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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #892B6C it is the complementary color #76D493. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #892B6C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #892B6C shade: #8E2B67, #9F3D7A, #B04F8D, #C161A0 and #D273B3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #892B6C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #892B6C shade: #892B6C, #781959, #670746, #560033 and #450020

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #892B6C shade: #872A6B, #872A51, #872A38 and #872A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #892B6C shade: #872A6B, #872A84, #722A87, #592A87 and #402A87

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #892B6C shade matches the following richer shades: #872A6B, #961C70 and #A40D76

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #892B6C shade: #872A6B, #793965, #6A475F, #5C565A and #4D6454

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #892B6C shade: #722A87, #872A84, #872A6B, #872A53 and #872A3A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #892B6C shade: #481739, #682052, #872A6B, #A73483 and #C3419B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #892B6C shade: #892B6C, #87592A and #2A877E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #892B6C shade: #892B6C, #6B872A and #2A6B87

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #892B6C shade: #892B6C, #87592A, #2A8746 and #2A5987

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #892B6C shade: #892B6C, #87752A, #2A8746 and #2A3D87

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 21 / 46

HEX #892B6C

RGB 137 43 108

HSL 318.51, 0.52%, 0.35%

LAB 34.25, 46.75, -16.71

 

Complementary color

CMYK 44 / 0 / 31 / 17

HEX #76D493

RGB 118 212 147

HSL 138.51, 0.52%, 0.65%

LAB 77.9, -42.05, 23.69

 

CMYK 0 / 70 / 27 / 44

HEX #8E2B67

RGB 142 43 103

HSL 323.64, 0.54%, 0.36%

LAB 34.92, 47.49, -12.43

 

CMYK 0 / 62 / 23 / 38

HEX #9F3D7A

RGB 159 61 122

HSL 322.65, 0.45%, 0.43%

LAB 41.4, 47.4, -14.2

 

CMYK 0 / 55 / 20 / 31

HEX #B04F8D

RGB 176 79 141

HSL 321.65, 0.38%, 0.5%

LAB 47.94, 46.92, -15.55

 

CMYK 0 / 50 / 17 / 24

HEX #C161A0

RGB 193 97 160

HSL 320.63, 0.44%, 0.57%

LAB 54.47, 46.27, -16.62

 

CMYK 0 / 45 / 15 / 18

HEX #D273B3

RGB 210 115 179

HSL 319.58, 0.51%, 0.64%

LAB 60.97, 45.54, -17.5

 

CMYK 0 / 69 / 21 / 46

HEX #892B6C

RGB 137 43 108

HSL 318.51, 0.52%, 0.35%

LAB 34.25, 46.75, -16.71

 

CMYK 0 / 79 / 26 / 53

HEX #781959

RGB 120 25 89

HSL 319.58, 0.66%, 0.28%

LAB 27.87, 46.13, -14.52

 

CMYK 0 / 93 / 32 / 60

HEX #670746

RGB 103 7 70

HSL 320.63, 0.87%, 0.22%

LAB 21.86, 44.11, -11.28

 

CMYK 0 / 100 / 41 / 66

HEX #560033

RGB 86 0 51

HSL 324.42, 1%, 0.17%

LAB 16.59, 39.54, -6.33

 

CMYK 0 / 100 / 54 / 73

HEX #450020

RGB 69 0 32

HSL 332.17, 1%, 0.14%

LAB 11.75, 33.22, 0.04

 

CMYK 0 / 69 / 21 / 47

HEX #872A6B

RGB 135 42 107

HSL 318.06, 0.53%, 0.35%

LAB 33.71, 46.45, -16.94

 

CMYK 0 / 69 / 40 / 47

HEX #872A51

RGB 135 42 81

HSL 334.84, 0.53%, 0.35%

LAB 32.7, 43.01, -1.72

 

CMYK 0 / 69 / 59 / 47

HEX #872A38

RGB 135 42 56

HSL 350.97, 0.53%, 0.35%

LAB 32.02, 40.57, 13.63

 

CMYK 0 / 69 / 69 / 47

HEX #872A2A

RGB 135 42 42

HSL 0, 0.53%, 0.35%

LAB 31.75, 39.59, 22.29

 

CMYK 0 / 69 / 21 / 47

HEX #872A6B

RGB 135 42 107

HSL 318.06, 0.53%, 0.35%

LAB 33.71, 46.45, -16.94

 

CMYK 0 / 69 / 2 / 47

HEX #872A84

RGB 135 42 132

HSL 301.94, 0.53%, 0.35%

LAB 34.95, 50.5, -30.71

 

CMYK 16 / 69 / 0 / 47

HEX #722A87

RGB 114 42 135

HSL 286.45, 0.53%, 0.35%

LAB 31.77, 45.91, -37.83

 

CMYK 34 / 69 / 0 / 47

HEX #592A87

RGB 89 42 135

HSL 270.32, 0.53%, 0.35%

LAB 28.19, 40.09, -43.77

 

CMYK 53 / 69 / 0 / 47

HEX #402A87

RGB 64 42 135

HSL 254.19, 0.53%, 0.35%

LAB 25.25, 34.9, -48.69

 

CMYK 0 / 69 / 21 / 47

HEX #872A6B

RGB 135 42 107

HSL 318.06, 0.53%, 0.35%

LAB 33.71, 46.45, -16.94

 

CMYK 0 / 81 / 25 / 41

HEX #961C70

RGB 150 28 112

HSL 318.69, 0.69%, 0.35%

LAB 34.97, 55.9, -17.94

 

CMYK 0 / 92 / 28 / 36

HEX #A40D76

RGB 164 13 118

HSL 318.28, 0.85%, 0.35%

LAB 36.91, 62.88, -18.51

 

