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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8978CE it is the complementary color #768731. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8978CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8978CE shade: #8E78C9, #9F8ADC, #B09CEF, #C1AEFF and #D2C0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8978CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8978CE shade: #8978CE, #7866BB, #6754A8, #564295 and #453082

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8978CE shade: #8978CE, #A078CE, #B778CE, #CE78CD and #CE78B6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8978CE shade: #8978CE and #7878CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8978CE shade matches the following richer shades: #8978CE, #8069DD, #775AEC and #6E4BFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8978CE shade: #8978CE, #9286BF, #9B95B0, #A4A4A1 and #ADB392

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8978CE shade: #7896CE, #787FCE, #8778CE, #9E78CE and #B578CE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8978CE shade: #5740B3, #6E59C3, #8978CE, #A396D9 and #BEB4E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8978CE shade: #8978CE, #CE78AD and #8ACE78

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8978CE shade: #8978CE, #CE8778 and #78CE87

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8978CE shade: #8978CE, #CE78AD, #BECE78 and #78CE99

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8978CE shade: #8978CE, #CE7893, #BECE78 and #78CEB3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 42 / 0 / 19

HEX #8978CE

RGB 137 120 206

HSL 251.86, 0.47%, 0.64%

LAB 55.29, 26.11, -42.32

 

Complementary color

CMYK 13 / 0 / 64 / 47

HEX #768731

RGB 118 135 49

HSL 71.86, 0.47%, 0.36%

LAB 53.39, -19.09, 42.87

 

CMYK 29 / 40 / 0 / 21

HEX #8E78C9

RGB 142 120 201

HSL 256.3, 0.43%, 0.63%

LAB 55.48, 26.21, -39.14

 

CMYK 28 / 37 / 0 / 14

HEX #9F8ADC

RGB 159 138 220

HSL 255.37, 0.54%, 0.7%

LAB 62.27, 25.43, -39.08

 

CMYK 26 / 35 / 0 / 6

HEX #B09CEF

RGB 176 156 239

HSL 254.46, 0.72%, 0.77%

LAB 68.92, 24.72, -39.06

 

CMYK 24 / 32 / 0 / 0

HEX #C1AEFF

RGB 193 174 255

HSL 254.07, 1%, 0.84%

LAB 75.35, 23.38, -37.64

 

CMYK 18 / 25 / 0 / 0

HEX #D2C0FF

RGB 210 192 255

HSL 257.14, 1%, 0.88%

LAB 81.08, 18.59, -28.68

 

CMYK 33 / 42 / 0 / 19

HEX #8978CE

RGB 137 120 206

HSL 251.86, 0.47%, 0.64%

LAB 55.29, 26.11, -42.32

 

CMYK 36 / 45 / 0 / 27

HEX #7866BB

RGB 120 102 187

HSL 252.71, 0.38%, 0.57%

LAB 48.37, 27.06, -42.48

 

CMYK 39 / 50 / 0 / 34

HEX #6754A8

RGB 103 84 168

HSL 253.57, 0.33%, 0.49%

LAB 41.3, 28.13, -42.68

 

CMYK 42 / 56 / 0 / 42

HEX #564295

RGB 86 66 149

HSL 254.46, 0.39%, 0.42%

LAB 34.08, 29.36, -42.92

 

CMYK 47 / 63 / 0 / 49

HEX #453082

RGB 69 48 130

HSL 255.37, 0.46%, 0.35%

LAB 26.71, 30.76, -43.16

 

CMYK 33 / 42 / 0 / 19

HEX #8978CE

RGB 137 120 206

HSL 251.86, 0.47%, 0.64%

LAB 55.29, 26.11, -42.32

 

CMYK 22 / 42 / 0 / 19

HEX #A078CE

RGB 160 120 206

HSL 267.91, 0.47%, 0.64%

LAB 57.43, 32.62, -38.8

 

CMYK 11 / 42 / 0 / 19

HEX #B778CE

RGB 183 120 206

HSL 283.95, 0.47%, 0.64%

LAB 59.85, 39.41, -34.83

 

CMYK 0 / 42 / 0 / 19

HEX #CE78CD

RGB 206 120 205

HSL 300.7, 0.47%, 0.64%

LAB 62.48, 46.14, -29.98

 

CMYK 0 / 42 / 12 / 19

HEX #CE78B6

RGB 206 120 182

HSL 316.74, 0.47%, 0.64%

LAB 61.6, 42.14, -18.32

 

CMYK 33 / 42 / 0 / 19

HEX #8978CE

RGB 137 120 206

HSL 251.86, 0.47%, 0.64%

LAB 55.29, 26.11, -42.32

 

CMYK 42 / 42 / 0 / 19

HEX #7878CE

RGB 120 120 206

HSL 240, 0.47%, 0.64%

LAB 53.9, 21.61, -44.59

 

CMYK 33 / 42 / 0 / 19

HEX #8978CE

RGB 137 120 206

HSL 251.86, 0.47%, 0.64%

LAB 55.29, 26.11, -42.32

 

CMYK 42 / 52 / 0 / 13

HEX #8069DD

RGB 128 105 221

HSL 251.9, 0.63%, 0.64%

LAB 51.74, 36.73, -56.5

 

CMYK 50 / 62 / 0 / 7

HEX #775AEC

RGB 119 90 236

HSL 251.92, 0.79%, 0.64%

LAB 48.62, 47.7, -70.02

 

CMYK 56 / 70 / 0 / 2

HEX #6E4BFA

RGB 110 75 250

HSL 252, 0.95%, 0.64%

LAB 45.97, 58.28, -82.23

 

CMYK 33 / 42 / 0 / 19

HEX #8978CE

RGB 137 120 206

HSL 251.86, 0.47%, 0.64%

LAB 55.29, 26.11, -42.32

 

