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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8932A0 it is the complementary color #76CD5F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8932A0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8932A0 shade: #8E329B, #9F44AE, #B056C1, #C168D4 and #D27AE7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8932A0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8932A0 shade: #8932A0, #78208D, #670E7A, #560067 and #450054

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8932A0 shade: #88329E, #9E3298, #9E327B, #9E325D and #9E3240

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8932A0 shade: #88329E, #6A329E, #4D329E and #32329E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8932A0 shade matches the following richer shades: #88329E, #9221AF and #9B10C0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8932A0 shade: #88329E, #7E438D, #74547D, #6A646C and #60755B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8932A0 shade: #4D329E, #6A329E, #87329E, #9E3299 and #9E327C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8932A0 shade: #521E60, #6D287F, #88329E, #A33CBE and #B259CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8932A0 shade: #8932A0, #9E3233 and #329E5B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8932A0 shade: #8932A0, #9E8732 and #329E87

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8932A0 shade: #8932A0, #9E3233, #499E32 and #329E9D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8932A0 shade: #8932A0, #9E5032, #499E32 and #32809E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 69 / 0 / 37

HEX #8932A0

RGB 137 50 160

HSL 287.45, 0.52%, 0.41%

LAB 38.09, 52.94, -42.8

 

Complementary color

CMYK 42 / 0 / 54 / 20

HEX #76CD5F

RGB 118 205 95

HSL 107.45, 0.52%, 0.59%

LAB 75.04, -46.88, 46.18

 

CMYK 8 / 68 / 0 / 39

HEX #8E329B

RGB 142 50 155

HSL 292.57, 0.51%, 0.4%

LAB 38.55, 53.13, -39

 

CMYK 9 / 61 / 0 / 32

HEX #9F44AE

RGB 159 68 174

HSL 291.51, 0.44%, 0.47%

LAB 45.03, 53, -39.89

 

CMYK 9 / 55 / 0 / 24

HEX #B056C1

RGB 176 86 193

HSL 290.47, 0.46%, 0.55%

LAB 51.54, 52.54, -40.52

 

CMYK 9 / 51 / 0 / 17

HEX #C168D4

RGB 193 104 212

HSL 289.44, 0.56%, 0.62%

LAB 58.03, 51.9, -40.99

 

CMYK 9 / 47 / 0 / 9

HEX #D27AE7

RGB 210 122 231

HSL 288.44, 0.69%, 0.69%

LAB 64.48, 51.19, -41.36

 

CMYK 14 / 69 / 0 / 37

HEX #8932A0

RGB 137 50 160

HSL 287.45, 0.52%, 0.41%

LAB 38.09, 52.94, -42.8

 

CMYK 15 / 77 / 0 / 45

HEX #78208D

RGB 120 32 141

HSL 288.44, 0.63%, 0.34%

LAB 31.69, 52.51, -41.62

 

CMYK 16 / 89 / 0 / 52

HEX #670E7A

RGB 103 14 122

HSL 289.44, 0.79%, 0.27%

LAB 25.57, 50.91, -39.72

 

CMYK 17 / 100 / 0 / 60

HEX #560067

RGB 86 0 103

HSL 290.1, 1%, 0.2%

LAB 19.87, 47.57, -36.81

 

CMYK 18 / 100 / 0 / 67

HEX #450054

RGB 69 0 84

HSL 289.29, 1%, 0.16%

LAB 14.98, 41.16, -32.2

 

CMYK 14 / 68 / 0 / 38

HEX #88329E

RGB 136 50 158

HSL 287.78, 0.52%, 0.41%

LAB 37.81, 52.31, -42.04

 

CMYK 0 / 68 / 4 / 38

HEX #9E3298

RGB 158 50 152

HSL 303.33, 0.52%, 0.41%

LAB 40.92, 56.47, -33.26

 

CMYK 0 / 68 / 22 / 38

HEX #9E327B

RGB 158 50 123

HSL 319.44, 0.52%, 0.41%

LAB 39.55, 51.98, -17.66

 

CMYK 0 / 68 / 41 / 38

HEX #9E325D

RGB 158 50 93

HSL 336.11, 0.52%, 0.41%

LAB 38.45, 48.22, -0.51

 

CMYK 0 / 68 / 59 / 38

HEX #9E3240

RGB 158 50 64

HSL 352.22, 0.52%, 0.41%

LAB 37.7, 45.57, 16.85

 

CMYK 14 / 68 / 0 / 38

HEX #88329E

RGB 136 50 158

HSL 287.78, 0.52%, 0.41%

LAB 37.81, 52.31, -42.04

 

CMYK 33 / 68 / 0 / 38

HEX #6A329E

RGB 106 50 158

HSL 271.11, 0.52%, 0.41%

LAB 33.59, 45.53, -49.05

 

CMYK 51 / 68 / 0 / 38

HEX #4D329E

RGB 77 50 158

HSL 255, 0.52%, 0.41%

LAB 30.22, 39.7, -54.68

 

CMYK 68 / 68 / 0 / 38

HEX #32329E

RGB 50 50 158

HSL 240, 0.52%, 0.41%

LAB 27.92, 35.4, -58.54

 

CMYK 14 / 68 / 0 / 38

HEX #88329E

RGB 136 50 158

HSL 287.78, 0.52%, 0.41%

LAB 37.81, 52.31, -42.04

 

CMYK 17 / 81 / 0 / 31

HEX #9221AF

RGB 146 33 175

HSL 287.75, 0.68%, 0.41%

LAB 38.36, 63.74, -51.26

 

CMYK 19 / 92 / 0 / 25

HEX #9B10C0

RGB 155 16 192

HSL 287.39, 0.85%, 0.41%

LAB 39.82, 71.94, -58.87

 

