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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #88E82F it is the complementary color #7717D0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #88E82F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #88E82F shade: #8DE82A, #9EFA3D, #AFFF50, #C0FF63 and #D1FF76

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #88E82F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #88E82F shade: #88E82F, #77D61C, #66C409, #55B200 and #44A000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #88E82F shade: #88E830, #BAE830, #E8E430, #E8B230 and #E88130

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #88E82F shade: #88E830, #57E830, #30E83B, #30E86C and #30E89E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #88E82F shade matches the following richer shades: #88E830 and #88FA1D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #88E82F shade: #88E830, #89D543, #8AC255, #8AB068 and #8B9D7A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #88E82F shade: #E8E430, #BAE830, #89E830, #58E830 and #30E839

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #88E82F shade: #5FB213, #73D717, #88E830, #9EEC55 and #B3F07A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #88E82F shade: #88E82F, #30E8B4 and #E830D2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #88E82F shade: #88E82F, #3089E8 and #E83089

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #88E82F shade: #88E82F, #30E8B4, #8F30E8 and #E83064

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #88E82F shade: #88E82F, #30E4E8, #8F30E8 and #E83330

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 0 / 80 / 9

HEX #88E82F

RGB 136 232 47

HSL 91.14, 0.8%, 0.55%

LAB 83.52, -55.78, 73.63

 

Complementary color

CMYK 43 / 89 / 0 / 18

HEX #7717D0

RGB 119 23 208

HSL 271.14, 0.8%, 0.45%

LAB 36.15, 69.08, -74.42

 

CMYK 39 / 0 / 82 / 9

HEX #8DE82A

RGB 141 232 42

HSL 88.74, 0.81%, 0.54%

LAB 83.73, -54.36, 75.17

 

CMYK 37 / 0 / 76 / 2

HEX #9EFA3D

RGB 158 250 61

HSL 89.21, 0.95%, 0.61%

LAB 89.85, -54.98, 75.89

 

CMYK 31 / 0 / 69 / 0

HEX #AFFF50

RGB 175 255 80

HSL 87.43, 1%, 0.66%

LAB 92.23, -50.12, 72.21

 

CMYK 25 / 0 / 61 / 0

HEX #C0FF63

RGB 192 255 99

HSL 84.23, 1%, 0.69%

LAB 93.29, -42.75, 66.29

 

CMYK 18 / 0 / 54 / 0

HEX #D1FF76

RGB 209 255 118

HSL 80.15, 1%, 0.73%

LAB 94.48, -34.94, 59.8

 

CMYK 41 / 0 / 80 / 9

HEX #88E82F

RGB 136 232 47

HSL 91.14, 0.8%, 0.55%

LAB 83.52, -55.78, 73.63

 

CMYK 44 / 0 / 87 / 16

HEX #77D61C

RGB 119 214 28

HSL 90.65, 0.77%, 0.47%

LAB 77.34, -54.99, 72.3

 

CMYK 48 / 0 / 95 / 23

HEX #66C409

RGB 102 196 9

HSL 90.16, 0.91%, 0.4%

LAB 71.09, -53.9, 69.68

 

CMYK 52 / 0 / 100 / 30

HEX #55B200

RGB 85 178 0

HSL 91.35, 1%, 0.35%

LAB 64.78, -52.46, 65.43

 

CMYK 58 / 0 / 100 / 37

HEX #44A000

RGB 68 160 0

HSL 94.5, 1%, 0.31%

LAB 58.39, -50.7, 60.14

 

CMYK 41 / 0 / 79 / 9

HEX #88E830

RGB 136 232 48

HSL 91.3, 0.8%, 0.55%

LAB 83.53, -55.73, 73.36

 

CMYK 20 / 0 / 79 / 9

HEX #BAE830

RGB 186 232 48

HSL 75, 0.8%, 0.55%

LAB 86.19, -37.81, 76.77

 

