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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #88F735 it is the complementary color #7708CA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #88F735. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #88F735 shade: #8DF730, #9EFF43, #AFFF56, #C0FF69 and #D1FF7C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #88F735. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #88F735 shade: #88F735, #77E522, #66D30F, #55C100 and #44AF00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #88F735 shade: #88F636, #BCF636, #F0F636, #F6C936 and #F69536

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #88F735 shade: #88F636, #54F636, #36F64B, #36F67F and #36F6B3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #88F735 shade matches the following richer shades: #88F636

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #88F735 shade: #88F636, #8BE547, #8DD458, #8FC369 and #92B279

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #88F735 shade: #F0F636, #BCF636, #89F636, #56F636 and #36F649

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #88F735 shade: #5ED108, #71F40E, #88F636, #9FF85D and #B7F985

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #88F735 shade: #88F735, #36F6C9 and #F636D6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #88F735 shade: #88F735, #3689F6 and #F63689

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #88F735 shade: #88F735, #36F6C9, #A336F6 and #F63663

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #88F735 shade: #88F735, #36E9F6, #A336F6 and #F64336

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 79 / 3

HEX #88F735

RGB 136 247 53

HSL 94.33, 0.92%, 0.59%

LAB 87.97, -61.21, 76.1

 

Complementary color

CMYK 41 / 96 / 0 / 21

HEX #7708CA

RGB 119 8 202

HSL 274.33, 0.92%, 0.41%

LAB 34.72, 70.38, -73.29

 

CMYK 43 / 0 / 81 / 3

HEX #8DF730

RGB 141 247 48

HSL 91.96, 0.93%, 0.58%

LAB 88.16, -59.91, 77.66

 

CMYK 38 / 0 / 74 / 0

HEX #9EFF43

RGB 158 255 67

HSL 90.96, 1%, 0.63%

LAB 91.32, -56.63, 75.45

 

CMYK 31 / 0 / 66 / 0

HEX #AFFF56

RGB 175 255 86

HSL 88.4, 1%, 0.67%

LAB 92.27, -49.71, 70.04

 

CMYK 25 / 0 / 59 / 0

HEX #C0FF69

RGB 192 255 105

HSL 85.2, 1%, 0.71%

LAB 93.34, -42.26, 63.86

 

CMYK 18 / 0 / 51 / 0

HEX #D1FF7C

RGB 209 255 124

HSL 81.07, 1%, 0.74%

LAB 94.54, -34.39, 57.19

 

CMYK 45 / 0 / 79 / 3

HEX #88F735

RGB 136 247 53

HSL 94.33, 0.92%, 0.59%

LAB 87.97, -61.21, 76.1

 

CMYK 48 / 0 / 85 / 10

HEX #77E522

RGB 119 229 34

HSL 93.85, 0.79%, 0.52%

LAB 81.88, -60.41, 75

 

CMYK 52 / 0 / 93 / 17

HEX #66D30F

RGB 102 211 15

HSL 93.37, 0.87%, 0.44%

LAB 75.73, -59.32, 72.76

 

CMYK 56 / 0 / 100 / 24

HEX #55C100

RGB 85 193 0

HSL 93.58, 1%, 0.38%

LAB 69.52, -57.88, 69.16

 

CMYK 61 / 0 / 100 / 31

HEX #44AF00

RGB 68 175 0

HSL 96.69, 1%, 0.34%

LAB 63.25, -56, 63.98

 

CMYK 45 / 0 / 78 / 4

HEX #88F636

RGB 136 246 54

HSL 94.38, 0.91%, 0.59%

LAB 87.68, -60.79, 75.55

 

CMYK 24 / 0 / 78 / 4

HEX #BCF636

RGB 188 246 54

HSL 78.13, 0.91%, 0.59%

LAB 90.26, -42.99, 78.87

 

CMYK 2 / 0 / 78 / 4

HEX #F0F636

RGB 240 246 54

HSL 61.88, 0.91%, 0.59%

LAB 93.76, -22.5, 83.31

 

CMYK 0 / 18 / 78 / 4

HEX #F6C936

RGB 246 201 54

HSL 45.94, 0.91%, 0.59%

LAB 82.72, 2.36, 73.66

 

CMYK 0 / 39 / 78 / 4

HEX #F69536

RGB 246 149 54

HSL 29.69, 0.91%, 0.59%

LAB 70.42, 29.54, 62.31

 

CMYK 45 / 0 / 78 / 4

HEX #88F636

RGB 136 246 54

HSL 94.38, 0.91%, 0.59%

LAB 87.68, -60.79, 75.55

 

CMYK 66 / 0 / 78 / 4

HEX #54F636

RGB 84 246 54

HSL 110.63, 0.91%, 0.59%

LAB 86.04, -73.82, 73.41

 

CMYK 78 / 0 / 70 / 4

HEX #36F64B

RGB 54 246 75

HSL 126.56, 0.91%, 0.59%

LAB 85.61, -77.05, 65.94

 

CMYK 78 / 0 / 48 / 4

HEX #36F67F

RGB 54 246 127

HSL 142.81, 0.91%, 0.59%

LAB 86.12, -70.84, 44.17

 

CMYK 78 / 0 / 27 / 4

HEX #36F6B3

RGB 54 246 179

HSL 159.06, 0.91%, 0.59%

LAB 86.97, -61.16, 19.32

 

CMYK 45 / 0 / 78 / 4

HEX #88F636

RGB 136 246 54

HSL 94.38, 0.91%, 0.59%

LAB 87.68, -60.79, 75.55

 

CMYK 45 / 0 / 78 / 4

HEX #88F636

RGB 136 246 54

HSL 94.38, 0.91%, 0.59%

LAB 87.68, -60.79, 75.55

 

