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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #894798 it is the complementary color #76B867. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #894798. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #894798 shade: #8E4793, #9F59A6, #B06BB9, #C17DCC and #D28FDF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #894798. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #894798 shade: #894798, #783585, #672372, #56115F and #45004C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #894798 shade: #894798, #984791, #98477B, #984766 and #984750

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #894798 shade: #894798, #734798, #5E4798, #484798 and #474798

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #894798 shade matches the following richer shades: #894798, #9535AA, #A023BC and #AB11CF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #894798 shade: #894798, #7E5986, #726C74, #677E62 and #5B904F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #894798 shade: #5D4798, #724798, #884798, #984793 and #98477D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #894798 shade: #572D60, #703A7C, #894798, #A058B0 and #B074BE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #894798 shade: #894798, #984747 and #479868

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #894798 shade: #894798, #988847 and #479888

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #894798 shade: #894798, #984747, #579847 and #479898

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #894798 shade: #894798, #986047, #579847 and #478098

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 53 / 0 / 40

HEX #894798

RGB 137 71 152

HSL 288.89, 0.36%, 0.44%

LAB 41.36, 41.14, -32.78

 

Complementary color

CMYK 36 / 0 / 44 / 28

HEX #76B867

RGB 118 184 103

HSL 108.89, 0.36%, 0.56%

LAB 68.83, -36.73, 34.59

 

CMYK 3 / 52 / 0 / 42

HEX #8E4793

RGB 142 71 147

HSL 296.05, 0.35%, 0.43%

LAB 41.79, 41.59, -29.05

 

CMYK 4 / 46 / 0 / 35

HEX #9F59A6

RGB 159 89 166

HSL 294.55, 0.3%, 0.5%

LAB 48.6, 40.87, -29.57

 

CMYK 5 / 42 / 0 / 27

HEX #B06BB9

RGB 176 107 185

HSL 293.08, 0.36%, 0.57%

LAB 55.33, 40.1, -29.98

 

CMYK 5 / 39 / 0 / 20

HEX #C17DCC

RGB 193 125 204

HSL 291.65, 0.44%, 0.65%

LAB 61.97, 39.33, -30.33

 

CMYK 6 / 36 / 0 / 13

HEX #D28FDF

RGB 210 143 223

HSL 290.25, 0.56%, 0.72%

LAB 68.51, 38.59, -30.64

 

CMYK 10 / 53 / 0 / 40

HEX #894798

RGB 137 71 152

HSL 288.89, 0.36%, 0.44%

LAB 41.36, 41.14, -32.78

 

CMYK 10 / 60 / 0 / 48

HEX #783585

RGB 120 53 133

HSL 290.25, 0.43%, 0.36%

LAB 34.46, 41.76, -32.25

 

CMYK 10 / 69 / 0 / 55

HEX #672372

RGB 103 35 114

HSL 291.65, 0.53%, 0.29%

LAB 27.57, 42.02, -31.41

 

CMYK 9 / 82 / 0 / 63

HEX #56115F

RGB 86 17 95

HSL 293.08, 0.7%, 0.22%

LAB 20.85, 41.4, -29.96

 

CMYK 9 / 100 / 0 / 70

HEX #45004C

RGB 69 0 76

HSL 294.47, 1%, 0.15%

LAB 14.33, 39.63, -27.77

 

CMYK 10 / 53 / 0 / 40

HEX #894798

RGB 137 71 152

HSL 288.89, 0.36%, 0.44%

LAB 41.36, 41.14, -32.78

 

CMYK 0 / 53 / 5 / 40

HEX #984791

RGB 152 71 145

HSL 305.19, 0.36%, 0.44%

LAB 43.1, 44.19, -25.69

 

CMYK 0 / 53 / 19 / 40

HEX #98477B

RGB 152 71 123

HSL 321.48, 0.36%, 0.44%

LAB 42.17, 40.46, -13.74

 