CMYK 0 / 2 / 79 / 9

HEX #E8E430

RGB 232 228 48

HSL 58.7, 0.8%, 0.55%

LAB 88.38, -17.32, 79.95

 

CMYK 0 / 23 / 79 / 9

HEX #E8B230

RGB 232 178 48

HSL 42.39, 0.8%, 0.55%

LAB 75.58, 8.16, 68.66

 

CMYK 0 / 44 / 79 / 9

HEX #E88130

RGB 232 129 48

HSL 26.41, 0.8%, 0.55%

LAB 64.22, 34.05, 58.25

 

CMYK 41 / 0 / 79 / 9

HEX #88E830

RGB 136 232 48

HSL 91.3, 0.8%, 0.55%

LAB 83.53, -55.73, 73.36

 

CMYK 63 / 0 / 79 / 9

HEX #57E830

RGB 87 232 48

HSL 107.28, 0.8%, 0.55%

LAB 81.81, -69.05, 71.15

 

CMYK 79 / 0 / 75 / 9

HEX #30E83B

RGB 48 232 59

HSL 123.59, 0.8%, 0.55%

LAB 81.1, -74.87, 66.88

 

CMYK 79 / 0 / 53 / 9

HEX #30E86C

RGB 48 232 108

HSL 139.57, 0.8%, 0.55%

LAB 81.52, -69.72, 47.45

 

CMYK 79 / 0 / 32 / 9

HEX #30E89E

RGB 48 232 158

HSL 155.87, 0.8%, 0.55%

LAB 82.28, -61.02, 23.65

 

CMYK 41 / 0 / 79 / 9

HEX #88E830

RGB 136 232 48

HSL 91.3, 0.8%, 0.55%

LAB 83.53, -55.73, 73.36

 

CMYK 46 / 0 / 88 / 2

HEX #88FA1D

RGB 136 250 29

HSL 90.95, 0.96%, 0.55%

LAB 88.78, -63.2, 82.07

 

CMYK 41 / 0 / 79 / 9

HEX #88E830

RGB 136 232 48

HSL 91.3, 0.8%, 0.55%

LAB 83.53, -55.73, 73.36

 

CMYK 36 / 0 / 69 / 16

HEX #89D543

RGB 137 213 67

HSL 91.23, 0.63%, 0.55%

LAB 78.06, -46.62, 61.83

 

CMYK 29 / 0 / 56 / 24

HEX #8AC255

RGB 138 194 85

HSL 90.83, 0.47%, 0.55%

LAB 72.66, -36.44, 48.3

 

CMYK 22 / 0 / 41 / 31

HEX #8AB068

RGB 138 176 104

HSL 91.67, 0.31%, 0.55%

LAB 67.62, -25.73, 32.75

 

CMYK 11 / 0 / 22 / 38

HEX #8B9D7A

RGB 139 157 122

HSL 90.86, 0.15%, 0.55%

LAB 62.51, -12.95, 16.23

 

CMYK 0 / 2 / 79 / 9

HEX #E8E430

RGB 232 228 48

HSL 58.7, 0.8%, 0.55%

LAB 88.38, -17.32, 79.95

 

CMYK 20 / 0 / 79 / 9

HEX #BAE830

RGB 186 232 48

HSL 75, 0.8%, 0.55%

LAB 86.19, -37.81, 76.77

 

CMYK 41 / 0 / 79 / 9

HEX #89E830

RGB 137 232 48

HSL 90.98, 0.8%, 0.55%

LAB 83.57, -55.41, 73.42

 

CMYK 62 / 0 / 79 / 9

HEX #58E830

RGB 88 232 48

HSL 106.96, 0.8%, 0.55%

LAB 81.84, -68.83, 71.18

 

CMYK 79 / 0 / 75 / 9

HEX #30E839

RGB 48 232 57

HSL 122.93, 0.8%, 0.55%

LAB 81.09, -75.01, 67.51

 

