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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #896C19 it is the complementary color #7693E6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #896C19. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #896C19 shade: #8E6C14, #9F7E27, #B0903A, #C1A24D and #D2B460

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #896C19. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #896C19 shade: #896C19, #785A06, #674800, #563600 and #452400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #896C19 shade: #896C19, #894E19, #893019 and #891919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #896C19 shade: #896C19, #888919, #6A8919, #4B8919 and #2D8919

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #896C19 shade matches the following richer shades: #896C19 and #97730C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #896C19 shade: #896C19, #7C6626, #6F6033, #625940 and #55534E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #896C19 shade: #892F19, #894D19, #896B19, #898919 and #6B8919

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #896C19 shade: #44350C, #675112, #896C19, #AC881F and #CFA326

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #896C19 shade: #896C19, #208919 and #3E1989

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #896C19 shade: #896C19, #19896B and #6B1989

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #896C19 shade: #896C19, #208919, #193789 and #821989

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #896C19 shade: #896C19, #198933, #193789 and #89196F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 82 / 46

HEX #896C19

RGB 137 108 25

HSL 44.46, 0.69%, 0.32%

LAB 47.12, 3.16, 47.15

 

Complementary color

CMYK 49 / 36 / 0 / 10

HEX #7693E6

RGB 118 147 230

HSL 224.46, 0.69%, 0.68%

LAB 62.03, 12.2, -45.22

 

CMYK 0 / 24 / 86 / 44

HEX #8E6C14

RGB 142 108 20

HSL 43.28, 0.75%, 0.32%

LAB 47.66, 5.35, 49.52

 

CMYK 0 / 21 / 75 / 38

HEX #9F7E27

RGB 159 126 39

HSL 43.5, 0.61%, 0.39%

LAB 54.49, 3.74, 49.51

 

CMYK 0 / 18 / 67 / 31

HEX #B0903A

RGB 176 144 58

HSL 43.73, 0.5%, 0.46%

LAB 61.2, 2.43, 48.71

 

CMYK 0 / 16 / 60 / 24

HEX #C1A24D

RGB 193 162 77

HSL 43.97, 0.48%, 0.53%

LAB 67.81, 1.36, 47.58

 

CMYK 0 / 14 / 54 / 18

HEX #D2B460

RGB 210 180 96

HSL 44.21, 0.56%, 0.6%

LAB 74.31, 0.46, 46.34

 

CMYK 0 / 21 / 82 / 46

HEX #896C19

RGB 137 108 25

HSL 44.46, 0.69%, 0.32%

LAB 47.12, 3.16, 47.15

 

CMYK 0 / 25 / 95 / 53

HEX #785A06

RGB 120 90 6

HSL 44.21, 0.9%, 0.25%

LAB 40.11, 4.97, 46.23

 

CMYK 0 / 30 / 100 / 60

HEX #674800

RGB 103 72 0

HSL 41.94, 1%, 0.2%

LAB 32.96, 7.28, 42.06

 

CMYK 0 / 37 / 100 / 66

HEX #563600

RGB 86 54 0

HSL 37.67, 1%, 0.17%

LAB 25.61, 9.92, 35.3

 

CMYK 0 / 48 / 100 / 73

HEX #452400

RGB 69 36 0

HSL 31.3, 1%, 0.14%

LAB 18.04, 12.77, 26.45

 

CMYK 0 / 21 / 82 / 46

HEX #896C19

RGB 137 108 25

HSL 44.46, 0.69%, 0.32%

LAB 47.12, 3.16, 47.15

 

CMYK 0 / 43 / 82 / 46

HEX #894E19

RGB 137 78 25

HSL 28.39, 0.69%, 0.32%

LAB 39.31, 20.65, 39.95

 

CMYK 0 / 65 / 82 / 46

HEX #893019

RGB 137 48 25

HSL 12.32, 0.69%, 0.32%

LAB 32.92, 36.77, 33.79

 

CMYK 0 / 82 / 82 / 46

HEX #891919

RGB 137 25 25

HSL 0, 0.69%, 0.32%

LAB 29.62, 45.82, 30.48

 

CMYK 0 / 21 / 82 / 46

HEX #896C19

RGB 137 108 25

HSL 44.46, 0.69%, 0.32%

LAB 47.12, 3.16, 47.15

 

CMYK 1 / 0 / 82 / 46

HEX #888919

RGB 136 137 25

HSL 60.54, 0.69%, 0.32%

LAB 55.27, -13.46, 54.35

 

CMYK 23 / 0 / 82 / 46

HEX #6A8919

RGB 106 137 25

HSL 76.61, 0.69%, 0.32%

LAB 52.98, -26.73, 51.44

 

CMYK 45 / 0 / 82 / 46

HEX #4B8919

RGB 75 137 25

HSL 93.21, 0.69%, 0.32%

LAB 51.22, -38.74, 49.18

 

CMYK 67 / 0 / 82 / 46

HEX #2D8919

RGB 45 137 25

HSL 109.29, 0.69%, 0.32%

LAB 50.12, -47.37, 47.76

 

CMYK 0 / 21 / 82 / 46

HEX #896C19

RGB 137 108 25

HSL 44.46, 0.69%, 0.32%

LAB 47.12, 3.16, 47.15

 

CMYK 0 / 24 / 92 / 41

HEX #97730C

RGB 151 115 12

HSL 44.46, 0.85%, 0.32%

LAB 50.53, 5.37, 54.37

 

CMYK 0 / 21 / 82 / 46

HEX #896C19

RGB 137 108 25

HSL 44.46, 0.69%, 0.32%

LAB 47.12, 3.16, 47.15

 

