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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #89340A it is the complementary color #76CBF5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #89340A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #89340A shade: #8E3405, #9F4618, #B0582B, #C16A3E and #D27C51

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #89340A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #89340A shade: #89340A, #782200, #671000, #560000 and #450000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #89340A shade: #89340A, #89120A and #890A0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #89340A shade: #89340A, #89560A, #89790A, #77890A and #55890A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #89340A shade matches the following richer shades: #89340A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #89340A shade: #89340A, #7D3816, #713C22, #65402E and #59443A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #89340A shade: #890A25, #89100A, #89320A, #89540A and #89760A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #89340A shade: #3C1704, #632507, #89340A, #AF430D and #D65110

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #89340A shade: #89340A, #47890A and #0A1489

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #89340A shade: #89340A, #0A8932 and #320A89

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #89340A shade: #89340A, #47890A, #0A6189 and #4C0A89

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #89340A shade: #89340A, #21890A, #0A6189 and #720A89

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 93 / 46

HEX #89340A

RGB 137 52 10

HSL 19.84, 0.86%, 0.29%

LAB 33.55, 34.41, 41.17

 

Complementary color

CMYK 52 / 17 / 0 / 4

HEX #76CBF5

RGB 118 203 245

HSL 199.84, 0.86%, 0.71%

LAB 77.97, -14.44, -28.6

 

CMYK 0 / 63 / 96 / 44

HEX #8E3405

RGB 142 52 5

HSL 20.58, 0.93%, 0.29%

LAB 34.43, 36.28, 44.04

 

CMYK 0 / 56 / 85 / 38

HEX #9F4618

RGB 159 70 24

HSL 20.44, 0.74%, 0.36%

LAB 40.92, 34.42, 43.12

 

CMYK 0 / 50 / 76 / 31

HEX #B0582B

RGB 176 88 43

HSL 20.3, 0.61%, 0.43%

LAB 47.47, 32.61, 41.34

 

CMYK 0 / 45 / 68 / 24

HEX #C16A3E

RGB 193 106 62

HSL 20.15, 0.51%, 0.5%

LAB 54.02, 30.95, 39.38

 

CMYK 0 / 41 / 61 / 18

HEX #D27C51

RGB 210 124 81

HSL 20, 0.59%, 0.57%

LAB 60.53, 29.45, 37.49

 

CMYK 0 / 62 / 93 / 46

HEX #89340A

RGB 137 52 10

HSL 19.84, 0.86%, 0.29%

LAB 33.55, 34.41, 41.17

 

CMYK 0 / 72 / 100 / 53

HEX #782200

RGB 120 34 0

HSL 17, 1%, 0.24%

LAB 27.12, 36.12, 38.85

 

CMYK 0 / 84 / 100 / 60

HEX #671000

RGB 103 16 0

HSL 9.32, 1%, 0.2%

LAB 21.03, 36.98, 31.64

 

CMYK 0 / 100 / 100 / 66

HEX #560000

RGB 86 0 0

HSL 0, 1%, 0.17%

LAB 15.37, 36.3, 23.94

 

CMYK 0 / 100 / 100 / 73

HEX #450000

RGB 69 0 0

HSL 0, 1%, 0.14%

LAB 11.03, 31.28, 17.37

 

CMYK 0 / 62 / 93 / 46

HEX #89340A

RGB 137 52 10

HSL 19.84, 0.86%, 0.29%

LAB 33.55, 34.41, 41.17

 

CMYK 0 / 87 / 93 / 46

HEX #89120A

RGB 137 18 10

HSL 3.78, 0.86%, 0.29%

LAB 28.83, 47.34, 37.65

 

CMYK 0 / 93 / 93 / 46

HEX #890A0A

RGB 137 10 10

HSL 0, 0.86%, 0.29%

LAB 28.27, 48.95, 37.19

 

CMYK 0 / 62 / 93 / 46

HEX #89340A

RGB 137 52 10

HSL 19.84, 0.86%, 0.29%

LAB 33.55, 34.41, 41.17

 

CMYK 0 / 37 / 93 / 46

HEX #89560A

RGB 137 86 10

HSL 35.91, 0.86%, 0.29%

LAB 41.21, 15.56, 46.94

 

CMYK 0 / 12 / 93 / 46

HEX #89790A

RGB 137 121 10

HSL 52.44, 0.86%, 0.29%

LAB 50.7, -4.66, 54.27

 

CMYK 13 / 0 / 93 / 46

HEX #77890A

RGB 119 137 10

HSL 68.5, 0.86%, 0.29%

LAB 53.85, -21.55, 56.09

 

CMYK 38 / 0 / 93 / 46

HEX #55890A

RGB 85 137 10

HSL 84.57, 0.86%, 0.29%

LAB 51.66, -35.71, 53.4

 

CMYK 0 / 62 / 93 / 46

HEX #89340A

RGB 137 52 10

HSL 19.84, 0.86%, 0.29%

LAB 33.55, 34.41, 41.17

 

CMYK 0 / 62 / 93 / 46

HEX #89340A

RGB 137 52 10

HSL 19.84, 0.86%, 0.29%

LAB 33.55, 34.41, 41.17

 

CMYK 0 / 55 / 82 / 51

HEX #7D3816

RGB 125 56 22

HSL 19.81, 0.7%, 0.29%

LAB 32.36, 27.72, 34.09

 

