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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #88F090 it is the complementary color #770F6F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #88F090. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #88F090 shade: #8DF08B, #9EFF9E, #AFFFB1, #C0FFC4 and #D1FFD7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #88F090. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #88F090 shade: #88F090, #77DE7D, #66CC6A, #55BA57 and #44A844

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #88F090 shade: #88F090, #9CF088, #B8F088, #D4F088 and #F0F088

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #88F090 shade: #88F090, #88F0AC, #88F0C8, #88F0E4 and #88E0F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #88F090 shade matches the following richer shades: #88F090 and #7EFB87

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #88F090 shade: #88F090, #93E59A, #9EDAA3, #A9D0AC and #B3C5B5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #88F090 shade: #B9F088, #9DF088, #88F08F, #88F0AB and #88F0C7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #88F090 shade: #3FE74C, #64EB6E, #88F090, #ADF4B3 and #D2F9D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #88F090 shade: #88F090, #88D4F0 and #F088AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #88F090 shade: #88F090, #8F88F0 and #F08F88

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #88F090 shade: #88F090, #88D4F0, #F088E9 and #F0A488

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #88F090 shade: #88F090, #88B5F0, #F088E9 and #F0C388

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 40 / 6

HEX #88F090

RGB 136 240 144

HSL 124.62, 0.78%, 0.74%

LAB 86.78, -49.49, 37.18

 

Complementary color

CMYK 0 / 87 / 7 / 53

HEX #770F6F

RGB 119 15 111

HSL 304.62, 0.78%, 0.26%

LAB 27.88, 51.91, -28.83

 

CMYK 41 / 0 / 42 / 6

HEX #8DF08B

RGB 141 240 139

HSL 118.81, 0.77%, 0.74%

LAB 86.92, -48.79, 39.87

 

CMYK 38 / 0 / 38 / 0

HEX #9EFF9E

RGB 158 255 158

HSL 120, 1%, 0.81%

LAB 92.25, -47.33, 37.57

 

CMYK 31 / 0 / 31 / 0

HEX #AFFFB1

RGB 175 255 177

HSL 121.5, 1%, 0.84%

LAB 93.37, -39.24, 29.73

 

CMYK 25 / 0 / 23 / 0

HEX #C0FFC4

RGB 192 255 196

HSL 123.81, 1%, 0.88%

LAB 94.62, -30.78, 21.97

 

CMYK 18 / 0 / 16 / 0

HEX #D1FFD7

RGB 209 255 215

HSL 127.83, 1%, 0.91%

LAB 95.99, -22.07, 14.33

 

CMYK 43 / 0 / 40 / 6

HEX #88F090

RGB 136 240 144

HSL 124.62, 0.78%, 0.74%

LAB 86.78, -49.49, 37.18

 

CMYK 46 / 0 / 44 / 13

HEX #77DE7D

RGB 119 222 125

HSL 123.5, 0.61%, 0.67%

LAB 80.54, -49.63, 38.43

 

CMYK 50 / 0 / 48 / 20

HEX #66CC6A

RGB 102 204 106

HSL 122.35, 0.5%, 0.6%

LAB 74.22, -49.7, 39.72

 

CMYK 54 / 0 / 53 / 27

HEX #55BA57

RGB 85 186 87

HSL 121.19, 0.42%, 0.53%

LAB 67.83, -49.63, 41.03

 

CMYK 60 / 0 / 60 / 34

HEX #44A844

RGB 68 168 68

HSL 120, 0.42%, 0.46%

LAB 61.35, -49.35, 42.32

 

CMYK 43 / 0 / 40 / 6

HEX #88F090

RGB 136 240 144

HSL 124.62, 0.78%, 0.74%

LAB 86.78, -49.49, 37.18

 

CMYK 35 / 0 / 43 / 6

HEX #9CF088

RGB 156 240 136

HSL 108.46, 0.78%, 0.74%

LAB 87.57, -44.63, 42.31

 

