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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #893758 it is the complementary color #76C8A7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #893758. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #893758 shade: #8E3753, #9F4966, #B05B79, #C16D8C and #D27F9F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #893758. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #893758 shade: #893758, #782545, #671332, #56011F and #45000C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #893758 shade: #8A3758, #8A3742 and #8A3737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #893758 shade: #8A3758, #8A376F, #8A3785, #78378A and #62378A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #893758 shade matches the following richer shades: #8A3758, #9A2755, #A91752 and #B9084F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #893758 shade: #8A3758, #7A465B, #6B565E, #5B6661 and #4B7565

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #893758 shade: #8A3786, #8A3770, #8A3759, #8A3743 and #8A4037

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #893758 shade: #4F1F32, #6D2B45, #8A3758, #A8426B and #BC5780

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #893758 shade: #893758, #8A7837 and #377B8A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #893758 shade: #893758, #598A37 and #37598A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #893758 shade: #893758, #8A7837, #378A67 and #37498A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #893758 shade: #893758, #838A37, #378A67 and #3E378A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 36 / 46

HEX #893758

RGB 137 55 88

HSL 335.85, 0.43%, 0.38%

LAB 35.51, 38.5, -2.07

 

Complementary color

CMYK 41 / 0 / 17 / 22

HEX #76C8A7

RGB 118 200 167

HSL 155.85, 0.43%, 0.62%

LAB 74.79, -32.63, 8.72

 

CMYK 0 / 61 / 42 / 44

HEX #8E3753

RGB 142 55 83

HSL 340.69, 0.44%, 0.39%

LAB 36.19, 39.62, 2.22

 

CMYK 0 / 54 / 36 / 38

HEX #9F4966

RGB 159 73 102

HSL 339.77, 0.37%, 0.45%

LAB 42.91, 38.85, 0.4

 

CMYK 0 / 48 / 31 / 31

HEX #B05B79

RGB 176 91 121

HSL 338.82, 0.35%, 0.52%

LAB 49.61, 37.98, -1.06

 

CMYK 0 / 44 / 27 / 24

HEX #C16D8C

RGB 193 109 140

HSL 337.86, 0.4%, 0.59%

LAB 56.26, 37.09, -2.27

 

CMYK 0 / 40 / 24 / 18

HEX #D27F9F

RGB 210 127 159

HSL 336.87, 0.48%, 0.66%

LAB 62.83, 36.23, -3.31

 

CMYK 0 / 60 / 36 / 46

HEX #893758

RGB 137 55 88

HSL 335.85, 0.43%, 0.38%

LAB 35.51, 38.5, -2.07

 

CMYK 0 / 69 / 43 / 53

HEX #782545

RGB 120 37 69

HSL 336.87, 0.53%, 0.31%

LAB 28.76, 38.95, 0.07

 

CMYK 0 / 82 / 51 / 60

HEX #671332

RGB 103 19 50

HSL 337.86, 0.69%, 0.24%

LAB 22.23, 38.65, 3.11

 

CMYK 0 / 99 / 64 / 66

HEX #56011F

RGB 86 1 31

HSL 338.82, 0.98%, 0.17%

LAB 16, 37.37, 7.38

 

CMYK 0 / 100 / 83 / 73

HEX #45000C

RGB 69 0 12

HSL 349.57, 1%, 0.14%

LAB 11.22, 31.79, 12.7

 

CMYK 0 / 60 / 36 / 46

HEX #8A3758

RGB 138 55 88

HSL 336.14, 0.43%, 0.38%

LAB 35.67, 38.84, -1.8

 

CMYK 0 / 60 / 52 / 46

HEX #8A3742

RGB 138 55 66

HSL 352.05, 0.43%, 0.38%

LAB 35.06, 36.4, 11.41

 

CMYK 0 / 60 / 60 / 46

HEX #8A3737

RGB 138 55 55

HSL 0, 0.43%, 0.38%

LAB 34.83, 35.44, 18.09

 

CMYK 0 / 60 / 36 / 46

HEX #8A3758

RGB 138 55 88

HSL 336.14, 0.43%, 0.38%

LAB 35.67, 38.84, -1.8

 

CMYK 0 / 60 / 20 / 46

HEX #8A376F

RGB 138 55 111

HSL 319.52, 0.43%, 0.38%

LAB 36.52, 42.09, -15.1

 

CMYK 0 / 60 / 4 / 46

HEX #8A3785

RGB 138 55 133

HSL 303.61, 0.43%, 0.38%

LAB 37.53, 45.79, -27.22

 

CMYK 13 / 60 / 0 / 46

HEX #78378A

RGB 120 55 138

HSL 286.99, 0.43%, 0.38%

LAB 35.12, 41.79, -34.28

 

CMYK 29 / 60 / 0 / 46

HEX #62378A

RGB 98 55 138

HSL 271.08, 0.43%, 0.38%

LAB 32.18, 35.93, -39.16

 

CMYK 0 / 60 / 36 / 46

HEX #8A3758

RGB 138 55 88

HSL 336.14, 0.43%, 0.38%

LAB 35.67, 38.84, -1.8

 

CMYK 0 / 75 / 45 / 40

HEX #9A2755

RGB 154 39 85

HSL 336, 0.6%, 0.38%

LAB 35.94, 50.41, 0.85

 

CMYK 0 / 86 / 51 / 34

HEX #A91752

RGB 169 23 82

HSL 335.75, 0.76%, 0.38%

LAB 37.22, 58.75, 5

 

CMYK 0 / 96 / 57 / 27

HEX #B9084F

RGB 185 8 79

HSL 335.93, 0.92%, 0.38%

LAB 39.67, 64.73, 10.85

 

