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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #895722 it is the complementary color #76A8DD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #895722. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #895722 shade: #8E571D, #9F6930, #B07B43, #C18D56 and #D29F69

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #895722. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #895722 shade: #895722, #78450F, #673300, #562100 and #450F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #895722 shade: #8A5822, #8A3C22 and #8A2222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #895722 shade: #8A5822, #8A7422, #858A22, #698A22 and #4D8A22

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #895722 shade matches the following richer shades: #8A5822, #985814 and #A65906

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #895722 shade: #8A5822, #7C5730, #6E573E, #60564C and #52565A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #895722 shade: #8A2226, #8A3A22, #8A5622, #8A7222 and #878A22

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #895722 shade: #482E12, #69431A, #8A5822, #AB6D2A and #CC8233

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #895722 shade: #895722, #418A22 and #2D228A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #895722 shade: #895722, #228A56 and #56228A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #895722 shade: #895722, #418A22, #22568A and #6B228A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #895722 shade: #895722, #228A22, #22568A and #8A228A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 75 / 46

HEX #895722

RGB 137 87 34

HSL 30.87, 0.6%, 0.34%

LAB 41.61, 15.82, 38

 

Complementary color

CMYK 47 / 24 / 0 / 13

HEX #76A8DD

RGB 118 168 221

HSL 210.87, 0.6%, 0.66%

LAB 67.33, -2.45, -31.96

 

CMYK 0 / 39 / 80 / 44

HEX #8E571D

RGB 142 87 29

HSL 30.8, 0.66%, 0.34%

LAB 42.24, 17.87, 41.2

 

CMYK 0 / 34 / 70 / 38

HEX #9F6930

RGB 159 105 48

HSL 30.81, 0.54%, 0.41%

LAB 49.11, 16.15, 39.88

 

CMYK 0 / 30 / 62 / 31

HEX #B07B43

RGB 176 123 67

HSL 30.83, 0.45%, 0.48%

LAB 55.89, 14.71, 38.35

 

CMYK 0 / 27 / 55 / 24

HEX #C18D56

RGB 193 141 86

HSL 30.84, 0.46%, 0.55%

LAB 62.56, 13.51, 36.84

 

CMYK 0 / 24 / 50 / 18

HEX #D29F69

RGB 210 159 105

HSL 30.86, 0.54%, 0.62%

LAB 69.12, 12.48, 35.39

 

CMYK 0 / 36 / 75 / 46

HEX #895722

RGB 137 87 34

HSL 30.87, 0.6%, 0.34%

LAB 41.61, 15.82, 38

 

CMYK 0 / 43 / 88 / 53

HEX #78450F

RGB 120 69 15

HSL 30.86, 0.78%, 0.26%

LAB 34.57, 17.77, 38.97

 

CMYK 0 / 50 / 100 / 60

HEX #673300

RGB 103 51 0

HSL 29.71, 1%, 0.2%

LAB 27.44, 20.1, 37.92

 

CMYK 0 / 62 / 100 / 66

HEX #562100

RGB 86 33 0

HSL 23.02, 1%, 0.17%

LAB 20.31, 22.79, 29.85

 

CMYK 0 / 78 / 100 / 73

HEX #450F00

RGB 69 15 0

HSL 13.04, 1%, 0.14%

LAB 13.27, 24.97, 20.43

 

CMYK 0 / 36 / 75 / 46

HEX #8A5822

RGB 138 88 34

HSL 31.15, 0.6%, 0.34%

LAB 42, 15.69, 38.44

 

CMYK 0 / 57 / 75 / 46

HEX #8A3C22

RGB 138 60 34

HSL 15, 0.6%, 0.34%

LAB 35.5, 31.51, 31.57

 

CMYK 0 / 75 / 75 / 46

HEX #8A2222

RGB 138 34 34

HSL 0, 0.6%, 0.34%

LAB 31.03, 43.46, 26.59

 

CMYK 0 / 36 / 75 / 46

HEX #8A5822

RGB 138 88 34

HSL 31.15, 0.6%, 0.34%

LAB 42, 15.69, 38.44

 

CMYK 0 / 16 / 75 / 46

HEX #8A7422

RGB 138 116 34

HSL 47.31, 0.6%, 0.34%

LAB 49.51, -0.56, 45.95

 

CMYK 4 / 0 / 75 / 46

HEX #858A22

RGB 133 138 34

HSL 62.88, 0.6%, 0.34%

LAB 55.36, -14.97, 51.4

 

CMYK 24 / 0 / 75 / 46

HEX #698A22

RGB 105 138 34

HSL 79.04, 0.6%, 0.34%

LAB 53.27, -27.17, 48.67

 

CMYK 44 / 0 / 75 / 46

HEX #4D8A22

RGB 77 138 34

HSL 95.19, 0.6%, 0.34%

LAB 51.69, -37.92, 46.58

 

CMYK 0 / 36 / 75 / 46

HEX #8A5822

RGB 138 88 34

HSL 31.15, 0.6%, 0.34%

LAB 42, 15.69, 38.44

 

CMYK 0 / 42 / 87 / 40

HEX #985814

RGB 152 88 20

HSL 30.91, 0.77%, 0.34%

LAB 43.81, 21.5, 46.77

 

CMYK 0 / 46 / 96 / 35

HEX #A65906

RGB 166 89 6

HSL 31.13, 0.93%, 0.34%

LAB 45.99, 26.82, 53.25

 

CMYK 0 / 36 / 75 / 46

HEX #8A5822

RGB 138 88 34

HSL 31.15, 0.6%, 0.34%

LAB 42, 15.69, 38.44

 