CMYK 23 / 0 / 43 / 6

HEX #B8F088

RGB 184 240 136

HSL 92.31, 0.78%, 0.74%

LAB 89.06, -35.25, 44.51

 

CMYK 12 / 0 / 43 / 6

HEX #D4F088

RGB 212 240 136

HSL 76.15, 0.78%, 0.74%

LAB 90.82, -25.06, 47.1

 

CMYK 0 / 0 / 43 / 6

HEX #F0F088

RGB 240 240 136

HSL 60, 0.78%, 0.74%

LAB 92.85, -14.36, 50.06

 

CMYK 43 / 0 / 40 / 6

HEX #88F090

RGB 136 240 144

HSL 124.62, 0.78%, 0.74%

LAB 86.78, -49.49, 37.18

 

CMYK 43 / 0 / 28 / 6

HEX #88F0AC

RGB 136 240 172

HSL 140.77, 0.78%, 0.74%

LAB 87.26, -44.81, 23.65

 

CMYK 43 / 0 / 17 / 6

HEX #88F0C8

RGB 136 240 200

HSL 156.92, 0.78%, 0.74%

LAB 87.84, -39.32, 9.97

 

CMYK 43 / 0 / 5 / 6

HEX #88F0E4

RGB 136 240 228

HSL 173.08, 0.78%, 0.74%

LAB 88.52, -33.07, -3.66

 

CMYK 43 / 7 / 0 / 6

HEX #88E0F0

RGB 136 224 240

HSL 189.23, 0.78%, 0.74%

LAB 84.4, -22.41, -16.1

 

CMYK 43 / 0 / 40 / 6

HEX #88F090

RGB 136 240 144

HSL 124.62, 0.78%, 0.74%

LAB 86.78, -49.49, 37.18

 

CMYK 50 / 0 / 46 / 2

HEX #7EFB87

RGB 126 251 135

HSL 124.32, 0.94%, 0.74%

LAB 89.48, -57.93, 44.94

 

CMYK 43 / 0 / 40 / 6

HEX #88F090

RGB 136 240 144

HSL 124.62, 0.78%, 0.74%

LAB 86.78, -49.49, 37.18

 

CMYK 36 / 0 / 33 / 10

HEX #93E59A

RGB 147 229 154

HSL 125.12, 0.61%, 0.74%

LAB 84.26, -39.94, 28.9

 

CMYK 28 / 0 / 25 / 15

HEX #9EDAA3

RGB 158 218 163

HSL 125, 0.45%, 0.74%

LAB 81.87, -29.9, 21.07

 

CMYK 19 / 0 / 17 / 18

HEX #A9D0AC

RGB 169 208 172

HSL 124.62, 0.29%, 0.74%

LAB 79.91, -19.82, 13.68

 

CMYK 9 / 0 / 8 / 23

HEX #B3C5B5

RGB 179 197 181

HSL 126.67, 0.13%, 0.74%

LAB 77.79, -9.16, 5.93

 

CMYK 23 / 0 / 43 / 6

HEX #B9F088

RGB 185 240 136

HSL 91.73, 0.78%, 0.74%

LAB 89.12, -34.89, 44.59

 

CMYK 35 / 0 / 43 / 6

HEX #9DF088

RGB 157 240 136

HSL 107.88, 0.78%, 0.74%

LAB 87.61, -44.31, 42.38

 

CMYK 43 / 0 / 40 / 6

HEX #88F08F

RGB 136 240 143

HSL 124.04, 0.78%, 0.74%

LAB 86.77, -49.64, 37.66

 

CMYK 43 / 0 / 29 / 6

HEX #88F0AB

RGB 136 240 171

HSL 140.19, 0.78%, 0.74%

LAB 87.24, -45, 24.14

 

CMYK 43 / 0 / 17 / 6

HEX #88F0C7

RGB 136 240 199

HSL 156.35, 0.78%, 0.74%

LAB 87.81, -39.53, 10.46

 