CMYK 0 / 53 / 33 / 40

HEX #984766

RGB 152 71 102

HSL 337.04, 0.36%, 0.44%

LAB 41.44, 37.41, -1.88

 

CMYK 0 / 53 / 47 / 40

HEX #984750

RGB 152 71 80

HSL 353.33, 0.36%, 0.44%

LAB 40.83, 34.79, 10.93

 

CMYK 10 / 53 / 0 / 40

HEX #894798

RGB 137 71 152

HSL 288.89, 0.36%, 0.44%

LAB 41.36, 41.14, -32.78

 

CMYK 24 / 53 / 0 / 40

HEX #734798

RGB 115 71 152

HSL 272.59, 0.36%, 0.44%

LAB 38.58, 34.88, -37.36

 

CMYK 38 / 53 / 0 / 40

HEX #5E4798

RGB 94 71 152

HSL 257.04, 0.36%, 0.44%

LAB 36.28, 29.18, -41.17

 

CMYK 53 / 53 / 0 / 40

HEX #484798

RGB 72 71 152

HSL 240.74, 0.36%, 0.44%

LAB 34.3, 23.83, -44.46

 

CMYK 53 / 53 / 0 / 40

HEX #474798

RGB 71 71 152

HSL 240, 0.36%, 0.44%

LAB 34.22, 23.61, -44.59

 

CMYK 10 / 53 / 0 / 40

HEX #894798

RGB 137 71 152

HSL 288.89, 0.36%, 0.44%

LAB 41.36, 41.14, -32.78

 

CMYK 12 / 69 / 0 / 33

HEX #9535AA

RGB 149 53 170

HSL 289.23, 0.52%, 0.44%

LAB 40.96, 56.4, -44.09

 

CMYK 15 / 81 / 0 / 26

HEX #A023BC

RGB 160 35 188

HSL 289.02, 0.69%, 0.44%

LAB 41.7, 68.09, -53.45

 

CMYK 17 / 92 / 0 / 19

HEX #AB11CF

RGB 171 17 207

HSL 288.63, 0.85%, 0.44%

LAB 43.6, 76.81, -61.35

 

CMYK 10 / 53 / 0 / 40

HEX #894798

RGB 137 71 152

HSL 288.89, 0.36%, 0.44%

LAB 41.36, 41.14, -32.78

 

CMYK 6 / 34 / 0 / 47

HEX #7E5986

RGB 126 89 134

HSL 289.33, 0.2%, 0.44%

LAB 43.21, 23.58, -19.14

 

CMYK 2 / 7 / 0 / 55

HEX #726C74

RGB 114 108 116

HSL 285, 0.04%, 0.44%

LAB 46.4, 3.95, -3.62

 

CMYK 18 / 0 / 22 / 51

HEX #677E62

RGB 103 126 98

HSL 109.29, 0.13%, 0.44%

LAB 50.32, -14.11, 12.54

 

CMYK 37 / 0 / 45 / 44

HEX #5B904F

RGB 91 144 79

HSL 108.92, 0.29%, 0.44%

LAB 54.8, -30.83, 29.04

 

CMYK 39 / 53 / 0 / 40

HEX #5D4798

RGB 93 71 152

HSL 256.3, 0.36%, 0.44%

LAB 36.18, 28.93, -41.34

 

CMYK 25 / 53 / 0 / 40

HEX #724798

RGB 114 71 152

HSL 271.85, 0.36%, 0.44%

LAB 38.46, 34.6, -37.55

 

CMYK 11 / 53 / 0 / 40

HEX #884798

RGB 136 71 152

HSL 288.15, 0.36%, 0.44%

LAB 41.23, 40.85, -33

 

CMYK 0 / 53 / 3 / 40

HEX #984793

RGB 152 71 147

HSL 303.7, 0.36%, 0.44%

LAB 43.19, 44.55, -26.75

 