CMYK 24 / 30 / 0 / 25

HEX #9286BF

RGB 146 134 191

HSL 252.63, 0.31%, 0.64%

LAB 58.9, 16.75, -28.1

 

CMYK 12 / 15 / 0 / 31

HEX #9B95B0

RGB 155 149 176

HSL 253.33, 0.15%, 0.64%

LAB 63.01, 7.65, -13.28

 

CMYK 0 / 0 / 2 / 36

HEX #A4A4A1

RGB 164 164 161

HSL 60, 0.02%, 0.64%

LAB 67.29, -0.56, 1.55

 

CMYK 3 / 0 / 18 / 30

HEX #ADB392

RGB 173 179 146

HSL 70.91, 0.18%, 0.64%

LAB 71.69, -7.89, 16.17

 

CMYK 42 / 27 / 0 / 19

HEX #7896CE

RGB 120 150 206

HSL 219.07, 0.47%, 0.64%

LAB 61.88, 3.96, -32.08

 

CMYK 42 / 38 / 0 / 19

HEX #787FCE

RGB 120 127 206

HSL 235.12, 0.47%, 0.64%

LAB 55.71, 17.43, -41.73

 

CMYK 34 / 42 / 0 / 19

HEX #8778CE

RGB 135 120 206

HSL 250.47, 0.47%, 0.64%

LAB 55.11, 25.57, -42.6

 

CMYK 23 / 42 / 0 / 19

HEX #9E78CE

RGB 158 120 206

HSL 266.51, 0.47%, 0.64%

LAB 57.23, 32.04, -39.12

 

CMYK 12 / 42 / 0 / 19

HEX #B578CE

RGB 181 120 206

HSL 282.56, 0.47%, 0.64%

LAB 59.63, 38.81, -35.19

 

CMYK 51 / 64 / 0 / 30

HEX #5740B3

RGB 87 64 179

HSL 252, 0.47%, 0.48%

LAB 35.88, 39.8, -58.01

 

CMYK 44 / 54 / 0 / 24

HEX #6E59C3

RGB 110 89 195

HSL 251.89, 0.47%, 0.56%

LAB 44.8, 34.59, -52.86

 

CMYK 33 / 42 / 0 / 19

HEX #8978CE

RGB 137 120 206

HSL 251.86, 0.47%, 0.64%

LAB 55.29, 26.11, -42.32

 

CMYK 25 / 31 / 0 / 15

HEX #A396D9

RGB 163 150 217

HSL 251.64, 0.47%, 0.72%

LAB 65.44, 19.02, -32.44

 

CMYK 17 / 21 / 0 / 11

HEX #BEB4E4

RGB 190 180 228

HSL 252.5, 0.47%, 0.8%

LAB 75.57, 13.08, -22.72

 

CMYK 33 / 42 / 0 / 19

HEX #8978CE

RGB 137 120 206

HSL 251.86, 0.47%, 0.64%

LAB 55.29, 26.11, -42.32

 

CMYK 0 / 42 / 16 / 19

HEX #CE78AD

RGB 206 120 173

HSL 323.02, 0.47%, 0.64%

LAB 61.28, 40.68, -13.66

 

CMYK 33 / 0 / 42 / 19

HEX #8ACE78

RGB 138 206 120

HSL 107.44, 0.47%, 0.64%

LAB 76.62, -37.65, 36.09

 

CMYK 33 / 42 / 0 / 19

HEX #8978CE

RGB 137 120 206

HSL 251.86, 0.47%, 0.64%

LAB 55.29, 26.11, -42.32

 

CMYK 0 / 34 / 42 / 19

HEX #CE8778

RGB 206 135 120

HSL 10.47, 0.47%, 0.64%

LAB 63.18, 25.44, 19.28

 

CMYK 42 / 0 / 34 / 19

HEX #78CE87

RGB 120 206 135

HSL 130.47, 0.47%, 0.64%

LAB 76, -40.95, 27.4

 

CMYK 33 / 42 / 0 / 19

HEX #8978CE

RGB 137 120 206

HSL 251.86, 0.47%, 0.64%

LAB 55.29, 26.11, -42.32

 

CMYK 0 / 42 / 16 / 19

HEX #CE78AD

RGB 206 120 173

HSL 323.02, 0.47%, 0.64%

LAB 61.28, 40.68, -13.66

 

CMYK 8 / 0 / 42 / 19

HEX #BECE78

RGB 190 206 120

HSL 71.16, 0.47%, 0.64%

LAB 79.87, -18.68, 40.89

 

CMYK 42 / 0 / 26 / 19

HEX #78CE99

RGB 120 206 153

HSL 143.02, 0.47%, 0.64%

LAB 76.34, -37.69, 18.39

 

CMYK 33 / 42 / 0 / 19

HEX #8978CE

RGB 137 120 206

HSL 251.86, 0.47%, 0.64%

LAB 55.29, 26.11, -42.32

 

CMYK 0 / 42 / 29 / 19

HEX #CE7893

RGB 206 120 147

HSL 341.16, 0.47%, 0.64%

LAB 60.48, 36.85, 0.06

 

CMYK 8 / 0 / 42 / 19

HEX #BECE78

RGB 190 206 120

HSL 71.16, 0.47%, 0.64%

LAB 79.87, -18.68, 40.89

 

CMYK 42 / 0 / 13 / 19

HEX #78CEB3

RGB 120 206 179

HSL 161.16, 0.47%, 0.64%

LAB 76.91, -32.3, 5.32

 

Description

Color code: HEX #8978CE | qconv.com Color code: HEX #8978CE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 120 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 120 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 42 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 42% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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