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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #898718 it is the complementary color #7678E7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #898718. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #898718 shade: #8E8713, #9F9926, #B0AB39, #C1BD4C and #D2CF5F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #898718. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #898718 shade: #898718, #787505, #676300, #565100 and #453F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #898718 shade: #8A8818, #8A6918, #8A4B18, #8A2C18 and #8A1818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #898718 shade: #8A8818, #6D8A18, #4F8A18, #308A18 and #188A1F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #898718 shade matches the following richer shades: #8A8818 and #97950B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #898718 shade: #8A8818, #7D7B25, #706F32, #636240 and #55554D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #898718 shade: #8A4918, #8A6818, #8A8618, #708A18 and #518A18

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #898718 shade: #44430C, #676612, #8A8818, #ADAB1E and #D0CD24

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #898718 shade: #898718, #188A2B and #59188A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #898718 shade: #898718, #188A86 and #86188A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #898718 shade: #898718, #188A2B, #181C8A and #8A1877

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #898718 shade: #898718, #188A4D, #181C8A and #8A1855

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 82 / 46

HEX #898718

RGB 137 135 24

HSL 58.94, 0.7%, 0.32%

LAB 54.77, -11.97, 54.24

 

Complementary color

CMYK 49 / 48 / 0 / 9

HEX #7678E7

RGB 118 120 231

HSL 238.94, 0.7%, 0.68%

LAB 55.13, 28.51, -56.73

 

CMYK 0 / 5 / 87 / 44

HEX #8E8713

RGB 142 135 19

HSL 56.59, 0.76%, 0.32%

LAB 55.2, -9.82, 56.12

 

CMYK 0 / 4 / 76 / 38

HEX #9F9926

RGB 159 153 38

HSL 57.02, 0.61%, 0.39%

LAB 61.91, -11.07, 56.93

 

CMYK 0 / 3 / 68 / 31

HEX #B0AB39

RGB 176 171 57

HSL 57.48, 0.51%, 0.46%

LAB 68.5, -12.06, 56.73

 

CMYK 0 / 2 / 61 / 24

HEX #C1BD4C

RGB 193 189 76

HSL 57.95, 0.49%, 0.53%

LAB 74.99, -12.87, 56.01

 

CMYK 0 / 1 / 55 / 18

HEX #D2CF5F

RGB 210 207 95

HSL 58.43, 0.56%, 0.6%

LAB 81.38, -13.54, 55.04

 

CMYK 0 / 1 / 82 / 46

HEX #898718

RGB 137 135 24

HSL 58.94, 0.7%, 0.32%

LAB 54.77, -11.97, 54.24

 

CMYK 0 / 3 / 96 / 53

HEX #787505

RGB 120 117 5

HSL 58.43, 0.92%, 0.25%

LAB 47.91, -10.59, 52.4

 

CMYK 0 / 4 / 100 / 60

HEX #676300

RGB 103 99 0

HSL 57.67, 1%, 0.2%

LAB 40.91, -8.82, 47.65

 

CMYK 0 / 6 / 100 / 66

HEX #565100

RGB 86 81 0

HSL 56.51, 1%, 0.17%

LAB 33.7, -6.84, 41.67

 

CMYK 0 / 9 / 100 / 73

HEX #453F00

RGB 69 63 0

HSL 54.78, 1%, 0.14%

LAB 26.22, -4.75, 35.08

 

CMYK 0 / 1 / 83 / 46

HEX #8A8818

RGB 138 136 24

HSL 58.95, 0.7%, 0.32%

LAB 55.15, -12.05, 54.6

 

CMYK 0 / 24 / 83 / 46

HEX #8A6918

RGB 138 105 24

HSL 42.63, 0.7%, 0.32%

LAB 46.41, 5.33, 46.91

 

CMYK 0 / 46 / 83 / 46

HEX #8A4B18

RGB 138 75 24

HSL 26.84, 0.7%, 0.32%

LAB 38.73, 22.79, 39.91

 

CMYK 0 / 68 / 83 / 46

HEX #8A2C18

RGB 138 44 24

HSL 10.53, 0.7%, 0.32%

LAB 32.42, 38.95, 33.89

 

CMYK 0 / 83 / 83 / 46

HEX #8A1818

RGB 138 24 24

HSL 0, 0.7%, 0.32%

LAB 29.72, 46.39, 31.23

 

CMYK 0 / 1 / 83 / 46

HEX #8A8818

RGB 138 136 24

HSL 58.95, 0.7%, 0.32%

LAB 55.15, -12.05, 54.6

 

CMYK 21 / 0 / 83 / 46

HEX #6D8A18

RGB 109 138 24

HSL 75.26, 0.7%, 0.32%

LAB 53.49, -25.99, 52.27

 

CMYK 43 / 0 / 83 / 46

HEX #4F8A18

RGB 79 138 24

HSL 91.05, 0.7%, 0.32%

LAB 51.73, -37.82, 50.02

 

CMYK 65 / 0 / 83 / 46

HEX #308A18

RGB 48 138 24

HSL 107.37, 0.7%, 0.32%

LAB 50.54, -47.09, 48.48

 

CMYK 83 / 0 / 78 / 46

HEX #188A1F

RGB 24 138 31

HSL 123.68, 0.7%, 0.32%

LAB 50.06, -50.99, 45.53

 

CMYK 0 / 1 / 83 / 46

HEX #8A8818

RGB 138 136 24

HSL 58.95, 0.7%, 0.32%

LAB 55.15, -12.05, 54.6

 

CMYK 0 / 1 / 93 / 41

HEX #97950B

RGB 151 149 11

HSL 59.14, 0.86%, 0.32%

LAB 59.98, -13.36, 61.86

 

