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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8966AC it is the complementary color #769953. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8966AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8966AC shade: #8E66A7, #9F78BA, #B08ACD, #C19CE0 and #D2AEF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8966AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8966AC shade: #8966AC, #785499, #674286, #563073 and #451E60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8966AC shade: #8966AC, #9C66AC, #AC66AA, #AC6697 and #AC6684

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8966AC shade: #8966AC, #7666AC and #6666AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8966AC shade matches the following richer shades: #8966AC, #8953BF, #8940D2, #892DE5 and #891AF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8966AC shade: #8966AC, #897999, #898C86, #899F73 and #89B260

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8966AC shade: #6668AC, #7666AC, #8966AC, #9C66AC and #AC66AA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8966AC shade: #60437D, #755198, #8966AC, #9E81BB and #B29CC9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8966AC shade: #8966AC, #AC667B and #66AC6D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8966AC shade: #8966AC, #AC8966 and #66AC89

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8966AC shade: #8966AC, #AC667B, #89AC66 and #66AC97

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8966AC shade: #8966AC, #AC6666, #89AC66 and #66ACAC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 41 / 0 / 33

HEX #8966AC

RGB 137 102 172

HSL 270, 0.3%, 0.54%

LAB 49.25, 28.11, -32.25

 

Complementary color

CMYK 23 / 0 / 46 / 40

HEX #769953

RGB 118 153 83

HSL 90, 0.3%, 0.46%

LAB 59.21, -24.71, 32.82

 

CMYK 15 / 39 / 0 / 35

HEX #8E66A7

RGB 142 102 167

HSL 276.92, 0.27%, 0.53%

LAB 49.55, 28.5, -28.82

 

CMYK 15 / 35 / 0 / 27

HEX #9F78BA

RGB 159 120 186

HSL 275.45, 0.32%, 0.6%

LAB 56.44, 27.75, -28.98

 

CMYK 14 / 33 / 0 / 20

HEX #B08ACD

RGB 176 138 205

HSL 274.03, 0.4%, 0.67%

LAB 63.19, 27.05, -29.14

 

CMYK 14 / 30 / 0 / 12

HEX #C19CE0

RGB 193 156 224

HSL 272.65, 0.52%, 0.75%

LAB 69.82, 26.41, -29.32

 

CMYK 14 / 28 / 0 / 5

HEX #D2AEF3

RGB 210 174 243

HSL 271.3, 0.74%, 0.82%

LAB 76.34, 25.81, -29.51

 

CMYK 20 / 41 / 0 / 33

HEX #8966AC

RGB 137 102 172

HSL 270, 0.3%, 0.54%

LAB 49.25, 28.11, -32.25

 

CMYK 22 / 45 / 0 / 40

HEX #785499

RGB 120 84 153

HSL 271.3, 0.29%, 0.46%

LAB 42.21, 28.97, -32.2

 

CMYK 23 / 51 / 0 / 47

HEX #674286

RGB 103 66 134

HSL 272.65, 0.34%, 0.39%

LAB 35.01, 29.89, -32.15

 

CMYK 25 / 58 / 0 / 55

HEX #563073

RGB 86 48 115

HSL 274.03, 0.41%, 0.32%

LAB 27.66, 30.85, -32.06

 

CMYK 28 / 69 / 0 / 62

HEX #451E60

RGB 69 30 96

HSL 275.45, 0.52%, 0.25%

LAB 20.2, 31.7, -31.82

 

CMYK 20 / 41 / 0 / 33

HEX #8966AC

RGB 137 102 172

HSL 270, 0.3%, 0.54%

LAB 49.25, 28.11, -32.25

 

CMYK 9 / 41 / 0 / 33

HEX #9C66AC

RGB 156 102 172

HSL 286.29, 0.3%, 0.54%

LAB 51.32, 34, -28.86

 

