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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #895ED8 it is the complementary color #76A127. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #895ED8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #895ED8 shade: #8E5ED3, #9F70E6, #B082F9, #C194FF and #D2A6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #895ED8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #895ED8 shade: #895ED8, #784CC5, #673AB2, #56289F and #45168C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #895ED8 shade: #895ED8, #AA5ED8, #CB5ED8, #D85EC4 and #D85EA3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #895ED8 shade: #895ED8, #685ED8 and #5E5ED8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #895ED8 shade matches the following richer shades: #895ED8, #844EE8 and #803EF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #895ED8 shade: #895ED8, #8E6EC8, #937FB8, #978FA7 and #9C9F97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #895ED8 shade: #5E75D8, #685ED8, #895ED8, #A95ED8 and #CA5ED8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #895ED8 shade: #5D2CB8, #713DD0, #895ED8, #A180E0 and #BAA1E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #895ED8 shade: #895ED8, #D85E95 and #64D85E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #895ED8 shade: #895ED8, #D8895E and #5ED889

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #895ED8 shade: #895ED8, #D85E95, #ADD85E and #5ED8A1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #895ED8 shade: #895ED8, #D85E71, #ADD85E and #5ED8C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 56 / 0 / 15

HEX #895ED8

RGB 137 94 216

HSL 261.15, 0.61%, 0.61%

LAB 49.84, 43.74, -56.67

 

Complementary color

CMYK 27 / 0 / 76 / 37

HEX #76A127

RGB 118 161 39

HSL 81.15, 0.61%, 0.39%

LAB 61.21, -32.55, 54.85

 

CMYK 33 / 55 / 0 / 17

HEX #8E5ED3

RGB 142 94 211

HSL 264.62, 0.57%, 0.6%

LAB 50.05, 43.65, -53.46

 

CMYK 31 / 51 / 0 / 10

HEX #9F70E6

RGB 159 112 230

HSL 263.9, 0.7%, 0.67%

LAB 56.75, 42.64, -53.37

 

CMYK 29 / 48 / 0 / 2

HEX #B082F9

RGB 176 130 249

HSL 263.19, 0.91%, 0.74%

LAB 63.37, 41.68, -53.28

 

CMYK 24 / 42 / 0 / 0

HEX #C194FF

RGB 193 148 255

HSL 265.23, 1%, 0.79%

LAB 69.28, 37.73, -47.11

 

CMYK 18 / 35 / 0 / 0

HEX #D2A6FF

RGB 210 166 255

HSL 269.66, 1%, 0.83%

LAB 74.95, 32.73, -38.14

 

CMYK 37 / 56 / 0 / 15

HEX #895ED8

RGB 137 94 216

HSL 261.15, 0.61%, 0.61%

LAB 49.84, 43.74, -56.67

 

CMYK 39 / 61 / 0 / 23

HEX #784CC5

RGB 120 76 197

HSL 261.82, 0.51%, 0.54%

LAB 43.05, 44.87, -56.78

 

CMYK 42 / 67 / 0 / 30

HEX #673AB2

RGB 103 58 178

HSL 262.5, 0.51%, 0.46%

LAB 36.22, 45.96, -56.79

 

CMYK 46 / 75 / 0 / 38

HEX #56289F

RGB 86 40 159

HSL 263.19, 0.6%, 0.39%

LAB 29.41, 46.85, -56.57

 

CMYK 51 / 84 / 0 / 45

HEX #45168C

RGB 69 22 140

HSL 263.9, 0.73%, 0.32%

LAB 22.77, 47.12, -55.85

 

CMYK 37 / 56 / 0 / 15

HEX #895ED8

RGB 137 94 216

HSL 261.15, 0.61%, 0.61%

LAB 49.84, 43.74, -56.67

 

CMYK 21 / 56 / 0 / 15

HEX #AA5ED8

RGB 170 94 216

HSL 277.38, 0.61%, 0.61%

LAB 53.5, 51.75, -50.6

 

CMYK 6 / 56 / 0 / 15

HEX #CB5ED8

RGB 203 94 216

HSL 293.61, 0.61%, 0.61%

LAB 57.71, 60.14, -43.66

 

CMYK 0 / 56 / 9 / 15

HEX #D85EC4

RGB 216 94 196

HSL 309.84, 0.61%, 0.61%

LAB 58.59, 60.18, -30.8

 

CMYK 0 / 56 / 25 / 15

HEX #D85EA3

RGB 216 94 163

HSL 326.07, 0.61%, 0.61%

LAB 57.32, 55.31, -13.75

 

CMYK 37 / 56 / 0 / 15

HEX #895ED8

RGB 137 94 216

HSL 261.15, 0.61%, 0.61%

LAB 49.84, 43.74, -56.67

 

CMYK 52 / 56 / 0 / 15

HEX #685ED8

RGB 104 94 216

HSL 244.92, 0.61%, 0.61%

LAB 46.85, 36.58, -61.64

 

CMYK 56 / 56 / 0 / 15

HEX #5E5ED8

RGB 94 94 216

HSL 240, 0.61%, 0.61%

LAB 46.1, 34.66, -62.89

 

CMYK 37 / 56 / 0 / 15

HEX #895ED8

RGB 137 94 216

HSL 261.15, 0.61%, 0.61%

LAB 49.84, 43.74, -56.67

 

CMYK 43 / 66 / 0 / 9

HEX #844EE8

RGB 132 78 232

HSL 261.04, 0.77%, 0.61%

LAB 47.21, 55.43, -70.01

 

CMYK 48 / 75 / 0 / 3

HEX #803EF8

RGB 128 62 248

HSL 261.29, 0.93%, 0.61%

LAB 45.38, 66.42, -82.03

 

