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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8918A3 it is the complementary color #76E75C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8918A3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8918A3 shade: #8E189E, #9F2AB1, #B03CC4, #C14ED7 and #D260EA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8918A3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8918A3 shade: #8918A3, #780690, #67007D, #56006A and #450057

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8918A3 shade: #8A18A4, #A41898, #A41872, #A4184D and #A41827

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8918A3 shade: #8A18A4, #6418A4, #3E18A4, #1918A4 and #1818A4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8918A3 shade matches the following richer shades: #8A18A4 and #9309B3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8918A3 shade: #8A18A4, #802794, #763785, #6D4676 and #635567

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8918A3 shade: #3D18A4, #6318A4, #8818A4, #A4189A and #A41875

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8918A3 shade: #4D0D5C, #6B1380, #8A18A4, #A81DC8 and #BE2FDF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8918A3 shade: #8918A3, #A41818 and #18A450

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8918A3 shade: #8918A3, #A48818 and #18A488

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8918A3 shade: #8918A3, #A41818, #34A418 and #18A4A4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8918A3 shade: #8918A3, #A44218, #34A418 and #187AA4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 85 / 0 / 36

HEX #8918A3

RGB 137 24 163

HSL 288.78, 0.74%, 0.37%

LAB 35.23, 62.27, -49.19

 

Complementary color

CMYK 49 / 0 / 60 / 9

HEX #76E75C

RGB 118 231 92

HSL 108.78, 0.74%, 0.63%

LAB 82.79, -57.56, 56.56

 

CMYK 10 / 85 / 0 / 38

HEX #8E189E

RGB 142 24 158

HSL 292.84, 0.74%, 0.36%

LAB 35.74, 62.27, -45.32

 

CMYK 10 / 76 / 0 / 31

HEX #9F2AB1

RGB 159 42 177

HSL 292, 0.62%, 0.43%

LAB 41.53, 63.87, -47.24

 

CMYK 10 / 69 / 0 / 23

HEX #B03CC4

RGB 176 60 196

HSL 291.18, 0.54%, 0.5%

LAB 47.56, 64.52, -48.58

 

CMYK 10 / 64 / 0 / 16

HEX #C14ED7

RGB 193 78 215

HSL 290.36, 0.63%, 0.57%

LAB 53.7, 64.6, -49.54

 

CMYK 10 / 59 / 0 / 8

HEX #D260EA

RGB 210 96 234

HSL 289.57, 0.77%, 0.65%

LAB 59.9, 64.32, -50.25

 

CMYK 16 / 85 / 0 / 36

HEX #8918A3

RGB 137 24 163

HSL 288.78, 0.74%, 0.37%

LAB 35.23, 62.27, -49.19

 

CMYK 17 / 96 / 0 / 44

HEX #780690

RGB 120 6 144

HSL 289.57, 0.92%, 0.29%

LAB 29.76, 59.37, -46.6

 

CMYK 18 / 100 / 0 / 51

HEX #67007D

RGB 103 0 125

HSL 289.44, 1%, 0.25%

LAB 24.84, 54.32, -42.81

 

CMYK 19 / 100 / 0 / 58

HEX #56006A

RGB 86 0 106

HSL 288.68, 1%, 0.21%

LAB 20.12, 48.14, -38.38

 

CMYK 21 / 100 / 0 / 66

HEX #450057

RGB 69 0 87

HSL 287.59, 1%, 0.17%

LAB 15.24, 41.75, -33.82

 

CMYK 16 / 85 / 0 / 36

HEX #8A18A4

RGB 138 24 164

HSL 288.86, 0.74%, 0.37%

LAB 35.47, 62.63, -49.4

 

CMYK 0 / 85 / 7 / 36

HEX #A41898

RGB 164 24 152

HSL 305.14, 0.74%, 0.37%

LAB 39.26, 65.52, -35.82

 

CMYK 0 / 85 / 30 / 36

HEX #A41872

RGB 164 24 114

HSL 321.43, 0.74%, 0.37%

LAB 37.41, 60.46, -15.23

 

CMYK 0 / 85 / 53 / 36

HEX #A4184D

RGB 164 24 77

HSL 337.29, 0.74%, 0.37%

LAB 36.14, 56.84, 6.55

 

CMYK 0 / 85 / 76 / 36

HEX #A41827

RGB 164 24 39

HSL 353.57, 0.74%, 0.37%

LAB 35.38, 54.61, 29.89

 

CMYK 16 / 85 / 0 / 36

HEX #8A18A4

RGB 138 24 164

HSL 288.86, 0.74%, 0.37%

LAB 35.47, 62.63, -49.4

 

CMYK 39 / 85 / 0 / 36

HEX #6418A4

RGB 100 24 164

HSL 272.57, 0.74%, 0.37%

LAB 29.52, 56.58, -59.35

 

CMYK 62 / 85 / 0 / 36

HEX #3E18A4

RGB 62 24 164

HSL 256.29, 0.74%, 0.37%

LAB 24.82, 52.07, -67.26

 

CMYK 85 / 85 / 0 / 36

HEX #1918A4

RGB 25 24 164

HSL 240.43, 0.74%, 0.37%

LAB 22.09, 49.6, -71.87

 

CMYK 85 / 85 / 0 / 36

HEX #1818A4

RGB 24 24 164

HSL 240, 0.74%, 0.37%

LAB 22.04, 49.56, -71.95

 

CMYK 16 / 85 / 0 / 36

HEX #8A18A4

RGB 138 24 164

HSL 288.86, 0.74%, 0.37%

LAB 35.47, 62.63, -49.4

 

CMYK 18 / 95 / 0 / 30

HEX #9309B3

RGB 147 9 179

HSL 288.71, 0.9%, 0.37%

LAB 37.21, 69.35, -55.49

 

