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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #89ADA2 it is the complementary color #76525D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #89ADA2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #89ADA2 shade: #8EAD9D, #9FBFB0, #B0D1C3, #C1E3D6 and #D2F5E9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #89ADA2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #89ADA2 shade: #89ADA2, #789B8F, #67897C, #567769 and #456556

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #89ADA2 shade: #89ADA2, #89AD98, #89AD8F, #8DAD89 and #97AD89

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #89ADA2 shade: #89ADA2, #89ADAC, #89A5AD, #899BAD and #8991AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #89ADA2 shade matches the following richer shades: #89ADA2, #79BDA8, #69CDAF, #59DDB5 and #49EDBB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #89ADA2 shade: #89ADA2, #999D9C, #A98D95, #B97D8F and #CA6D89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #89ADA2 shade: #89AD8F, #89AD98, #89ADA2, #89ADAB and #89A5AD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #89ADA2 shade: #5D867A, #719C8F, #89ADA2, #A1BEB5 and #BACFC8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #89ADA2 shade: #89ADA2, #898DAD and #AD9389

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #89ADA2 shade: #89ADA2, #A289AD and #ADA289

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #89ADA2 shade: #89ADA2, #898DAD, #AD8994 and #ADA989

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #89ADA2 shade: #89ADA2, #9089AD, #AD8994 and #A6AD89

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 6 / 32

HEX #89ADA2

RGB 137 173 162

HSL 161.67, 0.18%, 0.61%

LAB 67.88, -14.52, 1.62

 

Complementary color

CMYK 0 / 31 / 21 / 54

HEX #76525D

RGB 118 82 93

HSL 341.67, 0.18%, 0.39%

LAB 39.03, 16.83, -0.37

 

CMYK 18 / 0 / 9 / 32

HEX #8EAD9D

RGB 142 173 157

HSL 149.03, 0.16%, 0.62%

LAB 68.07, -13.88, 4.7

 

CMYK 17 / 0 / 8 / 25

HEX #9FBFB0

RGB 159 191 176

HSL 151.88, 0.2%, 0.69%

LAB 74.68, -13.78, 3.97

 

CMYK 16 / 0 / 7 / 18

HEX #B0D1C3

RGB 176 209 195

HSL 154.55, 0.26%, 0.75%

LAB 81.17, -13.7, 3.28

 

CMYK 15 / 0 / 6 / 11

HEX #C1E3D6

RGB 193 227 214

HSL 157.06, 0.38%, 0.82%

LAB 87.55, -13.63, 2.61

 

CMYK 14 / 0 / 5 / 4

HEX #D2F5E9

RGB 210 245 233

HSL 159.43, 0.64%, 0.89%

LAB 93.84, -13.58, 1.97

 

CMYK 21 / 0 / 6 / 32

HEX #89ADA2

RGB 137 173 162

HSL 161.67, 0.18%, 0.61%

LAB 67.88, -14.52, 1.62

 

CMYK 23 / 0 / 8 / 39

HEX #789B8F

RGB 120 155 143

HSL 159.43, 0.15%, 0.54%

LAB 61.15, -14.66, 2.33

 

CMYK 25 / 0 / 9 / 46

HEX #67897C

RGB 103 137 124

HSL 157.06, 0.14%, 0.47%

LAB 54.27, -14.82, 3.09

 

CMYK 28 / 0 / 12 / 53

HEX #567769

RGB 86 119 105

HSL 154.55, 0.16%, 0.4%

LAB 47.23, -15.01, 3.9

 

CMYK 32 / 0 / 15 / 60

HEX #456556

RGB 69 101 86

HSL 151.88, 0.19%, 0.33%

LAB 39.99, -15.24, 4.79

 

CMYK 21 / 0 / 6 / 32

HEX #89ADA2

RGB 137 173 162

HSL 161.67, 0.18%, 0.61%

LAB 67.88, -14.52, 1.62

 

CMYK 21 / 0 / 12 / 32

HEX #89AD98

RGB 137 173 152

HSL 145, 0.18%, 0.61%

LAB 67.63, -16.57, 6.78

 

