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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #896C72 it is the complementary color #76938D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #896C72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #896C72 shade: #8E6C6D, #9F7E80, #B09093, #C1A2A6 and #D2B4B9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #896C72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #896C72 shade: #896C72, #785A5F, #67484C, #563639 and #452426

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #896C72 shade: #896B71 and #896B6B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #896C72 shade: #896B71, #896B79, #896B81, #886B89 and #806B89

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #896C72 shade matches the following richer shades: #896B71, #9C5766, #B0445A, #C4304E and #D81C43

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #896C72 shade: #896B71, #757F7D, #619389, #4DA794 and #39BAA0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #896C72 shade: #896B81, #896B79, #896B72, #896D6B and #89756B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #896C72 shade: #5A474B, #71595E, #896B71, #9C8187 and #AE989D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #896C72 shade: #896C72, #89886B and #6B7D89

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #896C72 shade: #896C72, #72896B and #6B7289

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #896C72 shade: #896C72, #89886B, #6B8982 and #6B6C89

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #896C72 shade: #896C72, #80896B, #6B8982 and #746B89

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 17 / 46

HEX #896C72

RGB 137 108 114

HSL 347.59, 0.12%, 0.48%

LAB 48.58, 12.51, 1.05

 

Complementary color

CMYK 20 / 0 / 4 / 42

HEX #76938D

RGB 118 147 141

HSL 167.59, 0.12%, 0.52%

LAB 58.64, -11.46, -0.2

 

CMYK 0 / 24 / 23 / 44

HEX #8E6C6D

RGB 142 108 109

HSL 358.24, 0.14%, 0.49%

LAB 48.98, 13.68, 4.67

 

CMYK 0 / 21 / 19 / 38

HEX #9F7E80

RGB 159 126 128

HSL 356.36, 0.15%, 0.56%

LAB 55.94, 13.05, 3.77

 

CMYK 0 / 18 / 16 / 31

HEX #B09093

RGB 176 144 147

HSL 354.38, 0.17%, 0.63%

LAB 62.75, 12.51, 2.94

 

CMYK 0 / 16 / 14 / 24

HEX #C1A2A6

RGB 193 162 166

HSL 352.26, 0.2%, 0.7%

LAB 69.42, 12.03, 2.17

 

CMYK 0 / 14 / 12 / 18

HEX #D2B4B9

RGB 210 180 185

HSL 350, 0.25%, 0.76%

LAB 75.98, 11.59, 1.45

 

CMYK 0 / 21 / 17 / 46

HEX #896C72

RGB 137 108 114

HSL 347.59, 0.12%, 0.48%

LAB 48.58, 12.51, 1.05

 

CMYK 0 / 25 / 21 / 53

HEX #785A5F

RGB 120 90 95

HSL 350, 0.14%, 0.41%

LAB 41.42, 13.15, 1.91

 

CMYK 0 / 30 / 26 / 60

HEX #67484C

RGB 103 72 76

HSL 352.26, 0.18%, 0.34%

LAB 34.07, 13.9, 2.89

 

CMYK 0 / 37 / 34 / 66

HEX #563639

RGB 86 54 57

HSL 354.38, 0.23%, 0.27%

LAB 26.48, 14.81, 4.06

 

CMYK 0 / 48 / 45 / 73

HEX #452426

RGB 69 36 38

HSL 356.36, 0.31%, 0.21%

LAB 18.66, 15.93, 5.55

 

CMYK 0 / 22 / 18 / 46

HEX #896B71

RGB 137 107 113

HSL 348, 0.12%, 0.48%

LAB 48.29, 12.93, 1.22

 

CMYK 0 / 22 / 22 / 46

HEX #896B6B

RGB 137 107 107

HSL 0, 0.12%, 0.48%

LAB 48.13, 11.93, 4.56

 

CMYK 0 / 22 / 18 / 46

HEX #896B71

RGB 137 107 113

HSL 348, 0.12%, 0.48%

LAB 48.29, 12.93, 1.22

 

CMYK 0 / 22 / 12 / 46

HEX #896B79

RGB 137 107 121

HSL 332, 0.12%, 0.48%

LAB 48.53, 14.34, -3.2

 

CMYK 0 / 22 / 6 / 46

HEX #896B81

RGB 137 107 129

HSL 316, 0.12%, 0.48%

LAB 48.78, 15.84, -7.59

 

CMYK 1 / 22 / 0 / 46

HEX #886B89

RGB 136 107 137

HSL 298, 0.12%, 0.48%

LAB 48.95, 17.06, -12.1

 

CMYK 7 / 22 / 0 / 46

HEX #806B89

RGB 128 107 137

HSL 282, 0.12%, 0.48%

LAB 48.15, 14.18, -13.4

 

CMYK 0 / 22 / 18 / 46

HEX #896B71

RGB 137 107 113

HSL 348, 0.12%, 0.48%

LAB 48.29, 12.93, 1.22

 

CMYK 0 / 44 / 35 / 39

HEX #9C5766

RGB 156 87 102

HSL 346.96, 0.28%, 0.48%

LAB 45.42, 30.24, 3.98

 

CMYK 0 / 61 / 49 / 31

HEX #B0445A

RGB 176 68 90

HSL 347.78, 0.44%, 0.48%

LAB 44.38, 45.88, 10.27

 

CMYK 0 / 76 / 60 / 23

HEX #C4304E

RGB 196 48 78

HSL 347.84, 0.61%, 0.48%

LAB 44.8, 59.13, 18.82

 

CMYK 0 / 87 / 69 / 15

HEX #D81C43

RGB 216 28 67

HSL 347.55, 0.77%, 0.48%

LAB 46.76, 68.97, 28.86

 

