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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #89A21F it is the complementary color #765DE0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #89A21F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #89A21F shade: #8EA21A, #9FB42D, #B0C640, #C1D853 and #D2EA66

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #89A21F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #89A21F shade: #89A21F, #78900C, #677E00, #566C00 and #455A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #89A21F shade: #89A21F, #A2981F, #A2741F, #A2511F and #A22D1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #89A21F shade: #89A21F, #66A21F, #42A21F, #1FA21F and #1FA242

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #89A21F shade matches the following richer shades: #89A21F and #93B20F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #89A21F shade: #89A21F, #7F932E, #76833E, #6C734E and #62645D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #89A21F shade: #A2741F, #A2971F, #8AA21F, #67A21F and #44A21F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #89A21F shade: #4F5D11, #6C8018, #89A21F, #A6C525 and #BBD93A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #89A21F shade: #89A21F, #1FA251 and #861FA2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #89A21F shade: #89A21F, #1F8AA2 and #A21F8A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #89A21F shade: #89A21F, #1FA251, #371FA2 and #A21F70

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #89A21F shade: #89A21F, #1FA279, #371FA2 and #A21F48

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 81 / 36

HEX #89A21F

RGB 137 162 31

HSL 71.45, 0.68%, 0.38%

LAB 62.72, -25.58, 59.24

 

Complementary color

CMYK 47 / 58 / 0 / 12

HEX #765DE0

RGB 118 93 224

HSL 251.45, 0.68%, 0.62%

LAB 48.34, 42.36, -63.72

 

CMYK 12 / 0 / 84 / 36

HEX #8EA21A

RGB 142 162 26

HSL 68.82, 0.72%, 0.37%

LAB 63.07, -23.63, 61.02

 

CMYK 12 / 0 / 75 / 29

HEX #9FB42D

RGB 159 180 45

HSL 69.33, 0.6%, 0.44%

LAB 69.61, -24.51, 61.79

 

CMYK 11 / 0 / 68 / 22

HEX #B0C640

RGB 176 198 64

HSL 69.85, 0.54%, 0.51%

LAB 76.06, -25.2, 61.67

 

CMYK 11 / 0 / 62 / 15

HEX #C1D853

RGB 193 216 83

HSL 70.38, 0.63%, 0.59%

LAB 82.42, -25.74, 61.08

 

CMYK 10 / 0 / 56 / 8

HEX #D2EA66

RGB 210 234 102

HSL 70.91, 0.76%, 0.66%

LAB 88.69, -26.18, 60.22

 

CMYK 15 / 0 / 81 / 36

HEX #89A21F

RGB 137 162 31

HSL 71.45, 0.68%, 0.38%

LAB 62.72, -25.58, 59.24

 

CMYK 17 / 0 / 92 / 44

HEX #78900C

RGB 120 144 12

HSL 70.91, 0.85%, 0.31%

LAB 56.05, -24.59, 57.54

 

CMYK 18 / 0 / 100 / 51

HEX #677E00

RGB 103 126 0

HSL 70.95, 1%, 0.25%

LAB 49.26, -23.32, 53.85

 

CMYK 20 / 0 / 100 / 58

HEX #566C00

RGB 86 108 0

HSL 72.22, 1%, 0.21%

LAB 42.31, -21.77, 48.06

 

CMYK 23 / 0 / 100 / 65

HEX #455A00

RGB 69 90 0

HSL 74, 1%, 0.18%

LAB 35.16, -20.21, 42.1

 

CMYK 15 / 0 / 81 / 36

HEX #89A21F

RGB 137 162 31

HSL 71.45, 0.68%, 0.38%

LAB 62.72, -25.58, 59.24

 

CMYK 0 / 6 / 81 / 36

HEX #A2981F

RGB 162 152 31

HSL 55.42, 0.68%, 0.38%

LAB 61.86, -9.46, 59.24

 

