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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8931A4 it is the complementary color #76CE5B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8931A4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8931A4 shade: #8E319F, #9F43B2, #B055C5, #C167D8 and #D279EB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8931A4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8931A4 shade: #8931A4, #781F91, #670D7E, #56006B and #450058

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8931A4 shade: #8931A4, #A431A0, #A43181, #A43162 and #A43143

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8931A4 shade: #8931A4, #6A31A4, #4B31A4 and #3131A4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8931A4 shade matches the following richer shades: #8931A4, #921FB6 and #9C0EC7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8931A4 shade: #8931A4, #804293, #775382, #6E6570 and #65765F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8931A4 shade: #4A31A4, #6931A4, #8831A4, #A431A3 and #A43184

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8931A4 shade: #541E65, #6F2785, #8931A4, #A43BC4 and #B25ACD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8931A4 shade: #8931A4, #A43137 and #31A459

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8931A4 shade: #8931A4, #A48831 and #31A488

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8931A4 shade: #8931A4, #A43137, #4EA431 and #31A49F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8931A4 shade: #8931A4, #A44E31, #4EA431 and #3188A4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 70 / 0 / 36

HEX #8931A4

RGB 137 49 164

HSL 285.91, 0.54%, 0.42%

LAB 38.19, 54.16, -45.04

 

Complementary color

CMYK 43 / 0 / 56 / 19

HEX #76CE5B

RGB 118 206 91

HSL 105.91, 0.54%, 0.58%

LAB 75.3, -47.75, 48.35

 

CMYK 11 / 69 / 0 / 38

HEX #8E319F

RGB 142 49 159

HSL 290.73, 0.53%, 0.41%

LAB 38.64, 54.31, -41.27

 

CMYK 11 / 62 / 0 / 30

HEX #9F43B2

RGB 159 67 178

HSL 289.73, 0.45%, 0.48%

LAB 45.08, 54.24, -42.16

 

CMYK 11 / 57 / 0 / 23

HEX #B055C5

RGB 176 85 197

HSL 288.75, 0.49%, 0.55%

LAB 51.56, 53.81, -42.78

 

CMYK 11 / 52 / 0 / 15

HEX #C167D8

RGB 193 103 216

HSL 287.79, 0.59%, 0.63%

LAB 58.03, 53.19, -43.24

 

CMYK 11 / 49 / 0 / 8

HEX #D279EB

RGB 210 121 235

HSL 286.84, 0.74%, 0.7%

LAB 64.46, 52.48, -43.59

 

CMYK 16 / 70 / 0 / 36

HEX #8931A4

RGB 137 49 164

HSL 285.91, 0.54%, 0.42%

LAB 38.19, 54.16, -45.04

 

CMYK 17 / 79 / 0 / 43

HEX #781F91

RGB 120 31 145

HSL 286.84, 0.65%, 0.35%

LAB 31.85, 53.65, -43.83

 

CMYK 18 / 90 / 0 / 51

HEX #670D7E

RGB 103 13 126

HSL 287.79, 0.81%, 0.27%

LAB 25.8, 51.91, -41.89

 

CMYK 20 / 100 / 0 / 58

HEX #56006B

RGB 86 0 107

HSL 288.22, 1%, 0.21%

LAB 20.2, 48.33, -38.9

 

CMYK 22 / 100 / 0 / 65

HEX #450058

RGB 69 0 88

HSL 287.05, 1%, 0.17%

LAB 15.33, 41.96, -34.35

 

CMYK 16 / 70 / 0 / 36

HEX #8931A4

RGB 137 49 164

HSL 285.91, 0.54%, 0.42%

LAB 38.19, 54.16, -45.04

 

CMYK 0 / 70 / 2 / 36

HEX #A431A0

RGB 164 49 160

HSL 302.09, 0.54%, 0.42%

LAB 42.2, 59.61, -36

 