CMYK 0 / 41 / 1 / 33

HEX #AC66AA

RGB 172 102 170

HSL 301.71, 0.3%, 0.54%

LAB 53.14, 38.66, -24.73

 

CMYK 0 / 41 / 12 / 33

HEX #AC6697

RGB 172 102 151

HSL 318, 0.3%, 0.54%

LAB 52.41, 35.24, -14.75

 

CMYK 0 / 41 / 23 / 33

HEX #AC6684

RGB 172 102 132

HSL 334.29, 0.3%, 0.54%

LAB 51.77, 32.18, -4.49

 

CMYK 20 / 41 / 0 / 33

HEX #8966AC

RGB 137 102 172

HSL 270, 0.3%, 0.54%

LAB 49.25, 28.11, -32.25

 

CMYK 31 / 41 / 0 / 33

HEX #7666AC

RGB 118 102 172

HSL 253.71, 0.3%, 0.54%

LAB 47.41, 22.43, -35.27

 

CMYK 41 / 41 / 0 / 33

HEX #6666AC

RGB 102 102 172

HSL 240, 0.3%, 0.54%

LAB 46.05, 17.95, -37.5

 

CMYK 20 / 41 / 0 / 33

HEX #8966AC

RGB 137 102 172

HSL 270, 0.3%, 0.54%

LAB 49.25, 28.11, -32.25

 

CMYK 28 / 57 / 0 / 25

HEX #8953BF

RGB 137 83 191

HSL 270, 0.46%, 0.54%

LAB 46, 43.51, -48.47

 

CMYK 35 / 70 / 0 / 18

HEX #8940D2

RGB 137 64 210

HSL 270, 0.62%, 0.54%

LAB 43.71, 57.7, -63.14

 

CMYK 40 / 80 / 0 / 10

HEX #892DE5

RGB 137 45 229

HSL 270, 0.78%, 0.54%

LAB 42.54, 69.72, -75.91

 

CMYK 45 / 90 / 0 / 3

HEX #891AF8

RGB 137 26 248

HSL 270, 0.94%, 0.54%

LAB 42.51, 79.01, -86.69

 

CMYK 20 / 41 / 0 / 33

HEX #8966AC

RGB 137 102 172

HSL 270, 0.3%, 0.54%

LAB 49.25, 28.11, -32.25

 

CMYK 10 / 21 / 0 / 40

HEX #897999

RGB 137 121 153

HSL 270, 0.14%, 0.54%

LAB 53.27, 12.57, -14.97

 

CMYK 2 / 0 / 4 / 45

HEX #898C86

RGB 137 140 134

HSL 90, 0.03%, 0.54%

LAB 57.84, -2.27, 2.81

 

CMYK 14 / 0 / 28 / 38

HEX #899F73

RGB 137 159 115

HSL 90, 0.19%, 0.54%

LAB 62.8, -15.89, 20.48

 

CMYK 23 / 0 / 46 / 30

HEX #89B260

RGB 137 178 96

HSL 90, 0.35%, 0.54%

LAB 68.02, -28.1, 37.37

 

CMYK 41 / 40 / 0 / 33

HEX #6668AC

RGB 102 104 172

HSL 238.29, 0.3%, 0.54%

LAB 46.58, 16.71, -36.66

 

CMYK 31 / 41 / 0 / 33

HEX #7666AC

RGB 118 102 172

HSL 253.71, 0.3%, 0.54%

LAB 47.41, 22.43, -35.27

 

CMYK 20 / 41 / 0 / 33

HEX #8966AC

RGB 137 102 172

HSL 270, 0.3%, 0.54%

LAB 49.25, 28.11, -32.25

 

CMYK 9 / 41 / 0 / 33

HEX #9C66AC

RGB 156 102 172

HSL 286.29, 0.3%, 0.54%

LAB 51.32, 34, -28.86

 

