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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #896BAF it is the complementary color #769450. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #896BAF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #896BAF shade: #8E6BAA, #9F7DBD, #B08FD0, #C1A1E3 and #D2B3F6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #896BAF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #896BAF shade: #896BAF, #78599C, #674789, #563576 and #452363

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #896BAF shade: #8869AE, #9A69AE, #AD69AE, #AE699D and #AE698A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #896BAF shade: #8869AE, #7569AE and #6969AE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #896BAF shade matches the following richer shades: #8869AE, #8657C1, #8344D3, #8132E6 and #7F1FF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #896BAF shade: #8869AE, #8A7C9C, #8C8E89, #8EA176 and #90B464

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #896BAF shade: #6970AE, #7569AE, #8769AE, #9A69AE and #AC69AE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #896BAF shade: #5F4580, #73539B, #8869AE, #9D84BD and #B29FCB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #896BAF shade: #896BAF, #AE6983 and #69AE6C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #896BAF shade: #896BAF, #AE8769 and #69AE87

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #896BAF shade: #896BAF, #AE6983, #90AE69 and #69AE95

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #896BAF shade: #896BAF, #AE696E, #90AE69 and #69AEAA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 39 / 0 / 31

HEX #896BAF

RGB 137 107 175

HSL 266.47, 0.3%, 0.55%

LAB 50.6, 25.89, -31.88

 

Complementary color

CMYK 20 / 0 / 46 / 42

HEX #769450

RGB 118 148 80

HSL 86.47, 0.3%, 0.45%

LAB 57.67, -22.58, 32.46

 

CMYK 16 / 37 / 0 / 33

HEX #8E6BAA

RGB 142 107 170

HSL 273.33, 0.27%, 0.54%

LAB 50.88, 26.28, -28.5

 

CMYK 16 / 34 / 0 / 26

HEX #9F7DBD

RGB 159 125 189

HSL 271.88, 0.33%, 0.62%

LAB 57.76, 25.55, -28.63

 

CMYK 15 / 31 / 0 / 18

HEX #B08FD0

RGB 176 143 208

HSL 270.46, 0.41%, 0.69%

LAB 64.51, 24.89, -28.79

 

CMYK 15 / 29 / 0 / 11

HEX #C1A1E3

RGB 193 161 227

HSL 269.09, 0.54%, 0.76%

LAB 71.13, 24.28, -28.96

 

CMYK 15 / 27 / 0 / 4

HEX #D2B3F6

RGB 210 179 246

HSL 267.76, 0.79%, 0.83%

LAB 77.64, 23.72, -29.14

 

CMYK 22 / 39 / 0 / 31

HEX #896BAF

RGB 137 107 175

HSL 266.47, 0.3%, 0.55%

LAB 50.6, 25.89, -31.88

 

CMYK 23 / 43 / 0 / 39

HEX #78599C

RGB 120 89 156

HSL 267.76, 0.27%, 0.48%

LAB 43.56, 26.73, -31.85

 

CMYK 25 / 48 / 0 / 46

HEX #674789

RGB 103 71 137

HSL 269.09, 0.32%, 0.41%

LAB 36.36, 27.64, -31.85

 

CMYK 27 / 55 / 0 / 54

HEX #563576

RGB 86 53 118

HSL 270.46, 0.38%, 0.34%

LAB 28.99, 28.64, -31.84

 

CMYK 30 / 65 / 0 / 61

HEX #452363

RGB 69 35 99

HSL 271.88, 0.48%, 0.26%

LAB 21.46, 29.64, -31.76

 

CMYK 22 / 40 / 0 / 32

HEX #8869AE

RGB 136 105 174

HSL 266.96, 0.3%, 0.55%

LAB 49.97, 26.52, -32.3

 

CMYK 11 / 40 / 0 / 32

HEX #9A69AE

RGB 154 105 174

HSL 282.61, 0.3%, 0.55%

LAB 51.87, 32.11, -29.19

 