CMYK 0 / 70 / 21 / 36

HEX #A43181

RGB 164 49 129

HSL 318.26, 0.54%, 0.42%

LAB 40.69, 54.85, -19.52

 

CMYK 0 / 70 / 40 / 36

HEX #A43162

RGB 164 49 98

HSL 334.43, 0.54%, 0.42%

LAB 39.53, 50.99, -1.95

 

CMYK 0 / 70 / 59 / 36

HEX #A43143

RGB 164 49 67

HSL 350.61, 0.54%, 0.42%

LAB 38.72, 48.18, 16.5

 

CMYK 16 / 70 / 0 / 36

HEX #8931A4

RGB 137 49 164

HSL 285.91, 0.54%, 0.42%

LAB 38.19, 54.16, -45.04

 

CMYK 35 / 70 / 0 / 36

HEX #6A31A4

RGB 106 49 164

HSL 269.74, 0.54%, 0.42%

LAB 33.86, 47.52, -52.24

 

CMYK 54 / 70 / 0 / 36

HEX #4B31A4

RGB 75 49 164

HSL 253.57, 0.54%, 0.42%

LAB 30.33, 41.72, -58.14

 

CMYK 70 / 70 / 0 / 36

HEX #3131A4

RGB 49 49 164

HSL 240, 0.54%, 0.42%

LAB 28.19, 37.96, -61.73

 

CMYK 16 / 70 / 0 / 36

HEX #8931A4

RGB 137 49 164

HSL 285.91, 0.54%, 0.42%

LAB 38.19, 54.16, -45.04

 

CMYK 20 / 83 / 0 / 29

HEX #921FB6

RGB 146 31 182

HSL 285.7, 0.71%, 0.42%

LAB 38.67, 65.6, -54.92

 

CMYK 22 / 93 / 0 / 22

HEX #9C0EC7

RGB 156 14 199

HSL 286.05, 0.87%, 0.42%

LAB 40.42, 73.61, -61.99

 

CMYK 16 / 70 / 0 / 36

HEX #8931A4

RGB 137 49 164

HSL 285.91, 0.54%, 0.42%

LAB 38.19, 54.16, -45.04

 

CMYK 13 / 55 / 0 / 42

HEX #804293

RGB 128 66 147

HSL 285.93, 0.38%, 0.42%

LAB 38.88, 40.17, -33.75

 

CMYK 8 / 36 / 0 / 49

HEX #775382

RGB 119 83 130

HSL 285.96, 0.22%, 0.42%

LAB 40.77, 23.88, -20.55

 

CMYK 2 / 10 / 0 / 56

HEX #6E6570

RGB 110 101 112

HSL 289.09, 0.05%, 0.42%

LAB 43.93, 5.78, -4.89

 

CMYK 14 / 0 / 19 / 54

HEX #65765F

RGB 101 118 95

HSL 104.35, 0.11%, 0.42%

LAB 47.69, -11.02, 10.6

 

CMYK 55 / 70 / 0 / 36

HEX #4A31A4

RGB 74 49 164

HSL 253.04, 0.54%, 0.42%

LAB 30.24, 41.55, -58.3

 

CMYK 36 / 70 / 0 / 36

HEX #6931A4

RGB 105 49 164

HSL 269.22, 0.54%, 0.42%

LAB 33.73, 47.32, -52.45

 

CMYK 17 / 70 / 0 / 36

HEX #8831A4

RGB 136 49 164

HSL 285.39, 0.54%, 0.42%

LAB 38.04, 53.94, -45.28

 

CMYK 0 / 70 / 1 / 36

HEX #A431A3

RGB 164 49 163

HSL 300.52, 0.54%, 0.42%

LAB 42.36, 60.12, -37.54

 

CMYK 0 / 70 / 20 / 36

HEX #A43184

RGB 164 49 132

HSL 316.7, 0.54%, 0.42%

LAB 40.82, 55.28, -21.16

 