CMYK 0 / 47 / 70 / 56

HEX #713C22

RGB 113 60 34

HSL 19.75, 0.54%, 0.29%

LAB 31.48, 20.8, 25.96

 

CMYK 0 / 37 / 54 / 60

HEX #65402E

RGB 101 64 46

HSL 19.64, 0.37%, 0.29%

LAB 30.95, 13.91, 17.61

 

CMYK 0 / 24 / 35 / 65

HEX #59443A

RGB 89 68 58

HSL 19.35, 0.21%, 0.29%

LAB 30.79, 7.4, 9.52

 

CMYK 0 / 93 / 73 / 46

HEX #890A25

RGB 137 10 37

HSL 347.24, 0.86%, 0.29%

LAB 28.56, 49.79, 21.73

 

CMYK 0 / 88 / 93 / 46

HEX #89100A

RGB 137 16 10

HSL 2.83, 0.86%, 0.29%

LAB 28.67, 47.8, 37.52

 

CMYK 0 / 64 / 93 / 46

HEX #89320A

RGB 137 50 10

HSL 18.9, 0.86%, 0.29%

LAB 33.18, 35.39, 40.9

 

CMYK 0 / 39 / 93 / 46

HEX #89540A

RGB 137 84 10

HSL 34.96, 0.86%, 0.29%

LAB 40.7, 16.73, 46.55

 

CMYK 0 / 14 / 93 / 46

HEX #89760A

RGB 137 118 10

HSL 51.02, 0.86%, 0.29%

LAB 49.85, -2.98, 53.6

 

CMYK 0 / 62 / 93 / 76

HEX #3C1704

RGB 60 23 4

HSL 20.36, 0.88%, 0.13%

LAB 13.12, 16.79, 18.26

 

CMYK 0 / 63 / 93 / 61

HEX #632507

RGB 99 37 7

HSL 19.57, 0.87%, 0.21%

LAB 23.64, 26.49, 31.27

 

CMYK 0 / 62 / 93 / 46

HEX #89340A

RGB 137 52 10

HSL 19.84, 0.86%, 0.29%

LAB 33.55, 34.41, 41.17

 

CMYK 0 / 62 / 93 / 31

HEX #AF430D

RGB 175 67 13

HSL 20, 0.86%, 0.37%

LAB 43, 41.89, 50.04

 

CMYK 0 / 62 / 93 / 16

HEX #D65110

RGB 214 81 16

HSL 19.7, 0.86%, 0.45%

LAB 52.08, 49.85, 58.56

 

CMYK 0 / 62 / 93 / 46

HEX #89340A

RGB 137 52 10

HSL 19.84, 0.86%, 0.29%

LAB 33.55, 34.41, 41.17

 

CMYK 48 / 0 / 93 / 46

HEX #47890A

RGB 71 137 10

HSL 91.18, 0.86%, 0.29%

LAB 50.98, -40.71, 52.56

 

CMYK 93 / 85 / 0 / 46

HEX #0A1489

RGB 10 20 137

HSL 235.28, 0.86%, 0.29%

LAB 17.32, 42.33, -63.13

 

CMYK 0 / 62 / 93 / 46

HEX #89340A

RGB 137 52 10

HSL 19.84, 0.86%, 0.29%

LAB 33.55, 34.41, 41.17

 

CMYK 93 / 0 / 64 / 46

HEX #0A8932

RGB 10 137 50

HSL 138.9, 0.86%, 0.29%

LAB 49.72, -50.05, 37.12

 

CMYK 64 / 93 / 0 / 46

HEX #320A89

RGB 50 10 137

HSL 258.9, 0.86%, 0.29%

LAB 18.81, 48.39, -60.59

 

CMYK 0 / 62 / 93 / 46

HEX #89340A

RGB 137 52 10

HSL 19.84, 0.86%, 0.29%

LAB 33.55, 34.41, 41.17

 

CMYK 48 / 0 / 93 / 46

HEX #47890A

RGB 71 137 10

HSL 91.18, 0.86%, 0.29%

LAB 50.98, -40.71, 52.56

 

CMYK 93 / 29 / 0 / 46

HEX #0A6189

RGB 10 97 137

HSL 198.9, 0.86%, 0.29%

LAB 38.59, -8.11, -28.69

 

CMYK 45 / 93 / 0 / 46

HEX #4C0A89

RGB 76 10 137

HSL 271.18, 0.86%, 0.29%

LAB 22.16, 50.97, -54.94

 

CMYK 0 / 62 / 93 / 46

HEX #89340A

RGB 137 52 10

HSL 19.84, 0.86%, 0.29%

LAB 33.55, 34.41, 41.17

 

CMYK 76 / 0 / 93 / 46

HEX #21890A

RGB 33 137 10

HSL 109.13, 0.86%, 0.29%

LAB 49.78, -50.47, 51.06

 

CMYK 93 / 29 / 0 / 46

HEX #0A6189

RGB 10 97 137

HSL 198.9, 0.86%, 0.29%

LAB 38.59, -8.11, -28.69

 

CMYK 17 / 93 / 0 / 46

HEX #720A89

RGB 114 10 137

HSL 289.13, 0.86%, 0.29%

LAB 28.38, 56.45, -44.52

 

Description

Color code: HEX #89340A | qconv.com Color code: HEX #89340A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 52 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 52 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 93 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 93% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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