CMYK 39 / 0 / 69 / 10

HEX #8BE547

RGB 139 229 71

HSL 94.18, 0.75%, 0.59%

LAB 82.9, -52.23, 65.37

 

CMYK 33 / 0 / 58 / 17

HEX #8DD458

RGB 141 212 88

HSL 94.35, 0.59%, 0.59%

LAB 78.14, -43.06, 53.29

 

CMYK 27 / 0 / 46 / 24

HEX #8FC369

RGB 143 195 105

HSL 94.67, 0.43%, 0.59%

LAB 73.47, -32.85, 39.71

 

CMYK 18 / 0 / 32 / 30

HEX #92B279

RGB 146 178 121

HSL 93.68, 0.27%, 0.59%

LAB 68.99, -21.33, 25.66

 

CMYK 2 / 0 / 78 / 4

HEX #F0F636

RGB 240 246 54

HSL 61.88, 0.91%, 0.59%

LAB 93.76, -22.5, 83.31

 

CMYK 24 / 0 / 78 / 4

HEX #BCF636

RGB 188 246 54

HSL 78.13, 0.91%, 0.59%

LAB 90.26, -42.99, 78.87

 

CMYK 44 / 0 / 78 / 4

HEX #89F636

RGB 137 246 54

HSL 94.06, 0.91%, 0.59%

LAB 87.73, -60.48, 75.6

 

CMYK 65 / 0 / 78 / 4

HEX #56F636

RGB 86 246 54

HSL 110, 0.91%, 0.59%

LAB 86.08, -73.43, 73.47

 

CMYK 78 / 0 / 70 / 4

HEX #36F649

RGB 54 246 73

HSL 125.94, 0.91%, 0.59%

LAB 85.59, -77.21, 66.65

 

CMYK 55 / 0 / 96 / 18

HEX #5ED108

RGB 94 209 8

HSL 94.33, 0.93%, 0.43%

LAB 74.82, -60.94, 72.66

 

CMYK 54 / 0 / 94 / 4

HEX #71F40E

RGB 113 244 14

HSL 94.17, 0.91%, 0.51%

LAB 86.13, -67.9, 81.49

 

CMYK 45 / 0 / 78 / 4

HEX #88F636

RGB 136 246 54

HSL 94.38, 0.91%, 0.59%

LAB 87.68, -60.79, 75.55

 

CMYK 36 / 0 / 63 / 3

HEX #9FF85D

RGB 159 248 93

HSL 94.45, 0.92%, 0.67%

LAB 89.53, -51.68, 64.13

 

CMYK 27 / 0 / 47 / 2

HEX #B7F985

RGB 183 249 133

HSL 94.14, 0.91%, 0.75%

LAB 91.47, -40, 48.94

 

CMYK 45 / 0 / 79 / 3

HEX #88F735

RGB 136 247 53

HSL 94.33, 0.92%, 0.59%

LAB 87.97, -61.21, 76.1

 

CMYK 78 / 0 / 18 / 4

HEX #36F6C9

RGB 54 246 201

HSL 165.94, 0.91%, 0.59%

LAB 87.44, -56.12, 8.6

 

CMYK 0 / 78 / 13 / 4

HEX #F636D6

RGB 246 54 214

HSL 310, 0.91%, 0.59%

LAB 59.05, 84.02, -39.97

 

CMYK 45 / 0 / 79 / 3

HEX #88F735

RGB 136 247 53

HSL 94.33, 0.92%, 0.59%

LAB 87.97, -61.21, 76.1

 

CMYK 78 / 44 / 0 / 4

HEX #3689F6

RGB 54 137 246

HSL 214.06, 0.91%, 0.59%

LAB 57.39, 12.74, -61.6

 

CMYK 0 / 78 / 44 / 4

HEX #F63689

RGB 246 54 137

HSL 334.06, 0.91%, 0.59%

LAB 56.13, 75.44, 0.28

 

CMYK 45 / 0 / 79 / 3

HEX #88F735

RGB 136 247 53

HSL 94.33, 0.92%, 0.59%

LAB 87.97, -61.21, 76.1

 

CMYK 78 / 0 / 18 / 4

HEX #36F6C9

RGB 54 246 201

HSL 165.94, 0.91%, 0.59%

LAB 87.44, -56.12, 8.6

 

CMYK 34 / 78 / 0 / 4

HEX #A336F6

RGB 163 54 246

HSL 274.06, 0.91%, 0.59%

LAB 48.36, 74.22, -75.86

 

CMYK 0 / 78 / 60 / 4

HEX #F63663

RGB 246 54 99

HSL 345.94, 0.91%, 0.59%

LAB 55.21, 72.62, 21.64

 

CMYK 45 / 0 / 79 / 3

HEX #88F735

RGB 136 247 53

HSL 94.33, 0.92%, 0.59%

LAB 87.97, -61.21, 76.1

 

CMYK 78 / 5 / 0 / 4

HEX #36E9F6

RGB 54 233 246

HSL 184.06, 0.91%, 0.59%

LAB 84.85, -38.49, -18.81

 

CMYK 34 / 78 / 0 / 4

HEX #A336F6

RGB 163 54 246

HSL 274.06, 0.91%, 0.59%

LAB 48.36, 74.22, -75.86

 

CMYK 0 / 73 / 78 / 4

HEX #F64336

RGB 246 67 54

HSL 4.06, 0.91%, 0.59%

LAB 55.96, 66.63, 48.16

 

Description

Color code: HEX #88F735 | qconv.com Color code: HEX #88F735 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 247 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 247 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 79 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 79% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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