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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #89766C it is the complementary color #768993. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #89766C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #89766C shade: #8E7667, #9F887A, #B09A8D, #C1ACA0 and #D2BEB3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #89766C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #89766C shade: #89766C, #786459, #675246, #564033 and #452E20

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #89766C shade: #89756B, #896D6B and #896B6B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #89766C shade: #89756B, #897D6B, #89856B, #84896B and #7C896B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #89766C shade matches the following richer shades: #89756B, #9C6F57, #B06944, #C46330 and #D85D1C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #89766C shade: #89756B, #757B7F, #618293, #4D88A7 and #398EBA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #89766C shade: #896B71, #896D6B, #89756B, #897D6B and #89856B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #89766C shade: #5A4E47, #716159, #89756B, #9C8A81 and #AEA098

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #89766C shade: #89766C, #79896B and #6B6D89

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #89766C shade: #89766C, #6B8975 and #756B89

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #89766C shade: #89766C, #79896B, #6B7F89 and #7B6B89

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #89766C shade: #89766C, #70896B, #6B7F89 and #846B89

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 21 / 46

HEX #89766C

RGB 137 118 108

HSL 20.69, 0.12%, 0.48%

LAB 51.1, 5.67, 8.22

 

Complementary color

CMYK 20 / 7 / 0 / 42

HEX #768993

RGB 118 137 147

HSL 200.69, 0.12%, 0.52%

LAB 55.94, -4.56, -7.63

 

CMYK 0 / 17 / 27 / 44

HEX #8E7667

RGB 142 118 103

HSL 23.08, 0.16%, 0.48%

LAB 51.48, 6.93, 11.75

 

CMYK 0 / 14 / 23 / 38

HEX #9F887A

RGB 159 136 122

HSL 22.7, 0.16%, 0.55%

LAB 58.4, 6.42, 10.74

 

CMYK 0 / 13 / 20 / 31

HEX #B09A8D

RGB 176 154 141

HSL 22.29, 0.18%, 0.62%

LAB 65.17, 5.99, 9.8

 

CMYK 0 / 11 / 17 / 24

HEX #C1ACA0

RGB 193 172 160

HSL 21.82, 0.21%, 0.69%

LAB 71.81, 5.6, 8.93

 

CMYK 0 / 10 / 15 / 18

HEX #D2BEB3

RGB 210 190 179

HSL 21.29, 0.26%, 0.76%

LAB 78.34, 5.26, 8.11

 

CMYK 0 / 14 / 21 / 46

HEX #89766C

RGB 137 118 108

HSL 20.69, 0.12%, 0.48%

LAB 51.1, 5.67, 8.22

 

CMYK 0 / 17 / 26 / 53

HEX #786459

RGB 120 100 89

HSL 21.29, 0.15%, 0.41%

LAB 43.99, 6.16, 9.22

 

CMYK 0 / 20 / 32 / 60

HEX #675246

RGB 103 82 70

HSL 21.82, 0.19%, 0.34%

LAB 36.67, 6.77, 10.35

 

CMYK 0 / 26 / 41 / 66

HEX #564033

RGB 86 64 51

HSL 22.29, 0.26%, 0.27%

LAB 29.12, 7.54, 11.65

 

CMYK 0 / 33 / 54 / 73

HEX #452E20

RGB 69 46 32

HSL 22.7, 0.37%, 0.2%

LAB 21.3, 8.58, 13.23

 

CMYK 0 / 15 / 22 / 46

HEX #89756B

RGB 137 117 107

HSL 20, 0.12%, 0.48%

LAB 50.81, 6.08, 8.39

 

CMYK 0 / 20 / 22 / 46

HEX #896D6B

RGB 137 109 107

HSL 4, 0.12%, 0.48%

LAB 48.66, 10.75, 5.32

 

CMYK 0 / 22 / 22 / 46

HEX #896B6B

RGB 137 107 107

HSL 0, 0.12%, 0.48%

LAB 48.13, 11.93, 4.56

 

CMYK 0 / 15 / 22 / 46

HEX #89756B

RGB 137 117 107

HSL 20, 0.12%, 0.48%

LAB 50.81, 6.08, 8.39

 

CMYK 0 / 9 / 22 / 46

HEX #897D6B

RGB 137 125 107

HSL 36, 0.12%, 0.48%

LAB 53, 1.48, 11.48

 

CMYK 0 / 3 / 22 / 46

HEX #89856B

RGB 137 133 107

HSL 52, 0.12%, 0.48%

LAB 55.23, -3.05, 14.59

 

CMYK 4 / 0 / 22 / 46

HEX #84896B

RGB 132 137 107

HSL 70, 0.12%, 0.48%

LAB 55.95, -7.29, 15.51

 

CMYK 9 / 0 / 22 / 46

HEX #7C896B

RGB 124 137 107

HSL 86, 0.12%, 0.48%

LAB 55.32, -10.44, 14.54

 

CMYK 0 / 15 / 22 / 46

HEX #89756B

RGB 137 117 107

HSL 20, 0.12%, 0.48%

LAB 50.81, 6.08, 8.39

 

CMYK 0 / 29 / 44 / 39

HEX #9C6F57

RGB 156 111 87

HSL 20.87, 0.28%, 0.48%

LAB 50.83, 14.75, 20.43

 

CMYK 0 / 40 / 61 / 31

HEX #B06944

RGB 176 105 68

HSL 20.56, 0.44%, 0.48%

LAB 51.55, 24.85, 32.65

 

CMYK 0 / 49 / 76 / 23

HEX #C46330

RGB 196 99 48

HSL 20.68, 0.61%, 0.48%

LAB 52.81, 35.15, 45.33

 

