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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #88CAFA it is the complementary color #773505. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #88CAFA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #88CAFA shade: #8DCAF5, #9EDCFF, #AFEEFF, #C0FFFF and #D1FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #88CAFA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #88CAFA shade: #88CAFA, #77B8E7, #66A6D4, #5594C1 and #4482AE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #88CAFA shade: #89CAFA, #89ACFA, #898DFA, #A389FA and #C189FA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #88CAFA shade: #89CAFA, #89ACFA, #898DFA and #8989FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #88CAFA shade matches the following richer shades: #89CAFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #88CAFA shade: #89CAFA, #93C9F0, #9DC7E6, #A7C6DC and #B1C4D2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #88CAFA shade: #89FAEC, #89E9FA, #89CBFA, #89ADFA and #898FFA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #88CAFA shade: #3AA7F6, #61B9F8, #89CAFA, #B1DCFB and #D8EDFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #88CAFA shade: #88CAFA, #CE89FA and #F8FA89

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #88CAFA shade: #88CAFA, #FA89CB and #CBFA89

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #88CAFA shade: #88CAFA, #CE89FA, #FAB889 and #B4FA89

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #88CAFA shade: #88CAFA, #F089FA, #FAB889 and #92FA89

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 19 / 0 / 2

HEX #88CAFA

RGB 136 202 250

HSL 205.26, 0.92%, 0.76%

LAB 78.68, -8.48, -30.11

 

Complementary color

CMYK 0 / 55 / 96 / 53

HEX #773505

RGB 119 53 5

HSL 25.26, 0.92%, 0.24%

LAB 30.59, 26.3, 39.52

 

CMYK 42 / 18 / 0 / 4

HEX #8DCAF5

RGB 141 202 245

HSL 204.81, 0.84%, 0.76%

LAB 78.75, -8.62, -27.31

 

CMYK 38 / 14 / 0 / 0

HEX #9EDCFF

RGB 158 220 255

HSL 201.65, 1%, 0.81%

LAB 84.83, -11.14, -23.27

 

CMYK 31 / 7 / 0 / 0

HEX #AFEEFF

RGB 175 238 255

HSL 192.75, 1%, 0.84%

LAB 90.54, -15.8, -14.57

 

CMYK 25 / 0 / 0 / 0

HEX #C0FFFF

RGB 192 255 255

HSL 180, 1%, 0.88%

LAB 95.97, -19.49, -6.39

 

CMYK 18 / 0 / 0 / 0

HEX #D1FFFF

RGB 209 255 255

HSL 180, 1%, 0.91%

LAB 96.94, -14.52, -4.86

 

CMYK 46 / 19 / 0 / 2

HEX #88CAFA

RGB 136 202 250

HSL 205.26, 0.92%, 0.76%

LAB 78.68, -8.48, -30.11

 

CMYK 48 / 20 / 0 / 9

HEX #77B8E7

RGB 119 184 231

HSL 205.18, 0.7%, 0.69%

LAB 72.21, -8.12, -29.89

 

CMYK 52 / 22 / 0 / 17

HEX #66A6D4

RGB 102 166 212

HSL 205.09, 0.56%, 0.62%

LAB 65.63, -7.69, -29.69

 

CMYK 56 / 23 / 0 / 24

HEX #5594C1

RGB 85 148 193

HSL 205, 0.47%, 0.55%

LAB 58.94, -7.15, -29.49

 

CMYK 61 / 25 / 0 / 32

HEX #4482AE

RGB 68 130 174

HSL 204.91, 0.44%, 0.47%

LAB 52.12, -6.45, -29.29

 

CMYK 45 / 19 / 0 / 2

HEX #89CAFA

RGB 137 202 250

HSL 205.49, 0.92%, 0.76%

LAB 78.73, -8.24, -30.03

 

CMYK 45 / 31 / 0 / 2

HEX #89ACFA

RGB 137 172 250

HSL 221.42, 0.92%, 0.76%

LAB 70.68, 8.19, -42.5

 

CMYK 45 / 44 / 0 / 2

HEX #898DFA

RGB 137 141 250

HSL 237.88, 0.92%, 0.76%

LAB 62.74, 26.02, -55.04

 

CMYK 35 / 45 / 0 / 2

HEX #A389FA

RGB 163 137 250

HSL 253.81, 0.92%, 0.76%

LAB 63.82, 34.68, -53.19

 

CMYK 23 / 45 / 0 / 2

HEX #C189FA

RGB 193 137 250

HSL 269.73, 0.92%, 0.76%

LAB 66.62, 42.59, -48.58

 

CMYK 45 / 19 / 0 / 2

HEX #89CAFA

RGB 137 202 250

HSL 205.49, 0.92%, 0.76%

LAB 78.73, -8.24, -30.03

 

CMYK 45 / 31 / 0 / 2

HEX #89ACFA

RGB 137 172 250

HSL 221.42, 0.92%, 0.76%

LAB 70.68, 8.19, -42.5

 

CMYK 45 / 44 / 0 / 2

HEX #898DFA

RGB 137 141 250

HSL 237.88, 0.92%, 0.76%

LAB 62.74, 26.02, -55.04

 

CMYK 45 / 45 / 0 / 2

HEX #8989FA

RGB 137 137 250

HSL 240, 0.92%, 0.76%

LAB 61.75, 28.36, -56.61

 

CMYK 45 / 19 / 0 / 2

HEX #89CAFA

RGB 137 202 250

HSL 205.49, 0.92%, 0.76%

LAB 78.73, -8.24, -30.03

 

CMYK 45 / 19 / 0 / 2

HEX #89CAFA

RGB 137 202 250

HSL 205.49, 0.92%, 0.76%

LAB 78.73, -8.24, -30.03

 

