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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #891FB1 it is the complementary color #76E04E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #891FB1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #891FB1 shade: #8E1FAC, #9F31BF, #B043D2, #C155E5 and #D267F8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #891FB1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #891FB1 shade: #891FB1, #780D9E, #67008B, #560078 and #450065

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #891FB1 shade: #891FB1, #B11FB1, #B11F8A, #B11F63 and #B11F3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #891FB1 shade: #891FB1, #621FB1, #3A1FB1 and #1F1FB1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #891FB1 shade matches the following richer shades: #891FB1 and #910EC2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #891FB1 shade: #891FB1, #8130A0, #7A418F, #72527E and #6B636E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #891FB1 shade: #3A1FB1, #611FB1, #881FB1, #AF1FB1 and #B11F8D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #891FB1 shade: #53126B, #6E198E, #891FB1, #A425D4 and #B445DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #891FB1 shade: #891FB1, #B11F2B and #1FB14D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #891FB1 shade: #891FB1, #B1881F and #1FB188

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #891FB1 shade: #891FB1, #B11F2B, #48B11F and #1FB1A5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #891FB1 shade: #891FB1, #B13F1F, #48B11F and #1F92B1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 82 / 0 / 31

HEX #891FB1

RGB 137 31 177

HSL 283.56, 0.7%, 0.41%

LAB 36.88, 63.1, -54.92

 

Complementary color

CMYK 47 / 0 / 65 / 12

HEX #76E04E

RGB 118 224 78

HSL 103.56, 0.7%, 0.59%

LAB 80.58, -56.2, 59.94

 

CMYK 17 / 82 / 0 / 33

HEX #8E1FAC

RGB 142 31 172

HSL 287.23, 0.69%, 0.4%

LAB 37.32, 63.01, -51.19

 

CMYK 17 / 74 / 0 / 25

HEX #9F31BF

RGB 159 49 191

HSL 286.48, 0.59%, 0.47%

LAB 43.26, 64.09, -52.71

 

CMYK 16 / 68 / 0 / 18

HEX #B043D2

RGB 176 67 210

HSL 285.73, 0.61%, 0.54%

LAB 49.37, 64.4, -53.74

 

CMYK 16 / 63 / 0 / 10

HEX #C155E5

RGB 193 85 229

HSL 285, 0.73%, 0.62%

LAB 55.58, 64.25, -54.46

 

CMYK 15 / 58 / 0 / 3

HEX #D267F8

RGB 210 103 248

HSL 284.28, 0.91%, 0.69%

LAB 61.81, 63.82, -54.98

 

CMYK 23 / 82 / 0 / 31

HEX #891FB1

RGB 137 31 177

HSL 283.56, 0.7%, 0.41%

LAB 36.88, 63.1, -54.92

 

CMYK 24 / 92 / 0 / 38

HEX #780D9E

RGB 120 13 158

HSL 284.28, 0.85%, 0.34%

LAB 31.23, 60.87, -52.79

 

CMYK 26 / 100 / 0 / 45

HEX #67008B

RGB 103 0 139

HSL 284.46, 1%, 0.27%

LAB 26, 56.97, -49.72

 

CMYK 28 / 100 / 0 / 53

HEX #560078

RGB 86 0 120

HSL 283, 1%, 0.24%

LAB 21.34, 50.9, -45.46

 

CMYK 32 / 100 / 0 / 60

HEX #450065

RGB 69 0 101

HSL 280.99, 1%, 0.2%

LAB 16.53, 44.65, -41.08

 

CMYK 23 / 82 / 0 / 31

HEX #891FB1

RGB 137 31 177

HSL 283.56, 0.7%, 0.41%

LAB 36.88, 63.1, -54.92

 

CMYK 0 / 82 / 0 / 31

HEX #B11FB1

RGB 177 31 177

HSL 300, 0.7%, 0.41%

LAB 43.51, 70.37, -43.91

 

CMYK 0 / 82 / 22 / 31

HEX #B11F8A

RGB 177 31 138

HSL 316.03, 0.7%, 0.41%

LAB 41.47, 64.79, -23.65

 

CMYK 0 / 82 / 44 / 31

HEX #B11F63

RGB 177 31 99

HSL 332.05, 0.7%, 0.41%

LAB 39.96, 60.45, -1.67

 

CMYK 0 / 82 / 67 / 31

HEX #B11F3B

RGB 177 31 59

HSL 348.49, 0.7%, 0.41%

LAB 38.97, 57.5, 22.36

 

CMYK 23 / 82 / 0 / 31

HEX #891FB1

RGB 137 31 177

HSL 283.56, 0.7%, 0.41%

LAB 36.88, 63.1, -54.92

 

CMYK 45 / 82 / 0 / 31

HEX #621FB1

RGB 98 31 177

HSL 267.53, 0.7%, 0.41%

LAB 31.23, 57.05, -64.37

 

CMYK 67 / 82 / 0 / 31

HEX #3A1FB1

RGB 58 31 177

HSL 251.1, 0.7%, 0.41%

LAB 26.89, 52.52, -71.68

 

CMYK 82 / 82 / 0 / 31

HEX #1F1FB1

RGB 31 31 177

HSL 240, 0.7%, 0.41%

LAB 25.09, 50.69, -74.71

 

CMYK 23 / 82 / 0 / 31

HEX #891FB1

RGB 137 31 177

HSL 283.56, 0.7%, 0.41%

LAB 36.88, 63.1, -54.92

 

CMYK 25 / 93 / 0 / 24

HEX #910EC2

RGB 145 14 194

HSL 283.67, 0.87%, 0.41%

LAB 38.25, 71.15, -62.67

 