CMYK 14 / 68 / 0 / 38

HEX #88329E

RGB 136 50 158

HSL 287.78, 0.52%, 0.41%

LAB 37.81, 52.31, -42.04

 

CMYK 11 / 52 / 0 / 45

HEX #7E438D

RGB 126 67 141

HSL 287.84, 0.36%, 0.41%

LAB 38.5, 37.76, -30.72

 

CMYK 7 / 33 / 0 / 51

HEX #74547D

RGB 116 84 125

HSL 286.83, 0.2%, 0.41%

LAB 40.47, 21.14, -17.99

 

CMYK 2 / 7 / 0 / 58

HEX #6A646C

RGB 106 100 108

HSL 285, 0.04%, 0.41%

LAB 43.15, 4.01, -3.66

 

CMYK 18 / 0 / 22 / 54

HEX #60755B

RGB 96 117 91

HSL 108.46, 0.13%, 0.41%

LAB 46.93, -13.14, 11.84

 

CMYK 51 / 68 / 0 / 38

HEX #4D329E

RGB 77 50 158

HSL 255, 0.52%, 0.41%

LAB 30.22, 39.7, -54.68

 

CMYK 33 / 68 / 0 / 38

HEX #6A329E

RGB 106 50 158

HSL 271.11, 0.52%, 0.41%

LAB 33.59, 45.53, -49.05

 

CMYK 15 / 68 / 0 / 38

HEX #87329E

RGB 135 50 158

HSL 287.22, 0.52%, 0.41%

LAB 37.66, 52.07, -42.29

 

CMYK 0 / 68 / 3 / 38

HEX #9E3299

RGB 158 50 153

HSL 302.78, 0.52%, 0.41%

LAB 40.98, 56.64, -33.78

 

CMYK 0 / 68 / 22 / 38

HEX #9E327C

RGB 158 50 124

HSL 318.89, 0.52%, 0.41%

LAB 39.59, 52.12, -18.22

 

CMYK 15 / 69 / 0 / 62

HEX #521E60

RGB 82 30 96

HSL 287.27, 0.52%, 0.25%

LAB 22.18, 35.11, -28.53

 

CMYK 14 / 69 / 0 / 50

HEX #6D287F

RGB 109 40 127

HSL 287.59, 0.52%, 0.33%

LAB 30.16, 43.93, -35.45

 

CMYK 14 / 68 / 0 / 38

HEX #88329E

RGB 136 50 158

HSL 287.78, 0.52%, 0.41%

LAB 37.81, 52.31, -42.04

 

CMYK 14 / 68 / 0 / 25

HEX #A33CBE

RGB 163 60 190

HSL 287.54, 0.52%, 0.49%

LAB 45.27, 60.54, -48.86

 

CMYK 12 / 56 / 0 / 21

HEX #B259CA

RGB 178 89 202

HSL 287.26, 0.52%, 0.57%

LAB 52.81, 53.37, -43.66

 

CMYK 14 / 69 / 0 / 37

HEX #8932A0

RGB 137 50 160

HSL 287.45, 0.52%, 0.41%

LAB 38.09, 52.94, -42.8

 

CMYK 0 / 68 / 68 / 38

HEX #9E3233

RGB 158 50 51

HSL 359.44, 0.52%, 0.41%

LAB 37.46, 44.71, 24.67

 

CMYK 68 / 0 / 42 / 38

HEX #329E5B

RGB 50 158 91

HSL 142.78, 0.52%, 0.41%

LAB 57.93, -45.9, 26.33

 

CMYK 14 / 69 / 0 / 37

HEX #8932A0

RGB 137 50 160

HSL 287.45, 0.52%, 0.41%

LAB 38.09, 52.94, -42.8

 

CMYK 0 / 15 / 68 / 38

HEX #9E8732

RGB 158 135 50

HSL 47.22, 0.52%, 0.41%

LAB 56.91, -1.15, 47.22

 

CMYK 68 / 0 / 15 / 38

HEX #329E87

RGB 50 158 135

HSL 167.22, 0.52%, 0.41%

LAB 58.86, -36.01, 3.17

 

CMYK 14 / 69 / 0 / 37

HEX #8932A0

RGB 137 50 160

HSL 287.45, 0.52%, 0.41%

LAB 38.09, 52.94, -42.8

 

CMYK 0 / 68 / 68 / 38

HEX #9E3233

RGB 158 50 51

HSL 359.44, 0.52%, 0.41%

LAB 37.46, 44.71, 24.67

 

CMYK 54 / 0 / 68 / 38

HEX #499E32

RGB 73 158 50

HSL 107.22, 0.52%, 0.41%

LAB 58.13, -46.07, 46.8

 

CMYK 68 / 0 / 1 / 38

HEX #329E9D

RGB 50 158 157

HSL 179.44, 0.52%, 0.41%

LAB 59.49, -29.87, -8.37

 

CMYK 14 / 69 / 0 / 37

HEX #8932A0

RGB 137 50 160

HSL 287.45, 0.52%, 0.41%

LAB 38.09, 52.94, -42.8

 

CMYK 0 / 49 / 68 / 38

HEX #9E5032

RGB 158 80 50

HSL 16.67, 0.52%, 0.41%

LAB 43.12, 29.87, 32.03

 

CMYK 54 / 0 / 68 / 38

HEX #499E32

RGB 73 158 50

HSL 107.22, 0.52%, 0.41%

LAB 58.13, -46.07, 46.8

 

CMYK 68 / 19 / 0 / 38

HEX #32809E

RGB 50 128 158

HSL 196.67, 0.52%, 0.41%

LAB 50.2, -13.9, -23.04

 

Description

Color code: HEX #8932A0 | qconv.com Color code: HEX #8932A0 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 50 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 50 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 69 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 69% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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