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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #897466 it is the complementary color #768B99. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #897466. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #897466 shade: #8E7461, #9F8674, #B09887, #C1AA9A and #D2BCAD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #897466. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #897466 shade: #897466, #786253, #675040, #563E2D and #452C1A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #897466 shade: #897465, #896A65 and #896565

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #897466 shade: #897465, #897D65, #898765, #828965 and #788965

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #897466 shade matches the following richer shades: #897465, #9D7052, #B06C3F, #C4682B and #D76418

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #897466 shade: #897465, #767879, #637C8C, #4F7FA0 and #3C83B3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #897466 shade: #89656A, #896A65, #897465, #897D65 and #898765

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #897466 shade: #5A4C42, #726054, #897465, #9D897B and #AF9E93

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #897466 shade: #897466, #748965 and #656589

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #897466 shade: #897466, #658974 and #746589

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #897466 shade: #897466, #748965, #657B89 and #7B6589

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #897466 shade: #897466, #698965, #657B89 and #866589

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 26 / 46

HEX #897466

RGB 137 116 102

HSL 24, 0.15%, 0.47%

LAB 50.42, 5.88, 10.77

 

Complementary color

CMYK 23 / 9 / 0 / 40

HEX #768B99

RGB 118 139 153

HSL 204, 0.15%, 0.53%

LAB 56.7, -4.27, -9.95

 

CMYK 0 / 18 / 32 / 44

HEX #8E7461

RGB 142 116 97

HSL 25.33, 0.19%, 0.47%

LAB 50.81, 7.22, 14.33

 

CMYK 0 / 16 / 27 / 38

HEX #9F8674

RGB 159 134 116

HSL 25.12, 0.18%, 0.54%

LAB 57.73, 6.65, 13.23

 

CMYK 0 / 14 / 23 / 31

HEX #B09887

RGB 176 152 135

HSL 24.88, 0.21%, 0.61%

LAB 64.51, 6.17, 12.23

 

CMYK 0 / 12 / 20 / 24

HEX #C1AA9A

RGB 193 170 154

HSL 24.62, 0.24%, 0.68%

LAB 71.16, 5.75, 11.3

 

CMYK 0 / 10 / 18 / 18

HEX #D2BCAD

RGB 210 188 173

HSL 24.32, 0.29%, 0.75%

LAB 77.69, 5.38, 10.43

 

CMYK 0 / 15 / 26 / 46

HEX #897466

RGB 137 116 102

HSL 24, 0.15%, 0.47%

LAB 50.42, 5.88, 10.77

 

CMYK 0 / 18 / 31 / 53

HEX #786253

RGB 120 98 83

HSL 24.32, 0.18%, 0.4%

LAB 43.29, 6.44, 11.87

 

CMYK 0 / 22 / 38 / 60

HEX #675040

RGB 103 80 64

HSL 24.62, 0.23%, 0.33%

LAB 35.97, 7.13, 13.11

 

CMYK 0 / 28 / 48 / 66

HEX #563E2D

RGB 86 62 45

HSL 24.88, 0.31%, 0.26%

LAB 28.41, 8.02, 14.55

 

CMYK 0 / 36 / 62 / 73

HEX #452C1A

RGB 69 44 26

HSL 25.12, 0.45%, 0.19%

LAB 20.6, 9.24, 16.28

 

CMYK 0 / 15 / 26 / 46

HEX #897465

RGB 137 116 101

HSL 25, 0.15%, 0.47%

LAB 50.39, 5.72, 11.33

 

CMYK 0 / 23 / 26 / 46

HEX #896A65

RGB 137 106 101

HSL 8.33, 0.15%, 0.47%

LAB 47.71, 11.56, 7.54

 

CMYK 0 / 26 / 26 / 46

HEX #896565

RGB 137 101 101

HSL 0, 0.15%, 0.47%

LAB 46.4, 14.5, 5.68

 

CMYK 0 / 15 / 26 / 46

HEX #897465

RGB 137 116 101

HSL 25, 0.15%, 0.47%

LAB 50.39, 5.72, 11.33

 

CMYK 0 / 9 / 26 / 46

HEX #897D65

RGB 137 125 101

HSL 40, 0.15%, 0.47%

LAB 52.87, 0.55, 14.77

 

CMYK 0 / 1 / 26 / 46

HEX #898765

RGB 137 135 101

HSL 56.67, 0.15%, 0.47%

LAB 55.67, -5.08, 18.6

 

CMYK 5 / 0 / 26 / 46

HEX #828965

RGB 130 137 101

HSL 71.67, 0.15%, 0.47%

LAB 55.66, -9.03, 18.5

 

CMYK 12 / 0 / 26 / 46

HEX #788965

RGB 120 137 101

HSL 88.33, 0.15%, 0.47%

LAB 54.89, -13, 17.32

 

CMYK 0 / 15 / 26 / 46

HEX #897465

RGB 137 116 101

HSL 25, 0.15%, 0.47%

LAB 50.39, 5.72, 11.33

 

CMYK 0 / 29 / 48 / 38

HEX #9D7052

RGB 157 112 82

HSL 24, 0.31%, 0.47%

LAB 51.11, 14.05, 23.7

 

CMYK 0 / 39 / 64 / 31

HEX #B06C3F

RGB 176 108 63

HSL 23.89, 0.47%, 0.47%

LAB 52.19, 22.82, 36.14

 

CMYK 0 / 47 / 78 / 23

HEX #C4682B

RGB 196 104 43

HSL 23.92, 0.64%, 0.47%

LAB 53.83, 32.32, 48.71

 

CMYK 0 / 53 / 89 / 16

HEX #D76418

RGB 215 100 24

HSL 23.87, 0.8%, 0.47%

LAB 55.71, 41.41, 58.87

 