CMYK 21 / 0 / 17 / 32

HEX #89AD8F

RGB 137 173 143

HSL 130, 0.18%, 0.61%

LAB 67.42, -18.31, 11.45

 

CMYK 18 / 0 / 21 / 32

HEX #8DAD89

RGB 141 173 137

HSL 113.33, 0.18%, 0.61%

LAB 67.54, -18, 14.96

 

CMYK 13 / 0 / 21 / 32

HEX #97AD89

RGB 151 173 137

HSL 96.67, 0.18%, 0.61%

LAB 68.22, -14.39, 16

 

CMYK 21 / 0 / 6 / 32

HEX #89ADA2

RGB 137 173 162

HSL 161.67, 0.18%, 0.61%

LAB 67.88, -14.52, 1.62

 

CMYK 21 / 0 / 1 / 32

HEX #89ADAC

RGB 137 173 172

HSL 178.33, 0.18%, 0.61%

LAB 68.16, -12.36, -3.52

 

CMYK 21 / 5 / 0 / 32

HEX #89A5AD

RGB 137 165 173

HSL 193.33, 0.18%, 0.61%

LAB 65.94, -7.85, -7.35

 

CMYK 21 / 10 / 0 / 32

HEX #899BAD

RGB 137 155 173

HSL 210, 0.18%, 0.61%

LAB 63.16, -2.36, -11.51

 

CMYK 21 / 16 / 0 / 32

HEX #8991AD

RGB 137 145 173

HSL 226.67, 0.18%, 0.61%

LAB 60.41, 3.26, -15.64

 

CMYK 21 / 0 / 6 / 32

HEX #89ADA2

RGB 137 173 162

HSL 161.67, 0.18%, 0.61%

LAB 67.88, -14.52, 1.62

 

CMYK 36 / 0 / 11 / 26

HEX #79BDA8

RGB 121 189 168

HSL 161.47, 0.34%, 0.61%

LAB 71.75, -26.28, 3.82

 

CMYK 49 / 0 / 15 / 20

HEX #69CDAF

RGB 105 205 175

HSL 162, 0.5%, 0.61%

LAB 75.92, -36.49, 5.96

 

CMYK 60 / 0 / 18 / 13

HEX #59DDB5

RGB 89 221 181

HSL 161.82, 0.66%, 0.61%

LAB 80.28, -45.62, 8.93

 

CMYK 69 / 0 / 21 / 7

HEX #49EDBB

RGB 73 237 187

HSL 161.71, 0.82%, 0.61%

LAB 84.78, -53.55, 12.14

 

CMYK 21 / 0 / 6 / 32

HEX #89ADA2

RGB 137 173 162

HSL 161.67, 0.18%, 0.61%

LAB 67.88, -14.52, 1.62

 

CMYK 3 / 0 / 1 / 38

HEX #999D9C

RGB 153 157 156

HSL 165, 0.02%, 0.61%

LAB 64.39, -1.63, 0.01

 

CMYK 0 / 17 / 12 / 34

HEX #A98D95

RGB 169 141 149

HSL 342.86, 0.14%, 0.61%

LAB 61.36, 11.9, -0.3

 

CMYK 0 / 32 / 23 / 27

HEX #B97D8F

RGB 185 125 143

HSL 342, 0.3%, 0.61%

LAB 58.94, 25.89, -0.19

 

CMYK 0 / 46 / 32 / 21

HEX #CA6D89

RGB 202 109 137

HSL 341.94, 0.47%, 0.61%

LAB 57.37, 39.88, 1.25

 

CMYK 21 / 0 / 17 / 32

HEX #89AD8F

RGB 137 173 143

HSL 130, 0.18%, 0.61%

LAB 67.42, -18.31, 11.45

 

CMYK 21 / 0 / 12 / 32

HEX #89AD98

RGB 137 173 152

HSL 145, 0.18%, 0.61%

LAB 67.63, -16.57, 6.78

 

CMYK 21 / 0 / 6 / 32

HEX #89ADA2

RGB 137 173 162

HSL 161.67, 0.18%, 0.61%

LAB 67.88, -14.52, 1.62

 

CMYK 21 / 0 / 1 / 32

HEX #89ADAB

RGB 137 173 171

HSL 176.67, 0.18%, 0.61%

LAB 68.13, -12.59, -3.01

 

