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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #88D71F it is the complementary color #7728E0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #88D71F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #88D71F shade: #8DD71A, #9EE92D, #AFFB40, #C0FF53 and #D1FF66

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #88D71F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #88D71F shade: #88D71F, #77C50C, #66B300, #55A100 and #448F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #88D71F shade: #87D61E, #B8D61E, #D6C21E, #D6901E and #D65E1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #88D71F shade: #87D61E, #55D61E, #24D61E, #1ED64A and #1ED67B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #88D71F shade matches the following richer shades: #87D61E and #8AEA0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #88D71F shade: #87D61E, #84C232, #81AE46, #7E9A5A and #7C866D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #88D71F shade: #D6C01E, #BAD61E, #89D61E, #58D61E and #27D61E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #88D71F shade: #598D14, #70B219, #87D61E, #9AE33B and #ADE85F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #88D71F shade: #88D71F, #1ED68F and #D61ED3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #88D71F shade: #88D71F, #1E89D6 and #D61E89

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #88D71F shade: #88D71F, #1ED68F, #6B1ED6 and #D61E64

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #88D71F shade: #88D71F, #1ED6C6, #6B1ED6 and #D61E2D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 86 / 16

HEX #88D71F

RGB 136 215 31

HSL 85.76, 0.75%, 0.48%

LAB 78.42, -49.64, 72.93

 

Complementary color

CMYK 47 / 82 / 0 / 12

HEX #7728E0

RGB 119 40 224

HSL 265.76, 0.75%, 0.52%

LAB 39.28, 67.89, -78.5

 

CMYK 34 / 0 / 88 / 16

HEX #8DD71A

RGB 141 215 26

HSL 83.49, 0.78%, 0.47%

LAB 78.66, -48.03, 74.2

 

CMYK 32 / 0 / 81 / 9

HEX #9EE92D

RGB 158 233 45

HSL 83.94, 0.81%, 0.55%

LAB 84.86, -48.8, 75.75

 

CMYK 30 / 0 / 75 / 2

HEX #AFFB40

RGB 175 251 64

HSL 84.39, 0.96%, 0.62%

LAB 91, -49.39, 76.36

 

CMYK 25 / 0 / 67 / 0

HEX #C0FF53

RGB 192 255 83

HSL 81.98, 1%, 0.66%

LAB 93.17, -43.89, 72.38

 

CMYK 18 / 0 / 60 / 0

HEX #D1FF66

RGB 209 255 102

HSL 78.04, 1%, 0.7%

LAB 94.33, -36.27, 66.49

 

CMYK 37 / 0 / 86 / 16

HEX #88D71F

RGB 136 215 31

HSL 85.76, 0.75%, 0.48%

LAB 78.42, -49.64, 72.93

 

CMYK 40 / 0 / 94 / 23

HEX #77C50C

RGB 119 197 12

HSL 85.3, 0.89%, 0.41%

LAB 72.15, -48.69, 70.51

 

CMYK 43 / 0 / 100 / 30

HEX #66B300

RGB 102 179 0

HSL 85.81, 1%, 0.35%

LAB 65.8, -47.46, 66.52

 

CMYK 47 / 0 / 100 / 37

HEX #55A100

RGB 85 161 0

HSL 88.32, 1%, 0.32%

LAB 59.36, -45.96, 61.18

 

CMYK 52 / 0 / 100 / 44

HEX #448F00

RGB 68 143 0

HSL 91.47, 1%, 0.28%

LAB 52.81, -44.34, 55.75

 

CMYK 37 / 0 / 86 / 16

HEX #87D61E

RGB 135 214 30

HSL 85.76, 0.75%, 0.48%

LAB 78.07, -49.61, 72.82

 

CMYK 14 / 0 / 86 / 16

HEX #B8D61E

RGB 184 214 30

HSL 69.78, 0.75%, 0.48%

LAB 80.95, -30.95, 76.39

 

