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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #88EB6F it is the complementary color #771490. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #88EB6F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #88EB6F shade: #8DEB6A, #9EFD7D, #AFFF90, #C0FFA3 and #D1FFB6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #88EB6F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #88EB6F shade: #88EB6F, #77D95C, #66C749, #55B536 and #44A323

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #88EB6F shade: #88EB6F, #A9EB6F, #CBEB6F, #EBEA6F and #EBC86F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #88EB6F shade: #88EB6F, #6FEB77, #6FEB99, #6FEBBA and #6FEBDC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #88EB6F shade matches the following richer shades: #88EB6F and #80F862

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #88EB6F shade: #88EB6F, #90DE7C, #98D189, #A0C396 and #A7B6A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #88EB6F shade: #CCEB6F, #ABEB6F, #8AEB6F, #6FEB75 and #6FEB96

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #88EB6F shade: #4CE126, #6AE64B, #88EB6F, #A6F093 and #C4F5B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #88EB6F shade: #88EB6F, #6FEBE9 and #EB6FBB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #88EB6F shade: #88EB6F, #6F8AEB and #EB6F8A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #88EB6F shade: #88EB6F, #6FEBE9, #D06FEB and #EB6F71

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #88EB6F shade: #88EB6F, #6FC8EB, #D06FEB and #EB926F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 53 / 8

HEX #88EB6F

RGB 136 235 111

HSL 107.9, 0.76%, 0.68%

LAB 84.89, -51.85, 50.7

 

Complementary color

CMYK 17 / 86 / 0 / 44

HEX #771490

RGB 119 20 144

HSL 287.9, 0.76%, 0.32%

LAB 30.49, 56.53, -45.42

 

CMYK 40 / 0 / 55 / 8

HEX #8DEB6A

RGB 141 235 106

HSL 103.72, 0.76%, 0.67%

LAB 85.06, -50.88, 53.23

 

CMYK 38 / 0 / 51 / 1

HEX #9EFD7D

RGB 158 253 125

HSL 104.53, 0.97%, 0.74%

LAB 91.23, -50.86, 52.11

 

CMYK 31 / 0 / 44 / 0

HEX #AFFF90

RGB 175 255 144

HSL 103.24, 1%, 0.78%

LAB 92.86, -43.98, 45.34

 

CMYK 25 / 0 / 36 / 0

HEX #C0FFA3

RGB 192 255 163

HSL 101.09, 1%, 0.82%

LAB 94.04, -35.83, 37.78

 

CMYK 18 / 0 / 29 / 0

HEX #D1FFB6

RGB 209 255 182

HSL 97.81, 1%, 0.86%

LAB 95.35, -27.36, 30.22

 

CMYK 42 / 0 / 53 / 8

HEX #88EB6F

RGB 136 235 111

HSL 107.9, 0.76%, 0.68%

LAB 84.89, -51.85, 50.7

 

CMYK 45 / 0 / 58 / 15

HEX #77D95C

RGB 119 217 92

HSL 107.04, 0.62%, 0.61%

LAB 78.65, -51.81, 51.82

 

CMYK 49 / 0 / 63 / 22

HEX #66C749

RGB 102 199 73

HSL 106.19, 0.53%, 0.53%

LAB 72.33, -51.62, 52.82

 

CMYK 53 / 0 / 70 / 29

HEX #55B536

RGB 85 181 54

HSL 105.35, 0.54%, 0.46%

LAB 65.94, -51.22, 53.55

 

CMYK 58 / 0 / 79 / 36

HEX #44A323

RGB 68 163 35

HSL 104.53, 0.65%, 0.39%

LAB 59.48, -50.49, 53.71

 

CMYK 42 / 0 / 53 / 8

HEX #88EB6F

RGB 136 235 111

HSL 107.9, 0.76%, 0.68%

LAB 84.89, -51.85, 50.7

 

CMYK 28 / 0 / 53 / 8

HEX #A9EB6F

RGB 169 235 111

HSL 91.94, 0.76%, 0.68%

LAB 86.5, -41.07, 53.01

 