CMYK 23 / 82 / 0 / 31

HEX #891FB1

RGB 137 31 177

HSL 283.56, 0.7%, 0.41%

LAB 36.88, 63.1, -54.92

 

CMYK 19 / 70 / 0 / 37

HEX #8130A0

RGB 129 48 160

HSL 283.39, 0.54%, 0.41%

LAB 36.59, 51.98, -45.26

 

CMYK 15 / 55 / 0 / 44

HEX #7A418F

RGB 122 65 143

HSL 283.85, 0.38%, 0.41%

LAB 37.66, 38.13, -33.3

 

CMYK 10 / 35 / 0 / 51

HEX #72527E

RGB 114 82 126

HSL 283.64, 0.21%, 0.41%

LAB 39.78, 21.88, -19.68

 

CMYK 3 / 10 / 0 / 57

HEX #6B636E

RGB 107 99 110

HSL 283.64, 0.05%, 0.41%

LAB 43.03, 5.42, -5.06

 

CMYK 67 / 82 / 0 / 31

HEX #3A1FB1

RGB 58 31 177

HSL 251.1, 0.7%, 0.41%

LAB 26.89, 52.52, -71.68

 

CMYK 45 / 82 / 0 / 31

HEX #611FB1

RGB 97 31 177

HSL 267.12, 0.7%, 0.41%

LAB 31.1, 56.91, -64.59

 

CMYK 23 / 82 / 0 / 31

HEX #881FB1

RGB 136 31 177

HSL 283.15, 0.7%, 0.41%

LAB 36.72, 62.93, -55.18

 

CMYK 1 / 82 / 0 / 31

HEX #AF1FB1

RGB 175 31 177

HSL 299.18, 0.7%, 0.41%

LAB 43.16, 69.99, -44.48

 

CMYK 0 / 82 / 20 / 31

HEX #B11F8D

RGB 177 31 141

HSL 314.79, 0.7%, 0.41%

LAB 41.61, 65.18, -25.27

 

CMYK 22 / 83 / 0 / 58

HEX #53126B

RGB 83 18 107

HSL 283.82, 0.71%, 0.25%

LAB 21.33, 42.9, -37.09

 

CMYK 23 / 82 / 0 / 44

HEX #6E198E

RGB 110 25 142

HSL 283.59, 0.7%, 0.33%

LAB 29.32, 53.1, -46.15

 

CMYK 23 / 82 / 0 / 31

HEX #891FB1

RGB 137 31 177

HSL 283.56, 0.7%, 0.41%

LAB 36.88, 63.1, -54.92

 

CMYK 23 / 83 / 0 / 17

HEX #A425D4

RGB 164 37 212

HSL 283.54, 0.7%, 0.49%

LAB 44.19, 72.68, -63.34

 

CMYK 19 / 69 / 0 / 13

HEX #B445DE

RGB 180 69 222

HSL 283.53, 0.7%, 0.57%

LAB 50.96, 66.79, -58

 

CMYK 23 / 82 / 0 / 31

HEX #891FB1

RGB 137 31 177

HSL 283.56, 0.7%, 0.41%

LAB 36.88, 63.1, -54.92

 

CMYK 0 / 82 / 76 / 31

HEX #B11F2B

RGB 177 31 43

HSL 355.07, 0.7%, 0.41%

LAB 38.73, 56.75, 31.95

 

CMYK 82 / 0 / 56 / 31

HEX #1FB14D

RGB 31 177 77

HSL 138.9, 0.7%, 0.41%

LAB 63.57, -57.83, 40.45

 

CMYK 23 / 82 / 0 / 31

HEX #891FB1

RGB 137 31 177

HSL 283.56, 0.7%, 0.41%

LAB 36.88, 63.1, -54.92

 

CMYK 0 / 23 / 82 / 31

HEX #B1881F

RGB 177 136 31

HSL 43.15, 0.7%, 0.41%

LAB 59.02, 6.04, 57.33

 

CMYK 82 / 0 / 23 / 31

HEX #1FB188

RGB 31 177 136

HSL 163.15, 0.7%, 0.41%

LAB 64.57, -46.33, 10.73

 

CMYK 23 / 82 / 0 / 31

HEX #891FB1

RGB 137 31 177

HSL 283.56, 0.7%, 0.41%

LAB 36.88, 63.1, -54.92

 

CMYK 0 / 82 / 76 / 31

HEX #B11F2B

RGB 177 31 43

HSL 355.07, 0.7%, 0.41%

LAB 38.73, 56.75, 31.95

 

CMYK 59 / 0 / 82 / 31

HEX #48B11F

RGB 72 177 31

HSL 103.15, 0.7%, 0.41%

LAB 64.1, -54.74, 59.26

 

CMYK 82 / 0 / 7 / 31

HEX #1FB1A5

RGB 31 177 165

HSL 175.07, 0.7%, 0.41%

LAB 65.32, -38.58, -4.25

 

CMYK 23 / 82 / 0 / 31

HEX #891FB1

RGB 137 31 177

HSL 283.56, 0.7%, 0.41%

LAB 36.88, 63.1, -54.92

 

CMYK 0 / 64 / 82 / 31

HEX #B13F1F

RGB 177 63 31

HSL 13.15, 0.7%, 0.41%

LAB 42.76, 44.87, 42.69

 

CMYK 59 / 0 / 82 / 31

HEX #48B11F

RGB 72 177 31

HSL 103.15, 0.7%, 0.41%

LAB 64.1, -54.74, 59.26

 

CMYK 82 / 18 / 0 / 31

HEX #1F92B1

RGB 31 146 177

HSL 192.74, 0.7%, 0.41%

LAB 56.11, -19.6, -24.91

 

Description

Color code: HEX #891FB1 | qconv.com Color code: HEX #891FB1 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 31 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 31 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 82 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 82% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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