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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8917BC it is the complementary color #76E843. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8917BC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8917BC shade: #8E17B7, #9F29CA, #B03BDD, #C14DF0 and #D25FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8917BC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8917BC shade: #8917BC, #7805A9, #670096, #560083 and #450070

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8917BC shade: #8717BA, #B317BA, #BA1794, #BA1768 and #BA173C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8917BC shade: #8717BA, #5B17BA, #2F17BA and #1717BA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8917BC shade matches the following richer shades: #8717BA and #8E06CB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8917BC shade: #8717BA, #8127A9, #7A3898, #744987 and #6D5A76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8917BC shade: #2F17BA, #5A17BA, #8617BA, #B117BA and #BA1796

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8917BC shade: #520D70, #6C1295, #8717BA, #A21BDE and #B23CE6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8917BC shade: #8917BC, #BA172A and #17BA45

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8917BC shade: #8917BC, #BA8617 and #17BA86

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8917BC shade: #8917BC, #BA172A, #4ABA17 and #17BAA7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8917BC shade: #8917BC, #BA3417, #4ABA17 and #179CBA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 88 / 0 / 26

HEX #8917BC

RGB 137 23 188

HSL 281.45, 0.78%, 0.41%

LAB 37.04, 67.26, -61.16

 

Complementary color

CMYK 49 / 0 / 71 / 9

HEX #76E843

RGB 118 232 67

HSL 101.45, 0.78%, 0.59%

LAB 82.9, -60.08, 66.53

 

CMYK 22 / 87 / 0 / 28

HEX #8E17B7

RGB 142 23 183

HSL 284.63, 0.78%, 0.4%

LAB 37.45, 67.06, -57.52

 

CMYK 21 / 80 / 0 / 21

HEX #9F29CA

RGB 159 41 202

HSL 283.98, 0.66%, 0.48%

LAB 43.09, 68.82, -59.37

 

CMYK 20 / 73 / 0 / 13

HEX #B03BDD

RGB 176 59 221

HSL 283.33, 0.7%, 0.55%

LAB 48.98, 69.62, -60.65

 

CMYK 20 / 68 / 0 / 6

HEX #C14DF0

RGB 193 77 240

HSL 282.7, 0.84%, 0.62%

LAB 55.01, 69.8, -61.54

 

CMYK 18 / 63 / 0 / 0

HEX #D25FFF

RGB 210 95 255

HSL 283.13, 1%, 0.69%

LAB 60.88, 68.8, -60.33

 

CMYK 27 / 88 / 0 / 26

HEX #8917BC

RGB 137 23 188

HSL 281.45, 0.78%, 0.41%

LAB 37.04, 67.26, -61.16

 

CMYK 29 / 97 / 0 / 34

HEX #7805A9

RGB 120 5 169

HSL 282.07, 0.94%, 0.34%

LAB 31.73, 64.24, -58.63

 

CMYK 31 / 100 / 0 / 41

HEX #670096

RGB 103 0 150

HSL 281.2, 1%, 0.29%

LAB 26.98, 59.14, -54.95

 

CMYK 34 / 100 / 0 / 49

HEX #560083

RGB 86 0 131

HSL 279.39, 1%, 0.26%

LAB 22.36, 53.17, -50.77

 

CMYK 38 / 100 / 0 / 56

HEX #450070

RGB 69 0 112

HSL 276.96, 1%, 0.22%

LAB 17.62, 47.04, -46.49

 

CMYK 27 / 88 / 0 / 27

HEX #8717BA

RGB 135 23 186

HSL 281.23, 0.78%, 0.41%

LAB 36.57, 66.57, -60.77

 

CMYK 4 / 88 / 0 / 27

HEX #B317BA

RGB 179 23 186

HSL 297.42, 0.78%, 0.41%

LAB 43.86, 73.72, -48.63

 

CMYK 0 / 88 / 20 / 27

HEX #BA1794

RGB 186 23 148

HSL 313.99, 0.78%, 0.41%

LAB 43.05, 69.65, -27.16

 

CMYK 0 / 88 / 44 / 27

HEX #BA1768

RGB 186 23 104

HSL 330.18, 0.78%, 0.41%

LAB 41.3, 64.85, -2.65

 

CMYK 0 / 88 / 68 / 27

HEX #BA173C

RGB 186 23 60

HSL 346.38, 0.78%, 0.41%

LAB 40.21, 61.76, 23.68

 

CMYK 27 / 88 / 0 / 27

HEX #8717BA

RGB 135 23 186

HSL 281.23, 0.78%, 0.41%

LAB 36.57, 66.57, -60.77

 

CMYK 51 / 88 / 0 / 27

HEX #5B17BA

RGB 91 23 186

HSL 265.03, 0.78%, 0.41%

LAB 30.36, 60.96, -71.2

 

CMYK 75 / 88 / 0 / 27

HEX #2F17BA

RGB 47 23 186

HSL 248.83, 0.78%, 0.41%

LAB 26.05, 57.47, -78.47

 

CMYK 88 / 88 / 0 / 27

HEX #1717BA

RGB 23 23 186

HSL 240, 0.78%, 0.41%

LAB 24.77, 56.51, -80.64

 

CMYK 27 / 88 / 0 / 27

HEX #8717BA

RGB 135 23 186

HSL 281.23, 0.78%, 0.41%

LAB 36.57, 66.57, -60.77

 

CMYK 30 / 97 / 0 / 20

HEX #8E06CB

RGB 142 6 203

HSL 281.42, 0.94%, 0.41%

LAB 38.19, 73.43, -68.05

 

CMYK 27 / 88 / 0 / 27

HEX #8717BA

RGB 135 23 186

HSL 281.23, 0.78%, 0.41%

LAB 36.57, 66.57, -60.77

 

