

HEX #88C138

RGB 136 193 56

HSL 84.96, 0.55%, 0.49%

LAB 72, -39.12, 59.75

 

Complementary color

CMYK 40 / 69 / 0 / 22

HEX #773EC7

RGB 119 62 199

HSL 264.96, 0.55%, 0.51%

LAB 40.39, 52.51, -62.26

 

CMYK 27 / 0 / 74 / 24

HEX #8DC133

RGB 141 193 51

HSL 81.97, 0.58%, 0.48%

LAB 72.26, -37.53, 61.88

 

CMYK 25 / 0 / 67 / 17

HEX #9ED346

RGB 158 211 70

HSL 82.55, 0.62%, 0.55%

LAB 78.64, -37.96, 61.63

 

CMYK 24 / 0 / 61 / 10

HEX #AFE559

RGB 175 229 89

HSL 83.14, 0.73%, 0.62%

LAB 84.93, -38.26, 60.97

 

CMYK 22 / 0 / 56 / 3

HEX #C0F76C

RGB 192 247 108

HSL 83.74, 0.9%, 0.7%

LAB 91.15, -38.47, 60.09

 

CMYK 18 / 0 / 50 / 0

HEX #D1FF7F

RGB 209 255 127

HSL 81.56, 1%, 0.75%

LAB 94.57, -34.09, 55.86

 

CMYK 30 / 0 / 71 / 24

HEX #88C138

RGB 136 193 56

HSL 84.96, 0.55%, 0.49%

LAB 72, -39.12, 59.75

 

CMYK 32 / 0 / 79 / 31

HEX #77AF25

RGB 119 175 37

HSL 84.35, 0.65%, 0.42%

LAB 65.53, -38.61, 59.6

 

CMYK 35 / 0 / 89 / 38

HEX #669D12

RGB 102 157 18

HSL 83.74, 0.79%, 0.34%

LAB 58.96, -37.86, 58.34

 

CMYK 39 / 0 / 100 / 45

HEX #558B00

RGB 85 139 0

HSL 83.31, 1%, 0.27%

LAB 52.28, -36.85, 55.67

 

CMYK 44 / 0 / 100 / 53

HEX #447900

RGB 68 121 0

HSL 86.28, 1%, 0.24%

LAB 45.5, -35.35, 50.03

 

CMYK 30 / 0 / 71 / 24

HEX #88C138

RGB 136 193 56

HSL 84.96, 0.55%, 0.49%

LAB 72, -39.12, 59.75

 

CMYK 10 / 0 / 71 / 24

HEX #ADC138

RGB 173 193 56

HSL 68.76, 0.55%, 0.49%

LAB 74.39, -24.46, 62.91

 

CMYK 0 / 9 / 71 / 24

HEX #C1B038

RGB 193 176 56

HSL 52.55, 0.55%, 0.49%

LAB 71.33, -7.35, 60.45

 

CMYK 0 / 28 / 71 / 24

HEX #C18B38

RGB 193 139 56

HSL 36.35, 0.55%, 0.49%

LAB 61.73, 12.57, 50.72

 

CMYK 0 / 47 / 71 / 24

HEX #C16638

RGB 193 102 56

HSL 20.15, 0.55%, 0.49%

LAB 53.09, 32.74, 41.47

 

CMYK 30 / 0 / 71 / 24

HEX #88C138

RGB 136 193 56

HSL 84.96, 0.55%, 0.49%

LAB 72, -39.12, 59.75

 

CMYK 49 / 0 / 71 / 24

HEX #63C138

RGB 99 193 56

HSL 101.17, 0.55%, 0.49%

LAB 70.23, -51.63, 57.38

 

CMYK 68 / 0 / 71 / 24

HEX #3EC138

RGB 62 193 56

HSL 117.37, 0.55%, 0.49%

LAB 69.08, -60.78, 55.82

 

CMYK 71 / 0 / 55 / 24

HEX #38C157

RGB 56 193 87

HSL 133.58, 0.55%, 0.49%

LAB 69.23, -58.44, 42.54

 

CMYK 71 / 0 / 36 / 24

HEX #38C17C

RGB 56 193 124

HSL 149.78, 0.55%, 0.49%

LAB 69.78, -52.23, 24.47

 

CMYK 30 / 0 / 71 / 24

HEX #88C138

RGB 136 193 56

HSL 84.96, 0.55%, 0.49%

LAB 72, -39.12, 59.75

 

CMYK 35 / 0 / 83 / 16

HEX #8BD524

RGB 139 213 36

HSL 85.08, 0.71%, 0.49%

LAB 78, -47.59, 71.51

 

CMYK 39 / 0 / 94 / 8

HEX #8FEA0F

RGB 143 234 15

HSL 84.93, 0.88%, 0.49%

LAB 84.34, -55.21, 80.44

 

CMYK 30 / 0 / 71 / 24

HEX #88C138

RGB 136 193 56

HSL 84.96, 0.55%, 0.49%

LAB 72, -39.12, 59.75

 

CMYK 23 / 0 / 56 / 32

HEX #85AD4C

RGB 133 173 76

HSL 84.74, 0.39%, 0.49%

LAB 66.06, -29.44, 44.78

 

