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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #897CA5 it is the complementary color #76835A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #897CA5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #897CA5 shade: #8E7CA0, #9F8EB3, #B0A0C6, #C1B2D9 and #D2C4EC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #897CA5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #897CA5 shade: #897CA5, #786A92, #67587F, #56466C and #453459

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #897CA5 shade: #897CA6, #947CA6, #A07CA6, #A67CA0 and #A67C95

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #897CA5 shade: #897CA6, #7E7CA6 and #7C7CA6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #897CA5 shade matches the following richer shades: #897CA6, #836AB7, #7C59C9, #7647DB and #6F35ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #897CA5 shade: #897CA6, #908E94, #969F82, #9DB170 and #A3C35F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #897CA5 shade: #7C85A6, #7E7CA6, #897CA6, #947CA6 and #9F7CA6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #897CA5 shade: #60547B, #746594, #897CA6, #9F95B6 and #B5ADC7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #897CA5 shade: #897CA5, #A67C90 and #7FA67C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #897CA5 shade: #897CA5, #A6897C and #7CA689

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #897CA5 shade: #897CA5, #A67C90, #98A67C and #7CA692

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #897CA5 shade: #897CA5, #A67C84, #98A67C and #7CA69E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 25 / 0 / 35

HEX #897CA5

RGB 137 124 165

HSL 259.02, 0.19%, 0.57%

LAB 54.5, 13.52, -20.05

 

Complementary color

CMYK 10 / 0 / 31 / 49

HEX #76835A

RGB 118 131 90

HSL 79.02, 0.19%, 0.43%

LAB 52.75, -12.27, 20.64

 

CMYK 11 / 23 / 0 / 37

HEX #8E7CA0

RGB 142 124 160

HSL 270, 0.16%, 0.56%

LAB 54.77, 14.08, -16.72

 

CMYK 11 / 21 / 0 / 30

HEX #9F8EB3

RGB 159 142 179

HSL 267.57, 0.2%, 0.63%

LAB 61.63, 13.61, -17.03

 

CMYK 11 / 19 / 0 / 22

HEX #B0A0C6

RGB 176 160 198

HSL 265.26, 0.25%, 0.7%

LAB 68.35, 13.19, -17.35

 

CMYK 11 / 18 / 0 / 15

HEX #C1B2D9

RGB 193 178 217

HSL 263.08, 0.34%, 0.77%

LAB 74.94, 12.8, -17.68

 

CMYK 11 / 17 / 0 / 7

HEX #D2C4EC

RGB 210 196 236

HSL 261, 0.51%, 0.85%

LAB 81.42, 12.44, -18.01

 

CMYK 17 / 25 / 0 / 35

HEX #897CA5

RGB 137 124 165

HSL 259.02, 0.19%, 0.57%

LAB 54.5, 13.52, -20.05

 

CMYK 18 / 27 / 0 / 43

HEX #786A92

RGB 120 106 146

HSL 261, 0.16%, 0.49%

LAB 47.46, 14.05, -19.85

 

CMYK 19 / 31 / 0 / 50

HEX #67587F

RGB 103 88 127

HSL 263.08, 0.18%, 0.42%

LAB 40.24, 14.64, -19.68

 

CMYK 20 / 35 / 0 / 58

HEX #56466C

RGB 86 70 108

HSL 265.26, 0.21%, 0.35%

LAB 32.79, 15.33, -19.54

 

CMYK 22 / 42 / 0 / 65

HEX #453459

RGB 69 52 89

HSL 267.57, 0.26%, 0.28%

LAB 25.08, 16.14, -19.46

 

CMYK 17 / 25 / 0 / 35

HEX #897CA6

RGB 137 124 166

HSL 258.57, 0.19%, 0.57%

LAB 54.54, 13.76, -20.57

 

CMYK 11 / 25 / 0 / 35

HEX #947CA6

RGB 148 124 166

HSL 274.29, 0.19%, 0.57%

LAB 55.55, 17.44, -18.94

 