CMYK 0 / 22 / 18 / 46

HEX #896B71

RGB 137 107 113

HSL 348, 0.12%, 0.48%

LAB 48.29, 12.93, 1.22

 

CMYK 8 / 0 / 2 / 50

HEX #757F7D

RGB 117 127 125

HSL 168, 0.04%, 0.48%

LAB 52.33, -4.11, -0.19

 

CMYK 34 / 0 / 7 / 42

HEX #619389

RGB 97 147 137

HSL 168, 0.2%, 0.48%

LAB 57.28, -19.09, -0.05

 

CMYK 54 / 0 / 11 / 35

HEX #4DA794

RGB 77 167 148

HSL 167.33, 0.37%, 0.48%

LAB 62.8, -31.64, 1.67

 

CMYK 69 / 0 / 14 / 27

HEX #39BAA0

RGB 57 186 160

HSL 167.91, 0.53%, 0.48%

LAB 68.41, -40.95, 3.07

 

CMYK 0 / 22 / 6 / 46

HEX #896B81

RGB 137 107 129

HSL 316, 0.12%, 0.48%

LAB 48.78, 15.84, -7.59

 

CMYK 0 / 22 / 12 / 46

HEX #896B79

RGB 137 107 121

HSL 332, 0.12%, 0.48%

LAB 48.53, 14.34, -3.2

 

CMYK 0 / 22 / 17 / 46

HEX #896B72

RGB 137 107 114

HSL 346, 0.12%, 0.48%

LAB 48.32, 13.1, 0.67

 

CMYK 0 / 20 / 22 / 46

HEX #896D6B

RGB 137 109 107

HSL 4, 0.12%, 0.48%

LAB 48.66, 10.75, 5.32

 

CMYK 0 / 15 / 22 / 46

HEX #89756B

RGB 137 117 107

HSL 20, 0.12%, 0.48%

LAB 50.81, 6.08, 8.39

 

CMYK 0 / 21 / 17 / 65

HEX #5A474B

RGB 90 71 75

HSL 347.37, 0.12%, 0.32%

LAB 32.23, 8.83, 0.68

 

CMYK 0 / 21 / 17 / 56

HEX #71595E

RGB 113 89 94

HSL 347.5, 0.12%, 0.4%

LAB 40.35, 10.72, 0.87

 

CMYK 0 / 22 / 18 / 46

HEX #896B71

RGB 137 107 113

HSL 348, 0.12%, 0.48%

LAB 48.29, 12.93, 1.22

 

CMYK 0 / 17 / 13 / 39

HEX #9C8187

RGB 156 129 135

HSL 346.67, 0.12%, 0.56%

LAB 56.6, 11.36, 0.64

 

CMYK 0 / 13 / 10 / 32

HEX #AE989D

RGB 174 152 157

HSL 346.36, 0.12%, 0.64%

LAB 64.87, 9, 0.37

 

CMYK 0 / 21 / 17 / 46

HEX #896C72

RGB 137 108 114

HSL 347.59, 0.12%, 0.48%

LAB 48.58, 12.51, 1.05

 

CMYK 0 / 1 / 22 / 46

HEX #89886B

RGB 137 136 107

HSL 58, 0.12%, 0.48%

LAB 56.08, -4.73, 15.75

 

CMYK 22 / 9 / 0 / 46

HEX #6B7D89

RGB 107 125 137

HSL 204, 0.12%, 0.48%

LAB 51.38, -3.77, -8.71

 

CMYK 0 / 21 / 17 / 46

HEX #896C72

RGB 137 108 114

HSL 347.59, 0.12%, 0.48%

LAB 48.58, 12.51, 1.05

 

CMYK 17 / 0 / 22 / 46

HEX #72896B

RGB 114 137 107

HSL 106, 0.12%, 0.48%

LAB 54.59, -14.28, 13.41

 

CMYK 22 / 17 / 0 / 46

HEX #6B7289

RGB 107 114 137

HSL 226, 0.12%, 0.48%

LAB 48.22, 2.66, -13.47

 

CMYK 0 / 21 / 17 / 46

HEX #896C72

RGB 137 108 114

HSL 347.59, 0.12%, 0.48%

LAB 48.58, 12.51, 1.05

 

CMYK 0 / 1 / 22 / 46

HEX #89886B

RGB 137 136 107

HSL 58, 0.12%, 0.48%

LAB 56.08, -4.73, 15.75

 

CMYK 22 / 0 / 5 / 46

HEX #6B8982

RGB 107 137 130

HSL 166, 0.12%, 0.48%

LAB 54.69, -12.14, 0.26

 

CMYK 22 / 21 / 0 / 46

HEX #6B6C89

RGB 107 108 137

HSL 238, 0.12%, 0.48%

LAB 46.52, 6.25, -16.04

 

CMYK 0 / 21 / 17 / 46

HEX #896C72

RGB 137 108 114

HSL 347.59, 0.12%, 0.48%

LAB 48.58, 12.51, 1.05

 

CMYK 7 / 0 / 22 / 46

HEX #80896B

RGB 128 137 107

HSL 78, 0.12%, 0.48%

LAB 55.63, -8.87, 15.02

 

CMYK 22 / 0 / 5 / 46

HEX #6B8982

RGB 107 137 130

HSL 166, 0.12%, 0.48%

LAB 54.69, -12.14, 0.26

 

CMYK 15 / 22 / 0 / 46

HEX #746B89

RGB 116 107 137

HSL 258, 0.12%, 0.48%

LAB 47.02, 9.94, -15.21

 

Description

Color code: HEX #896C72 | qconv.com Color code: HEX #896C72 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 108 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 108 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 17 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 17% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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