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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #896D52 it is the complementary color #7692AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #896D52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #896D52 shade: #8E6D4D, #9F7F60, #B09173, #C1A386 and #D2B599

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #896D52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #896D52 shade: #896D52, #785B3F, #67492C, #563719 and #452506

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #896D52 shade: #896D52, #895E52 and #895252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #896D52 shade: #896D52, #897B52, #878952, #788952 and #698952

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #896D52 shade matches the following richer shades: #896D52, #9A6C40, #AC6C2E, #BE6C1D and #D06B0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #896D52 shade: #896D52, #776D63, #656D75, #536E87 and #426E99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #896D52 shade: #895254, #895E52, #896C52, #897B52 and #888952

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #896D52 shade: #554433, #6F5842, #896D52, #A18163 and #B0967C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #896D52 shade: #896D52, #638952 and #565289

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #896D52 shade: #896D52, #52896C and #6C5289

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #896D52 shade: #896D52, #638952, #526E89 and #775289

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #896D52 shade: #896D52, #538952, #526E89 and #885289

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 40 / 46

HEX #896D52

RGB 137 109 82

HSL 29.45, 0.25%, 0.43%

LAB 48.09, 7.16, 19.29

 

Complementary color

CMYK 32 / 16 / 0 / 32

HEX #7692AD

RGB 118 146 173

HSL 209.45, 0.25%, 0.57%

LAB 59.37, -3.25, -17.35

 

CMYK 0 / 23 / 46 / 44

HEX #8E6D4D

RGB 142 109 77

HSL 29.54, 0.3%, 0.43%

LAB 48.54, 8.74, 22.89

 

CMYK 0 / 20 / 40 / 38

HEX #9F7F60

RGB 159 127 96

HSL 29.52, 0.25%, 0.5%

LAB 55.48, 7.94, 21.53

 

CMYK 0 / 18 / 35 / 31

HEX #B09173

RGB 176 145 115

HSL 29.51, 0.28%, 0.57%

LAB 62.27, 7.27, 20.3

 

CMYK 0 / 16 / 31 / 24

HEX #C1A386

RGB 193 163 134

HSL 29.49, 0.32%, 0.64%

LAB 68.93, 6.69, 19.17

 

CMYK 0 / 14 / 27 / 18

HEX #D2B599

RGB 210 181 153

HSL 29.47, 0.39%, 0.71%

LAB 75.48, 6.2, 18.13

 

CMYK 0 / 20 / 40 / 46

HEX #896D52

RGB 137 109 82

HSL 29.45, 0.25%, 0.43%

LAB 48.09, 7.16, 19.29

 

CMYK 0 / 24 / 48 / 53

HEX #785B3F

RGB 120 91 63

HSL 29.47, 0.31%, 0.36%

LAB 40.95, 8, 20.7

 

CMYK 0 / 29 / 57 / 60

HEX #67492C

RGB 103 73 44

HSL 29.49, 0.4%, 0.29%

LAB 33.63, 9.08, 22.28

 

CMYK 0 / 36 / 71 / 66

HEX #563719

RGB 86 55 25

HSL 29.51, 0.55%, 0.22%

LAB 26.1, 10.5, 24.02

 

CMYK 0 / 46 / 91 / 73

HEX #452506

RGB 69 37 6

HSL 29.52, 0.84%, 0.15%

LAB 18.37, 12.43, 24.4

 

CMYK 0 / 20 / 40 / 46

HEX #896D52

RGB 137 109 82

HSL 29.45, 0.25%, 0.43%

LAB 48.09, 7.16, 19.29

 

CMYK 0 / 31 / 40 / 46

HEX #895E52

RGB 137 94 82

HSL 13.09, 0.25%, 0.43%

LAB 44.14, 15.96, 13.94

 

CMYK 0 / 40 / 40 / 46

HEX #895252

RGB 137 82 82

HSL 0, 0.25%, 0.43%

LAB 41.16, 22.98, 9.81

 