CMYK 0 / 57 / 87 / 15

HEX #D85D1C

RGB 216 93 28

HSL 20.74, 0.77%, 0.48%

LAB 54.57, 45.27, 56.69

 

CMYK 0 / 15 / 22 / 46

HEX #89756B

RGB 137 117 107

HSL 20, 0.12%, 0.48%

LAB 50.81, 6.08, 8.39

 

CMYK 8 / 3 / 0 / 50

HEX #757B7F

RGB 117 123 127

HSL 204, 0.04%, 0.48%

LAB 51.24, -1.39, -2.96

 

CMYK 34 / 12 / 0 / 42

HEX #618293

RGB 97 130 147

HSL 200.4, 0.2%, 0.48%

LAB 52.52, -7.28, -12.89

 

CMYK 54 / 19 / 0 / 35

HEX #4D88A7

RGB 77 136 167

HSL 200.67, 0.37%, 0.48%

LAB 54, -10.2, -22.32

 

CMYK 69 / 24 / 0 / 27

HEX #398EBA

RGB 57 142 186

HSL 200.47, 0.53%, 0.48%

LAB 55.85, -11.19, -30.4

 

CMYK 0 / 22 / 18 / 46

HEX #896B71

RGB 137 107 113

HSL 348, 0.12%, 0.48%

LAB 48.29, 12.93, 1.22

 

CMYK 0 / 20 / 22 / 46

HEX #896D6B

RGB 137 109 107

HSL 4, 0.12%, 0.48%

LAB 48.66, 10.75, 5.32

 

CMYK 0 / 15 / 22 / 46

HEX #89756B

RGB 137 117 107

HSL 20, 0.12%, 0.48%

LAB 50.81, 6.08, 8.39

 

CMYK 0 / 9 / 22 / 46

HEX #897D6B

RGB 137 125 107

HSL 36, 0.12%, 0.48%

LAB 53, 1.48, 11.48

 

CMYK 0 / 3 / 22 / 46

HEX #89856B

RGB 137 133 107

HSL 52, 0.12%, 0.48%

LAB 55.23, -3.05, 14.59

 

CMYK 0 / 13 / 21 / 65

HEX #5A4E47

RGB 90 78 71

HSL 22.11, 0.12%, 0.32%

LAB 34.14, 3.7, 5.97

 

CMYK 0 / 14 / 21 / 56

HEX #716159

RGB 113 97 89

HSL 20, 0.12%, 0.4%

LAB 42.43, 5.01, 6.93

 

CMYK 0 / 15 / 22 / 46

HEX #89756B

RGB 137 117 107

HSL 20, 0.12%, 0.48%

LAB 50.81, 6.08, 8.39

 

CMYK 0 / 12 / 17 / 39

HEX #9C8A81

RGB 156 138 129

HSL 20, 0.12%, 0.56%

LAB 58.82, 5.23, 7.29

 

CMYK 0 / 8 / 13 / 32

HEX #AEA098

RGB 174 160 152

HSL 21.82, 0.12%, 0.64%

LAB 66.83, 3.71, 6

 

CMYK 0 / 14 / 21 / 46

HEX #89766C

RGB 137 118 108

HSL 20.69, 0.12%, 0.48%

LAB 51.1, 5.67, 8.22

 

CMYK 12 / 0 / 22 / 46

HEX #79896B

RGB 121 137 107

HSL 92, 0.12%, 0.48%

LAB 55.09, -11.61, 14.19

 

CMYK 22 / 20 / 0 / 46

HEX #6B6D89

RGB 107 109 137

HSL 236, 0.12%, 0.48%

LAB 46.8, 5.65, -15.62

 

CMYK 0 / 14 / 21 / 46

HEX #89766C

RGB 137 118 108

HSL 20.69, 0.12%, 0.48%

LAB 51.1, 5.67, 8.22

 

CMYK 22 / 0 / 15 / 46

HEX #6B8975

RGB 107 137 117

HSL 140, 0.12%, 0.48%

LAB 54.35, -14.92, 7.27

 

CMYK 15 / 22 / 0 / 46

HEX #756B89

RGB 117 107 137

HSL 260, 0.12%, 0.48%

LAB 47.11, 10.29, -15.07

 

CMYK 0 / 14 / 21 / 46

HEX #89766C

RGB 137 118 108

HSL 20.69, 0.12%, 0.48%

LAB 51.1, 5.67, 8.22

 

CMYK 12 / 0 / 22 / 46

HEX #79896B

RGB 121 137 107

HSL 92, 0.12%, 0.48%

LAB 55.09, -11.61, 14.19

 

CMYK 22 / 7 / 0 / 46

HEX #6B7F89

RGB 107 127 137

HSL 200, 0.12%, 0.48%

LAB 51.96, -4.92, -7.84

 

CMYK 10 / 22 / 0 / 46

HEX #7B6B89

RGB 123 107 137

HSL 272, 0.12%, 0.48%

LAB 47.67, 12.4, -14.17

 

CMYK 0 / 14 / 21 / 46

HEX #89766C

RGB 137 118 108

HSL 20.69, 0.12%, 0.48%

LAB 51.1, 5.67, 8.22

 

CMYK 18 / 0 / 22 / 46

HEX #70896B

RGB 112 137 107

HSL 110, 0.12%, 0.48%

LAB 54.45, -15.03, 13.2

 

CMYK 22 / 7 / 0 / 46

HEX #6B7F89

RGB 107 127 137

HSL 200, 0.12%, 0.48%

LAB 51.96, -4.92, -7.84

 

CMYK 4 / 22 / 0 / 46

HEX #846B89

RGB 132 107 137

HSL 290, 0.12%, 0.48%

LAB 48.54, 15.62, -12.76

 

Description

Color code: HEX #89766C | qconv.com Color code: HEX #89766C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 118 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 118 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 21 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 21% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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