CMYK 1 / 40 / 0 / 32

HEX #AD69AE

RGB 173 105 174

HSL 299.13, 0.3%, 0.55%

LAB 54.07, 38.11, -25.6

 

CMYK 0 / 40 / 10 / 32

HEX #AE699D

RGB 174 105 157

HSL 314.78, 0.3%, 0.55%

LAB 53.53, 35.32, -16.53

 

CMYK 0 / 40 / 21 / 32

HEX #AE698A

RGB 174 105 138

HSL 331.3, 0.3%, 0.55%

LAB 52.88, 32.17, -6.36

 

CMYK 22 / 40 / 0 / 32

HEX #8869AE

RGB 136 105 174

HSL 266.96, 0.3%, 0.55%

LAB 49.97, 26.52, -32.3

 

CMYK 33 / 40 / 0 / 32

HEX #7569AE

RGB 117 105 174

HSL 250.43, 0.3%, 0.55%

LAB 48.19, 20.87, -35.22

 

CMYK 40 / 40 / 0 / 32

HEX #6969AE

RGB 105 105 174

HSL 240, 0.3%, 0.55%

LAB 47.19, 17.5, -36.86

 

CMYK 22 / 40 / 0 / 32

HEX #8869AE

RGB 136 105 174

HSL 266.96, 0.3%, 0.55%

LAB 49.97, 26.52, -32.3

 

CMYK 31 / 55 / 0 / 24

HEX #8657C1

RGB 134 87 193

HSL 266.6, 0.46%, 0.55%

LAB 46.62, 41.03, -48.64

 

CMYK 38 / 68 / 0 / 17

HEX #8344D3

RGB 131 68 211

HSL 266.43, 0.62%, 0.55%

LAB 43.75, 54.89, -63.69

 

CMYK 44 / 78 / 0 / 10

HEX #8132E6

RGB 129 50 230

HSL 266.33, 0.78%, 0.55%

LAB 42.25, 67.04, -77

 

CMYK 49 / 88 / 0 / 3

HEX #7F1FF8

RGB 127 31 248

HSL 266.54, 0.94%, 0.55%

LAB 41.64, 76.89, -88.17

 

CMYK 22 / 40 / 0 / 32

HEX #8869AE

RGB 136 105 174

HSL 266.96, 0.3%, 0.55%

LAB 49.97, 26.52, -32.3

 

CMYK 12 / 21 / 0 / 39

HEX #8A7C9C

RGB 138 124 156

HSL 266.25, 0.14%, 0.55%

LAB 54.26, 11.82, -15.2

 

CMYK 1 / 0 / 4 / 44

HEX #8C8E89

RGB 140 142 137

HSL 84, 0.02%, 0.55%

LAB 58.72, -1.7, 2.4

 

CMYK 12 / 0 / 27 / 37

HEX #8EA176

RGB 142 161 118

HSL 86.51, 0.19%, 0.55%

LAB 63.79, -14.57, 20.23

 

CMYK 20 / 0 / 44 / 29

HEX #90B464

RGB 144 180 100

HSL 87, 0.35%, 0.55%

LAB 69.11, -25.94, 36.78

 

CMYK 40 / 36 / 0 / 32

HEX #6970AE

RGB 105 112 174

HSL 233.91, 0.3%, 0.55%

LAB 49.07, 13.22, -33.91

 

CMYK 33 / 40 / 0 / 32

HEX #7569AE

RGB 117 105 174

HSL 250.43, 0.3%, 0.55%

LAB 48.19, 20.87, -35.22

 

CMYK 22 / 40 / 0 / 32

HEX #8769AE

RGB 135 105 174

HSL 266.09, 0.3%, 0.55%

LAB 49.87, 26.22, -32.46

 

CMYK 11 / 40 / 0 / 32

HEX #9A69AE

RGB 154 105 174

HSL 282.61, 0.3%, 0.55%

LAB 51.87, 32.11, -29.19

 