CMYK 0 / 9 / 86 / 16

HEX #D6C21E

RGB 214 194 30

HSL 53.48, 0.75%, 0.48%

LAB 77.86, -8.46, 74.83

 

CMYK 0 / 33 / 86 / 16

HEX #D6901E

RGB 214 144 30

HSL 37.17, 0.75%, 0.48%

LAB 65.23, 18.02, 64.55

 

CMYK 0 / 56 / 86 / 16

HEX #D65E1E

RGB 214 94 30

HSL 20.87, 0.75%, 0.48%

LAB 54.44, 44.08, 55.72

 

CMYK 37 / 0 / 86 / 16

HEX #87D61E

RGB 135 214 30

HSL 85.76, 0.75%, 0.48%

LAB 78.07, -49.61, 72.82

 

CMYK 60 / 0 / 86 / 16

HEX #55D61E

RGB 85 214 30

HSL 102.07, 0.75%, 0.48%

LAB 76.14, -64.36, 70.39

 

CMYK 83 / 0 / 86 / 16

HEX #24D61E

RGB 36 214 30

HSL 118.04, 0.75%, 0.48%

LAB 75.18, -72.61, 69.18

 

CMYK 86 / 0 / 65 / 16

HEX #1ED64A

RGB 30 214 74

HSL 134.35, 0.75%, 0.48%

LAB 75.37, -70, 55.28

 

CMYK 86 / 0 / 43 / 16

HEX #1ED67B

RGB 30 214 123

HSL 150.33, 0.75%, 0.48%

LAB 75.95, -63, 33.08

 

CMYK 37 / 0 / 86 / 16

HEX #87D61E

RGB 135 214 30

HSL 85.76, 0.75%, 0.48%

LAB 78.07, -49.61, 72.82

 

CMYK 41 / 0 / 96 / 8

HEX #8AEA0A

RGB 138 234 10

HSL 85.71, 0.92%, 0.48%

LAB 84.11, -56.93, 80.63

 

CMYK 37 / 0 / 86 / 16

HEX #87D61E

RGB 135 214 30

HSL 85.76, 0.75%, 0.48%

LAB 78.07, -49.61, 72.82

 

CMYK 32 / 0 / 74 / 24

HEX #84C232

RGB 132 194 50

HSL 85.83, 0.59%, 0.48%

LAB 72.04, -41.4, 61.84

 

CMYK 26 / 0 / 60 / 32

HEX #81AE46

RGB 129 174 70

HSL 85.96, 0.43%, 0.48%

LAB 66.04, -32.03, 47.5

 

CMYK 18 / 0 / 42 / 40

HEX #7E9A5A

RGB 126 154 90

HSL 86.25, 0.26%, 0.48%

LAB 60.15, -21.19, 30.41

 

CMYK 7 / 0 / 19 / 47

HEX #7C866D

RGB 124 134 109

HSL 84, 0.1%, 0.48%

LAB 54.49, -8.45, 12.25

 

CMYK 0 / 10 / 86 / 16

HEX #D6C01E

RGB 214 192 30

HSL 52.83, 0.75%, 0.48%

LAB 77.33, -7.43, 74.4

 

CMYK 13 / 0 / 86 / 16

HEX #BAD61E

RGB 186 214 30

HSL 69.13, 0.75%, 0.48%

LAB 81.09, -30.13, 76.56

 

CMYK 36 / 0 / 86 / 16

HEX #89D61E

RGB 137 214 30

HSL 85.11, 0.75%, 0.48%

LAB 78.17, -48.91, 72.94

 

CMYK 59 / 0 / 86 / 16

HEX #58D61E

RGB 88 214 30

HSL 101.09, 0.75%, 0.48%

LAB 76.23, -63.64, 70.5

 

CMYK 82 / 0 / 86 / 16

HEX #27D61E

RGB 39 214 30

HSL 117.07, 0.75%, 0.48%

LAB 75.21, -72.3, 69.22

 

