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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8919A3 it is the complementary color #76E65C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8919A3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8919A3 shade: #8E199E, #9F2BB1, #B03DC4, #C14FD7 and #D261EA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8919A3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8919A3 shade: #8919A3, #780790, #67007D, #56006A and #450057

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8919A3 shade: #8919A3, #A31998, #A31972, #A3194D and #A31928

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8919A3 shade: #8919A3, #6419A3, #3E19A3, #1919A3 and #1919A3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8919A3 shade matches the following richer shades: #8919A3 and #920AB2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8919A3 shade: #8919A3, #7F2893, #763884, #6C4775 and #635666

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8919A3 shade: #3E19A3, #6219A3, #8719A3, #A3199A and #A31975

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8919A3 shade: #4D0E5B, #6B137F, #8919A3, #A71FC6 and #BD30DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8919A3 shade: #8919A3, #A31919 and #19A350

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8919A3 shade: #8919A3, #A38719 and #19A387

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8919A3 shade: #8919A3, #A31919, #35A319 and #19A3A3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8919A3 shade: #8919A3, #A34219, #35A319 and #1979A3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 85 / 0 / 36

HEX #8919A3

RGB 137 25 163

HSL 288.7, 0.73%, 0.37%

LAB 35.32, 62.03, -49.06

 

Complementary color

CMYK 49 / 0 / 60 / 10

HEX #76E65C

RGB 118 230 92

HSL 108.7, 0.73%, 0.63%

LAB 82.5, -57.18, 56.22

 

CMYK 10 / 84 / 0 / 38

HEX #8E199E

RGB 142 25 158

HSL 292.78, 0.73%, 0.36%

LAB 35.82, 62.03, -45.18

 

CMYK 10 / 76 / 0 / 31

HEX #9F2BB1

RGB 159 43 177

HSL 291.94, 0.61%, 0.43%

LAB 41.65, 63.54, -47.05

 

CMYK 10 / 69 / 0 / 23

HEX #B03DC4

RGB 176 61 196

HSL 291.11, 0.53%, 0.5%

LAB 47.69, 64.14, -48.36

 

CMYK 10 / 63 / 0 / 16

HEX #C14FD7

RGB 193 79 215

HSL 290.29, 0.63%, 0.58%

LAB 53.85, 64.17, -49.3

 

CMYK 10 / 59 / 0 / 8

HEX #D261EA

RGB 210 97 234

HSL 289.49, 0.77%, 0.65%

LAB 60.06, 63.87, -49.99

 

CMYK 16 / 85 / 0 / 36

HEX #8919A3

RGB 137 25 163

HSL 288.7, 0.73%, 0.37%

LAB 35.32, 62.03, -49.06

 

CMYK 17 / 95 / 0 / 44

HEX #780790

RGB 120 7 144

HSL 289.49, 0.91%, 0.3%

LAB 29.81, 59.21, -46.51

 

CMYK 18 / 100 / 0 / 51

HEX #67007D

RGB 103 0 125

HSL 289.44, 1%, 0.25%

LAB 24.84, 54.32, -42.81

 

CMYK 19 / 100 / 0 / 58

HEX #56006A

RGB 86 0 106

HSL 288.68, 1%, 0.21%

LAB 20.12, 48.14, -38.38

 

CMYK 21 / 100 / 0 / 66

HEX #450057

RGB 69 0 87

HSL 287.59, 1%, 0.17%

LAB 15.24, 41.75, -33.82

 

CMYK 16 / 85 / 0 / 36

HEX #8919A3

RGB 137 25 163

HSL 288.7, 0.73%, 0.37%

LAB 35.32, 62.03, -49.06

 

CMYK 0 / 85 / 7 / 36

HEX #A31998

RGB 163 25 152

HSL 304.78, 0.73%, 0.37%

LAB 39.15, 65.11, -36.01

 

CMYK 0 / 85 / 30 / 36

HEX #A31972

RGB 163 25 114

HSL 321.3, 0.73%, 0.37%

LAB 37.29, 60, -15.42

 

CMYK 0 / 85 / 53 / 36

HEX #A3194D

RGB 163 25 77

HSL 337.39, 0.73%, 0.37%

LAB 36.02, 56.34, 6.35

 

CMYK 0 / 85 / 75 / 36

HEX #A31928

RGB 163 25 40

HSL 353.48, 0.73%, 0.37%

LAB 35.27, 54.13, 29.09

 

CMYK 16 / 85 / 0 / 36

HEX #8919A3

RGB 137 25 163

HSL 288.7, 0.73%, 0.37%

LAB 35.32, 62.03, -49.06

 

CMYK 39 / 85 / 0 / 36

HEX #6419A3

RGB 100 25 163

HSL 272.61, 0.73%, 0.37%

LAB 29.54, 56.04, -58.72

 

CMYK 62 / 85 / 0 / 36

HEX #3E19A3

RGB 62 25 163

HSL 256.09, 0.73%, 0.37%

LAB 24.84, 51.4, -66.62

 

CMYK 85 / 85 / 0 / 36

HEX #1919A3

RGB 25 25 163

HSL 240, 0.73%, 0.37%

LAB 22.11, 48.84, -71.23

 

CMYK 85 / 85 / 0 / 36

HEX #1919A3

RGB 25 25 163

HSL 240, 0.73%, 0.37%

LAB 22.11, 48.84, -71.23

 

CMYK 16 / 85 / 0 / 36

HEX #8919A3

RGB 137 25 163

HSL 288.7, 0.73%, 0.37%

LAB 35.32, 62.03, -49.06

 

CMYK 18 / 94 / 0 / 30

HEX #920AB2

RGB 146 10 178

HSL 288.57, 0.89%, 0.37%

LAB 37.01, 68.9, -55.24

 

