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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #890F89 it is the complementary color #76F076. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #890F89. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #890F89 shade: #8E0F84, #9F2197, #B033AA, #C145BD and #D257D0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #890F89. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #890F89 shade: #890F89, #780076, #670063, #560050 and #45003D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #890F89 shade: #890F89, #890F68, #890F47, #890F26 and #890F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #890F89 shade: #890F89, #680F89, #470F89, #260F89 and #0F0F89

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #890F89 shade matches the following richer shades: #890F89 and #960296

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #890F89 shade: #890F89, #7D1B7D, #702870, #643464 and #584058

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #890F89 shade: #480F89, #690F89, #890F89, #890F69 and #890F48

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #890F89 shade: #3F073F, #640B64, #890F89, #AE13AE and #D317D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #890F89 shade: #890F89, #89270F and #0F8958

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #890F89 shade: #890F89, #89890F and #0F8989

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #890F89 shade: #890F89, #89270F, #0F890F and #0F7189

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #890F89 shade: #890F89, #894C0F, #0F890F and #0F4C89

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 89 / 0 / 46

HEX #890F89

RGB 137 15 137

HSL 300, 0.8%, 0.3%

LAB 32.85, 59.68, -37.13

 

Complementary color

CMYK 51 / 0 / 51 / 6

HEX #76F076

RGB 118 240 118

HSL 120, 0.8%, 0.7%

LAB 85.75, -58.02, 48.31

 

CMYK 0 / 89 / 7 / 44

HEX #8E0F84

RGB 142 15 132

HSL 304.72, 0.81%, 0.31%

LAB 33.47, 59.87, -32.96

 

CMYK 0 / 79 / 5 / 38

HEX #9F2197

RGB 159 33 151

HSL 303.81, 0.66%, 0.38%

LAB 39.06, 62.18, -35.6

 

CMYK 0 / 71 / 3 / 31

HEX #B033AA

RGB 176 51 170

HSL 302.88, 0.55%, 0.45%

LAB 44.94, 63.32, -37.5

 

CMYK 0 / 64 / 2 / 24

HEX #C145BD

RGB 193 69 189

HSL 301.94, 0.5%, 0.51%

LAB 51, 63.71, -38.9

 

CMYK 0 / 59 / 1 / 18

HEX #D257D0

RGB 210 87 208

HSL 300.98, 0.58%, 0.58%

LAB 57.15, 63.65, -39.95

 

CMYK 0 / 89 / 0 / 46

HEX #890F89

RGB 137 15 137

HSL 300, 0.8%, 0.3%

LAB 32.85, 59.68, -37.13

 

CMYK 0 / 100 / 2 / 53

HEX #780076

RGB 120 0 118

HSL 301, 1%, 0.24%

LAB 27.58, 55.95, -33.78

 

CMYK 0 / 100 / 4 / 60

HEX #670063

RGB 103 0 99

HSL 302.33, 1%, 0.2%

LAB 22.95, 49.84, -29.06

 

CMYK 0 / 100 / 7 / 66

HEX #560050

RGB 86 0 80

HSL 304.19, 1%, 0.17%

LAB 18.18, 43.53, -24.15

 

CMYK 0 / 100 / 12 / 73

HEX #45003D

RGB 69 0 61

HSL 306.96, 1%, 0.14%

LAB 13.24, 37.01, -18.99

 

CMYK 0 / 89 / 0 / 46

HEX #890F89

RGB 137 15 137

HSL 300, 0.8%, 0.3%

LAB 32.85, 59.68, -37.13

 

CMYK 0 / 89 / 24 / 46

HEX #890F68

RGB 137 15 104

HSL 316.23, 0.8%, 0.3%

LAB 31.02, 54.86, -19.15

 

CMYK 0 / 89 / 48 / 46

HEX #890F47

RGB 137 15 71

HSL 332.46, 0.8%, 0.3%

LAB 29.7, 51.2, 0.51

 

CMYK 0 / 89 / 72 / 46

HEX #890F26

RGB 137 15 38

HSL 348.69, 0.8%, 0.3%

LAB 28.9, 48.91, 21.48

 

CMYK 0 / 89 / 89 / 46

HEX #890F0F

RGB 137 15 15

HSL 0, 0.8%, 0.3%

LAB 28.63, 48.11, 35.15

 

CMYK 0 / 89 / 0 / 46

HEX #890F89

RGB 137 15 137

HSL 300, 0.8%, 0.3%

LAB 32.85, 59.68, -37.13

 

CMYK 24 / 89 / 0 / 46

HEX #680F89

RGB 104 15 137

HSL 283.77, 0.8%, 0.3%

LAB 26.99, 53.8, -46.86

 

CMYK 48 / 89 / 0 / 46

HEX #470F89

RGB 71 15 137

HSL 267.54, 0.8%, 0.3%

LAB 21.9, 49.03, -55.4

 

CMYK 72 / 89 / 0 / 46

HEX #260F89

RGB 38 15 137

HSL 251.31, 0.8%, 0.3%

LAB 18.19, 45.87, -61.65

 

CMYK 89 / 89 / 0 / 46

HEX #0F0F89

RGB 15 15 137

HSL 240, 0.8%, 0.3%

LAB 16.74, 44.73, -64.09

 

CMYK 0 / 89 / 0 / 46

HEX #890F89

RGB 137 15 137

HSL 300, 0.8%, 0.3%

LAB 32.85, 59.68, -37.13

 

CMYK 0 / 99 / 0 / 41

HEX #960296

RGB 150 2 150

HSL 300, 0.97%, 0.3%

LAB 35.46, 65.88, -40.82

 