CMYK 0 / 1 / 83 / 46

HEX #8A8818

RGB 138 136 24

HSL 58.95, 0.7%, 0.32%

LAB 55.15, -12.05, 54.6

 

CMYK 0 / 2 / 70 / 51

HEX #7D7B25

RGB 125 123 37

HSL 58.64, 0.54%, 0.32%

LAB 50.29, -10.36, 45.06

 

CMYK 0 / 1 / 55 / 56

HEX #706F32

RGB 112 111 50

HSL 59.03, 0.38%, 0.32%

LAB 45.69, -8.69, 33.63

 

CMYK 0 / 1 / 35 / 61

HEX #636240

RGB 99 98 64

HSL 58.29, 0.21%, 0.32%

LAB 40.83, -5.51, 19.54

 

CMYK 0 / 0 / 9 / 67

HEX #55554D

RGB 85 85 77

HSL 60, 0.05%, 0.32%

LAB 35.92, -1.64, 4.67

 

CMYK 0 / 47 / 83 / 46

HEX #8A4918

RGB 138 73 24

HSL 25.79, 0.7%, 0.32%

LAB 38.26, 23.93, 39.47

 

CMYK 0 / 25 / 83 / 46

HEX #8A6818

RGB 138 104 24

HSL 42.11, 0.7%, 0.32%

LAB 46.14, 5.91, 46.67

 

CMYK 0 / 3 / 83 / 46

HEX #8A8618

RGB 138 134 24

HSL 57.89, 0.7%, 0.32%

LAB 54.57, -10.97, 54.1

 

CMYK 19 / 0 / 83 / 46

HEX #708A18

RGB 112 138 24

HSL 73.68, 0.7%, 0.32%

LAB 53.69, -24.7, 52.53

 

CMYK 41 / 0 / 83 / 46

HEX #518A18

RGB 81 138 24

HSL 90, 0.7%, 0.32%

LAB 51.83, -37.1, 50.15

 

CMYK 0 / 1 / 82 / 73

HEX #44430C

RGB 68 67 12

HSL 58.93, 0.7%, 0.16%

LAB 27.49, -7.15, 31.36

 

CMYK 0 / 1 / 83 / 60

HEX #676612

RGB 103 102 18

HSL 59.29, 0.7%, 0.24%

LAB 41.89, -9.97, 43.58

 

CMYK 0 / 1 / 83 / 46

HEX #8A8818

RGB 138 136 24

HSL 58.95, 0.7%, 0.32%

LAB 55.15, -12.05, 54.6

 

CMYK 0 / 1 / 83 / 32

HEX #ADAB1E

RGB 173 171 30

HSL 59.16, 0.7%, 0.4%

LAB 68.1, -14.54, 65.28

 

CMYK 0 / 1 / 83 / 18

HEX #D0CD24

RGB 208 205 36

HSL 58.95, 0.7%, 0.48%

LAB 80.29, -16.43, 75.27

 

CMYK 0 / 1 / 82 / 46

HEX #898718

RGB 137 135 24

HSL 58.94, 0.7%, 0.32%

LAB 54.77, -11.97, 54.24

 

CMYK 83 / 0 / 69 / 46

HEX #188A2B

RGB 24 138 43

HSL 130, 0.7%, 0.32%

LAB 50.15, -49.87, 40.83

 

CMYK 36 / 83 / 0 / 46

HEX #59188A

RGB 89 24 138

HSL 274.21, 0.7%, 0.32%

LAB 25.6, 48.87, -49.85

 

CMYK 0 / 1 / 82 / 46

HEX #898718

RGB 137 135 24

HSL 58.94, 0.7%, 0.32%

LAB 54.77, -11.97, 54.24

 

CMYK 83 / 0 / 3 / 46

HEX #188A86

RGB 24 138 134

HSL 177.89, 0.7%, 0.32%

LAB 51.94, -30.26, -6.47

 

CMYK 3 / 83 / 0 / 46

HEX #86188A

RGB 134 24 138

HSL 297.89, 0.7%, 0.32%

LAB 33.04, 57.28, -37.46

 

CMYK 0 / 1 / 82 / 46

HEX #898718

RGB 137 135 24

HSL 58.94, 0.7%, 0.32%

LAB 54.77, -11.97, 54.24

 

CMYK 83 / 0 / 69 / 46

HEX #188A2B

RGB 24 138 43

HSL 130, 0.7%, 0.32%

LAB 50.15, -49.87, 40.83

 

CMYK 83 / 80 / 0 / 46

HEX #181C8A

RGB 24 28 138

HSL 237.89, 0.7%, 0.32%

LAB 19.47, 39.07, -60.18

 

CMYK 0 / 83 / 14 / 46

HEX #8A1877

RGB 138 24 119

HSL 310, 0.7%, 0.32%

LAB 32.68, 55.11, -26.11

 

CMYK 0 / 1 / 82 / 46

HEX #898718

RGB 137 135 24

HSL 58.94, 0.7%, 0.32%

LAB 54.77, -11.97, 54.24

 

CMYK 83 / 0 / 44 / 46

HEX #188A4D

RGB 24 138 77

HSL 147.89, 0.7%, 0.32%

LAB 50.58, -44.76, 24.25

 

CMYK 83 / 80 / 0 / 46

HEX #181C8A

RGB 24 28 138

HSL 237.89, 0.7%, 0.32%

LAB 19.47, 39.07, -60.18

 

CMYK 0 / 83 / 38 / 46

HEX #8A1855

RGB 138 24 85

HSL 327.89, 0.7%, 0.32%

LAB 31.14, 50.71, -6.59

 

Description

Color code: HEX #898718 | qconv.com Color code: HEX #898718 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 135 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 135 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 82 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 82% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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