CMYK 1 / 40 / 0 / 32

HEX #AC69AE

RGB 172 105 174

HSL 298.26, 0.3%, 0.55%

LAB 53.95, 37.79, -25.8

 

CMYK 26 / 46 / 0 / 50

HEX #5F4580

RGB 95 69 128

HSL 266.44, 0.3%, 0.39%

LAB 34.49, 24.11, -29.31

 

CMYK 26 / 46 / 0 / 39

HEX #73539B

RGB 115 83 155

HSL 266.67, 0.3%, 0.47%

LAB 41.53, 28.57, -34.5

 

CMYK 22 / 40 / 0 / 32

HEX #8869AE

RGB 136 105 174

HSL 266.96, 0.3%, 0.55%

LAB 49.97, 26.52, -32.3

 

CMYK 17 / 30 / 0 / 26

HEX #9D84BD

RGB 157 132 189

HSL 266.32, 0.3%, 0.63%

LAB 59.29, 20.9, -26.29

 

CMYK 12 / 22 / 0 / 20

HEX #B29FCB

RGB 178 159 203

HSL 265.91, 0.3%, 0.71%

LAB 68.44, 15.47, -19.97

 

CMYK 22 / 39 / 0 / 31

HEX #896BAF

RGB 137 107 175

HSL 266.47, 0.3%, 0.55%

LAB 50.6, 25.89, -31.88

 

CMYK 0 / 40 / 25 / 32

HEX #AE6983

RGB 174 105 131

HSL 337.39, 0.3%, 0.55%

LAB 52.66, 31.1, -2.55

 

CMYK 40 / 0 / 38 / 32

HEX #69AE6C

RGB 105 174 108

HSL 122.61, 0.3%, 0.55%

LAB 65.25, -35.63, 27.21

 

CMYK 22 / 39 / 0 / 31

HEX #896BAF

RGB 137 107 175

HSL 266.47, 0.3%, 0.55%

LAB 50.6, 25.89, -31.88

 

CMYK 0 / 22 / 40 / 32

HEX #AE8769

RGB 174 135 105

HSL 26.09, 0.3%, 0.55%

LAB 59.29, 10.78, 21.84

 

CMYK 40 / 0 / 22 / 32

HEX #69AE87

RGB 105 174 135

HSL 146.09, 0.3%, 0.55%

LAB 65.77, -30.66, 13.27

 

CMYK 22 / 39 / 0 / 31

HEX #896BAF

RGB 137 107 175

HSL 266.47, 0.3%, 0.55%

LAB 50.6, 25.89, -31.88

 

CMYK 0 / 40 / 25 / 32

HEX #AE6983

RGB 174 105 131

HSL 337.39, 0.3%, 0.55%

LAB 52.66, 31.1, -2.55

 

CMYK 17 / 0 / 40 / 32

HEX #90AE69

RGB 144 174 105

HSL 86.09, 0.3%, 0.55%

LAB 67.44, -22.34, 32.08

 

CMYK 40 / 0 / 14 / 32

HEX #69AE95

RGB 105 174 149

HSL 158.26, 0.3%, 0.55%

LAB 66.09, -27.68, 6.01

 

CMYK 22 / 39 / 0 / 31

HEX #896BAF

RGB 137 107 175

HSL 266.47, 0.3%, 0.55%

LAB 50.6, 25.89, -31.88

 

CMYK 0 / 40 / 37 / 32

HEX #AE696E

RGB 174 105 110

HSL 355.65, 0.3%, 0.55%

LAB 52.09, 28.22, 9.03

 

CMYK 17 / 0 / 40 / 32

HEX #90AE69

RGB 144 174 105

HSL 86.09, 0.3%, 0.55%

LAB 67.44, -22.34, 32.08

 

CMYK 40 / 0 / 2 / 32

HEX #69AEAA

RGB 105 174 170

HSL 176.52, 0.3%, 0.55%

LAB 66.66, -22.72, -4.82

 

Description

Color code: HEX #896BAF | qconv.com Color code: HEX #896BAF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 107 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 107 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 39 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 39% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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