CMYK 16 / 85 / 0 / 36

HEX #8A18A4

RGB 138 24 164

HSL 288.86, 0.74%, 0.37%

LAB 35.47, 62.63, -49.4

 

CMYK 14 / 74 / 0 / 42

HEX #802794

RGB 128 39 148

HSL 288.99, 0.58%, 0.37%

LAB 34.35, 53.01, -41.58

 

CMYK 11 / 59 / 0 / 48

HEX #763785

RGB 118 55 133

HSL 288.46, 0.41%, 0.37%

LAB 34.55, 40.18, -32.12

 

CMYK 8 / 41 / 0 / 54

HEX #6D4676

RGB 109 70 118

HSL 288.75, 0.26%, 0.37%

LAB 35.87, 25.63, -20.83

 

CMYK 4 / 17 / 0 / 60

HEX #635567

RGB 99 85 103

HSL 286.67, 0.1%, 0.37%

LAB 38.07, 9.42, -8.23

 

CMYK 63 / 85 / 0 / 36

HEX #3D18A4

RGB 61 24 164

HSL 255.86, 0.74%, 0.37%

LAB 24.72, 51.97, -67.43

 

CMYK 40 / 85 / 0 / 36

HEX #6318A4

RGB 99 24 164

HSL 272.14, 0.74%, 0.37%

LAB 29.38, 56.44, -59.59

 

CMYK 17 / 85 / 0 / 36

HEX #8818A4

RGB 136 24 164

HSL 288, 0.74%, 0.37%

LAB 35.14, 62.28, -49.96

 

CMYK 0 / 85 / 6 / 36

HEX #A4189A

RGB 164 24 154

HSL 304.29, 0.74%, 0.37%

LAB 39.38, 65.82, -36.86

 

CMYK 0 / 85 / 29 / 36

HEX #A41875

RGB 164 24 117

HSL 320.14, 0.74%, 0.37%

LAB 37.54, 60.81, -16.92

 

CMYK 16 / 86 / 0 / 64

HEX #4D0D5C

RGB 77 13 92

HSL 288.61, 0.75%, 0.21%

LAB 18.53, 40.18, -31.78

 

CMYK 16 / 85 / 0 / 50

HEX #6B1380

RGB 107 19 128

HSL 288.44, 0.74%, 0.29%

LAB 27.16, 51.52, -40.92

 

CMYK 16 / 85 / 0 / 36

HEX #8A18A4

RGB 138 24 164

HSL 288.86, 0.74%, 0.37%

LAB 35.47, 62.63, -49.4

 

CMYK 16 / 86 / 0 / 22

HEX #A81DC8

RGB 168 29 200

HSL 288.77, 0.75%, 0.45%

LAB 43.32, 73.04, -57.77

 

CMYK 15 / 79 / 0 / 13

HEX #BE2FDF

RGB 190 47 223

HSL 288.75, 0.73%, 0.53%

LAB 49.87, 76.41, -60.25

 

CMYK 16 / 85 / 0 / 36

HEX #8918A3

RGB 137 24 163

HSL 288.78, 0.74%, 0.37%

LAB 35.23, 62.27, -49.19

 

CMYK 0 / 85 / 85 / 36

HEX #A41818

RGB 164 24 24

HSL 0, 0.74%, 0.37%

LAB 35.23, 54.13, 38.4

 

CMYK 85 / 0 / 51 / 36

HEX #18A450

RGB 24 164 80

HSL 144, 0.74%, 0.37%

LAB 59.27, -53.65, 33.71

 

CMYK 16 / 85 / 0 / 36

HEX #8918A3

RGB 137 24 163

HSL 288.78, 0.74%, 0.37%

LAB 35.23, 62.27, -49.19

 

CMYK 0 / 17 / 85 / 36

HEX #A48818

RGB 164 136 24

HSL 48, 0.74%, 0.37%

LAB 57.62, -0.09, 57.69

 

CMYK 85 / 0 / 17 / 36

HEX #18A488

RGB 24 164 136

HSL 168, 0.74%, 0.37%

LAB 60.36, -41.49, 4.71

 

CMYK 16 / 85 / 0 / 36

HEX #8918A3

RGB 137 24 163

HSL 288.78, 0.74%, 0.37%

LAB 35.23, 62.27, -49.19

 

CMYK 0 / 85 / 85 / 36

HEX #A41818

RGB 164 24 24

HSL 0, 0.74%, 0.37%

LAB 35.23, 54.13, 38.4

 

CMYK 68 / 0 / 85 / 36

HEX #34A418

RGB 52 164 24

HSL 108, 0.74%, 0.37%

LAB 59.29, -55.21, 56.52

 

CMYK 85 / 0 / 0 / 36

HEX #18A4A4

RGB 24 164 164

HSL 180, 0.74%, 0.37%

LAB 61.16, -33.43, -9.89

 

CMYK 16 / 85 / 0 / 36

HEX #8918A3

RGB 137 24 163

HSL 288.78, 0.74%, 0.37%

LAB 35.23, 62.27, -49.19

 

CMYK 0 / 60 / 85 / 36

HEX #A44218

RGB 164 66 24

HSL 18, 0.74%, 0.37%

LAB 40.98, 38.41, 43.5

 

CMYK 68 / 0 / 85 / 36

HEX #34A418

RGB 52 164 24

HSL 108, 0.74%, 0.37%

LAB 59.29, -55.21, 56.52

 

CMYK 85 / 26 / 0 / 36

HEX #187AA4

RGB 24 122 164

HSL 198, 0.74%, 0.37%

LAB 48, -11.57, -30

 

Description

Color code: HEX #8918A3 | qconv.com Color code: HEX #8918A3 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 24 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 24 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 85 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 85% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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