CMYK 14 / 0 / 53 / 8

HEX #CBEB6F

RGB 203 235 111

HSL 75.48, 0.76%, 0.68%

LAB 88.57, -28.59, 55.96

 

CMYK 0 / 0 / 53 / 8

HEX #EBEA6F

RGB 235 234 111

HSL 59.52, 0.76%, 0.68%

LAB 90.62, -15.58, 58.93

 

CMYK 0 / 15 / 53 / 8

HEX #EBC86F

RGB 235 200 111

HSL 43.06, 0.76%, 0.68%

LAB 81.9, 1.58, 48.66

 

CMYK 42 / 0 / 53 / 8

HEX #88EB6F

RGB 136 235 111

HSL 107.9, 0.76%, 0.68%

LAB 84.89, -51.85, 50.7

 

CMYK 53 / 0 / 49 / 8

HEX #6FEB77

RGB 111 235 119

HSL 123.87, 0.76%, 0.68%

LAB 84.03, -57.75, 45.68

 

CMYK 53 / 0 / 35 / 8

HEX #6FEB99

RGB 111 235 153

HSL 140.32, 0.76%, 0.68%

LAB 84.53, -52.45, 29.51

 

CMYK 53 / 0 / 21 / 8

HEX #6FEBBA

RGB 111 235 186

HSL 156.29, 0.76%, 0.68%

LAB 85.17, -46.02, 13.35

 

CMYK 53 / 0 / 6 / 8

HEX #6FEBDC

RGB 111 235 220

HSL 172.74, 0.76%, 0.68%

LAB 85.99, -38.19, -3.29

 

CMYK 42 / 0 / 53 / 8

HEX #88EB6F

RGB 136 235 111

HSL 107.9, 0.76%, 0.68%

LAB 84.89, -51.85, 50.7

 

CMYK 48 / 0 / 60 / 3

HEX #80F862

RGB 128 248 98

HSL 108, 0.91%, 0.68%

LAB 88.26, -60.64, 60.28

 

CMYK 42 / 0 / 53 / 8

HEX #88EB6F

RGB 136 235 111

HSL 107.9, 0.76%, 0.68%

LAB 84.89, -51.85, 50.7

 

CMYK 35 / 0 / 44 / 13

HEX #90DE7C

RGB 144 222 124

HSL 107.76, 0.6%, 0.68%

LAB 81.64, -42.25, 40.55

 

CMYK 27 / 0 / 34 / 18

HEX #98D189

RGB 152 209 137

HSL 107.5, 0.44%, 0.68%

LAB 78.51, -31.85, 30

 

CMYK 18 / 0 / 23 / 24

HEX #A0C396

RGB 160 195 150

HSL 106.67, 0.27%, 0.68%

LAB 75.27, -20.22, 18.84

 

CMYK 8 / 0 / 10 / 29

HEX #A7B6A4

RGB 167 182 164

HSL 110, 0.11%, 0.68%

LAB 72.46, -8.6, 7.39

 

CMYK 13 / 0 / 53 / 8

HEX #CCEB6F

RGB 204 235 111

HSL 75, 0.76%, 0.68%

LAB 88.64, -28.2, 56.05

 

CMYK 27 / 0 / 53 / 8

HEX #ABEB6F

RGB 171 235 111

HSL 90.97, 0.76%, 0.68%

LAB 86.61, -40.37, 53.16

 

CMYK 41 / 0 / 53 / 8

HEX #8AEB6F

RGB 138 235 111

HSL 106.94, 0.76%, 0.68%

LAB 84.98, -51.25, 50.82

 

CMYK 53 / 0 / 50 / 8

HEX #6FEB75

RGB 111 235 117

HSL 122.9, 0.76%, 0.68%

LAB 84.01, -58.02, 46.59

 

CMYK 53 / 0 / 36 / 8

HEX #6FEB96

RGB 111 235 150

HSL 138.87, 0.76%, 0.68%

LAB 84.48, -52.98, 30.97

 