CMYK 73 / 0 / 67 / 9

HEX #3FE74C

RGB 63 231 76

HSL 124.64, 0.78%, 0.58%

LAB 81.14, -71.14, 60.88

 

CMYK 57 / 0 / 53 / 8

HEX #64EB6E

RGB 100 235 110

HSL 124.44, 0.77%, 0.66%

LAB 83.57, -61.58, 49.26

 

CMYK 43 / 0 / 40 / 6

HEX #88F090

RGB 136 240 144

HSL 124.62, 0.78%, 0.74%

LAB 86.78, -49.49, 37.18

 

CMYK 29 / 0 / 27 / 4

HEX #ADF4B3

RGB 173 244 179

HSL 125.07, 0.76%, 0.82%

LAB 90.25, -34.55, 24.45

 

CMYK 16 / 0 / 14 / 2

HEX #D2F9D5

RGB 210 249 213

HSL 124.62, 0.76%, 0.9%

LAB 94.42, -19.19, 13.14

 

CMYK 43 / 0 / 40 / 6

HEX #88F090

RGB 136 240 144

HSL 124.62, 0.78%, 0.74%

LAB 86.78, -49.49, 37.18

 

CMYK 43 / 12 / 0 / 6

HEX #88D4F0

RGB 136 212 240

HSL 196.15, 0.78%, 0.74%

LAB 81.08, -16.37, -21.11

 

CMYK 0 / 43 / 29 / 6

HEX #F088AB

RGB 240 136 171

HSL 339.81, 0.78%, 0.74%

LAB 68.8, 43.64, -0.89

 

CMYK 43 / 0 / 40 / 6

HEX #88F090

RGB 136 240 144

HSL 124.62, 0.78%, 0.74%

LAB 86.78, -49.49, 37.18

 

CMYK 40 / 43 / 0 / 6

HEX #8F88F0

RGB 143 136 240

HSL 244.04, 0.78%, 0.74%

LAB 61.43, 27.55, -51.58

 

CMYK 0 / 40 / 43 / 6

HEX #F08F88

RGB 240 143 136

HSL 4.04, 0.78%, 0.74%

LAB 69.43, 35.93, 19.58

 

CMYK 43 / 0 / 40 / 6

HEX #88F090

RGB 136 240 144

HSL 124.62, 0.78%, 0.74%

LAB 86.78, -49.49, 37.18

 

CMYK 43 / 12 / 0 / 6

HEX #88D4F0

RGB 136 212 240

HSL 196.15, 0.78%, 0.74%

LAB 81.08, -16.37, -21.11

 

CMYK 0 / 43 / 3 / 6

HEX #F088E9

RGB 240 136 233

HSL 304.04, 0.78%, 0.74%

LAB 70.88, 53.1, -32.21

 

CMYK 0 / 32 / 43 / 6

HEX #F0A488

RGB 240 164 136

HSL 16.15, 0.78%, 0.74%

LAB 74.1, 24.89, 25.91

 

CMYK 43 / 0 / 40 / 6

HEX #88F090

RGB 136 240 144

HSL 124.62, 0.78%, 0.74%

LAB 86.78, -49.49, 37.18

 

CMYK 43 / 25 / 0 / 6

HEX #88B5F0

RGB 136 181 240

HSL 214.04, 0.78%, 0.74%

LAB 72.61, 0.12, -34.09

 

CMYK 0 / 43 / 3 / 6

HEX #F088E9

RGB 240 136 233

HSL 304.04, 0.78%, 0.74%

LAB 70.88, 53.1, -32.21

 

CMYK 0 / 19 / 43 / 6

HEX #F0C388

RGB 240 195 136

HSL 34.04, 0.78%, 0.74%

LAB 81.47, 8.52, 35.66

 

Description

Color code: HEX #88F090 | qconv.com Color code: HEX #88F090 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 240 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 240 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 40 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 40% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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