CMYK 0 / 15 / 26 / 46

HEX #897465

RGB 137 116 101

HSL 25, 0.15%, 0.47%

LAB 50.39, 5.72, 11.33

 

CMYK 2 / 1 / 0 / 53

HEX #767879

RGB 118 120 121

HSL 200, 0.01%, 0.47%

LAB 50.29, -0.55, -0.82

 

CMYK 29 / 11 / 0 / 45

HEX #637C8C

RGB 99 124 140

HSL 203.41, 0.17%, 0.47%

LAB 50.64, -5.06, -11.63

 

CMYK 51 / 21 / 0 / 37

HEX #4F7FA0

RGB 79 127 160

HSL 204.44, 0.34%, 0.47%

LAB 51.13, -6.76, -22.68

 

CMYK 66 / 27 / 0 / 30

HEX #3C83B3

RGB 60 131 179

HSL 204.2, 0.5%, 0.47%

LAB 52.34, -6.82, -31.85

 

CMYK 0 / 26 / 23 / 46

HEX #89656A

RGB 137 101 106

HSL 351.67, 0.15%, 0.47%

LAB 46.53, 15.29, 2.87

 

CMYK 0 / 23 / 26 / 46

HEX #896A65

RGB 137 106 101

HSL 8.33, 0.15%, 0.47%

LAB 47.71, 11.56, 7.54

 

CMYK 0 / 15 / 26 / 46

HEX #897465

RGB 137 116 101

HSL 25, 0.15%, 0.47%

LAB 50.39, 5.72, 11.33

 

CMYK 0 / 9 / 26 / 46

HEX #897D65

RGB 137 125 101

HSL 40, 0.15%, 0.47%

LAB 52.87, 0.55, 14.77

 

CMYK 0 / 1 / 26 / 46

HEX #898765

RGB 137 135 101

HSL 56.67, 0.15%, 0.47%

LAB 55.67, -5.08, 18.6

 

CMYK 0 / 16 / 27 / 65

HEX #5A4C42

RGB 90 76 66

HSL 25, 0.15%, 0.31%

LAB 33.43, 4.09, 8.12

 

CMYK 0 / 16 / 26 / 55

HEX #726054

RGB 114 96 84

HSL 24, 0.15%, 0.39%

LAB 42.13, 5.22, 9.55

 

CMYK 0 / 15 / 26 / 46

HEX #897465

RGB 137 116 101

HSL 25, 0.15%, 0.47%

LAB 50.39, 5.72, 11.33

 

CMYK 0 / 13 / 22 / 38

HEX #9D897B

RGB 157 137 123

HSL 24.71, 0.15%, 0.55%

LAB 58.5, 5.22, 10.28

 

CMYK 0 / 10 / 16 / 31

HEX #AF9E93

RGB 175 158 147

HSL 23.57, 0.15%, 0.63%

LAB 66.27, 4.36, 8

 

CMYK 0 / 15 / 26 / 46

HEX #897466

RGB 137 116 102

HSL 24, 0.15%, 0.47%

LAB 50.42, 5.88, 10.77

 

CMYK 15 / 0 / 26 / 46

HEX #748965

RGB 116 137 101

HSL 95, 0.15%, 0.47%

LAB 54.6, -14.56, 16.87

 

CMYK 26 / 26 / 0 / 46

HEX #656589

RGB 101 101 137

HSL 240, 0.15%, 0.47%

LAB 44.06, 8.5, -19.86

 

CMYK 0 / 15 / 26 / 46

HEX #897466

RGB 137 116 102

HSL 24, 0.15%, 0.47%

LAB 50.42, 5.88, 10.77

 

CMYK 26 / 0 / 15 / 46

HEX #658974

RGB 101 137 116

HSL 145, 0.15%, 0.47%

LAB 53.94, -17.21, 7.22

 

CMYK 15 / 26 / 0 / 46

HEX #746589

RGB 116 101 137

HSL 265, 0.15%, 0.47%

LAB 45.4, 13.56, -17.69

 

CMYK 0 / 15 / 26 / 46

HEX #897466

RGB 137 116 102

HSL 24, 0.15%, 0.47%

LAB 50.42, 5.88, 10.77

 

CMYK 15 / 0 / 26 / 46

HEX #748965

RGB 116 137 101

HSL 95, 0.15%, 0.47%

LAB 54.6, -14.56, 16.87

 

CMYK 26 / 10 / 0 / 46

HEX #657B89

RGB 101 123 137

HSL 203.33, 0.15%, 0.47%

LAB 50.38, -4.6, -10.25

 

CMYK 10 / 26 / 0 / 46

HEX #7B6589

RGB 123 101 137

HSL 276.67, 0.15%, 0.47%

LAB 46.08, 16, -16.59

 

CMYK 0 / 15 / 26 / 46

HEX #897466

RGB 137 116 102

HSL 24, 0.15%, 0.47%

LAB 50.42, 5.88, 10.77

 

CMYK 23 / 0 / 26 / 46

HEX #698965

RGB 105 137 101

HSL 113.33, 0.15%, 0.47%

LAB 53.85, -18.7, 15.73

 

CMYK 26 / 10 / 0 / 46

HEX #657B89

RGB 101 123 137

HSL 203.33, 0.15%, 0.47%

LAB 50.38, -4.6, -10.25

 

CMYK 2 / 26 / 0 / 46

HEX #866589

RGB 134 101 137

HSL 295, 0.15%, 0.47%

LAB 47.21, 19.89, -14.76

 

Description

Color code: HEX #897466 | qconv.com Color code: HEX #897466 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 116 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 116 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 26 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 26% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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