CMYK 4 / 25 / 0 / 35

HEX #A07CA6

RGB 160 124 166

HSL 291.43, 0.19%, 0.57%

LAB 56.72, 21.53, -17.04

 

CMYK 0 / 25 / 4 / 35

HEX #A67CA0

RGB 166 124 160

HSL 308.57, 0.19%, 0.57%

LAB 57.13, 22.45, -12.91

 

CMYK 0 / 25 / 10 / 35

HEX #A67C95

RGB 166 124 149

HSL 324.29, 0.19%, 0.57%

LAB 56.77, 20.42, -7.09

 

CMYK 17 / 25 / 0 / 35

HEX #897CA6

RGB 137 124 166

HSL 258.57, 0.19%, 0.57%

LAB 54.54, 13.76, -20.57

 

CMYK 24 / 25 / 0 / 35

HEX #7E7CA6

RGB 126 124 166

HSL 242.86, 0.19%, 0.57%

LAB 53.6, 10.17, -22.09

 

CMYK 25 / 25 / 0 / 35

HEX #7C7CA6

RGB 124 124 166

HSL 240, 0.19%, 0.57%

LAB 53.44, 9.54, -22.35

 

CMYK 17 / 25 / 0 / 35

HEX #897CA6

RGB 137 124 166

HSL 258.57, 0.19%, 0.57%

LAB 54.54, 13.76, -20.57

 

CMYK 28 / 42 / 0 / 28

HEX #836AB7

RGB 131 106 183

HSL 259.48, 0.35%, 0.57%

LAB 50.16, 26.69, -37.26

 

CMYK 38 / 56 / 0 / 21

HEX #7C59C9

RGB 124 89 201

HSL 258.75, 0.51%, 0.57%

LAB 46.51, 39.54, -53.51

 

CMYK 46 / 68 / 0 / 14

HEX #7647DB

RGB 118 71 219

HSL 259.05, 0.67%, 0.57%

LAB 43.47, 53.03, -68.79

 

CMYK 53 / 78 / 0 / 7

HEX #6F35ED

RGB 111 53 237

HSL 258.91, 0.84%, 0.57%

LAB 41.28, 65.2, -82.63

 

CMYK 17 / 25 / 0 / 35

HEX #897CA6

RGB 137 124 166

HSL 258.57, 0.19%, 0.57%

LAB 54.54, 13.76, -20.57

 

CMYK 3 / 4 / 0 / 42

HEX #908E94

RGB 144 142 148

HSL 260, 0.03%, 0.57%

LAB 59.36, 1.92, -2.93

 

CMYK 6 / 0 / 18 / 38

HEX #969F82

RGB 150 159 130

HSL 78.62, 0.13%, 0.57%

LAB 64.07, -8.52, 14.07

 

CMYK 11 / 0 / 37 / 31

HEX #9DB170

RGB 157 177 112

HSL 78.46, 0.29%, 0.57%

LAB 69.31, -17.91, 31.01

 

CMYK 16 / 0 / 51 / 24

HEX #A3C35F

RGB 163 195 95

HSL 79.2, 0.45%, 0.57%

LAB 74.6, -26.47, 46.26

 

CMYK 25 / 20 / 0 / 35

HEX #7C85A6

RGB 124 133 166

HSL 227.14, 0.19%, 0.57%

LAB 55.9, 4.27, -18.59

 

CMYK 24 / 25 / 0 / 35

HEX #7E7CA6

RGB 126 124 166

HSL 242.86, 0.19%, 0.57%

LAB 53.6, 10.17, -22.09

 

CMYK 17 / 25 / 0 / 35

HEX #897CA6

RGB 137 124 166

HSL 258.57, 0.19%, 0.57%

LAB 54.54, 13.76, -20.57

 

CMYK 11 / 25 / 0 / 35

HEX #947CA6

RGB 148 124 166

HSL 274.29, 0.19%, 0.57%

LAB 55.55, 17.44, -18.94

 