CMYK 0 / 53 / 18 / 40

HEX #98477D

RGB 152 71 125

HSL 320, 0.36%, 0.44%

LAB 42.25, 40.78, -14.85

 

CMYK 9 / 53 / 0 / 62

HEX #572D60

RGB 87 45 96

HSL 289.41, 0.36%, 0.28%

LAB 26, 28.34, -22.43

 

CMYK 10 / 53 / 0 / 51

HEX #703A7C

RGB 112 58 124

HSL 289.09, 0.36%, 0.36%

LAB 33.83, 34.89, -27.73

 

CMYK 10 / 53 / 0 / 40

HEX #894798

RGB 137 71 152

HSL 288.89, 0.36%, 0.44%

LAB 41.36, 41.14, -32.78

 

CMYK 9 / 50 / 0 / 31

HEX #A058B0

RGB 160 88 176

HSL 289.09, 0.36%, 0.52%

LAB 48.99, 43.7, -34.8

 

CMYK 7 / 39 / 0 / 25

HEX #B074BE

RGB 176 116 190

HSL 288.65, 0.36%, 0.6%

LAB 57.5, 36.18, -29.47

 

CMYK 10 / 53 / 0 / 40

HEX #894798

RGB 137 71 152

HSL 288.89, 0.36%, 0.44%

LAB 41.36, 41.14, -32.78

 

CMYK 0 / 53 / 53 / 40

HEX #984747

RGB 152 71 71

HSL 0, 0.36%, 0.44%

LAB 40.63, 33.91, 16.22

 

CMYK 53 / 0 / 32 / 40

HEX #479868

RGB 71 152 104

HSL 144.44, 0.36%, 0.44%

LAB 56.88, -36.18, 17.91

 

CMYK 10 / 53 / 0 / 40

HEX #894798

RGB 137 71 152

HSL 288.89, 0.36%, 0.44%

LAB 41.36, 41.14, -32.78

 

CMYK 0 / 11 / 53 / 40

HEX #988847

RGB 152 136 71

HSL 48.15, 0.36%, 0.44%

LAB 56.82, -2.8, 36.75

 

CMYK 53 / 0 / 11 / 40

HEX #479888

RGB 71 152 136

HSL 168.15, 0.36%, 0.44%

LAB 57.63, -28.81, 0.89

 

CMYK 10 / 53 / 0 / 40

HEX #894798

RGB 137 71 152

HSL 288.89, 0.36%, 0.44%

LAB 41.36, 41.14, -32.78

 

CMYK 0 / 53 / 53 / 40

HEX #984747

RGB 152 71 71

HSL 0, 0.36%, 0.44%

LAB 40.63, 33.91, 16.22

 

CMYK 43 / 0 / 53 / 40

HEX #579847

RGB 87 152 71

HSL 108.15, 0.36%, 0.44%

LAB 57.01, -36.95, 35.91

 

CMYK 53 / 0 / 0 / 40

HEX #479898

RGB 71 152 152

HSL 180, 0.36%, 0.44%

LAB 58.1, -24.52, -7.54

 

CMYK 10 / 53 / 0 / 40

HEX #894798

RGB 137 71 152

HSL 288.89, 0.36%, 0.44%

LAB 41.36, 41.14, -32.78

 

CMYK 0 / 37 / 53 / 40

HEX #986047

RGB 152 96 71

HSL 18.52, 0.36%, 0.44%

LAB 46.31, 19.99, 23.69

 

CMYK 43 / 0 / 53 / 40

HEX #579847

RGB 87 152 71

HSL 108.15, 0.36%, 0.44%

LAB 57.01, -36.95, 35.91

 

CMYK 53 / 16 / 0 / 40

HEX #478098

RGB 71 128 152

HSL 197.78, 0.36%, 0.44%

LAB 50.74, -11.68, -18.65

 

Description

Color code: HEX #894798 | qconv.com Color code: HEX #894798 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 71 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 71 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 53 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 53% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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