CMYK 0 / 41 / 1 / 33

HEX #AC66AA

RGB 172 102 170

HSL 301.71, 0.3%, 0.54%

LAB 53.14, 38.66, -24.73

 

CMYK 23 / 46 / 0 / 51

HEX #60437D

RGB 96 67 125

HSL 270, 0.3%, 0.38%

LAB 33.94, 24.88, -28.31

 

CMYK 23 / 47 / 0 / 40

HEX #755198

RGB 117 81 152

HSL 270.42, 0.3%, 0.46%

LAB 41.11, 29.6, -33.34

 

CMYK 20 / 41 / 0 / 33

HEX #8966AC

RGB 137 102 172

HSL 270, 0.3%, 0.54%

LAB 49.25, 28.11, -32.25

 

CMYK 16 / 31 / 0 / 27

HEX #9E81BB

RGB 158 129 187

HSL 270, 0.3%, 0.62%

LAB 58.56, 22.49, -26.27

 

CMYK 11 / 22 / 0 / 21

HEX #B29CC9

RGB 178 156 201

HSL 269.33, 0.29%, 0.7%

LAB 67.62, 16.72, -20.1

 

CMYK 20 / 41 / 0 / 33

HEX #8966AC

RGB 137 102 172

HSL 270, 0.3%, 0.54%

LAB 49.25, 28.11, -32.25

 

CMYK 0 / 41 / 28 / 33

HEX #AC667B

RGB 172 102 123

HSL 342, 0.3%, 0.54%

LAB 51.5, 30.85, 0.45

 

CMYK 41 / 0 / 37 / 33

HEX #66AC6D

RGB 102 172 109

HSL 126, 0.3%, 0.54%

LAB 64.51, -35.49, 25.68

 

CMYK 20 / 41 / 0 / 33

HEX #8966AC

RGB 137 102 172

HSL 270, 0.3%, 0.54%

LAB 49.25, 28.11, -32.25

 

CMYK 0 / 20 / 41 / 33

HEX #AC8966

RGB 172 137 102

HSL 30, 0.3%, 0.54%

LAB 59.55, 8.48, 23.82

 

CMYK 41 / 0 / 20 / 33

HEX #66AC89

RGB 102 172 137

HSL 150, 0.3%, 0.54%

LAB 65.07, -30.16, 11.17

 

CMYK 20 / 41 / 0 / 33

HEX #8966AC

RGB 137 102 172

HSL 270, 0.3%, 0.54%

LAB 49.25, 28.11, -32.25

 

CMYK 0 / 41 / 28 / 33

HEX #AC667B

RGB 172 102 123

HSL 342, 0.3%, 0.54%

LAB 51.5, 30.85, 0.45

 

CMYK 20 / 0 / 41 / 33

HEX #89AC66

RGB 137 172 102

HSL 90, 0.3%, 0.54%

LAB 66.35, -24.4, 32.16

 

CMYK 41 / 0 / 12 / 33

HEX #66AC97

RGB 102 172 151

HSL 162, 0.3%, 0.54%

LAB 65.41, -27.08, 3.89

 

CMYK 20 / 41 / 0 / 33

HEX #8966AC

RGB 137 102 172

HSL 270, 0.3%, 0.54%

LAB 49.25, 28.11, -32.25

 

CMYK 0 / 41 / 41 / 33

HEX #AC6666

RGB 172 102 102

HSL 0, 0.3%, 0.54%

LAB 50.96, 28.13, 12.13

 

CMYK 20 / 0 / 41 / 33

HEX #89AC66

RGB 137 172 102

HSL 90, 0.3%, 0.54%

LAB 66.35, -24.4, 32.16

 

CMYK 41 / 0 / 0 / 33

HEX #66ACAC

RGB 102 172 172

HSL 180, 0.3%, 0.54%

LAB 65.99, -21.98, -6.94

 

Description

Color code: HEX #8966AC | qconv.com Color code: HEX #8966AC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 102 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 102 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 41 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 41% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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