CMYK 0 / 69 / 21 / 47

HEX #872A6B

RGB 135 42 107

HSL 318.06, 0.53%, 0.35%

LAB 33.71, 46.45, -16.94

 

CMYK 0 / 53 / 17 / 53

HEX #793965

RGB 121 57 101

HSL 318.75, 0.36%, 0.35%

LAB 33.84, 33.88, -13.12

 

CMYK 0 / 33 / 10 / 58

HEX #6A475F

RGB 106 71 95

HSL 318.86, 0.2%, 0.35%

LAB 34.8, 19.14, -8.06

 

CMYK 0 / 7 / 2 / 64

HEX #5C565A

RGB 92 86 90

HSL 320, 0.03%, 0.35%

LAB 37.24, 3.26, -1.45

 

CMYK 23 / 0 / 16 / 61

HEX #4D6454

RGB 77 100 84

HSL 138.26, 0.13%, 0.35%

LAB 40.13, -12.24, 6.28

 

CMYK 16 / 69 / 0 / 47

HEX #722A87

RGB 114 42 135

HSL 286.45, 0.53%, 0.35%

LAB 31.77, 45.91, -37.83

 

CMYK 0 / 69 / 2 / 47

HEX #872A84

RGB 135 42 132

HSL 301.94, 0.53%, 0.35%

LAB 34.95, 50.5, -30.71

 

CMYK 0 / 69 / 21 / 47

HEX #872A6B

RGB 135 42 107

HSL 318.06, 0.53%, 0.35%

LAB 33.71, 46.45, -16.94

 

CMYK 0 / 69 / 39 / 47

HEX #872A53

RGB 135 42 83

HSL 333.55, 0.53%, 0.35%

LAB 32.77, 43.25, -2.92

 

CMYK 0 / 69 / 57 / 47

HEX #872A3A

RGB 135 42 58

HSL 349.68, 0.53%, 0.35%

LAB 32.06, 40.74, 12.38

 

CMYK 0 / 68 / 21 / 72

HEX #481739

RGB 72 23 57

HSL 318.37, 0.52%, 0.19%

LAB 16.92, 27.82, -10.36

 

CMYK 0 / 69 / 21 / 59

HEX #682052

RGB 104 32 82

HSL 318.33, 0.53%, 0.27%

LAB 25.52, 37.84, -13.76

 

CMYK 0 / 69 / 21 / 47

HEX #872A6B

RGB 135 42 107

HSL 318.06, 0.53%, 0.35%

LAB 33.71, 46.45, -16.94

 

CMYK 0 / 69 / 22 / 35

HEX #A73483

RGB 167 52 131

HSL 318.78, 0.53%, 0.43%

LAB 41.7, 54.79, -19.15

 

CMYK 0 / 67 / 21 / 24

HEX #C3419B

RGB 195 65 155

HSL 318.46, 0.52%, 0.51%

LAB 49.19, 60.62, -21.73

 

CMYK 0 / 69 / 21 / 46

HEX #892B6C

RGB 137 43 108

HSL 318.51, 0.52%, 0.35%

LAB 34.25, 46.75, -16.71

 

CMYK 0 / 34 / 69 / 47

HEX #87592A

RGB 135 89 42

HSL 30.32, 0.53%, 0.35%

LAB 41.94, 14.19, 34.2

 

CMYK 69 / 0 / 7 / 47

HEX #2A877E

RGB 42 135 126

HSL 174.19, 0.53%, 0.35%

LAB 51.07, -28.95, -3.07

 

CMYK 0 / 69 / 21 / 46

HEX #892B6C

RGB 137 43 108

HSL 318.51, 0.52%, 0.35%

LAB 34.25, 46.75, -16.71

 

CMYK 21 / 0 / 69 / 47

HEX #6B872A

RGB 107 135 42

HSL 78.06, 0.53%, 0.35%

LAB 52.53, -24.33, 44.8

 

CMYK 69 / 21 / 0 / 47

HEX #2A6B87

RGB 42 107 135

HSL 198.06, 0.53%, 0.35%

LAB 42.39, -11.14, -21.5

 

CMYK 0 / 69 / 21 / 46

HEX #892B6C

RGB 137 43 108

HSL 318.51, 0.52%, 0.35%

LAB 34.25, 46.75, -16.71

 

CMYK 0 / 34 / 69 / 47

HEX #87592A

RGB 135 89 42

HSL 30.32, 0.53%, 0.35%

LAB 41.94, 14.19, 34.2

 

CMYK 69 / 0 / 48 / 47

HEX #2A8746

RGB 42 135 70

HSL 138.06, 0.53%, 0.35%

LAB 49.81, -42.07, 27.15

 

CMYK 69 / 34 / 0 / 47

HEX #2A5987

RGB 42 89 135

HSL 209.68, 0.53%, 0.35%

LAB 36.72, -0.18, -30.36

 

CMYK 0 / 69 / 21 / 46

HEX #892B6C

RGB 137 43 108

HSL 318.51, 0.52%, 0.35%

LAB 34.25, 46.75, -16.71

 

CMYK 0 / 13 / 69 / 47

HEX #87752A

RGB 135 117 42

HSL 48.39, 0.53%, 0.35%

LAB 49.55, -2.08, 42.41

 

CMYK 69 / 0 / 48 / 47

HEX #2A8746

RGB 42 135 70

HSL 138.06, 0.53%, 0.35%

LAB 49.81, -42.07, 27.15

 

CMYK 69 / 55 / 0 / 47

HEX #2A3D87

RGB 42 61 135

HSL 227.74, 0.53%, 0.35%

LAB 28.32, 18.5, -43.77

 

Description

Color code: HEX #892B6C | qconv.com Color code: HEX #892B6C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 43 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 43 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 21 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 21% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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