CMYK 37 / 0 / 86 / 45

HEX #598D14

RGB 89 141 20

HSL 85.79, 0.75%, 0.32%

LAB 53.19, -35.64, 52.63

 

CMYK 37 / 0 / 86 / 30

HEX #70B219

RGB 112 178 25

HSL 85.88, 0.75%, 0.4%

LAB 66.02, -42.98, 63.08

 

CMYK 37 / 0 / 86 / 16

HEX #87D61E

RGB 135 214 30

HSL 85.76, 0.75%, 0.48%

LAB 78.07, -49.61, 72.82

 

CMYK 32 / 0 / 74 / 11

HEX #9AE33B

RGB 154 227 59

HSL 86.07, 0.75%, 0.56%

LAB 82.98, -47.06, 69.86

 

CMYK 25 / 0 / 59 / 9

HEX #ADE85F

RGB 173 232 95

HSL 85.84, 0.75%, 0.64%

LAB 85.72, -39.83, 59.27

 

CMYK 37 / 0 / 86 / 16

HEX #88D71F

RGB 136 215 31

HSL 85.76, 0.75%, 0.48%

LAB 78.42, -49.64, 72.93

 

CMYK 86 / 0 / 33 / 16

HEX #1ED68F

RGB 30 214 143

HSL 156.85, 0.75%, 0.48%

LAB 76.29, -59.1, 23.23

 

CMYK 0 / 86 / 1 / 16

HEX #D61ED3

RGB 214 30 211

HSL 300.98, 0.75%, 0.48%

LAB 51.76, 82.5, -50.16

 

CMYK 37 / 0 / 86 / 16

HEX #88D71F

RGB 136 215 31

HSL 85.76, 0.75%, 0.48%

LAB 78.42, -49.64, 72.93

 

CMYK 86 / 36 / 0 / 16

HEX #1E89D6

RGB 30 137 214

HSL 205.11, 0.75%, 0.48%

LAB 55.1, -1.23, -47.47

 

CMYK 0 / 86 / 36 / 16

HEX #D61E89

RGB 214 30 137

HSL 325.11, 0.75%, 0.48%

LAB 48.3, 73.24, -11.98

 

CMYK 37 / 0 / 86 / 16

HEX #88D71F

RGB 136 215 31

HSL 85.76, 0.75%, 0.48%

LAB 78.42, -49.64, 72.93

 

CMYK 86 / 0 / 33 / 16

HEX #1ED68F

RGB 30 214 143

HSL 156.85, 0.75%, 0.48%

LAB 76.29, -59.1, 23.23

 

CMYK 50 / 86 / 0 / 16

HEX #6B1ED6

RGB 107 30 214

HSL 265.11, 0.75%, 0.48%

LAB 35.81, 67.31, -78.52

 

CMYK 0 / 86 / 53 / 16

HEX #D61E64

RGB 214 30 100

HSL 337.17, 0.75%, 0.48%

LAB 47.16, 70.04, 9.01

 

CMYK 37 / 0 / 86 / 16

HEX #88D71F

RGB 136 215 31

HSL 85.76, 0.75%, 0.48%

LAB 78.42, -49.64, 72.93

 

CMYK 86 / 0 / 7 / 16

HEX #1ED6C6

RGB 30 214 198

HSL 174.78, 0.75%, 0.48%

LAB 77.55, -45.61, -4.23

 

CMYK 50 / 86 / 0 / 16

HEX #6B1ED6

RGB 107 30 214

HSL 265.11, 0.75%, 0.48%

LAB 35.81, 67.31, -78.52

 

CMYK 0 / 86 / 79 / 16

HEX #D61E2D

RGB 214 30 45

HSL 355.11, 0.75%, 0.48%

LAB 46.2, 67.24, 41.05

 

Description

Color code: HEX #88D71F | qconv.com Color code: HEX #88D71F | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 215 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 215 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 86 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 86% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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