CMYK 66 / 0 / 83 / 12

HEX #4CE126

RGB 76 225 38

HSL 107.81, 0.76%, 0.52%

LAB 79.34, -69.57, 71.36

 

CMYK 54 / 0 / 67 / 10

HEX #6AE64B

RGB 106 230 75

HSL 108, 0.76%, 0.6%

LAB 81.93, -61.99, 62.43

 

CMYK 42 / 0 / 53 / 8

HEX #88EB6F

RGB 136 235 111

HSL 107.9, 0.76%, 0.68%

LAB 84.89, -51.85, 50.7

 

CMYK 31 / 0 / 39 / 6

HEX #A6F093

RGB 166 240 147

HSL 107.74, 0.76%, 0.76%

LAB 88.22, -39.91, 37.84

 

CMYK 20 / 0 / 25 / 4

HEX #C4F5B7

RGB 196 245 183

HSL 107.42, 0.76%, 0.84%

LAB 91.89, -26.88, 24.87

 

CMYK 42 / 0 / 53 / 8

HEX #88EB6F

RGB 136 235 111

HSL 107.9, 0.76%, 0.68%

LAB 84.89, -51.85, 50.7

 

CMYK 53 / 0 / 1 / 8

HEX #6FEBE9

RGB 111 235 233

HSL 179.03, 0.76%, 0.68%

LAB 86.35, -34.92, -9.6

 

CMYK 0 / 53 / 20 / 8

HEX #EB6FBB

RGB 235 111 187

HSL 323.23, 0.76%, 0.68%

LAB 63.85, 56.5, -17.37

 

CMYK 42 / 0 / 53 / 8

HEX #88EB6F

RGB 136 235 111

HSL 107.9, 0.76%, 0.68%

LAB 84.89, -51.85, 50.7

 

CMYK 53 / 41 / 0 / 8

HEX #6F8AEB

RGB 111 138 235

HSL 226.94, 0.76%, 0.68%

LAB 59.48, 17.47, -52.04

 

CMYK 0 / 53 / 41 / 8

HEX #EB6F8A

RGB 235 111 138

HSL 346.94, 0.76%, 0.68%

LAB 62.39, 50.44, 8.5

 

CMYK 42 / 0 / 53 / 8

HEX #88EB6F

RGB 136 235 111

HSL 107.9, 0.76%, 0.68%

LAB 84.89, -51.85, 50.7

 

CMYK 53 / 0 / 1 / 8

HEX #6FEBE9

RGB 111 235 233

HSL 179.03, 0.76%, 0.68%

LAB 86.35, -34.92, -9.6

 

CMYK 11 / 53 / 0 / 8

HEX #D06FEB

RGB 208 111 235

HSL 286.94, 0.76%, 0.68%

LAB 62.32, 56.94, -46.99

 

CMYK 0 / 53 / 52 / 8

HEX #EB6F71

RGB 235 111 113

HSL 359.03, 0.76%, 0.68%

LAB 61.85, 48.07, 22.08

 

CMYK 42 / 0 / 53 / 8

HEX #88EB6F

RGB 136 235 111

HSL 107.9, 0.76%, 0.68%

LAB 84.89, -51.85, 50.7

 

CMYK 53 / 15 / 0 / 8

HEX #6FC8EB

RGB 111 200 235

HSL 196.94, 0.76%, 0.68%

LAB 76.49, -17.2, -25.52

 

CMYK 11 / 53 / 0 / 8

HEX #D06FEB

RGB 208 111 235

HSL 286.94, 0.76%, 0.68%

LAB 62.32, 56.94, -46.99

 

CMYK 0 / 38 / 53 / 8

HEX #EB926F

RGB 235 146 111

HSL 16.94, 0.76%, 0.68%

LAB 69.02, 30.08, 32.63

 

Description

Color code: HEX #88EB6F | qconv.com Color code: HEX #88EB6F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 235 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 235 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 53 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 53% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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