CMYK 17 / 70 / 0 / 60

HEX #541E65

RGB 84 30 101

HSL 285.63, 0.54%, 0.26%

LAB 22.84, 36.75, -30.75

 

CMYK 17 / 71 / 0 / 48

HEX #6F2785

RGB 111 39 133

HSL 285.96, 0.55%, 0.34%

LAB 30.7, 46.12, -38.33

 

CMYK 16 / 70 / 0 / 36

HEX #8931A4

RGB 137 49 164

HSL 285.91, 0.54%, 0.42%

LAB 38.19, 54.16, -45.04

 

CMYK 16 / 70 / 0 / 23

HEX #A43BC4

RGB 164 59 196

HSL 285.99, 0.54%, 0.5%

LAB 45.64, 62.32, -51.74

 

CMYK 13 / 56 / 0 / 20

HEX #B25ACD

RGB 178 90 205

HSL 285.91, 0.53%, 0.58%

LAB 53.15, 53.48, -44.84

 

CMYK 16 / 70 / 0 / 36

HEX #8931A4

RGB 137 49 164

HSL 285.91, 0.54%, 0.42%

LAB 38.19, 54.16, -45.04

 

CMYK 0 / 70 / 66 / 36

HEX #A43137

RGB 164 49 55

HSL 356.87, 0.54%, 0.42%

LAB 38.49, 47.38, 23.72

 

CMYK 70 / 0 / 46 / 36

HEX #31A459

RGB 49 164 89

HSL 140.87, 0.54%, 0.42%

LAB 59.82, -48.77, 29.83

 

CMYK 16 / 70 / 0 / 36

HEX #8931A4

RGB 137 49 164

HSL 285.91, 0.54%, 0.42%

LAB 38.19, 54.16, -45.04

 

CMYK 0 / 17 / 70 / 36

HEX #A48831

RGB 164 136 49

HSL 45.39, 0.54%, 0.42%

LAB 57.77, 0.95, 48.75

 

CMYK 70 / 0 / 17 / 36

HEX #31A488

RGB 49 164 136

HSL 165.39, 0.54%, 0.42%

LAB 60.77, -38.6, 5.34

 

CMYK 16 / 70 / 0 / 36

HEX #8931A4

RGB 137 49 164

HSL 285.91, 0.54%, 0.42%

LAB 38.19, 54.16, -45.04

 

CMYK 0 / 70 / 66 / 36

HEX #A43137

RGB 164 49 55

HSL 356.87, 0.54%, 0.42%

LAB 38.49, 47.38, 23.72

 

CMYK 52 / 0 / 70 / 36

HEX #4EA431

RGB 78 164 49

HSL 104.87, 0.54%, 0.42%

LAB 60.24, -47.07, 49.5

 

CMYK 70 / 0 / 3 / 36

HEX #31A49F

RGB 49 164 159

HSL 177.39, 0.54%, 0.42%

LAB 61.4, -32.31, -6.67

 

CMYK 16 / 70 / 0 / 36

HEX #8931A4

RGB 137 49 164

HSL 285.91, 0.54%, 0.42%

LAB 38.19, 54.16, -45.04

 

CMYK 0 / 52 / 70 / 36

HEX #A44E31

RGB 164 78 49

HSL 15.13, 0.54%, 0.42%

LAB 43.6, 33.33, 33.39

 

CMYK 52 / 0 / 70 / 36

HEX #4EA431

RGB 78 164 49

HSL 104.87, 0.54%, 0.42%

LAB 60.24, -47.07, 49.5

 

CMYK 70 / 17 / 0 / 36

HEX #3188A4

RGB 49 136 164

HSL 194.61, 0.54%, 0.42%

LAB 52.89, -16.47, -22.39

 

Description

Color code: HEX #8931A4 | qconv.com Color code: HEX #8931A4 | qconv.com - big



The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 49 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 49 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 70 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 70% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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