CMYK 0 / 28 / 81 / 36

HEX #A2741F

RGB 162 116 31

HSL 38.93, 0.68%, 0.38%

LAB 52.14, 10.43, 50.55

 

CMYK 0 / 50 / 81 / 36

HEX #A2511F

RGB 162 81 31

HSL 22.9, 0.68%, 0.38%

LAB 43.75, 30.07, 42.74

 

CMYK 0 / 72 / 81 / 36

HEX #A22D1F

RGB 162 45 31

HSL 6.41, 0.68%, 0.38%

LAB 37.22, 47.18, 36.37

 

CMYK 15 / 0 / 81 / 36

HEX #89A21F

RGB 137 162 31

HSL 71.45, 0.68%, 0.38%

LAB 62.72, -25.58, 59.24

 

CMYK 37 / 0 / 81 / 36

HEX #66A21F

RGB 102 162 31

HSL 87.48, 0.68%, 0.38%

LAB 60.57, -39.52, 56.49

 

CMYK 59 / 0 / 81 / 36

HEX #42A21F

RGB 66 162 31

HSL 103.97, 0.68%, 0.38%

LAB 59.06, -50.89, 54.54

 

CMYK 81 / 0 / 81 / 36

HEX #1FA21F

RGB 31 162 31

HSL 120, 0.68%, 0.38%

LAB 58.26, -57.7, 53.49

 

CMYK 81 / 0 / 59 / 36

HEX #1FA242

RGB 31 162 66

HSL 136.03, 0.68%, 0.38%

LAB 58.53, -54.29, 39.76

 

CMYK 15 / 0 / 81 / 36

HEX #89A21F

RGB 137 162 31

HSL 71.45, 0.68%, 0.38%

LAB 62.72, -25.58, 59.24

 

CMYK 17 / 0 / 92 / 30

HEX #93B20F

RGB 147 178 15

HSL 71.41, 0.84%, 0.38%

LAB 68.08, -29.56, 67.51

 

CMYK 15 / 0 / 81 / 36

HEX #89A21F

RGB 137 162 31

HSL 71.45, 0.68%, 0.38%

LAB 62.72, -25.58, 59.24

 

CMYK 14 / 0 / 69 / 42

HEX #7F932E

RGB 127 147 46

HSL 71.88, 0.52%, 0.38%

LAB 57.63, -21.59, 48.85

 

CMYK 10 / 0 / 53 / 49

HEX #76833E

RGB 118 131 62

HSL 71.3, 0.36%, 0.38%

LAB 52.32, -15.81, 35.33

 

CMYK 6 / 0 / 32 / 55

HEX #6C734E

RGB 108 115 78

HSL 71.35, 0.19%, 0.38%

LAB 46.97, -9.34, 19.64

 

CMYK 2 / 0 / 7 / 61

HEX #62645D

RGB 98 100 93

HSL 77.14, 0.04%, 0.38%

LAB 42, -2.21, 3.69

 

CMYK 0 / 28 / 81 / 36

HEX #A2741F

RGB 162 116 31

HSL 38.93, 0.68%, 0.38%

LAB 52.14, 10.43, 50.55

 

CMYK 0 / 7 / 81 / 36

HEX #A2971F

RGB 162 151 31

HSL 54.96, 0.68%, 0.38%

LAB 61.58, -8.93, 58.99

 

CMYK 15 / 0 / 81 / 36

HEX #8AA21F

RGB 138 162 31

HSL 70.99, 0.68%, 0.38%

LAB 62.8, -25.16, 59.33

 

CMYK 36 / 0 / 81 / 36

HEX #67A21F

RGB 103 162 31

HSL 87.02, 0.68%, 0.38%

LAB 60.63, -39.16, 56.55

 

CMYK 58 / 0 / 81 / 36

HEX #44A21F

RGB 68 162 31

HSL 103.05, 0.68%, 0.38%

LAB 59.13, -50.36, 54.63

 