CMYK 4 / 25 / 0 / 35

HEX #9F7CA6

RGB 159 124 166

HSL 290, 0.19%, 0.57%

LAB 56.62, 21.19, -17.21

 

CMYK 22 / 32 / 0 / 52

HEX #60547B

RGB 96 84 123

HSL 258.46, 0.19%, 0.41%

LAB 38.3, 13.74, -20.27

 

CMYK 22 / 32 / 0 / 42

HEX #746594

RGB 116 101 148

HSL 259.15, 0.19%, 0.49%

LAB 45.85, 16.22, -23.56

 

CMYK 17 / 25 / 0 / 35

HEX #897CA6

RGB 137 124 166

HSL 258.57, 0.19%, 0.57%

LAB 54.54, 13.76, -20.57

 

CMYK 13 / 18 / 0 / 29

HEX #9F95B6

RGB 159 149 182

HSL 258.18, 0.18%, 0.65%

LAB 63.54, 10.29, -15.82

 

CMYK 9 / 13 / 0 / 22

HEX #B5ADC7

RGB 181 173 199

HSL 258.46, 0.19%, 0.73%

LAB 72.12, 7.87, -12.19

 

CMYK 17 / 25 / 0 / 35

HEX #897CA5

RGB 137 124 165

HSL 259.02, 0.19%, 0.57%

LAB 54.5, 13.52, -20.05

 

CMYK 0 / 25 / 13 / 35

HEX #A67C90

RGB 166 124 144

HSL 331.43, 0.19%, 0.57%

LAB 56.62, 19.55, -4.42

 

CMYK 23 / 0 / 25 / 35

HEX #7FA67C

RGB 127 166 124

HSL 115.71, 0.19%, 0.57%

LAB 64.35, -21.67, 17.54

 

CMYK 17 / 25 / 0 / 35

HEX #897CA5

RGB 137 124 165

HSL 259.02, 0.19%, 0.57%

LAB 54.5, 13.52, -20.05

 

CMYK 0 / 17 / 25 / 35

HEX #A6897C

RGB 166 137 124

HSL 18.57, 0.19%, 0.57%

LAB 59.39, 8.95, 11.09

 

CMYK 25 / 0 / 17 / 35

HEX #7CA689

RGB 124 166 137

HSL 138.57, 0.19%, 0.57%

LAB 64.45, -20.29, 10.46

 

CMYK 17 / 25 / 0 / 35

HEX #897CA5

RGB 137 124 165

HSL 259.02, 0.19%, 0.57%

LAB 54.5, 13.52, -20.05

 

CMYK 0 / 25 / 13 / 35

HEX #A67C90

RGB 166 124 144

HSL 331.43, 0.19%, 0.57%

LAB 56.62, 19.55, -4.42

 

CMYK 8 / 0 / 25 / 35

HEX #98A67C

RGB 152 166 124

HSL 80, 0.19%, 0.57%

LAB 66.06, -12.44, 20.16

 

CMYK 25 / 0 / 12 / 35

HEX #7CA692

RGB 124 166 146

HSL 151.43, 0.19%, 0.57%

LAB 64.67, -18.48, 5.76

 

CMYK 17 / 25 / 0 / 35

HEX #897CA5

RGB 137 124 165

HSL 259.02, 0.19%, 0.57%

LAB 54.5, 13.52, -20.05

 

CMYK 0 / 25 / 20 / 35

HEX #A67C84

RGB 166 124 132

HSL 348.57, 0.19%, 0.57%

LAB 56.28, 17.55, 2.03

 

CMYK 8 / 0 / 25 / 35

HEX #98A67C

RGB 152 166 124

HSL 80, 0.19%, 0.57%

LAB 66.06, -12.44, 20.16

 

CMYK 25 / 0 / 5 / 35

HEX #7CA69E

RGB 124 166 158

HSL 168.57, 0.19%, 0.57%

LAB 64.98, -15.9, -0.48

 

Description

Color code: HEX #897CA5 | qconv.com Color code: HEX #897CA5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 124 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 124 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 25 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 25% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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