CMYK 0 / 60 / 36 / 46

HEX #8A3758

RGB 138 55 88

HSL 336.14, 0.43%, 0.38%

LAB 35.67, 38.84, -1.8

 

CMYK 0 / 43 / 25 / 52

HEX #7A465B

RGB 122 70 91

HSL 335.77, 0.27%, 0.38%

LAB 36.51, 25.24, -2.76

 

CMYK 0 / 20 / 12 / 58

HEX #6B565E

RGB 107 86 94

HSL 337.14, 0.11%, 0.38%

LAB 38.88, 10.11, -1.35

 

CMYK 11 / 0 / 5 / 60

HEX #5B6661

RGB 91 102 97

HSL 152.73, 0.06%, 0.38%

LAB 42.14, -5.3, 1.39

 

CMYK 36 / 0 / 14 / 54

HEX #4B7565

RGB 75 117 101

HSL 157.14, 0.22%, 0.38%

LAB 45.85, -18.5, 4.21

 

CMYK 0 / 60 / 3 / 46

HEX #8A3786

RGB 138 55 134

HSL 302.89, 0.43%, 0.38%

LAB 37.58, 45.97, -27.76

 

CMYK 0 / 60 / 19 / 46

HEX #8A3770

RGB 138 55 112

HSL 318.8, 0.43%, 0.38%

LAB 36.57, 42.25, -15.67

 

CMYK 0 / 60 / 36 / 46

HEX #8A3759

RGB 138 55 89

HSL 335.42, 0.43%, 0.38%

LAB 35.71, 38.97, -2.39

 

CMYK 0 / 60 / 51 / 46

HEX #8A3743

RGB 138 55 67

HSL 351.33, 0.43%, 0.38%

LAB 35.08, 36.5, 10.8

 

CMYK 0 / 54 / 60 / 46

HEX #8A4037

RGB 138 64 55

HSL 6.51, 0.43%, 0.38%

LAB 36.64, 30.74, 20.44

 

CMYK 0 / 61 / 37 / 69

HEX #4F1F32

RGB 79 31 50

HSL 336.25, 0.44%, 0.22%

LAB 19.53, 24.9, -1.39

 

CMYK 0 / 61 / 37 / 57

HEX #6D2B45

RGB 109 43 69

HSL 336.36, 0.43%, 0.3%

LAB 27.87, 32.25, -1.47

 

CMYK 0 / 60 / 36 / 46

HEX #8A3758

RGB 138 55 88

HSL 336.14, 0.43%, 0.38%

LAB 35.67, 38.84, -1.8

 

CMYK 0 / 61 / 36 / 34

HEX #A8426B

RGB 168 66 107

HSL 335.88, 0.44%, 0.46%

LAB 43.19, 45.96, -2.11

 

CMYK 0 / 54 / 32 / 26

HEX #BC5780

RGB 188 87 128

HSL 335.64, 0.43%, 0.54%

LAB 50.76, 45.09, -3.35

 

CMYK 0 / 60 / 36 / 46

HEX #893758

RGB 137 55 88

HSL 335.85, 0.43%, 0.38%

LAB 35.51, 38.5, -2.07

 

CMYK 0 / 13 / 60 / 46

HEX #8A7837

RGB 138 120 55

HSL 46.99, 0.43%, 0.38%

LAB 50.82, -1.48, 37.6

 

CMYK 60 / 11 / 0 / 46

HEX #377B8A

RGB 55 123 138

HSL 190.84, 0.43%, 0.38%

LAB 48.02, -16.73, -14.63

 

CMYK 0 / 60 / 36 / 46

HEX #893758

RGB 137 55 88

HSL 335.85, 0.43%, 0.38%

LAB 35.51, 38.5, -2.07

 

CMYK 36 / 0 / 60 / 46

HEX #598A37

RGB 89 138 55

HSL 95.42, 0.43%, 0.38%

LAB 52.48, -31.77, 38.52

 

CMYK 60 / 36 / 0 / 46

HEX #37598A

RGB 55 89 138

HSL 215.42, 0.43%, 0.38%

LAB 37.47, 3.48, -30.97

 

CMYK 0 / 60 / 36 / 46

HEX #893758

RGB 137 55 88

HSL 335.85, 0.43%, 0.38%

LAB 35.51, 38.5, -2.07

 

CMYK 0 / 13 / 60 / 46

HEX #8A7837

RGB 138 120 55

HSL 46.99, 0.43%, 0.38%

LAB 50.82, -1.48, 37.6

 

CMYK 60 / 0 / 25 / 46

HEX #378A67

RGB 55 138 103

HSL 154.7, 0.43%, 0.38%

LAB 51.8, -33.89, 11.37

 

CMYK 60 / 47 / 0 / 46

HEX #37498A

RGB 55 73 138

HSL 226.99, 0.43%, 0.38%

LAB 32.73, 13.96, -38.5

 

CMYK 0 / 60 / 36 / 46

HEX #893758

RGB 137 55 88

HSL 335.85, 0.43%, 0.38%

LAB 35.51, 38.5, -2.07

 

CMYK 5 / 0 / 60 / 46

HEX #838A37

RGB 131 138 55

HSL 65.06, 0.43%, 0.38%

LAB 55.36, -14.52, 42.53

 

CMYK 60 / 0 / 25 / 46

HEX #378A67

RGB 55 138 103

HSL 154.7, 0.43%, 0.38%

LAB 51.8, -33.89, 11.37

 

CMYK 55 / 60 / 0 / 46

HEX #3E378A

RGB 62 55 138

HSL 245.06, 0.43%, 0.38%

LAB 28.36, 27.38, -45.51

 

Description

Color code: HEX #893758 | qconv.com Color code: HEX #893758 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 55 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 55 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 36 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 36% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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