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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #88F18E it is the complementary color #770E71. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #88F18E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #88F18E shade: #8DF189, #9EFF9C, #AFFFAF, #C0FFC2 and #D1FFD5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #88F18E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #88F18E shade: #88F18E, #77DF7B, #66CD68, #55BB55 and #44A942

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #88F18E shade: #88F18E, #9EF188, #BAF188, #D7F188 and #F1EE88

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #88F18E shade: #88F18E, #88F1AA, #88F1C6, #88F1E3 and #88E2F1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #88F18E shade matches the following richer shades: #88F18E and #7DFB84

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #88F18E shade: #88F18E, #93E697, #9DDBA1, #A8D0AA and #B3C6B4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #88F18E shade: #BAF188, #9FF188, #88F18D, #88F1A9 and #88F1C5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #88F18E shade: #3EE848, #63EC6B, #88F18E, #ADF5B1 and #D2F9D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #88F18E shade: #88F18E, #88D6F1 and #F188AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #88F18E shade: #88F18E, #8D88F1 and #F18D88

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #88F18E shade: #88F18E, #88D6F1, #F188EB and #F1A288

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #88F18E shade: #88F18E, #88B7F1, #F188EB and #F1C188

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 41 / 5

HEX #88F18E

RGB 136 241 142

HSL 123.43, 0.79%, 0.74%

LAB 87.04, -50.2, 38.51

 

Complementary color

CMYK 0 / 88 / 5 / 53

HEX #770E71

RGB 119 14 113

HSL 303.43, 0.79%, 0.26%

LAB 27.92, 52.45, -30.04

 

CMYK 41 / 0 / 43 / 5

HEX #8DF189

RGB 141 241 137

HSL 117.69, 0.79%, 0.74%

LAB 87.18, -49.49, 41.19

 

CMYK 38 / 0 / 39 / 0

HEX #9EFF9C

RGB 158 255 156

HSL 118.79, 1%, 0.81%

LAB 92.22, -47.63, 38.51

 

CMYK 31 / 0 / 31 / 0

HEX #AFFFAF

RGB 175 255 175

HSL 120, 1%, 0.84%

LAB 93.33, -39.56, 30.69

 

CMYK 25 / 0 / 24 / 0

HEX #C0FFC2

RGB 192 255 194

HSL 121.9, 1%, 0.88%

LAB 94.58, -31.12, 22.93

 

CMYK 18 / 0 / 16 / 0

HEX #D1FFD5

RGB 209 255 213

HSL 125.22, 1%, 0.91%

LAB 95.95, -22.42, 15.29

 

CMYK 44 / 0 / 41 / 5

HEX #88F18E

RGB 136 241 142

HSL 123.43, 0.79%, 0.74%

LAB 87.04, -50.2, 38.51

 

CMYK 47 / 0 / 45 / 13

HEX #77DF7B

RGB 119 223 123

HSL 122.31, 0.62%, 0.67%

LAB 80.81, -50.33, 39.76

 

CMYK 50 / 0 / 49 / 20

HEX #66CD68

RGB 102 205 104

HSL 121.17, 0.51%, 0.6%

LAB 74.5, -50.38, 41.05

 

CMYK 55 / 0 / 55 / 27

HEX #55BB55

RGB 85 187 85

HSL 120, 0.43%, 0.53%

LAB 68.11, -50.28, 42.35

 

CMYK 60 / 0 / 61 / 34

HEX #44A942

RGB 68 169 66

HSL 118.83, 0.44%, 0.46%

LAB 61.65, -49.96, 43.59

 

CMYK 44 / 0 / 41 / 5

HEX #88F18E

RGB 136 241 142

HSL 123.43, 0.79%, 0.74%

LAB 87.04, -50.2, 38.51

 

CMYK 34 / 0 / 44 / 5

HEX #9EF188

RGB 158 241 136

HSL 107.43, 0.79%, 0.74%

LAB 87.95, -44.43, 42.81

 

