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Color name
HEX #891F59

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #891F59 it is the complementary color #76E0A6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #891F59. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #891F59 shade: #8E1F54, #9F3167, #B0437A, #C1558D and #D267A0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #891F59. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #891F59 shade: #891F59, #780D46, #670033, #560020 and #45000D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #891F59 shade: #891F59, #891F3C, #891F1F and #891F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #891F59 shade: #891F59, #891F75, #7F1F89, #631F89 and #461F89

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #891F59 shade matches the following richer shades: #891F59, #96115A and #A4035B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #891F59 shade: #891F59, #7B2C57, #6D3A56, #604755 and #525554

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #891F59 shade: #801F89, #891F75, #891F59, #891F3D and #891F20

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #891F59 shade: #450F2D, #671743, #891F59, #AA266F and #CC2E84

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #891F59 shade: #891F59, #89641F and #1F8389

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #891F59 shade: #891F59, #59891F and #1F5989

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #891F59 shade: #891F59, #89641F, #1F894E and #1F4489

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #891F59 shade: #891F59, #89831F, #1F894E and #1F2489

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 35 / 46

HEX #891F59

RGB 137 31 89

HSL 327.17, 0.63%, 0.33%

LAB 31.85, 48.75, -8.16

 

Complementary color

CMYK 47 / 0 / 26 / 12

HEX #76E0A6

RGB 118 224 166

HSL 147.17, 0.63%, 0.67%

LAB 81.79, -43.7, 19.1

 

CMYK 0 / 78 / 41 / 44

HEX #8E1F54

RGB 142 31 84

HSL 331.35, 0.64%, 0.34%

LAB 32.64, 49.59, -3.63

 

CMYK 0 / 69 / 35 / 38

HEX #9F3167

RGB 159 49 103

HSL 330.55, 0.53%, 0.41%

LAB 38.81, 50.07, -6.28

 

CMYK 0 / 62 / 31 / 31

HEX #B0437A

RGB 176 67 122

HSL 329.72, 0.45%, 0.48%

LAB 45.15, 49.9, -8.27

 

CMYK 0 / 56 / 27 / 24

HEX #C1558D

RGB 193 85 141

HSL 328.89, 0.47%, 0.55%

LAB 51.56, 49.4, -9.83

 

CMYK 0 / 51 / 24 / 18

HEX #D267A0

RGB 210 103 160

HSL 328.04, 0.54%, 0.61%

LAB 57.98, 48.73, -11.09

 

CMYK 0 / 77 / 35 / 46

HEX #891F59

RGB 137 31 89

HSL 327.17, 0.63%, 0.33%

LAB 31.85, 48.75, -8.16

 

CMYK 0 / 89 / 42 / 53

HEX #780D46

RGB 120 13 70

HSL 328.04, 0.8%, 0.26%

LAB 25.93, 47.12, -4.78

 

CMYK 0 / 100 / 50 / 60

HEX #670033

RGB 103 0 51

HSL 330.29, 1%, 0.2%

LAB 20.53, 43.73, -0.05

 

CMYK 0 / 100 / 63 / 66

HEX #560020

RGB 86 0 32

HSL 337.67, 1%, 0.17%

LAB 15.92, 37.77, 6.53

 

CMYK 0 / 100 / 81 / 73

HEX #45000D

RGB 69 0 13

HSL 348.7, 1%, 0.14%

LAB 11.24, 31.84, 12.26

 

CMYK 0 / 77 / 35 / 46

HEX #891F59

RGB 137 31 89

HSL 327.17, 0.63%, 0.33%

LAB 31.85, 48.75, -8.16

 

CMYK 0 / 77 / 56 / 46

HEX #891F3C

RGB 137 31 60

HSL 343.58, 0.63%, 0.33%

LAB 30.94, 45.86, 9.59

 

CMYK 0 / 77 / 77 / 46

HEX #891F1F

RGB 137 31 31

HSL 0, 0.63%, 0.33%

LAB 30.39, 44.09, 27.68

 

CMYK 0 / 77 / 77 / 46

HEX #891F1F

RGB 137 31 31

HSL 0, 0.63%, 0.33%

LAB 30.39, 44.09, 27.68

 

CMYK 0 / 77 / 35 / 46

HEX #891F59

RGB 137 31 89

HSL 327.17, 0.63%, 0.33%

LAB 31.85, 48.75, -8.16

 

CMYK 0 / 77 / 15 / 46

HEX #891F75

RGB 137 31 117

HSL 311.32, 0.63%, 0.33%

LAB 33.1, 52.54, -24.2

 

CMYK 7 / 77 / 0 / 46

HEX #7F1F89

RGB 127 31 137

HSL 294.34, 0.63%, 0.33%

LAB 32.48, 53.58, -37.82

 

CMYK 28 / 77 / 0 / 46

HEX #631F89

RGB 99 31 137

HSL 278.49, 0.63%, 0.33%

LAB 27.95, 47.79, -45.34

 

CMYK 49 / 77 / 0 / 46

HEX #461F89

RGB 70 31 137

HSL 262.08, 0.63%, 0.33%

LAB 23.96, 42.51, -52.01

 

CMYK 0 / 77 / 35 / 46

HEX #891F59

RGB 137 31 89

HSL 327.17, 0.63%, 0.33%

LAB 31.85, 48.75, -8.16

 

CMYK 0 / 89 / 40 / 41

HEX #96115A

RGB 150 17 90

HSL 327.07, 0.8%, 0.33%

LAB 33.19, 55.92, -6.54

 

CMYK 0 / 98 / 45 / 36

HEX #A4035B

RGB 164 3 91

HSL 327.2, 0.96%, 0.33%

LAB 35.43, 61.32, -3.55

 