CMYK 0 / 89 / 0 / 46

HEX #890F89

RGB 137 15 137

HSL 300, 0.8%, 0.3%

LAB 32.85, 59.68, -37.13

 

CMYK 0 / 78 / 0 / 51

HEX #7D1B7D

RGB 125 27 125

HSL 300, 0.64%, 0.3%

LAB 30.94, 52.3, -32.8

 

CMYK 0 / 64 / 0 / 56

HEX #702870

RGB 112 40 112

HSL 300, 0.47%, 0.3%

LAB 29.74, 41.71, -26.6

 

CMYK 0 / 48 / 0 / 61

HEX #643464

RGB 100 52 100

HSL 300, 0.32%, 0.3%

LAB 29.63, 29.39, -19.23

 

CMYK 0 / 27 / 0 / 65

HEX #584058

RGB 88 64 88

HSL 300, 0.16%, 0.3%

LAB 30.51, 15.11, -10.27

 

CMYK 47 / 89 / 0 / 46

HEX #480F89

RGB 72 15 137

HSL 268.03, 0.8%, 0.3%

LAB 22.04, 49.15, -55.17

 

CMYK 23 / 89 / 0 / 46

HEX #690F89

RGB 105 15 137

HSL 284.26, 0.8%, 0.3%

LAB 27.16, 53.97, -46.58

 

CMYK 0 / 89 / 0 / 46

HEX #890F89

RGB 137 15 137

HSL 300, 0.8%, 0.3%

LAB 32.85, 59.68, -37.13

 

CMYK 0 / 89 / 23 / 46

HEX #890F69

RGB 137 15 105

HSL 315.74, 0.8%, 0.3%

LAB 31.07, 54.99, -19.72

 

CMYK 0 / 89 / 47 / 46

HEX #890F48

RGB 137 15 72

HSL 331.97, 0.8%, 0.3%

LAB 29.73, 51.3, -0.11

 

CMYK 0 / 89 / 0 / 75

HEX #3F073F

RGB 63 7 63

HSL 300, 0.8%, 0.14%

LAB 13.03, 33.28, -20.82

 

CMYK 0 / 89 / 0 / 61

HEX #640B64

RGB 100 11 100

HSL 300, 0.8%, 0.22%

LAB 23.23, 47.01, -29.3

 

CMYK 0 / 89 / 0 / 46

HEX #890F89

RGB 137 15 137

HSL 300, 0.8%, 0.3%

LAB 32.85, 59.68, -37.13

 

CMYK 0 / 89 / 0 / 32

HEX #AE13AE

RGB 174 19 174

HSL 300, 0.8%, 0.38%

LAB 42.03, 71.62, -44.52

 

CMYK 0 / 89 / 0 / 17

HEX #D317D3

RGB 211 23 211

HSL 300, 0.8%, 0.46%

LAB 50.88, 83.04, -51.59

 

CMYK 0 / 89 / 0 / 46

HEX #890F89

RGB 137 15 137

HSL 300, 0.8%, 0.3%

LAB 32.85, 59.68, -37.13

 

CMYK 0 / 72 / 89 / 46

HEX #89270F

RGB 137 39 15

HSL 11.8, 0.8%, 0.3%

LAB 31.36, 40.48, 37.41

 

CMYK 89 / 0 / 36 / 46

HEX #0F8958

RGB 15 137 88

HSL 155.9, 0.8%, 0.3%

LAB 50.33, -42.96, 17.77

 

CMYK 0 / 89 / 0 / 46

HEX #890F89

RGB 137 15 137

HSL 300, 0.8%, 0.3%

LAB 32.85, 59.68, -37.13

 

CMYK 0 / 0 / 89 / 46

HEX #89890F

RGB 137 137 15

HSL 60, 0.8%, 0.3%

LAB 55.32, -13.3, 56.94

 

CMYK 89 / 0 / 0 / 46

HEX #0F8989

RGB 15 137 137

HSL 180, 0.8%, 0.3%

LAB 51.61, -29.53, -8.72

 

CMYK 0 / 89 / 0 / 46

HEX #890F89

RGB 137 15 137

HSL 300, 0.8%, 0.3%

LAB 32.85, 59.68, -37.13

 

CMYK 0 / 72 / 89 / 46

HEX #89270F

RGB 137 39 15

HSL 11.8, 0.8%, 0.3%

LAB 31.36, 40.48, 37.41

 

CMYK 89 / 0 / 89 / 46

HEX #0F890F

RGB 15 137 15

HSL 120, 0.8%, 0.3%

LAB 49.53, -52.64, 49.72

 

CMYK 89 / 18 / 0 / 46

HEX #0F7189

RGB 15 113 137

HSL 191.8, 0.8%, 0.3%

LAB 43.83, -17.06, -20.54

 

CMYK 0 / 89 / 0 / 46

HEX #890F89

RGB 137 15 137

HSL 300, 0.8%, 0.3%

LAB 32.85, 59.68, -37.13

 

CMYK 0 / 45 / 89 / 46

HEX #894C0F

RGB 137 76 15

HSL 30, 0.8%, 0.3%

LAB 38.76, 21.48, 43.49

 

CMYK 89 / 0 / 89 / 46

HEX #0F890F

RGB 15 137 15

HSL 120, 0.8%, 0.3%

LAB 49.53, -52.64, 49.72

 

CMYK 89 / 45 / 0 / 46

HEX #0F4C89

RGB 15 76 137

HSL 210, 0.8%, 0.3%

LAB 31.98, 5.69, -39.17

 

Description

Color code: HEX #890F89 | qconv.com Color code: HEX #890F89 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 15 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 15 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 89 magenta, none yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 89% 0% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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