CMYK 37 / 56 / 0 / 15

HEX #895ED8

RGB 137 94 216

HSL 261.15, 0.61%, 0.61%

LAB 49.84, 43.74, -56.67

 

CMYK 29 / 45 / 0 / 22

HEX #8E6EC8

RGB 142 110 200

HSL 261.33, 0.45%, 0.61%

LAB 53.03, 31.78, -42.44

 

CMYK 20 / 31 / 0 / 28

HEX #937FB8

RGB 147 127 184

HSL 261.05, 0.29%, 0.61%

LAB 56.92, 19.46, -27.17

 

CMYK 10 / 14 / 0 / 35

HEX #978FA7

RGB 151 143 167

HSL 260, 0.12%, 0.61%

LAB 60.79, 7.75, -11.55

 

CMYK 2 / 0 / 5 / 38

HEX #9C9F97

RGB 156 159 151

HSL 82.5, 0.04%, 0.61%

LAB 65.04, -2.59, 3.79

 

CMYK 56 / 46 / 0 / 15

HEX #5E75D8

RGB 94 117 216

HSL 228.69, 0.61%, 0.61%

LAB 51.91, 20.55, -53.55

 

CMYK 52 / 56 / 0 / 15

HEX #685ED8

RGB 104 94 216

HSL 244.92, 0.61%, 0.61%

LAB 46.85, 36.58, -61.64

 

CMYK 37 / 56 / 0 / 15

HEX #895ED8

RGB 137 94 216

HSL 261.15, 0.61%, 0.61%

LAB 49.84, 43.74, -56.67

 

CMYK 22 / 56 / 0 / 15

HEX #A95ED8

RGB 169 94 216

HSL 276.89, 0.61%, 0.61%

LAB 53.38, 51.5, -50.8

 

CMYK 6 / 56 / 0 / 15

HEX #CA5ED8

RGB 202 94 216

HSL 293.11, 0.61%, 0.61%

LAB 57.58, 59.89, -43.88

 

CMYK 49 / 76 / 0 / 28

HEX #5D2CB8

RGB 93 44 184

HSL 261, 0.61%, 0.45%

LAB 33.11, 52.79, -65.47

 

CMYK 46 / 71 / 0 / 18

HEX #713DD0

RGB 113 61 208

HSL 261.22, 0.61%, 0.53%

LAB 40.25, 54.26, -67.74

 

CMYK 37 / 56 / 0 / 15

HEX #895ED8

RGB 137 94 216

HSL 261.15, 0.61%, 0.61%

LAB 49.84, 43.74, -56.67

 

CMYK 28 / 43 / 0 / 12

HEX #A180E0

RGB 161 128 224

HSL 260.63, 0.61%, 0.69%

LAB 60.25, 32.69, -44.47

 

CMYK 20 / 31 / 0 / 9

HEX #BAA1E8

RGB 186 161 232

HSL 261.13, 0.61%, 0.77%

LAB 70.7, 23.24, -32.4

 

CMYK 37 / 56 / 0 / 15

HEX #895ED8

RGB 137 94 216

HSL 261.15, 0.61%, 0.61%

LAB 49.84, 43.74, -56.67

 

CMYK 0 / 56 / 31 / 15

HEX #D85E95

RGB 216 94 149

HSL 332.95, 0.61%, 0.61%

LAB 56.85, 53.49, -6.28

 

CMYK 54 / 0 / 56 / 15

HEX #64D85E

RGB 100 216 94

HSL 117.05, 0.61%, 0.61%

LAB 77.66, -56.46, 49.58

 

CMYK 37 / 56 / 0 / 15

HEX #895ED8

RGB 137 94 216

HSL 261.15, 0.61%, 0.61%

LAB 49.84, 43.74, -56.67

 

CMYK 0 / 37 / 56 / 15

HEX #D8895E

RGB 216 137 94

HSL 21.15, 0.61%, 0.61%

LAB 64.4, 25.89, 35.45

 

CMYK 56 / 0 / 37 / 15

HEX #5ED889

RGB 94 216 137

HSL 141.15, 0.61%, 0.61%

LAB 78.05, -51.54, 28.94

 

CMYK 37 / 56 / 0 / 15

HEX #895ED8

RGB 137 94 216

HSL 261.15, 0.61%, 0.61%

LAB 49.84, 43.74, -56.67

 

CMYK 0 / 56 / 31 / 15

HEX #D85E95

RGB 216 94 149

HSL 332.95, 0.61%, 0.61%

LAB 56.85, 53.49, -6.28

 

CMYK 20 / 0 / 56 / 15

HEX #ADD85E

RGB 173 216 94

HSL 81.15, 0.61%, 0.61%

LAB 81.18, -32.66, 54.57

 

CMYK 56 / 0 / 25 / 15

HEX #5ED8A1

RGB 94 216 161

HSL 152.95, 0.61%, 0.61%

LAB 78.5, -46.89, 17.02

 

CMYK 37 / 56 / 0 / 15

HEX #895ED8

RGB 137 94 216

HSL 261.15, 0.61%, 0.61%

LAB 49.84, 43.74, -56.67

 

CMYK 0 / 56 / 48 / 15

HEX #D85E71

RGB 216 94 113

HSL 350.66, 0.61%, 0.61%

LAB 55.88, 49.57, 13.45

 

CMYK 20 / 0 / 56 / 15

HEX #ADD85E

RGB 173 216 94

HSL 81.15, 0.61%, 0.61%

LAB 81.18, -32.66, 54.57

 

CMYK 56 / 0 / 8 / 15

HEX #5ED8C6

RGB 94 216 198

HSL 171.15, 0.61%, 0.61%

LAB 79.37, -38.37, -1.41

 

Description

Color code: HEX #895ED8 | qconv.com Color code: HEX #895ED8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 94 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 94 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 56 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 56% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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