CMYK 15 / 0 / 82 / 64

HEX #4F5D11

RGB 79 93 17

HSL 71.05, 0.69%, 0.22%

LAB 36.99, -16.45, 38.69

 

CMYK 16 / 0 / 81 / 50

HEX #6C8018

RGB 108 128 24

HSL 71.54, 0.68%, 0.3%

LAB 50.33, -21.4, 49.4

 

CMYK 15 / 0 / 81 / 36

HEX #89A21F

RGB 137 162 31

HSL 71.45, 0.68%, 0.38%

LAB 62.72, -25.58, 59.24

 

CMYK 16 / 0 / 81 / 23

HEX #A6C525

RGB 166 197 37

HSL 71.63, 0.68%, 0.46%

LAB 74.93, -30.11, 69.18

 

CMYK 14 / 0 / 73 / 15

HEX #BBD93A

RGB 187 217 58

HSL 71.32, 0.68%, 0.54%

LAB 82.11, -30.11, 70.04

 

CMYK 15 / 0 / 81 / 36

HEX #89A21F

RGB 137 162 31

HSL 71.45, 0.68%, 0.38%

LAB 62.72, -25.58, 59.24

 

CMYK 81 / 0 / 50 / 36

HEX #1FA251

RGB 31 162 81

HSL 142.9, 0.68%, 0.38%

LAB 58.72, -52.04, 32.53

 

CMYK 17 / 81 / 0 / 36

HEX #861FA2

RGB 134 31 162

HSL 287.18, 0.68%, 0.38%

LAB 35.32, 59.66, -48.48

 

CMYK 15 / 0 / 81 / 36

HEX #89A21F

RGB 137 162 31

HSL 71.45, 0.68%, 0.38%

LAB 62.72, -25.58, 59.24

 

CMYK 81 / 15 / 0 / 36

HEX #1F8AA2

RGB 31 138 162

HSL 190.99, 0.68%, 0.38%

LAB 53.03, -20.48, -21.04

 

CMYK 0 / 81 / 15 / 36

HEX #A21F8A

RGB 162 31 138

HSL 310.99, 0.68%, 0.38%

LAB 38.72, 61.43, -28.15

 

CMYK 15 / 0 / 81 / 36

HEX #89A21F

RGB 137 162 31

HSL 71.45, 0.68%, 0.38%

LAB 62.72, -25.58, 59.24

 

CMYK 81 / 0 / 50 / 36

HEX #1FA251

RGB 31 162 81

HSL 142.9, 0.68%, 0.38%

LAB 58.72, -52.04, 32.53

 

CMYK 66 / 81 / 0 / 36

HEX #371FA2

RGB 55 31 162

HSL 250.99, 0.68%, 0.38%

LAB 24.95, 47.83, -65.84

 

CMYK 0 / 81 / 31 / 36

HEX #A21F70

RGB 162 31 112

HSL 322.9, 0.68%, 0.38%

LAB 37.54, 58.03, -13.81

 

CMYK 15 / 0 / 81 / 36

HEX #89A21F

RGB 137 162 31

HSL 71.45, 0.68%, 0.38%

LAB 62.72, -25.58, 59.24

 

CMYK 81 / 0 / 25 / 36

HEX #1FA279

RGB 31 162 121

HSL 161.22, 0.68%, 0.38%

LAB 59.45, -43.83, 11.82

 

CMYK 66 / 81 / 0 / 36

HEX #371FA2

RGB 55 31 162

HSL 250.99, 0.68%, 0.38%

LAB 24.95, 47.83, -65.84

 

CMYK 0 / 81 / 56 / 36

HEX #A21F48

RGB 162 31 72

HSL 341.22, 0.68%, 0.38%

LAB 36.23, 54.12, 9.86

 

Description

Color code: HEX #89A21F | qconv.com Color code: HEX #89A21F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 162 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 162 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 81 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 81% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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