CMYK 16 / 0 / 37 / 40

HEX #819960

RGB 129 153 96

HSL 85.26, 0.23%, 0.49%

LAB 60.15, -18.69, 27.23

 

CMYK 5 / 0 / 13 / 48

HEX #7E8574

RGB 126 133 116

HSL 84.71, 0.07%, 0.49%

LAB 54.52, -5.87, 8.29

 

CMYK 11 / 18 / 0 / 46

HEX #7A7089

RGB 122 112 137

HSL 264, 0.1%, 0.49%

LAB 48.92, 9.06, -12.28

 

CMYK 0 / 9 / 71 / 24

HEX #C1AF38

RGB 193 175 56

HSL 52.12, 0.55%, 0.49%

LAB 71.07, -6.82, 60.19

 

CMYK 9 / 0 / 71 / 24

HEX #AFC138

RGB 175 193 56

HSL 67.88, 0.55%, 0.49%

LAB 74.53, -23.63, 63.11

 

CMYK 28 / 0 / 71 / 24

HEX #8AC138

RGB 138 193 56

HSL 84.09, 0.55%, 0.49%

LAB 72.11, -38.37, 59.9

 

CMYK 47 / 0 / 71 / 24

HEX #66C138

RGB 102 193 56

HSL 99.85, 0.55%, 0.49%

LAB 70.35, -50.72, 57.54

 

CMYK 66 / 0 / 71 / 24

HEX #41C138

RGB 65 193 56

HSL 116.06, 0.55%, 0.49%

LAB 69.15, -60.19, 55.92

 

CMYK 29 / 0 / 71 / 49

HEX #5B8125

RGB 91 129 37

HSL 84.78, 0.55%, 0.33%

LAB 49.57, -28.36, 43.51

 

CMYK 30 / 0 / 71 / 37

HEX #71A12E

RGB 113 161 46

HSL 85.04, 0.56%, 0.41%

LAB 60.96, -34.07, 51.94

 

CMYK 30 / 0 / 71 / 24

HEX #88C138

RGB 136 193 56

HSL 84.96, 0.55%, 0.49%

LAB 72, -39.12, 59.75

 

CMYK 24 / 0 / 59 / 20

HEX #9BCD55

RGB 155 205 85

HSL 85, 0.55%, 0.57%

LAB 76.85, -35.18, 53.37

 

CMYK 19 / 0 / 46 / 16

HEX #AED775

RGB 174 215 117

HSL 85.1, 0.55%, 0.65%

LAB 81.23, -29.48, 43.83

 

CMYK 30 / 0 / 71 / 24

HEX #88C138

RGB 136 193 56

HSL 84.96, 0.55%, 0.49%

LAB 72, -39.12, 59.75

 

CMYK 71 / 0 / 28 / 24

HEX #38C18A

RGB 56 193 138

HSL 155.91, 0.55%, 0.49%

LAB 70.05, -49.3, 17.37

 

CMYK 0 / 71 / 0 / 24

HEX #C138C1

RGB 193 56 193

HSL 300, 0.55%, 0.49%

LAB 49.52, 69.14, -43.56

 

CMYK 30 / 0 / 71 / 24

HEX #88C138

RGB 136 193 56

HSL 84.96, 0.55%, 0.49%

LAB 72, -39.12, 59.75

 

CMYK 71 / 28 / 0 / 24

HEX #388AC1

RGB 56 138 193

HSL 204.09, 0.55%, 0.49%

LAB 54.94, -6.66, -35.8

 

CMYK 0 / 71 / 28 / 24

HEX #C1388A

RGB 193 56 138

HSL 324.09, 0.55%, 0.49%

LAB 46.98, 61.22, -14.95

 

CMYK 30 / 0 / 71 / 24

HEX #88C138

RGB 136 193 56

HSL 84.96, 0.55%, 0.49%

LAB 72, -39.12, 59.75

 

CMYK 71 / 0 / 28 / 24

HEX #38C18A

RGB 56 193 138

HSL 155.91, 0.55%, 0.49%

LAB 70.05, -49.3, 17.37

 

CMYK 42 / 71 / 0 / 24

HEX #6F38C1

RGB 111 56 193

HSL 264.09, 0.55%, 0.49%

LAB 37.95, 52.44, -62.78

 

CMYK 0 / 71 / 42 / 24

HEX #C1386F

RGB 193 56 111

HSL 335.91, 0.55%, 0.49%

LAB 46.06, 58.22, 0.14

 

CMYK 30 / 0 / 71 / 24

HEX #88C138

RGB 136 193 56

HSL 84.96, 0.55%, 0.49%

LAB 72, -39.12, 59.75

 

CMYK 71 / 0 / 7 / 24

HEX #38C1B3

RGB 56 193 179

HSL 173.87, 0.55%, 0.49%

LAB 71.03, -39.16, -3.5

 

CMYK 42 / 71 / 0 / 24

HEX #6F38C1

RGB 111 56 193

HSL 264.09, 0.55%, 0.49%

LAB 37.95, 52.44, -62.78

 

CMYK 0 / 71 / 64 / 24

HEX #C13845

RGB 193 56 69

HSL 354.31, 0.55%, 0.49%

LAB 45.08, 54.87, 24.59

 

Description

Color code: HEX #88C138 | qconv.com Color code: HEX #88C138 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 193 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 193 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 71 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 71% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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