CMYK 0 / 18 / 69 / 51

HEX #7C6626

RGB 124 102 38

HSL 44.65, 0.53%, 0.32%

LAB 44.13, 1.14, 38.23

 

CMYK 0 / 14 / 54 / 56

HEX #6F6033

RGB 111 96 51

HSL 45, 0.37%, 0.32%

LAB 41.19, -0.4, 27.72

 

CMYK 0 / 9 / 35 / 62

HEX #625940

RGB 98 89 64

HSL 44.12, 0.21%, 0.32%

LAB 38.04, -0.62, 15.82

 

CMYK 0 / 2 / 8 / 67

HEX #55534E

RGB 85 83 78

HSL 42.86, 0.04%, 0.32%

LAB 35.34, -0.21, 3.21

 

CMYK 0 / 66 / 82 / 46

HEX #892F19

RGB 137 47 25

HSL 11.79, 0.69%, 0.32%

LAB 32.75, 37.24, 33.62

 

CMYK 0 / 44 / 82 / 46

HEX #894D19

RGB 137 77 25

HSL 27.86, 0.69%, 0.32%

LAB 39.06, 21.23, 39.72

 

CMYK 0 / 22 / 82 / 46

HEX #896B19

RGB 137 107 25

HSL 43.93, 0.69%, 0.32%

LAB 46.85, 3.73, 46.9

 

CMYK 0 / 0 / 82 / 46

HEX #898919

RGB 137 137 25

HSL 60, 0.69%, 0.32%

LAB 55.36, -13, 54.46

 

CMYK 22 / 0 / 82 / 46

HEX #6B8919

RGB 107 137 25

HSL 76.07, 0.69%, 0.32%

LAB 53.04, -26.3, 51.52

 

CMYK 0 / 22 / 82 / 73

HEX #44350C

RGB 68 53 12

HSL 43.93, 0.7%, 0.16%

LAB 23, 1.69, 27

 

CMYK 0 / 21 / 83 / 60

HEX #675112

RGB 103 81 18

HSL 44.47, 0.7%, 0.24%

LAB 35.62, 2.36, 37.89

 

CMYK 0 / 21 / 82 / 46

HEX #896C19

RGB 137 108 25

HSL 44.46, 0.69%, 0.32%

LAB 47.12, 3.16, 47.15

 

CMYK 0 / 21 / 82 / 33

HEX #AC881F

RGB 172 136 31

HSL 44.68, 0.69%, 0.4%

LAB 58.49, 3.78, 56.65

 

CMYK 0 / 21 / 82 / 19

HEX #CFA326

RGB 207 163 38

HSL 44.38, 0.69%, 0.48%

LAB 69.18, 4.94, 65.2

 

CMYK 0 / 21 / 82 / 46

HEX #896C19

RGB 137 108 25

HSL 44.46, 0.69%, 0.32%

LAB 47.12, 3.16, 47.15

 

CMYK 77 / 0 / 82 / 46

HEX #208919

RGB 32 137 25

HSL 116.25, 0.69%, 0.32%

LAB 49.82, -49.92, 47.37

 

CMYK 55 / 82 / 0 / 46

HEX #3E1989

RGB 62 25 137

HSL 259.82, 0.69%, 0.32%

LAB 22.04, 44.12, -55.21

 

CMYK 0 / 21 / 82 / 46

HEX #896C19

RGB 137 108 25

HSL 44.46, 0.69%, 0.32%

LAB 47.12, 3.16, 47.15

 

CMYK 82 / 0 / 22 / 46

HEX #19896B

RGB 25 137 107

HSL 163.93, 0.69%, 0.32%

LAB 50.87, -37.41, 7.66

 

CMYK 22 / 82 / 0 / 46

HEX #6B1989

RGB 107 25 137

HSL 283.93, 0.69%, 0.32%

LAB 28.45, 51.52, -44.47

 

CMYK 0 / 21 / 82 / 46

HEX #896C19

RGB 137 108 25

HSL 44.46, 0.69%, 0.32%

LAB 47.12, 3.16, 47.15

 

CMYK 77 / 0 / 82 / 46

HEX #208919

RGB 32 137 25

HSL 116.25, 0.69%, 0.32%

LAB 49.82, -49.92, 47.37

 

CMYK 82 / 60 / 0 / 46

HEX #193789

RGB 25 55 137

HSL 223.93, 0.69%, 0.32%

LAB 26, 21.14, -48.83

 

CMYK 5 / 82 / 0 / 46

HEX #821989

RGB 130 25 137

HSL 296.25, 0.69%, 0.32%

LAB 32.36, 56.03, -37.97

 

CMYK 0 / 21 / 82 / 46

HEX #896C19

RGB 137 108 25

HSL 44.46, 0.69%, 0.32%

LAB 47.12, 3.16, 47.15

 

CMYK 82 / 0 / 63 / 46

HEX #198933

RGB 25 137 51

HSL 133.93, 0.69%, 0.32%

LAB 49.9, -48.46, 36.9

 

CMYK 82 / 60 / 0 / 46

HEX #193789

RGB 25 55 137

HSL 223.93, 0.69%, 0.32%

LAB 26, 21.14, -48.83

 

CMYK 0 / 82 / 19 / 46

HEX #89196F

RGB 137 25 111

HSL 313.93, 0.69%, 0.32%

LAB 32.17, 53.46, -21.84

 

Description

Color code: HEX #896C19 | qconv.com Color code: HEX #896C19 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 108 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 108 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 82 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 82% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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