CMYK 0 / 30 / 61 / 51

HEX #7C5730

RGB 124 87 48

HSL 30.79, 0.44%, 0.34%

LAB 40.11, 10.75, 28.44

 

CMYK 0 / 21 / 44 / 57

HEX #6E573E

RGB 110 87 62

HSL 31.25, 0.28%, 0.34%

LAB 38.69, 5.76, 18.12

 

CMYK 0 / 10 / 21 / 62

HEX #60564C

RGB 96 86 76

HSL 30, 0.12%, 0.34%

LAB 37.23, 2.23, 7.31

 

CMYK 9 / 4 / 0 / 65

HEX #52565A

RGB 82 86 90

HSL 210, 0.05%, 0.34%

LAB 36.34, -0.69, -2.87

 

CMYK 0 / 75 / 72 / 46

HEX #8A2226

RGB 138 34 38

HSL 357.69, 0.6%, 0.34%

LAB 31.08, 43.65, 24.16

 

CMYK 0 / 58 / 75 / 46

HEX #8A3A22

RGB 138 58 34

HSL 13.85, 0.6%, 0.34%

LAB 35.09, 32.56, 31.13

 

CMYK 0 / 38 / 75 / 46

HEX #8A5622

RGB 138 86 34

HSL 30, 0.6%, 0.34%

LAB 41.49, 16.86, 37.92

 

CMYK 0 / 17 / 75 / 46

HEX #8A7222

RGB 138 114 34

HSL 46.15, 0.6%, 0.34%

LAB 48.95, 0.58, 45.4

 

CMYK 2 / 0 / 75 / 46

HEX #878A22

RGB 135 138 34

HSL 61.73, 0.6%, 0.34%

LAB 55.53, -14.07, 51.62

 

CMYK 0 / 36 / 75 / 72

HEX #482E12

RGB 72 46 18

HSL 31.11, 0.6%, 0.18%

LAB 21.49, 8.76, 22.4

 

CMYK 0 / 36 / 75 / 59

HEX #69431A

RGB 105 67 26

HSL 31.14, 0.6%, 0.26%

LAB 32.02, 12.33, 30.7

 

CMYK 0 / 36 / 75 / 46

HEX #8A5822

RGB 138 88 34

HSL 31.15, 0.6%, 0.34%

LAB 42, 15.69, 38.44

 

CMYK 0 / 36 / 75 / 33

HEX #AB6D2A

RGB 171 109 42

HSL 31.16, 0.61%, 0.42%

LAB 51.57, 18.89, 45.8

 

CMYK 0 / 36 / 75 / 20

HEX #CC8233

RGB 204 130 51

HSL 30.98, 0.6%, 0.5%

LAB 60.82, 22.01, 52.43

 

CMYK 0 / 36 / 75 / 46

HEX #895722

RGB 137 87 34

HSL 30.87, 0.6%, 0.34%

LAB 41.61, 15.82, 38

 

CMYK 53 / 0 / 75 / 46

HEX #418A22

RGB 65 138 34

HSL 102.12, 0.6%, 0.34%

LAB 51.17, -41.82, 45.89

 

CMYK 67 / 75 / 0 / 46

HEX #2D228A

RGB 45 34 138

HSL 246.35, 0.6%, 0.34%

LAB 22.08, 37.6, -55.83

 

CMYK 0 / 36 / 75 / 46

HEX #895722

RGB 137 87 34

HSL 30.87, 0.6%, 0.34%

LAB 41.61, 15.82, 38

 

CMYK 75 / 0 / 38 / 46

HEX #228A56

RGB 34 138 86

HSL 150, 0.6%, 0.34%

LAB 50.91, -41.61, 19.72

 

CMYK 38 / 75 / 0 / 46

HEX #56228A

RGB 86 34 138

HSL 270, 0.6%, 0.34%

LAB 26.61, 44.2, -48.22

 

CMYK 0 / 36 / 75 / 46

HEX #895722

RGB 137 87 34

HSL 30.87, 0.6%, 0.34%

LAB 41.61, 15.82, 38

 

CMYK 53 / 0 / 75 / 46

HEX #418A22

RGB 65 138 34

HSL 102.12, 0.6%, 0.34%

LAB 51.17, -41.82, 45.89

 

CMYK 75 / 38 / 0 / 46

HEX #22568A

RGB 34 86 138

HSL 210, 0.6%, 0.34%

LAB 35.66, 1.59, -33.89

 

CMYK 22 / 75 / 0 / 46

HEX #6B228A

RGB 107 34 138

HSL 282.12, 0.6%, 0.34%

LAB 29.68, 48.42, -43.11

 

CMYK 0 / 36 / 75 / 46

HEX #895722

RGB 137 87 34

HSL 30.87, 0.6%, 0.34%

LAB 41.61, 15.82, 38

 

CMYK 75 / 0 / 75 / 46

HEX #228A22

RGB 34 138 34

HSL 120, 0.6%, 0.34%

LAB 50.25, -49.25, 44.67

 

CMYK 75 / 38 / 0 / 46

HEX #22568A

RGB 34 86 138

HSL 210, 0.6%, 0.34%

LAB 35.66, 1.59, -33.89

 

CMYK 0 / 75 / 0 / 46

HEX #8A228A

RGB 138 34 138

HSL 300, 0.6%, 0.34%

LAB 34.77, 55.17, -34.67

 

Description

Color code: HEX #895722 | qconv.com Color code: HEX #895722 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 87 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 87 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 75 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 75% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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