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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8923AE it is the complementary color #76DC51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8923AE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8923AE shade: #8E23A9, #9F35BC, #B047CF, #C159E2 and #D26BF5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8923AE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8923AE shade: #8923AE, #78119B, #670088, #560075 and #450062

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8923AE shade: #8922AE, #AE22AE, #AE2288, #AE2262 and #AE223C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8923AE shade: #8922AE, #6322AE, #3D22AE and #2222AE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8923AE shade matches the following richer shades: #8922AE, #9111BF and #9900D0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8923AE shade: #8922AE, #81339D, #79448C, #71557B and #69666A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8923AE shade: #3E22AE, #6322AE, #8922AE, #AE22AE and #AE2289

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8923AE shade: #531469, #6E1B8C, #8922AE, #A429D1 and #B448DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8923AE shade: #8923AE, #AE222B and #22AE51

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8923AE shade: #8923AE, #AE8922 and #22AE89

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8923AE shade: #8923AE, #AE222B, #47AE22 and #22AEA5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8923AE shade: #8923AE, #AE4322, #47AE22 and #228DAE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 80 / 0 / 32

HEX #8923AE

RGB 137 35 174

HSL 284.03, 0.67%, 0.41%

LAB 37.07, 61.31, -52.82

 

Complementary color

CMYK 46 / 0 / 63 / 14

HEX #76DC51

RGB 118 220 81

HSL 104.03, 0.67%, 0.59%

LAB 79.4, -54.39, 57.43

 

CMYK 16 / 79 / 0 / 34

HEX #8E23A9

RGB 142 35 169

HSL 287.91, 0.66%, 0.4%

LAB 37.51, 61.27, -49.08

 

CMYK 15 / 72 / 0 / 26

HEX #9F35BC

RGB 159 53 188

HSL 287.11, 0.56%, 0.47%

LAB 43.58, 62.05, -50.43

 

CMYK 15 / 66 / 0 / 19

HEX #B047CF

RGB 176 71 207

HSL 286.32, 0.59%, 0.55%

LAB 49.79, 62.15, -51.35

 

CMYK 15 / 61 / 0 / 11

HEX #C159E2

RGB 193 89 226

HSL 285.55, 0.7%, 0.62%

LAB 56.06, 61.86, -52

 

CMYK 14 / 56 / 0 / 4

HEX #D26BF5

RGB 210 107 245

HSL 284.78, 0.87%, 0.69%

LAB 62.35, 61.35, -52.47

 

CMYK 21 / 80 / 0 / 32

HEX #8923AE

RGB 137 35 174

HSL 284.03, 0.67%, 0.41%

LAB 37.07, 61.31, -52.82

 

CMYK 23 / 89 / 0 / 39

HEX #78119B

RGB 120 17 155

HSL 284.78, 0.8%, 0.34%

LAB 31.26, 59.5, -50.92

 

CMYK 24 / 100 / 0 / 47

HEX #670088

RGB 103 0 136

HSL 285.44, 1%, 0.27%

LAB 25.75, 56.39, -48.27

 

CMYK 26 / 100 / 0 / 54

HEX #560075

RGB 86 0 117

HSL 284.1, 1%, 0.23%

LAB 21.07, 50.3, -43.97

 

CMYK 30 / 100 / 0 / 62

HEX #450062

RGB 69 0 98

HSL 282.24, 1%, 0.19%

LAB 16.24, 44.02, -39.56

 

CMYK 21 / 80 / 0 / 32

HEX #8922AE

RGB 137 34 174

HSL 284.14, 0.67%, 0.41%

LAB 36.96, 61.62, -52.99

 

CMYK 0 / 80 / 0 / 32

HEX #AE22AE

RGB 174 34 174

HSL 300, 0.67%, 0.41%

LAB 43.06, 68.61, -42.87

 

CMYK 0 / 80 / 22 / 32

HEX #AE2288

RGB 174 34 136

HSL 316.29, 0.67%, 0.41%

LAB 41.09, 63.1, -23.07

 

CMYK 0 / 80 / 44 / 32

HEX #AE2262

RGB 174 34 98

HSL 332.57, 0.67%, 0.41%

LAB 39.62, 58.79, -1.61

 

CMYK 0 / 80 / 66 / 32

HEX #AE223C

RGB 174 34 60

HSL 348.86, 0.67%, 0.41%

LAB 38.67, 55.89, 21.22

 

CMYK 21 / 80 / 0 / 32

HEX #8922AE

RGB 137 34 174

HSL 284.14, 0.67%, 0.41%

LAB 36.96, 61.62, -52.99

 

CMYK 43 / 80 / 0 / 32

HEX #6322AE

RGB 99 34 174

HSL 267.86, 0.67%, 0.41%

LAB 31.47, 55.35, -62.18

 

CMYK 65 / 80 / 0 / 32

HEX #3D22AE

RGB 61 34 174

HSL 251.57, 0.67%, 0.41%

LAB 27.28, 50.58, -69.24

 

CMYK 80 / 80 / 0 / 32

HEX #2222AE

RGB 34 34 174

HSL 240, 0.67%, 0.41%

LAB 25.38, 48.44, -72.43

 

CMYK 21 / 80 / 0 / 32

HEX #8922AE

RGB 137 34 174

HSL 284.14, 0.67%, 0.41%

LAB 36.96, 61.62, -52.99

 

CMYK 24 / 91 / 0 / 25

HEX #9111BF

RGB 145 17 191

HSL 284.14, 0.84%, 0.41%

LAB 38.17, 70.14, -61.05

 

CMYK 26 / 100 / 0 / 18

HEX #9900D0

RGB 153 0 208

HSL 284.13, 1%, 0.41%

LAB 40.12, 76.39, -67.72

 