CMYK 21 / 5 / 0 / 32

HEX #89A5AD

RGB 137 165 173

HSL 193.33, 0.18%, 0.61%

LAB 65.94, -7.85, -7.35

 

CMYK 31 / 0 / 9 / 47

HEX #5D867A

RGB 93 134 122

HSL 162.44, 0.18%, 0.45%

LAB 52.71, -16.95, 1.91

 

CMYK 28 / 0 / 8 / 39

HEX #719C8F

RGB 113 156 143

HSL 161.86, 0.18%, 0.53%

LAB 61.02, -17.47, 2.09

 

CMYK 21 / 0 / 6 / 32

HEX #89ADA2

RGB 137 173 162

HSL 161.67, 0.18%, 0.61%

LAB 67.88, -14.52, 1.62

 

CMYK 15 / 0 / 5 / 25

HEX #A1BEB5

RGB 161 190 181

HSL 161.38, 0.18%, 0.69%

LAB 74.66, -11.61, 1.25

 

CMYK 10 / 0 / 3 / 19

HEX #BACFC8

RGB 186 207 200

HSL 160, 0.18%, 0.77%

LAB 81.42, -8.4, 1.06

 

CMYK 21 / 0 / 6 / 32

HEX #89ADA2

RGB 137 173 162

HSL 161.67, 0.18%, 0.61%

LAB 67.88, -14.52, 1.62

 

CMYK 21 / 18 / 0 / 32

HEX #898DAD

RGB 137 141 173

HSL 233.33, 0.18%, 0.61%

LAB 59.33, 5.54, -17.29

 

CMYK 0 / 15 / 21 / 32

HEX #AD9389

RGB 173 147 137

HSL 16.67, 0.18%, 0.61%

LAB 62.98, 8.08, 8.89

 

CMYK 21 / 0 / 6 / 32

HEX #89ADA2

RGB 137 173 162

HSL 161.67, 0.18%, 0.61%

LAB 67.88, -14.52, 1.62

 

CMYK 6 / 21 / 0 / 32

HEX #A289AD

RGB 162 137 173

HSL 281.67, 0.18%, 0.61%

LAB 60.42, 16.22, -15.43

 

CMYK 0 / 6 / 21 / 32

HEX #ADA289

RGB 173 162 137

HSL 41.67, 0.18%, 0.61%

LAB 66.92, -0.18, 14.45

 

CMYK 21 / 0 / 6 / 32

HEX #89ADA2

RGB 137 173 162

HSL 161.67, 0.18%, 0.61%

LAB 67.88, -14.52, 1.62

 

CMYK 21 / 18 / 0 / 32

HEX #898DAD

RGB 137 141 173

HSL 233.33, 0.18%, 0.61%

LAB 59.33, 5.54, -17.29

 

CMYK 0 / 21 / 14 / 32

HEX #AD8994

RGB 173 137 148

HSL 341.67, 0.18%, 0.61%

LAB 60.71, 15.48, -0.63

 

CMYK 0 / 2 / 21 / 32

HEX #ADA989

RGB 173 169 137

HSL 53.33, 0.18%, 0.61%

LAB 68.8, -3.96, 17.06

 

CMYK 21 / 0 / 6 / 32

HEX #89ADA2

RGB 137 173 162

HSL 161.67, 0.18%, 0.61%

LAB 67.88, -14.52, 1.62

 

CMYK 17 / 21 / 0 / 32

HEX #9089AD

RGB 144 137 173

HSL 251.67, 0.18%, 0.61%

LAB 58.82, 10.14, -18

 

CMYK 0 / 21 / 14 / 32

HEX #AD8994

RGB 173 137 148

HSL 341.67, 0.18%, 0.61%

LAB 60.71, 15.48, -0.63

 

CMYK 4 / 0 / 21 / 32

HEX #A6AD89

RGB 166 173 137

HSL 71.67, 0.18%, 0.61%

LAB 69.33, -8.78, 17.71

 

Description

Color code: HEX #89ADA2 | qconv.com Color code: HEX #89ADA2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 173 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 173 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 6 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 6% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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