CMYK 39 / 16 / 0 / 6

HEX #93C9F0

RGB 147 201 240

HSL 205.16, 0.76%, 0.76%

LAB 78.62, -7.88, -24.81

 

CMYK 32 / 13 / 0 / 10

HEX #9DC7E6

RGB 157 199 230

HSL 205.48, 0.59%, 0.76%

LAB 78.3, -6.62, -19.87

 

CMYK 24 / 10 / 0 / 14

HEX #A7C6DC

RGB 167 198 220

HSL 204.91, 0.43%, 0.76%

LAB 78.33, -5.54, -14.39

 

CMYK 16 / 7 / 0 / 18

HEX #B1C4D2

RGB 177 196 210

HSL 205.45, 0.27%, 0.76%

LAB 78.16, -3.56, -9.19

 

CMYK 45 / 0 / 6 / 2

HEX #89FAEC

RGB 137 250 236

HSL 172.57, 0.92%, 0.76%

LAB 91.57, -35.6, -3.34

 

CMYK 45 / 7 / 0 / 2

HEX #89E9FA

RGB 137 233 250

HSL 189.03, 0.92%, 0.76%

LAB 87.24, -24.07, -17.09

 

CMYK 45 / 19 / 0 / 2

HEX #89CBFA

RGB 137 203 250

HSL 204.96, 0.92%, 0.76%

LAB 79, -8.77, -29.61

 

CMYK 45 / 31 / 0 / 2

HEX #89ADFA

RGB 137 173 250

HSL 220.88, 0.92%, 0.76%

LAB 70.95, 7.63, -42.09

 

CMYK 45 / 43 / 0 / 2

HEX #898FFA

RGB 137 143 250

HSL 236.81, 0.92%, 0.76%

LAB 63.23, 24.86, -54.25

 

CMYK 76 / 32 / 0 / 4

HEX #3AA7F6

RGB 58 167 246

HSL 205.21, 0.91%, 0.6%

LAB 65.9, -4.45, -48.07

 

CMYK 61 / 25 / 0 / 3

HEX #61B9F8

RGB 97 185 248

HSL 205.03, 0.92%, 0.68%

LAB 72.24, -8.09, -39.13

 

CMYK 45 / 19 / 0 / 2

HEX #89CAFA

RGB 137 202 250

HSL 205.49, 0.92%, 0.76%

LAB 78.73, -8.24, -30.03

 

CMYK 29 / 12 / 0 / 2

HEX #B1DCFB

RGB 177 220 251

HSL 205.14, 0.9%, 0.84%

LAB 85.76, -6.99, -19.66

 

CMYK 15 / 6 / 0 / 1

HEX #D8EDFD

RGB 216 237 253

HSL 205.95, 0.9%, 0.92%

LAB 92.69, -3.73, -10.06

 

CMYK 46 / 19 / 0 / 2

HEX #88CAFA

RGB 136 202 250

HSL 205.26, 0.92%, 0.76%

LAB 78.68, -8.48, -30.11

 

CMYK 18 / 45 / 0 / 2

HEX #CE89FA

RGB 206 137 250

HSL 276.64, 0.92%, 0.76%

LAB 67.96, 46.14, -46.38

 

CMYK 1 / 0 / 45 / 2

HEX #F8FA89

RGB 248 250 137

HSL 61.06, 0.92%, 0.76%

LAB 96.05, -16.04, 53.65

 

CMYK 46 / 19 / 0 / 2

HEX #88CAFA

RGB 136 202 250

HSL 205.26, 0.92%, 0.76%

LAB 78.68, -8.48, -30.11

 

CMYK 0 / 45 / 19 / 2

HEX #FA89CB

RGB 250 137 203

HSL 324.96, 0.92%, 0.76%

LAB 71.23, 50.88, -15

 

CMYK 19 / 0 / 45 / 2

HEX #CBFA89

RGB 203 250 137

HSL 84.96, 0.92%, 0.76%

LAB 92.96, -32.94, 49.15

 

CMYK 46 / 19 / 0 / 2

HEX #88CAFA

RGB 136 202 250

HSL 205.26, 0.92%, 0.76%

LAB 78.68, -8.48, -30.11

 

CMYK 18 / 45 / 0 / 2

HEX #CE89FA

RGB 206 137 250

HSL 276.64, 0.92%, 0.76%

LAB 67.96, 46.14, -46.38

 

CMYK 0 / 26 / 45 / 2

HEX #FAB889

RGB 250 184 137

HSL 24.96, 0.92%, 0.76%

LAB 79.85, 18.34, 33.21

 

CMYK 28 / 0 / 45 / 2

HEX #B4FA89

RGB 180 250 137

HSL 97.17, 0.92%, 0.76%

LAB 91.63, -40.99, 47.21

 

CMYK 46 / 19 / 0 / 2

HEX #88CAFA

RGB 136 202 250

HSL 205.26, 0.92%, 0.76%

LAB 78.68, -8.48, -30.11

 

CMYK 4 / 45 / 0 / 2

HEX #F089FA

RGB 240 137 250

HSL 294.69, 0.92%, 0.76%

LAB 71.77, 55.63, -40.14

 

CMYK 0 / 26 / 45 / 2

HEX #FAB889

RGB 250 184 137

HSL 24.96, 0.92%, 0.76%

LAB 79.85, 18.34, 33.21

 

CMYK 42 / 0 / 45 / 2

HEX #92FA89

RGB 146 250 137

HSL 115.22, 0.92%, 0.76%

LAB 89.99, -51.75, 44.8

 

Description

Color code: HEX #88CAFA | qconv.com Color code: HEX #88CAFA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 202 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 202 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 19 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 19% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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