CMYK 16 / 85 / 0 / 36

HEX #8919A3

RGB 137 25 163

HSL 288.7, 0.73%, 0.37%

LAB 35.32, 62.03, -49.06

 

CMYK 14 / 73 / 0 / 42

HEX #7F2893

RGB 127 40 147

HSL 288.79, 0.57%, 0.37%

LAB 34.26, 52.2, -41.12

 

CMYK 11 / 58 / 0 / 48

HEX #763884

RGB 118 56 132

HSL 288.95, 0.4%, 0.37%

LAB 34.69, 39.44, -31.28

 

CMYK 8 / 39 / 0 / 54

HEX #6C4775

RGB 108 71 117

HSL 288.26, 0.24%, 0.37%

LAB 35.94, 24.46, -20.1

 

CMYK 3 / 16 / 0 / 60

HEX #635666

RGB 99 86 102

HSL 288.75, 0.09%, 0.37%

LAB 38.32, 8.58, -7.24

 

CMYK 62 / 85 / 0 / 36

HEX #3E19A3

RGB 62 25 163

HSL 256.09, 0.73%, 0.37%

LAB 24.84, 51.4, -66.62

 

CMYK 40 / 85 / 0 / 36

HEX #6219A3

RGB 98 25 163

HSL 271.74, 0.73%, 0.37%

LAB 29.25, 55.75, -59.2

 

CMYK 17 / 85 / 0 / 36

HEX #8719A3

RGB 135 25 163

HSL 287.83, 0.73%, 0.37%

LAB 34.98, 61.68, -49.61

 

CMYK 0 / 85 / 6 / 36

HEX #A3199A

RGB 163 25 154

HSL 303.91, 0.73%, 0.37%

LAB 39.27, 65.41, -37.04

 

CMYK 0 / 85 / 28 / 36

HEX #A31975

RGB 163 25 117

HSL 320, 0.73%, 0.37%

LAB 37.42, 60.36, -17.11

 

CMYK 15 / 85 / 0 / 64

HEX #4D0E5B

RGB 77 14 91

HSL 289.09, 0.73%, 0.21%

LAB 18.57, 39.65, -31.05

 

CMYK 16 / 85 / 0 / 50

HEX #6B137F

RGB 107 19 127

HSL 288.89, 0.74%, 0.29%

LAB 27.08, 51.33, -40.41

 

CMYK 16 / 85 / 0 / 36

HEX #8919A3

RGB 137 25 163

HSL 288.7, 0.73%, 0.37%

LAB 35.32, 62.03, -49.06

 

CMYK 16 / 84 / 0 / 22

HEX #A71FC6

RGB 167 31 198

HSL 288.86, 0.73%, 0.45%

LAB 43.17, 72.08, -56.86

 

CMYK 15 / 78 / 0 / 13

HEX #BD30DE

RGB 189 48 222

HSL 288.62, 0.73%, 0.53%

LAB 49.75, 75.77, -59.89

 

CMYK 16 / 85 / 0 / 36

HEX #8919A3

RGB 137 25 163

HSL 288.7, 0.73%, 0.37%

LAB 35.32, 62.03, -49.06

 

CMYK 0 / 85 / 85 / 36

HEX #A31919

RGB 163 25 25

HSL 0, 0.73%, 0.37%

LAB 35.11, 53.63, 37.67

 

CMYK 85 / 0 / 51 / 36

HEX #19A350

RGB 25 163 80

HSL 143.91, 0.73%, 0.37%

LAB 58.96, -53.21, 33.32

 

CMYK 16 / 85 / 0 / 36

HEX #8919A3

RGB 137 25 163

HSL 288.7, 0.73%, 0.37%

LAB 35.32, 62.03, -49.06

 

CMYK 0 / 17 / 85 / 36

HEX #A38719

RGB 163 135 25

HSL 47.83, 0.73%, 0.37%

LAB 57.25, 0.03, 57.06

 

CMYK 85 / 0 / 17 / 36

HEX #19A387

RGB 25 163 135

HSL 167.83, 0.73%, 0.37%

LAB 60.02, -41.25, 4.79

 

CMYK 16 / 85 / 0 / 36

HEX #8919A3

RGB 137 25 163

HSL 288.7, 0.73%, 0.37%

LAB 35.32, 62.03, -49.06

 

CMYK 0 / 85 / 85 / 36

HEX #A31919

RGB 163 25 25

HSL 0, 0.73%, 0.37%

LAB 35.11, 53.63, 37.67

 

CMYK 67 / 0 / 85 / 36

HEX #35A319

RGB 53 163 25

HSL 107.83, 0.73%, 0.37%

LAB 58.99, -54.61, 56.01

 

CMYK 85 / 0 / 0 / 36

HEX #19A3A3

RGB 25 163 163

HSL 180, 0.73%, 0.37%

LAB 60.82, -33.19, -9.82

 

CMYK 16 / 85 / 0 / 36

HEX #8919A3

RGB 137 25 163

HSL 288.7, 0.73%, 0.37%

LAB 35.32, 62.03, -49.06

 

CMYK 0 / 60 / 85 / 36

HEX #A34219

RGB 163 66 25

HSL 17.83, 0.73%, 0.37%

LAB 40.82, 38.05, 42.84

 

CMYK 67 / 0 / 85 / 36

HEX #35A319

RGB 53 163 25

HSL 107.83, 0.73%, 0.37%

LAB 58.99, -54.61, 56.01

 

CMYK 85 / 26 / 0 / 36

HEX #1979A3

RGB 25 121 163

HSL 198.26, 0.73%, 0.37%

LAB 47.66, -11.28, -29.95

 

Description

Color code: HEX #8919A3 | qconv.com Color code: HEX #8919A3 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 25 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 25 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 85 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 85% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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