CMYK 0 / 20 / 40 / 46

HEX #896D52

RGB 137 109 82

HSL 29.45, 0.25%, 0.43%

LAB 48.09, 7.16, 19.29

 

CMYK 0 / 10 / 40 / 46

HEX #897B52

RGB 137 123 82

HSL 44.73, 0.25%, 0.43%

LAB 51.94, -0.9, 24.38

 

CMYK 1 / 0 / 40 / 46

HEX #878952

RGB 135 137 82

HSL 62.18, 0.25%, 0.43%

LAB 55.74, -9.55, 29.23

 

CMYK 12 / 0 / 40 / 46

HEX #788952

RGB 120 137 82

HSL 78.55, 0.25%, 0.43%

LAB 54.55, -15.81, 27.47

 

CMYK 23 / 0 / 40 / 46

HEX #698952

RGB 105 137 82

HSL 94.91, 0.25%, 0.43%

LAB 53.5, -21.79, 25.9

 

CMYK 0 / 20 / 40 / 46

HEX #896D52

RGB 137 109 82

HSL 29.45, 0.25%, 0.43%

LAB 48.09, 7.16, 19.29

 

CMYK 0 / 30 / 58 / 40

HEX #9A6C40

RGB 154 108 64

HSL 29.33, 0.41%, 0.43%

LAB 49.45, 13.34, 31.66

 

CMYK 0 / 37 / 73 / 33

HEX #AC6C2E

RGB 172 108 46

HSL 29.52, 0.58%, 0.43%

LAB 51.49, 20.09, 43.89

 

CMYK 0 / 43 / 85 / 25

HEX #BE6C1D

RGB 190 108 29

HSL 29.44, 0.74%, 0.43%

LAB 53.77, 27.21, 54.09

 

CMYK 0 / 49 / 95 / 18

HEX #D06B0B

RGB 208 107 11

HSL 29.24, 0.9%, 0.43%

LAB 56.04, 34.89, 61.92

 

CMYK 0 / 20 / 40 / 46

HEX #896D52

RGB 137 109 82

HSL 29.45, 0.25%, 0.43%

LAB 48.09, 7.16, 19.29

 

CMYK 0 / 8 / 17 / 53

HEX #776D63

RGB 119 109 99

HSL 30, 0.09%, 0.43%

LAB 46.66, 2.08, 6.99

 

CMYK 14 / 7 / 0 / 54

HEX #656D75

RGB 101 109 117

HSL 210, 0.07%, 0.43%

LAB 45.62, -1.25, -5.49

 

CMYK 39 / 19 / 0 / 47

HEX #536E87

RGB 83 110 135

HSL 208.85, 0.24%, 0.43%

LAB 45.28, -3.14, -16.91

 

CMYK 57 / 28 / 0 / 40

HEX #426E99

RGB 66 110 153

HSL 209.66, 0.4%, 0.43%

LAB 45.1, -2, -27.97

 

CMYK 0 / 40 / 39 / 46

HEX #895254

RGB 137 82 84

HSL 357.82, 0.25%, 0.43%

LAB 41.21, 23.23, 8.65

 

CMYK 0 / 31 / 40 / 46

HEX #895E52

RGB 137 94 82

HSL 13.09, 0.25%, 0.43%

LAB 44.14, 15.96, 13.94

 

CMYK 0 / 21 / 40 / 46

HEX #896C52

RGB 137 108 82

HSL 28.36, 0.25%, 0.43%

LAB 47.82, 7.74, 18.93

 

CMYK 0 / 10 / 40 / 46

HEX #897B52

RGB 137 123 82

HSL 44.73, 0.25%, 0.43%

LAB 51.94, -0.9, 24.38

 

CMYK 1 / 0 / 40 / 46

HEX #888952

RGB 136 137 82

HSL 61.09, 0.25%, 0.43%

LAB 55.82, -9.13, 29.35

 