CMYK 21 / 80 / 0 / 32

HEX #8922AE

RGB 137 34 174

HSL 284.14, 0.67%, 0.41%

LAB 36.96, 61.62, -52.99

 

CMYK 18 / 68 / 0 / 38

HEX #81339D

RGB 129 51 157

HSL 284.15, 0.51%, 0.41%

LAB 36.87, 50.02, -43

 

CMYK 14 / 51 / 0 / 45

HEX #79448C

RGB 121 68 140

HSL 284.17, 0.35%, 0.41%

LAB 38.01, 35.51, -30.94

 

CMYK 8 / 31 / 0 / 52

HEX #71557B

RGB 113 85 123

HSL 284.21, 0.18%, 0.41%

LAB 40.31, 19.03, -17.04

 

CMYK 1 / 4 / 0 / 58

HEX #69666A

RGB 105 102 106

HSL 285, 0.02%, 0.41%

LAB 43.58, 2, -1.84

 

CMYK 64 / 80 / 0 / 32

HEX #3E22AE

RGB 62 34 174

HSL 252, 0.67%, 0.41%

LAB 27.36, 50.68, -69.09

 

CMYK 43 / 80 / 0 / 32

HEX #6322AE

RGB 99 34 174

HSL 267.86, 0.67%, 0.41%

LAB 31.47, 55.35, -62.18

 

CMYK 21 / 80 / 0 / 32

HEX #8922AE

RGB 137 34 174

HSL 284.14, 0.67%, 0.41%

LAB 36.96, 61.62, -52.99

 

CMYK 0 / 80 / 0 / 32

HEX #AE22AE

RGB 174 34 174

HSL 300, 0.67%, 0.41%

LAB 43.06, 68.61, -42.87

 

CMYK 0 / 80 / 21 / 32

HEX #AE2289

RGB 174 34 137

HSL 315.86, 0.67%, 0.41%

LAB 41.13, 63.23, -23.61

 

CMYK 21 / 81 / 0 / 59

HEX #531469

RGB 83 20 105

HSL 284.47, 0.68%, 0.25%

LAB 21.43, 41.74, -35.63

 

CMYK 21 / 81 / 0 / 45

HEX #6E1B8C

RGB 110 27 140

HSL 284.07, 0.68%, 0.33%

LAB 29.39, 52.04, -44.79

 

CMYK 21 / 80 / 0 / 32

HEX #8922AE

RGB 137 34 174

HSL 284.14, 0.67%, 0.41%

LAB 36.96, 61.62, -52.99

 

CMYK 22 / 80 / 0 / 18

HEX #A429D1

RGB 164 41 209

HSL 283.93, 0.67%, 0.49%

LAB 44.35, 71.02, -61.35

 

CMYK 17 / 67 / 0 / 15

HEX #B448DA

RGB 180 72 218

HSL 284.38, 0.66%, 0.57%

LAB 51.15, 64.77, -55.42

 

CMYK 21 / 80 / 0 / 32

HEX #8923AE

RGB 137 35 174

HSL 284.03, 0.67%, 0.41%

LAB 37.07, 61.31, -52.82

 

CMYK 0 / 80 / 75 / 32

HEX #AE222B

RGB 174 34 43

HSL 356.14, 0.67%, 0.41%

LAB 38.41, 55.07, 31.42

 

CMYK 80 / 0 / 53 / 32

HEX #22AE51

RGB 34 174 81

HSL 140.14, 0.67%, 0.41%

LAB 62.68, -55.89, 37.44

 

CMYK 21 / 80 / 0 / 32

HEX #8923AE

RGB 137 35 174

HSL 284.03, 0.67%, 0.41%

LAB 37.07, 61.31, -52.82

 

CMYK 0 / 21 / 80 / 32

HEX #AE8922

RGB 174 137 34

HSL 44.14, 0.67%, 0.41%

LAB 58.98, 4.23, 56.16

 

CMYK 80 / 0 / 21 / 32

HEX #22AE89

RGB 34 174 137

HSL 164.14, 0.67%, 0.41%

LAB 63.69, -44.55, 8.93

 

CMYK 21 / 80 / 0 / 32

HEX #8923AE

RGB 137 35 174

HSL 284.03, 0.67%, 0.41%

LAB 37.07, 61.31, -52.82

 

CMYK 0 / 80 / 75 / 32

HEX #AE222B

RGB 174 34 43

HSL 356.14, 0.67%, 0.41%

LAB 38.41, 55.07, 31.42

 

CMYK 59 / 0 / 80 / 32

HEX #47AE22

RGB 71 174 34

HSL 104.14, 0.67%, 0.41%

LAB 63.12, -53.76, 57.5

 

CMYK 80 / 0 / 5 / 32

HEX #22AEA5

RGB 34 174 165

HSL 176.14, 0.67%, 0.41%

LAB 64.43, -36.96, -5.57

 

CMYK 21 / 80 / 0 / 32

HEX #8923AE

RGB 137 35 174

HSL 284.03, 0.67%, 0.41%

LAB 37.07, 61.31, -52.82

 

CMYK 0 / 61 / 80 / 32

HEX #AE4322

RGB 174 67 34

HSL 14.14, 0.67%, 0.41%

LAB 42.96, 42.04, 41.2

 

CMYK 59 / 0 / 80 / 32

HEX #47AE22

RGB 71 174 34

HSL 104.14, 0.67%, 0.41%

LAB 63.12, -53.76, 57.5

 

CMYK 80 / 19 / 0 / 32

HEX #228DAE

RGB 34 141 174

HSL 194.14, 0.67%, 0.41%

LAB 54.5, -17.67, -25.68

 

Description

Color code: HEX #8923AE | qconv.com Color code: HEX #8923AE | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 35 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 35 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 80 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 80% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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