CMYK 23 / 0 / 44 / 5

HEX #BAF188

RGB 186 241 136

HSL 91.43, 0.79%, 0.74%

LAB 89.45, -35, 45.03

 

CMYK 11 / 0 / 44 / 5

HEX #D7F188

RGB 215 241 136

HSL 74.86, 0.79%, 0.74%

LAB 91.3, -24.41, 47.73

 

CMYK 0 / 1 / 44 / 5

HEX #F1EE88

RGB 241 238 136

HSL 58.29, 0.79%, 0.74%

LAB 92.41, -12.99, 49.53

 

CMYK 44 / 0 / 41 / 5

HEX #88F18E

RGB 136 241 142

HSL 123.43, 0.79%, 0.74%

LAB 87.04, -50.2, 38.51

 

CMYK 44 / 0 / 29 / 5

HEX #88F1AA

RGB 136 241 170

HSL 139.43, 0.79%, 0.74%

LAB 87.51, -45.61, 25.02

 

CMYK 44 / 0 / 18 / 5

HEX #88F1C6

RGB 136 241 198

HSL 155.43, 0.79%, 0.74%

LAB 88.08, -40.18, 11.35

 

CMYK 44 / 0 / 6 / 5

HEX #88F1E3

RGB 136 241 227

HSL 172, 0.79%, 0.74%

LAB 88.78, -33.77, -2.76

 

CMYK 44 / 6 / 0 / 5

HEX #88E2F1

RGB 136 226 241

HSL 188.57, 0.79%, 0.74%

LAB 84.99, -23.15, -15.75

 

CMYK 44 / 0 / 41 / 5

HEX #88F18E

RGB 136 241 142

HSL 123.43, 0.79%, 0.74%

LAB 87.04, -50.2, 38.51

 

CMYK 50 / 0 / 47 / 2

HEX #7DFB84

RGB 125 251 132

HSL 123.33, 0.94%, 0.74%

LAB 89.4, -58.6, 46.27

 

CMYK 44 / 0 / 41 / 5

HEX #88F18E

RGB 136 241 142

HSL 123.43, 0.79%, 0.74%

LAB 87.04, -50.2, 38.51

 

CMYK 36 / 0 / 34 / 10

HEX #93E697

RGB 147 230 151

HSL 122.89, 0.62%, 0.74%

LAB 84.5, -40.87, 30.74

 

CMYK 28 / 0 / 26 / 14

HEX #9DDBA1

RGB 157 219 161

HSL 123.87, 0.46%, 0.74%

LAB 82.06, -31.04, 22.36

 

CMYK 19 / 0 / 18 / 18

HEX #A8D0AA

RGB 168 208 170

HSL 123, 0.3%, 0.74%

LAB 79.81, -20.51, 14.59

 

CMYK 10 / 0 / 9 / 22

HEX #B3C6B4

RGB 179 198 180

HSL 123.16, 0.14%, 0.74%

LAB 78.03, -9.86, 6.82

 

CMYK 23 / 0 / 44 / 5

HEX #BAF188

RGB 186 241 136

HSL 91.43, 0.79%, 0.74%

LAB 89.45, -35, 45.03

 

CMYK 34 / 0 / 44 / 5

HEX #9FF188

RGB 159 241 136

HSL 106.86, 0.79%, 0.74%

LAB 88, -44.11, 42.88

 

CMYK 44 / 0 / 41 / 5

HEX #88F18D

RGB 136 241 141

HSL 122.86, 0.79%, 0.74%

LAB 87.03, -50.35, 38.99

 

CMYK 44 / 0 / 30 / 5

HEX #88F1A9

RGB 136 241 169

HSL 138.86, 0.79%, 0.74%

LAB 87.49, -45.79, 25.51

 

CMYK 44 / 0 / 18 / 5

HEX #88F1C5

RGB 136 241 197

HSL 154.86, 0.79%, 0.74%

LAB 88.05, -40.39, 11.84

 

