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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #897B05 it is the complementary color #7684FA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #897B05. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #897B05 shade: #8E7B00, #9F8D13, #B09F26, #C1B139 and #D2C34C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #897B05. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #897B05 shade: #897B05, #786900, #675700, #564500 and #453300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #897B05 shade: #897B04, #895704, #893404, #891004 and #890404

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #897B05 shade: #897B04, #748904, #508904, #2C8904 and #088904

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #897B05 shade matches the following richer shades: #897B04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #897B05 shade: #897B04, #7E7210, #72691C, #676027 and #5B5733

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #897B05 shade: #893304, #895604, #897A04, #758904 and #528904

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #897B05 shade: #3A3402, #615703, #897B04, #B19F06 and #D9C307

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #897B05 shade: #897B05, #048910 and #450489

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #897B05 shade: #897B05, #04897A and #7A0489

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #897B05 shade: #897B05, #048910, #041489 and #89047E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #897B05 shade: #897B05, #048937, #041489 and #890456

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 96 / 46

HEX #897B05

RGB 137 123 5

HSL 53.64, 0.93%, 0.28%

LAB 51.26, -5.87, 55.64

 

Complementary color

CMYK 53 / 47 / 0 / 2

HEX #7684FA

RGB 118 132 250

HSL 233.64, 0.93%, 0.72%

LAB 59.21, 27.16, -60.74

 

CMYK 0 / 13 / 100 / 44

HEX #8E7B00

RGB 142 123 0

HSL 51.97, 1%, 0.28%

LAB 51.74, -3.6, 57.19

 

CMYK 0 / 11 / 88 / 38

HEX #9F8D13

RGB 159 141 19

HSL 52.29, 0.79%, 0.35%

LAB 58.48, -5.26, 59.45

 

CMYK 0 / 10 / 78 / 31

HEX #B09F26

RGB 176 159 38

HSL 52.61, 0.64%, 0.42%

LAB 65.09, -6.66, 60.42

 

CMYK 0 / 8 / 70 / 24

HEX #C1B139

RGB 193 177 57

HSL 52.94, 0.54%, 0.49%

LAB 71.61, -7.82, 60.34

 

CMYK 0 / 7 / 64 / 18

HEX #D2C34C

RGB 210 195 76

HSL 53.28, 0.6%, 0.56%

LAB 78.02, -8.78, 59.7

 

CMYK 0 / 10 / 96 / 46

HEX #897B05

RGB 137 123 5

HSL 53.64, 0.93%, 0.28%

LAB 51.26, -5.87, 55.64

 

CMYK 0 / 13 / 100 / 53

HEX #786900

RGB 120 105 0

HSL 52.5, 1%, 0.24%

LAB 44.37, -3.95, 50.91

 

CMYK 0 / 16 / 100 / 60

HEX #675700

RGB 103 87 0

HSL 50.68, 1%, 0.2%

LAB 37.3, -1.82, 45.06

 

CMYK 0 / 20 / 100 / 66

HEX #564500

RGB 86 69 0

HSL 48.14, 1%, 0.17%

LAB 30, 0.45, 39

 

CMYK 0 / 26 / 100 / 73

HEX #453300

RGB 69 51 0

HSL 44.35, 1%, 0.14%

LAB 22.42, 2.91, 31.37

 

CMYK 0 / 10 / 97 / 46

HEX #897B04

RGB 137 123 4

HSL 53.68, 0.94%, 0.28%

LAB 51.26, -5.89, 55.83

 

CMYK 0 / 36 / 97 / 46

HEX #895704

RGB 137 87 4

HSL 37.44, 0.94%, 0.28%

LAB 41.44, 14.86, 48.72

 

CMYK 0 / 62 / 97 / 46

HEX #893404

RGB 137 52 4

HSL 21.65, 0.94%, 0.28%

LAB 33.53, 34.3, 43.4

 

CMYK 0 / 88 / 97 / 46

HEX #891004

RGB 137 16 4

HSL 5.41, 0.94%, 0.28%

LAB 28.64, 47.69, 39.93

 

CMYK 0 / 97 / 97 / 46

HEX #890404

RGB 137 4 4

HSL 0, 0.94%, 0.28%

LAB 27.88, 49.86, 39.31

 

CMYK 0 / 10 / 97 / 46

HEX #897B04

RGB 137 123 4

HSL 53.68, 0.94%, 0.28%

LAB 51.26, -5.89, 55.83

 

CMYK 15 / 0 / 97 / 46

HEX #748904

RGB 116 137 4

HSL 69.47, 0.94%, 0.28%

LAB 53.61, -23.01, 56.83

 

CMYK 42 / 0 / 97 / 46

HEX #508904

RGB 80 137 4

HSL 85.71, 0.94%, 0.28%

LAB 51.39, -37.73, 54.13

 

CMYK 68 / 0 / 97 / 46

HEX #2C8904

RGB 44 137 4

HSL 101.95, 0.94%, 0.28%

LAB 50.02, -48.48, 52.46

 

CMYK 94 / 0 / 97 / 46

HEX #088904

RGB 8 137 4

HSL 118.2, 0.94%, 0.28%

LAB 49.44, -53.59, 51.74

 

CMYK 0 / 10 / 97 / 46

HEX #897B04

RGB 137 123 4

HSL 53.68, 0.94%, 0.28%

LAB 51.26, -5.89, 55.83

 

CMYK 0 / 10 / 97 / 46

HEX #897B04

RGB 137 123 4

HSL 53.68, 0.94%, 0.28%

LAB 51.26, -5.89, 55.83

 