CMYK 0 / 77 / 35 / 46

HEX #891F59

RGB 137 31 89

HSL 327.17, 0.63%, 0.33%

LAB 31.85, 48.75, -8.16

 

CMYK 0 / 64 / 29 / 52

HEX #7B2C57

RGB 123 44 87

HSL 327.34, 0.47%, 0.33%

LAB 31.11, 39.02, -8.22

 

CMYK 0 / 47 / 21 / 57

HEX #6D3A56

RGB 109 58 86

HSL 327.06, 0.31%, 0.33%

LAB 31.69, 26.47, -6.93

 

CMYK 0 / 26 / 11 / 62

HEX #604755

RGB 96 71 85

HSL 326.4, 0.15%, 0.33%

LAB 33.24, 13.23, -4.15

 

CMYK 4 / 0 / 1 / 67

HEX #525554

RGB 82 85 84

HSL 160, 0.02%, 0.33%

LAB 35.85, -1.41, 0.16

 

CMYK 7 / 77 / 0 / 46

HEX #801F89

RGB 128 31 137

HSL 294.91, 0.63%, 0.33%

LAB 32.65, 53.79, -37.54

 

CMYK 0 / 77 / 15 / 46

HEX #891F75

RGB 137 31 117

HSL 311.32, 0.63%, 0.33%

LAB 33.1, 52.54, -24.2

 

CMYK 0 / 77 / 35 / 46

HEX #891F59

RGB 137 31 89

HSL 327.17, 0.63%, 0.33%

LAB 31.85, 48.75, -8.16

 

CMYK 0 / 77 / 55 / 46

HEX #891F3D

RGB 137 31 61

HSL 343.02, 0.63%, 0.33%

LAB 30.96, 45.94, 8.96

 

CMYK 0 / 77 / 77 / 46

HEX #891F20

RGB 137 31 32

HSL 359.43, 0.63%, 0.33%

LAB 30.41, 44.13, 27.07

 

CMYK 0 / 78 / 35 / 73

HEX #450F2D

RGB 69 15 45

HSL 326.67, 0.64%, 0.16%

LAB 14.38, 28.78, -5.7

 

CMYK 0 / 78 / 35 / 60

HEX #671743

RGB 103 23 67

HSL 327, 0.63%, 0.25%

LAB 23.34, 39.13, -6.98

 

CMYK 0 / 77 / 35 / 46

HEX #891F59

RGB 137 31 89

HSL 327.17, 0.63%, 0.33%

LAB 31.85, 48.75, -8.16

 

CMYK 0 / 78 / 35 / 33

HEX #AA266F

RGB 170 38 111

HSL 326.82, 0.63%, 0.41%

LAB 39.71, 57.94, -9.73

 

CMYK 0 / 77 / 35 / 20

HEX #CC2E84

RGB 204 46 132

HSL 327.34, 0.63%, 0.49%

LAB 47.57, 66.59, -10.24

 

CMYK 0 / 77 / 35 / 46

HEX #891F59

RGB 137 31 89

HSL 327.17, 0.63%, 0.33%

LAB 31.85, 48.75, -8.16

 

CMYK 0 / 27 / 77 / 46

HEX #89641F

RGB 137 100 31

HSL 39.06, 0.63%, 0.33%

LAB 44.99, 8.06, 42.76

 

CMYK 77 / 4 / 0 / 46

HEX #1F8389

RGB 31 131 137

HSL 183.4, 0.63%, 0.33%

LAB 49.89, -25.12, -11.27

 

CMYK 0 / 77 / 35 / 46

HEX #891F59

RGB 137 31 89

HSL 327.17, 0.63%, 0.33%

LAB 31.85, 48.75, -8.16

 

CMYK 35 / 0 / 77 / 46

HEX #59891F

RGB 89 137 31

HSL 87.17, 0.63%, 0.33%

LAB 51.97, -33.29, 48.15

 

CMYK 77 / 35 / 0 / 46

HEX #1F5989

RGB 31 89 137

HSL 207.17, 0.63%, 0.33%

LAB 36.45, -1.13, -32.03

 

CMYK 0 / 77 / 35 / 46

HEX #891F59

RGB 137 31 89

HSL 327.17, 0.63%, 0.33%

LAB 31.85, 48.75, -8.16

 

CMYK 0 / 27 / 77 / 46

HEX #89641F

RGB 137 100 31

HSL 39.06, 0.63%, 0.33%

LAB 44.99, 8.06, 42.76

 

CMYK 77 / 0 / 43 / 46

HEX #1F894E

RGB 31 137 78

HSL 146.6, 0.63%, 0.33%

LAB 50.37, -43.27, 23.46

 

CMYK 77 / 50 / 0 / 46

HEX #1F4489

RGB 31 68 137

HSL 219.06, 0.63%, 0.33%

LAB 29.99, 12.81, -42.34

 

CMYK 0 / 77 / 35 / 46

HEX #891F59

RGB 137 31 89

HSL 327.17, 0.63%, 0.33%

LAB 31.85, 48.75, -8.16

 

CMYK 0 / 4 / 77 / 46

HEX #89831F

RGB 137 131 31

HSL 56.6, 0.63%, 0.33%

LAB 53.65, -9.53, 50.99

 

CMYK 77 / 0 / 43 / 46

HEX #1F894E

RGB 31 137 78

HSL 146.6, 0.63%, 0.33%

LAB 50.37, -43.27, 23.46

 

CMYK 77 / 74 / 0 / 46

HEX #1F2489

RGB 31 36 137

HSL 237.17, 0.63%, 0.33%

LAB 21.43, 34.51, -56.3

 

Description

Color code: HEX #891F59 | qconv.com Color code: HEX #891F59 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 31 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 31 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 35 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 35% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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