CMYK 73 / 0 / 69 / 9

HEX #3EE848

RGB 62 232 72

HSL 123.53, 0.79%, 0.58%

LAB 81.4, -71.96, 62.68

 

CMYK 58 / 0 / 55 / 7

HEX #63EC6B

RGB 99 236 107

HSL 123.5, 0.78%, 0.66%

LAB 83.81, -62.55, 50.92

 

CMYK 44 / 0 / 41 / 5

HEX #88F18E

RGB 136 241 142

HSL 123.43, 0.79%, 0.74%

LAB 87.04, -50.2, 38.51

 

CMYK 29 / 0 / 28 / 4

HEX #ADF5B1

RGB 173 245 177

HSL 123.33, 0.78%, 0.82%

LAB 90.49, -35.34, 25.8

 

CMYK 16 / 0 / 15 / 2

HEX #D2F9D4

RGB 210 249 212

HSL 123.08, 0.76%, 0.9%

LAB 94.4, -19.36, 13.63

 

CMYK 44 / 0 / 41 / 5

HEX #88F18E

RGB 136 241 142

HSL 123.43, 0.79%, 0.74%

LAB 87.04, -50.2, 38.51

 

CMYK 44 / 11 / 0 / 5

HEX #88D6F1

RGB 136 214 241

HSL 195.43, 0.79%, 0.74%

LAB 81.66, -17.13, -20.76

 

CMYK 0 / 44 / 29 / 5

HEX #F188AC

RGB 241 136 172

HSL 339.43, 0.79%, 0.74%

LAB 68.96, 44.11, -1.21

 

CMYK 44 / 0 / 41 / 5

HEX #88F18E

RGB 136 241 142

HSL 123.43, 0.79%, 0.74%

LAB 87.04, -50.2, 38.51

 

CMYK 41 / 44 / 0 / 5

HEX #8D88F1

RGB 141 136 241

HSL 242.86, 0.79%, 0.74%

LAB 61.33, 27.34, -52.31

 

CMYK 0 / 41 / 44 / 5

HEX #F18D88

RGB 241 141 136

HSL 2.86, 0.79%, 0.74%

LAB 69.13, 37.34, 19.18

 

CMYK 44 / 0 / 41 / 5

HEX #88F18E

RGB 136 241 142

HSL 123.43, 0.79%, 0.74%

LAB 87.04, -50.2, 38.51

 

CMYK 44 / 11 / 0 / 5

HEX #88D6F1

RGB 136 214 241

HSL 195.43, 0.79%, 0.74%

LAB 81.66, -17.13, -20.76

 

CMYK 0 / 44 / 2 / 5

HEX #F188EB

RGB 241 136 235

HSL 303.43, 0.79%, 0.74%

LAB 71.08, 53.74, -32.99

 

CMYK 0 / 33 / 44 / 5

HEX #F1A288

RGB 241 162 136

HSL 14.86, 0.79%, 0.74%

LAB 73.75, 26.33, 25.47

 

CMYK 44 / 0 / 41 / 5

HEX #88F18E

RGB 136 241 142

HSL 123.43, 0.79%, 0.74%

LAB 87.04, -50.2, 38.51

 

CMYK 44 / 24 / 0 / 5

HEX #88B7F1

RGB 136 183 241

HSL 213.14, 0.79%, 0.74%

LAB 73.19, -0.7, -33.73

 

CMYK 0 / 44 / 2 / 5

HEX #F188EB

RGB 241 136 235

HSL 303.43, 0.79%, 0.74%

LAB 71.08, 53.74, -32.99

 

CMYK 0 / 20 / 44 / 5

HEX #F1C188

RGB 241 193 136

HSL 32.57, 0.79%, 0.74%

LAB 81.08, 9.96, 35.17

 

Description

Color code: HEX #88F18E | qconv.com Color code: HEX #88F18E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 241 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 241 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 41 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 41% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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