CMYK 24 / 77 / 0 / 34

HEX #8127A9

RGB 129 39 169

HSL 281.54, 0.63%, 0.41%

LAB 35.95, 57.46, -51.7

 

CMYK 20 / 63 / 0 / 40

HEX #7A3898

RGB 122 56 152

HSL 281.25, 0.46%, 0.41%

LAB 36.43, 44.86, -40.74

 

CMYK 14 / 46 / 0 / 47

HEX #744987

RGB 116 73 135

HSL 281.61, 0.3%, 0.41%

LAB 38.25, 29.97, -27.55

 

CMYK 8 / 24 / 0 / 54

HEX #6D5A76

RGB 109 90 118

HSL 280.71, 0.13%, 0.41%

LAB 41.01, 13.41, -12.94

 

CMYK 75 / 88 / 0 / 27

HEX #2F17BA

RGB 47 23 186

HSL 248.83, 0.78%, 0.41%

LAB 26.05, 57.47, -78.47

 

CMYK 52 / 88 / 0 / 27

HEX #5A17BA

RGB 90 23 186

HSL 264.66, 0.78%, 0.41%

LAB 30.23, 60.85, -71.41

 

CMYK 28 / 88 / 0 / 27

HEX #8617BA

RGB 134 23 186

HSL 280.86, 0.78%, 0.41%

LAB 36.42, 66.43, -61.03

 

CMYK 5 / 88 / 0 / 27

HEX #B117BA

RGB 177 23 186

HSL 296.69, 0.78%, 0.41%

LAB 43.51, 73.37, -49.2

 

CMYK 0 / 88 / 19 / 27

HEX #BA1796

RGB 186 23 150

HSL 313.25, 0.78%, 0.41%

LAB 43.14, 69.9, -28.23

 

CMYK 27 / 88 / 0 / 56

HEX #520D70

RGB 82 13 112

HSL 281.82, 0.79%, 0.25%

LAB 21.02, 45.39, -40.84

 

CMYK 28 / 88 / 0 / 42

HEX #6C1295

RGB 108 18 149

HSL 281.22, 0.78%, 0.33%

LAB 28.88, 56.17, -51.2

 

CMYK 27 / 88 / 0 / 27

HEX #8717BA

RGB 135 23 186

HSL 281.23, 0.78%, 0.41%

LAB 36.57, 66.57, -60.77

 

CMYK 27 / 88 / 0 / 13

HEX #A21BDE

RGB 162 27 222

HSL 281.54, 0.78%, 0.49%

LAB 43.86, 76.57, -69.63

 

CMYK 23 / 74 / 0 / 10

HEX #B23CE6

RGB 178 60 230

HSL 281.65, 0.77%, 0.57%

LAB 49.99, 71.4, -64.11

 

CMYK 27 / 88 / 0 / 26

HEX #8917BC

RGB 137 23 188

HSL 281.45, 0.78%, 0.41%

LAB 37.04, 67.26, -61.16

 

CMYK 0 / 88 / 77 / 27

HEX #BA172A

RGB 186 23 42

HSL 353.01, 0.78%, 0.41%

LAB 39.95, 61, 34.42

 

CMYK 88 / 0 / 63 / 27

HEX #17BA45

RGB 23 186 69

HSL 136.93, 0.78%, 0.41%

LAB 66.31, -62.51, 47.31

 

CMYK 27 / 88 / 0 / 26

HEX #8917BC

RGB 137 23 188

HSL 281.45, 0.78%, 0.41%

LAB 37.04, 67.26, -61.16

 

CMYK 0 / 28 / 88 / 27

HEX #BA8617

RGB 186 134 23

HSL 40.86, 0.78%, 0.41%

LAB 59.48, 10.98, 60.46

 

CMYK 88 / 0 / 28 / 27

HEX #17BA86

RGB 23 186 134

HSL 160.86, 0.78%, 0.41%

LAB 67.29, -51.03, 15.63

 

CMYK 27 / 88 / 0 / 26

HEX #8917BC

RGB 137 23 188

HSL 281.45, 0.78%, 0.41%

LAB 37.04, 67.26, -61.16

 

CMYK 0 / 88 / 77 / 27

HEX #BA172A

RGB 186 23 42

HSL 353.01, 0.78%, 0.41%

LAB 39.95, 61, 34.42

 

CMYK 60 / 0 / 88 / 27

HEX #4ABA17

RGB 74 186 23

HSL 101.23, 0.78%, 0.41%

LAB 67, -57.73, 63.76

 

CMYK 88 / 0 / 10 / 27

HEX #17BAA7

RGB 23 186 167

HSL 173.01, 0.78%, 0.41%

LAB 68.09, -42.57, -1.3

 

CMYK 27 / 88 / 0 / 26

HEX #8917BC

RGB 137 23 188

HSL 281.45, 0.78%, 0.41%

LAB 37.04, 67.26, -61.16

 

CMYK 0 / 72 / 88 / 27

HEX #BA3417

RGB 186 52 23

HSL 10.67, 0.78%, 0.41%

LAB 42.7, 52.27, 46.97

 

CMYK 60 / 0 / 88 / 27

HEX #4ABA17

RGB 74 186 23

HSL 101.23, 0.78%, 0.41%

LAB 67, -57.73, 63.76

 

CMYK 88 / 16 / 0 / 27

HEX #179CBA

RGB 23 156 186

HSL 191.04, 0.78%, 0.41%

LAB 59.44, -22.39, -24.9

 

Description

Color code: HEX #8917BC | qconv.com Color code: HEX #8917BC | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 23 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 23 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 88 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 88% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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