CMYK 0 / 20 / 40 / 67

HEX #554433

RGB 85 68 51

HSL 30, 0.25%, 0.27%

LAB 30.17, 4.53, 13.05

 

CMYK 0 / 21 / 41 / 56

HEX #6F5842

RGB 111 88 66

HSL 29.33, 0.25%, 0.35%

LAB 39.16, 6.11, 16.35

 

CMYK 0 / 20 / 40 / 46

HEX #896D52

RGB 137 109 82

HSL 29.45, 0.25%, 0.43%

LAB 48.09, 7.16, 19.29

 

CMYK 0 / 20 / 39 / 37

HEX #A18163

RGB 161 129 99

HSL 29.03, 0.25%, 0.51%

LAB 56.27, 8.01, 20.93

 

CMYK 0 / 15 / 30 / 31

HEX #B0967C

RGB 176 150 124

HSL 30, 0.25%, 0.59%

LAB 63.75, 5.69, 17.31

 

CMYK 0 / 20 / 40 / 46

HEX #896D52

RGB 137 109 82

HSL 29.45, 0.25%, 0.43%

LAB 48.09, 7.16, 19.29

 

CMYK 28 / 0 / 40 / 46

HEX #638952

RGB 99 137 82

HSL 101.45, 0.25%, 0.43%

LAB 53.12, -24.08, 25.34

 

CMYK 37 / 40 / 0 / 46

HEX #565289

RGB 86 82 137

HSL 244.36, 0.25%, 0.43%

LAB 37.52, 15.69, -30.14

 

CMYK 0 / 20 / 40 / 46

HEX #896D52

RGB 137 109 82

HSL 29.45, 0.25%, 0.43%

LAB 48.09, 7.16, 19.29

 

CMYK 40 / 0 / 21 / 46

HEX #52896C

RGB 82 137 108

HSL 148.36, 0.25%, 0.43%

LAB 52.69, -25.1, 9.91

 

CMYK 21 / 40 / 0 / 46

HEX #6C5289

RGB 108 82 137

HSL 268.36, 0.25%, 0.43%

LAB 39.63, 22.49, -26.67

 

CMYK 0 / 20 / 40 / 46

HEX #896D52

RGB 137 109 82

HSL 29.45, 0.25%, 0.43%

LAB 48.09, 7.16, 19.29

 

CMYK 28 / 0 / 40 / 46

HEX #638952

RGB 99 137 82

HSL 101.45, 0.25%, 0.43%

LAB 53.12, -24.08, 25.34

 

CMYK 40 / 20 / 0 / 46

HEX #526E89

RGB 82 110 137

HSL 209.45, 0.25%, 0.43%

LAB 45.29, -2.86, -18.08

 

CMYK 13 / 40 / 0 / 46

HEX #775289

RGB 119 82 137

HSL 280.36, 0.25%, 0.43%

LAB 40.84, 26.06, -24.7

 

CMYK 0 / 20 / 40 / 46

HEX #896D52

RGB 137 109 82

HSL 29.45, 0.25%, 0.43%

LAB 48.09, 7.16, 19.29

 

CMYK 39 / 0 / 40 / 46

HEX #538952

RGB 83 137 82

HSL 118.91, 0.25%, 0.43%

LAB 52.22, -29.76, 24

 

CMYK 40 / 20 / 0 / 46

HEX #526E89

RGB 82 110 137

HSL 209.45, 0.25%, 0.43%

LAB 45.29, -2.86, -18.08

 

CMYK 1 / 40 / 0 / 46

HEX #885289

RGB 136 82 137

HSL 298.91, 0.25%, 0.43%

LAB 42.88, 31.68, -21.38

 

Description

Color code: HEX #896D52 | qconv.com Color code: HEX #896D52 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 109 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 109 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 40 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 40% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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