CMYK 47 / 0 / 89 / 30

HEX #5FB213

RGB 95 178 19

HSL 91.32, 0.81%, 0.39%

LAB 65.22, -48.97, 63.31

 

CMYK 47 / 0 / 89 / 16

HEX #73D717

RGB 115 215 23

HSL 91.25, 0.81%, 0.47%

LAB 77.46, -56.76, 73.24

 

CMYK 41 / 0 / 79 / 9

HEX #88E830

RGB 136 232 48

HSL 91.3, 0.8%, 0.55%

LAB 83.53, -55.73, 73.36

 

CMYK 33 / 0 / 64 / 7

HEX #9EEC55

RGB 158 236 85

HSL 90.99, 0.8%, 0.63%

LAB 85.96, -47.69, 63.47

 

CMYK 25 / 0 / 49 / 6

HEX #B3F07A

RGB 179 240 122

HSL 91.02, 0.8%, 0.71%

LAB 88.59, -38.62, 50.55

 

CMYK 41 / 0 / 80 / 9

HEX #88E82F

RGB 136 232 47

HSL 91.14, 0.8%, 0.55%

LAB 83.52, -55.78, 73.63

 

CMYK 79 / 0 / 22 / 9

HEX #30E8B4

RGB 48 232 180

HSL 163.04, 0.8%, 0.55%

LAB 82.72, -56.16, 12.82

 

CMYK 0 / 79 / 9 / 9

HEX #E830D2

RGB 232 48 210

HSL 307.17, 0.8%, 0.55%

LAB 56.01, 82.08, -42.65

 

CMYK 41 / 0 / 80 / 9

HEX #88E82F

RGB 136 232 47

HSL 91.14, 0.8%, 0.55%

LAB 83.52, -55.78, 73.63

 

CMYK 79 / 41 / 0 / 9

HEX #3089E8

RGB 48 137 232

HSL 210.98, 0.8%, 0.55%

LAB 56.43, 6.99, -55.39

 

CMYK 0 / 79 / 41 / 9

HEX #E83089

RGB 232 48 137

HSL 330.98, 0.8%, 0.55%

LAB 53.03, 73.52, -4.56

 

CMYK 41 / 0 / 80 / 9

HEX #88E82F

RGB 136 232 47

HSL 91.14, 0.8%, 0.55%

LAB 83.52, -55.78, 73.63

 

CMYK 79 / 0 / 22 / 9

HEX #30E8B4

RGB 48 232 180

HSL 163.04, 0.8%, 0.55%

LAB 82.72, -56.16, 12.82

 

CMYK 38 / 79 / 0 / 9

HEX #8F30E8

RGB 143 48 232

HSL 270.98, 0.8%, 0.55%

LAB 43.92, 70.23, -75.33

 

CMYK 0 / 79 / 57 / 9

HEX #E83064

RGB 232 48 100

HSL 343.04, 0.8%, 0.55%

LAB 52.05, 70.56, 16.33

 

CMYK 41 / 0 / 80 / 9

HEX #88E82F

RGB 136 232 47

HSL 91.14, 0.8%, 0.55%

LAB 83.52, -55.78, 73.63

 

CMYK 79 / 2 / 0 / 9

HEX #30E4E8

RGB 48 228 232

HSL 181.3, 0.8%, 0.55%

LAB 82.88, -40.82, -14.39

 

CMYK 38 / 79 / 0 / 9

HEX #8F30E8

RGB 143 48 232

HSL 270.98, 0.8%, 0.55%

LAB 43.92, 70.23, -75.33

 

CMYK 0 / 78 / 79 / 9

HEX #E83330

RGB 232 51 48

HSL 0.98, 0.8%, 0.55%

LAB 51.54, 67.26, 45.98

 

Description

Color code: HEX #88E82F | qconv.com Color code: HEX #88E82F | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 232 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 232 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, none magenta, 80 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 0% 80% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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