CMYK 0 / 10 / 87 / 51

HEX #7E7210

RGB 126 114 16

HSL 53.45, 0.77%, 0.28%

LAB 47.63, -5.8, 49.98

 

CMYK 0 / 8 / 75 / 55

HEX #72691C

RGB 114 105 28

HSL 53.72, 0.61%, 0.28%

LAB 43.89, -5.94, 42.11

 

CMYK 0 / 7 / 62 / 60

HEX #676027

RGB 103 96 39

HSL 53.44, 0.45%, 0.28%

LAB 40.24, -5.25, 32.87

 

CMYK 0 / 4 / 44 / 64

HEX #5B5733

RGB 91 87 51

HSL 54, 0.28%, 0.28%

LAB 36.52, -4.36, 21.48

 

CMYK 0 / 63 / 97 / 46

HEX #893304

RGB 137 51 4

HSL 21.2, 0.94%, 0.28%

LAB 33.34, 34.79, 43.28

 

CMYK 0 / 37 / 97 / 46

HEX #895604

RGB 137 86 4

HSL 36.99, 0.94%, 0.28%

LAB 41.19, 15.44, 48.54

 

CMYK 0 / 11 / 97 / 46

HEX #897A04

RGB 137 122 4

HSL 53.23, 0.94%, 0.28%

LAB 50.97, -5.33, 55.62

 

CMYK 15 / 0 / 97 / 46

HEX #758904

RGB 117 137 4

HSL 69.02, 0.94%, 0.28%

LAB 53.69, -22.57, 56.92

 

CMYK 40 / 0 / 97 / 46

HEX #528904

RGB 82 137 4

HSL 84.81, 0.94%, 0.28%

LAB 51.49, -36.99, 54.26

 

CMYK 0 / 10 / 97 / 77

HEX #3A3402

RGB 58 52 2

HSL 53.57, 0.93%, 0.12%

LAB 21.43, -3.61, 29.1

 

CMYK 0 / 10 / 97 / 62

HEX #615703

RGB 97 87 3

HSL 53.62, 0.94%, 0.2%

LAB 36.68, -4.74, 43.38

 

CMYK 0 / 10 / 97 / 46

HEX #897B04

RGB 137 123 4

HSL 53.68, 0.94%, 0.28%

LAB 51.26, -5.89, 55.83

 

CMYK 0 / 10 / 97 / 31

HEX #B19F06

RGB 177 159 6

HSL 53.68, 0.93%, 0.36%

LAB 65.09, -6.96, 67.46

 

CMYK 0 / 10 / 97 / 15

HEX #D9C307

RGB 217 195 7

HSL 53.71, 0.94%, 0.44%

LAB 78.34, -8.01, 78.73

 

CMYK 0 / 10 / 96 / 46

HEX #897B05

RGB 137 123 5

HSL 53.64, 0.93%, 0.28%

LAB 51.26, -5.87, 55.64

 

CMYK 97 / 0 / 88 / 46

HEX #048910

RGB 4 137 16

HSL 125.41, 0.94%, 0.28%

LAB 49.44, -53.43, 49.38

 

CMYK 50 / 97 / 0 / 46

HEX #450489

RGB 69 4 137

HSL 269.32, 0.94%, 0.28%

LAB 20.67, 51.67, -57.44

 

CMYK 0 / 10 / 96 / 46

HEX #897B05

RGB 137 123 5

HSL 53.64, 0.93%, 0.28%

LAB 51.26, -5.87, 55.64

 

CMYK 97 / 0 / 11 / 46

HEX #04897A

RGB 4 137 122

HSL 173.23, 0.94%, 0.28%

LAB 51.06, -34.73, -0.81

 

CMYK 11 / 97 / 0 / 46

HEX #7A0489

RGB 122 4 137

HSL 293.23, 0.94%, 0.28%

LAB 29.49, 58.77, -42.66

 

CMYK 0 / 10 / 96 / 46

HEX #897B05

RGB 137 123 5

HSL 53.64, 0.93%, 0.28%

LAB 51.26, -5.87, 55.64

 

CMYK 97 / 0 / 88 / 46

HEX #048910

RGB 4 137 16

HSL 125.41, 0.94%, 0.28%

LAB 49.44, -53.43, 49.38

 

CMYK 97 / 85 / 0 / 46

HEX #041489

RGB 4 20 137

HSL 232.78, 0.94%, 0.28%

LAB 17.14, 42.16, -63.44

 

CMYK 0 / 97 / 8 / 46

HEX #89047E

RGB 137 4 126

HSL 304.96, 0.94%, 0.28%

LAB 31.6, 59.65, -32.23

 

CMYK 0 / 10 / 96 / 46

HEX #897B05

RGB 137 123 5

HSL 53.64, 0.93%, 0.28%

LAB 51.26, -5.87, 55.64

 

CMYK 97 / 0 / 60 / 46

HEX #048937

RGB 4 137 55

HSL 143.01, 0.94%, 0.28%

LAB 49.73, -49.78, 34.7

 

CMYK 97 / 85 / 0 / 46

HEX #041489

RGB 4 20 137

HSL 232.78, 0.94%, 0.28%

LAB 17.14, 42.16, -63.44

 

CMYK 0 / 97 / 37 / 46

HEX #890456

RGB 137 4 86

HSL 323.01, 0.94%, 0.28%

LAB 29.61, 54.53, -9.58

 

Description

Color code: HEX #897B05 | qconv.com Color code: HEX #897B05 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 123 green and 5 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 123 5 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 96 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 96% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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